Episodes
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In a special episode to round off Season 2, Stephen decides to spring a surprise pop quiz on Laura - or, as it's about the podcast, a pod quiz.
Play along to test your own knowledge of the previous episodes, and hear some of the best bits from our guests this season.
The podcast will return for Season 3 in the Spring, so make sure you're following on the socials to be the first to know when we're back!
Socials links:
www.instagram.com/openingcredits
www.tiktok.com/@weareopeningcredits
Hosted on Acast. See acast.com/privacy for more information.
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We're opening up another one of the big Art Department credits this week: the Art Director.
Ayden Millar chats with us about what the job involves, shares her advice to anyone who wants to follow in her footsteps, and speaks frankly about the importance of mental health in the film & TV industry.
Ayden will be joining us for a LIVE Q&A on Instagram very soon, so stick around to the end to hear how you can send your questions in, and make sure you're following on the socials!
Socials links:
www.instagram.com/openingcredits
www.tiktok.com/@weareopeningcredits
Hosted on Acast. See acast.com/privacy for more information.
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Missing episodes?
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Tim Simpson is the Creative Director at Plunge Creations, who are best known for making those crazy costumes on 'The Masked Singer' (UK).
Settle in for a bit of workshop ASMR as Tim takes Stephen on a tour of Plunge to meet some of the crew and see how the costumes are brought to life.
Tim then joins us to share some of the secrets of the show, and tells us about the other weird and wonderful things that he and his team are asked to make.
Head over to our socials to see a video tour of the workshop as well!
Socials links:
www.instagram.com/openingcredits
www.tiktok.com/@weareopeningcredits
Hosted on Acast. See acast.com/privacy for more information.
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Laura has returned from her first credits-digging expedition having successfully found the Graphic Artist for 'Hello Tomorrow!'
Max joins us from Austin, Texas, to not only tell us about creating the retro-futuristic world of Apple TV's sci-fi series, but also how he worked on HBO's 'Succession' and designed the famous logo for Logan Roy's company, Waystar Royco.
Make sure to follow us on the socials to see some of Max's designs!
Socials links:
www.instagram.com/openingcredits
www.tiktok.com/@weareopeningcredits
Hosted on Acast. See acast.com/privacy for more information.
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The podcast heads to Scotland this week to meet Glaswegian scenic painter and prop maker, Gary Loughran.
In this episode, Gary tells us why he loves making stuff look like other stuff for the big screen, using paint to turn rubber into wood, foam into marble, and polystyrene into stone.
Hear how Gary has brought props and sets to life on 'Dungeons & Dragons: Honour Among Thieves', 'Outlander,' and the cancelled 'Batgirl' movie.
Meanwhile, Laura gives an update on her first 'Laura Goes Digging' expedition, and debuts the (annoyingly catchy) jingle she's made for it.
Socials links:
www.instagram.com/openingcredits
www.tiktok.com/@weareopeningcredits
Hosted on Acast. See acast.com/privacy for more information.
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This week, we meet the head of the Art Department; the Production Designer.
And WHAT a Production Designer we have for you. Tom Bowyer is a hugely experienced, award-winning designer, with over 34 credits including 'Misfits,' 'Harlots' and 'The Capture.'
In this episode, Tom breaks down how an Art Department works, talks through his creative process, and answers some of your questions, giving his honest and practical advice to anyone looking to get into the film and television industry.
Any other film roles you have specific questions about? Slide into our DMs!
www.instagram.com/openingcredits
www.tiktok.com/@weareopeningcredits
or email
Hosted on Acast. See acast.com/privacy for more information.
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Natasha and Jack Carty are a creative power couple from Brisbane, Australia. Not only are they both graphic designers, but Natasha is also a talented illustrator and Jack is a successful singer/songwriter.
In this episode, Stephen and Laura chat to our first Aussie guests about their work in the film industry, and also their creative endeavours outside of it, as Tash and Jack are now combining their talents to create a new series of children’s books.
Socials links:
www.instagram.com/openingcredits
www.tiktok.com/@weareopeningcredits
'Time to Rest' children's book:
https://www.natashacarty.com/childrens-books
Hosted on Acast. See acast.com/privacy for more information.
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In this episode, Stephen is joined for the first time by his new co-host, Laura Whitehouse, who brings along Greens Team Supervisor, Bethany Spence.
Get ready to want to change your job once you discover the weird and wonderful world of greens - building natural environments for film sets - and how it's so much more than 'just plants.'
Hear how Beth creates everything from spooky tombs to alien planets for movies and shows including 'Star Wars: Andor,' 'Mary Poppins Returns' and 'Christopher Robin.'
Socials links:
www.instagram.com/openingcredits
www.tiktok.com/@weareopeningcredits
Hosted on Acast. See acast.com/privacy for more information.
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Join us for Part 2 of our night at the museum (of brands), recorded LIVE at the Graphics Union’s Golden Nib Awards 2023.
In this episode, Stephen is joined by our very first celebrity guest on the podcast: BBC Radio 1's resident film critic and host of the evening, Mr Ali Plumb!
Ali chats all things movies, the end of the strikes, Oscars buzz, and the interviews that made him.
Don't forget to check out Part 1 to hear from some of the winners of the evening.
Socials links:
www.instagram.com/openingcredits
www.tiktok.com/@weareopeningcredits
Hosted on Acast. See acast.com/privacy for more information.
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The podcast returns with the first of a two-part special, recorded live at the Graphics Union’s Golden Nib Awards 2023.
Join us for a night at the museum (of brands), and hear from some of the award winners as they join Stephen for a chat in the ‘Time Tunnel.’
Guests this episode include Drew George-Foster, who accepted the Best Contemporary Graphics in a TV Drama award of behalf of Jack Bowes for his work on Sex Education Season 4, and Alicia, Matilda and Maia, winners of the Best Contemporary Graphics in a Film for their work on a small movie you may have heard of called Barbie.
Stephen also runs into the winner of the Best Contractor Saviour award, Paul Taylor from Data Reprographics, the presenters of the Best Graphics Head of Department award, Lara and Nick from Displayways, and has a chat with the co-chairs of the Graphics Union, Andy Bottomley and Camise Oldfield.
Don't miss part 2, when Stephen talks all things movies with the host of the evening, BBC Radio 1's Ali Plumb!
Socials links:
www.instagram.com/openingcredits
www.tiktok.com/@weareopeningcredits
Graphics Union podcast episode:
https://shows.acast.com/openingcreditspodcast/episodes/655bcd2b6c959600128461c8
Hosted on Acast. See acast.com/privacy for more information.
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The OPENING CREDITS® podcast takes you behind-the-scenes of film & TV to explore the unseen world of filmmaking. Join detective-turned-film Graphic Designer, Stephen Nutley, as he meets the creatives who bring your favourite movies and shows to life. Whether you’re a movie buff who wants to learn more about film production, or a casual fan who is curious to know what goes on behind the camera, this podcast is a new way for you to meet the crew who are hidden in the credits.
Socials links:
www.instagram.com/openingcredits
www.tiktok.com/@weareopeningcredits
Hosted on Acast. See acast.com/privacy for more information.
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LA-based designer Tina Charad has worked on some of the biggest blockbuster films you could probably think of, including 'The Batman,' 'Once Upon a Time... in Hollywood,' 'Blonde,' 'Avengers: Infinity War,' 'La La Land,' 'Maleficent,' 'Pirates of the Caribbean,' to name but a few, and she’s most recently worked on 'The Lord of the Rings: The Rings of Power,' and Marvel’s 'Werewolf by Night.'
But, despite her impressive list of credits, Tina is not one to self-aggrandise. Instead, Tina talks to Stephen about the realities of her job - that it’s as much mundane as it is magical - and how she feels the glamour of the movies often disguises the reality of making them.
Tina tells us about her move from the UK to the US, from advertising to filmmaking, and offers her straightforward advice to any designers considering a similar change in their career.
Links:
Tina's website
www.tinacharad.com
Opening Credits Instagram
www.instagram.com/openingcredits
Creative Community - Join the Opening Credits network here
www.facebook.com/groups/openingcreditsnetwork
Newsletter - Sign up for Opening Credits updates here
www.openingcredits.net
Hosted and produced by Stephen Nutley.
Hosted on Acast. See acast.com/privacy for more information.
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Kaush Bharti has been a Graphic Designer for 28 years, 15 of those in the film industry, where he currently works as a Graphic Art Director. His list of credits include films and TV shows such as 'Doctor Strange', 'I May Destroy You', 'The Lazarus Project', and 'Mother Father Son'.
In this episode, Kaush tells us how working in design agencies at the beginning of his career gave him a solid foundation prior to making the move into the world of film, and why he’d encourage others to do the same.
Kaush joins us from the art department of his latest TV show, and discusses how he’s seen graphic design in filmmaking evolve over his time in the industry, and how he thinks the role will only continue to grow in the future.
Links:
Opening Credits Network
www.facebook.com/groups/openingcreditsnetwork
Opening Credits Instagram
www.instagram.com/openingcredits
Opening Credits website
www.openingcredits.netHosted and produced by Stephen Nutley.
Hosted on Acast. See acast.com/privacy for more information.
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Dd Etherton is an up-and-coming designer who has developed somewhat of a niche for making screen graphics.
In this episode, Dd tells us about her work on BBC drama 'The Split', and how she’s worked with Idris Elba twice so far, on his film 'Yardie' and the upcoming Netflix 'Luther' movie.
Dd shares with us some of the secrets of product placement, and how she hopes her love of screen graphics will one day lead her to working on her dream job of 'James Bond'.
Links:
Dd's website
www.ddetherton.myportfolio.com
Dd's Instagram
www.instagram.com/ddethertondesigns
Opening Credits Instagram
www.instagram.com/openingcredits
Opening Credits Network
www.facebook.com/groups/openingcreditsnetwork
Opening Credits website
www.openingcredits.netHosted and produced by Stephen Nutley.
Hosted on Acast. See acast.com/privacy for more information.
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In this special episode of the podcast, we're joined by not one, but two guests.
Andy Bottomley and Camise Oldfield are the co-chairs of the Graphics Union UK, which represents freelance Graphic Designers in the UK film & TV industry.
Like Opening Credits, the Graphics Union UK are all about championing creative talent and building supportive communities for film pros, so it was really great to have Andy and Camise on to talk more about the role of Graphic Designer for film & TV and what they do to help new and existing film creatives.
In this episode, Stephen chats with Andy and Camise about their bold new plans for the Union and how they balance these with their own film projects, which include 'The Crown', 'Luther', 'Wonder Woman' and 'Avenue 5'.
Andy and Camise also answer questions that were sent in by you, so thank you to everyone who asked a question.
Links:
Graphics Union website
www.graphicsunion.co.uk
Graphics Union Instagram
www.instagram.com/graphicsunion
Opening Credits website
www.openingcredits.net
Opening Credits Instagram
www.instagram.com/openingcredits
Opening Credits Network
www.facebook.com/groups/openingcreditsnetworkHosted and produced by Stephen Nutley.
Hosted on Acast. See acast.com/privacy for more information.
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Laura Whitehouse is a designer who, in her own words, juggles two very excellent balls: branding work for ‘real world’ clients, and creating graphic props for shows produced by the likes of Paramount, Netflix, the BBC, and Disney.
Laura discusses her on-screen work for films and TV shows including ‘Dungeons & Dragons,’ ‘The Princess Switch 3,’ and a secret upcoming Marvel show.
Laura also tells us how she became somewhat of a poster specialist between film projects, designing theatre and comedy posters, and gives her honest answers to your questions.
Links:
Laura's website
www.laurawhitehouse.com
Opening Credits Instagram
www.instagram.com/openingcredits
Opening Credits Network
www.facebook.com/groups/openingcreditsnetworkHosted and produced by Stephen Nutley.
Hosted on Acast. See acast.com/privacy for more information.
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Gina Alessi is a graphic designer specialising in design for film, television and brands.
In this episode, Gina talks to us about the film that inspired her to get into the industry, her variety of TV work including 'American Horror Story' and 'Manhunt', and how she unknowingly made one particular prop for none other than Michelle Obama.
Gina also shares details of her upcoming course for designers looking to get into the industry, and why she thinks film creatives make the best storytellers, both on and off the screen.
Links:
Gina's website
www.ginamadethis.com
Gina's Instagram
www.instagram.com/ginamadethis
Opening Credits Instagram
www.instagram.com/openingcredits
Opening Credits Network
www.facebook.com/groups/openingcreditsnetworkHosted and produced by Stephen Nutley.
Hosted on Acast. See acast.com/privacy for more information.
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On this episode, Stephen's guest is Erica Dorn, who is none other than the graphic designer for director Wes Anderson, having worked with Wes on Isle of Dogs and The French Dispatch.
Erica talks about adapting from life in a design agency to the chaotic world of movie-making, and how her working relationship with Wes Anderson has developed over their projects together.
Erica also tells us how she’s able to bring the unique skills she’s gained from creating imaginary worlds for movies into her branding work for the real world, and offers her advice to other designers who may be thinking about making a move into a new industry.
Links:
Erica's website
www.ericadorn.co.uk
Opening Credits
www.openingcredits.net
Opening Credits Instagram
www.instagram.com/openingcredits
Opening Credits Network
www.facebook.com/groups/openingcreditsnetworkHosted and produced by Stephen Nutley.
Hosted on Acast. See acast.com/privacy for more information.
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Sophie Powell has designed for a huge variety of films and TV shows including Rocketman, Black Mirror, Transformers, and Last Night in Soho.
In this episode, Sophie tells us the difference between working in movies and TV (and which is her favourite) and how she finds time in her busy schedule to design for small businesses and sell her own designs on Etsy.
Sophie also talks about building the world of Rocketman, the beauty of deliberately bad design, and her weird and wonderful experience working on Fighting with My Family.
Links:
Sophie's website
www.sophiepowell.com
Opening Credits
www.openingcredits.net
Opening Credits Instagram
www.instagram.com/openingcredits
Opening Credits Network
www.facebook.com/groups/openingcreditsnetworkHosted and produced by Stephen Nutley.
Hosted on Acast. See acast.com/privacy for more information.
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Leah Spencer is a graphic designer for film and TV, a job she describes as ‘the coolest niche job in the world’.
In this episode, Leah tells us how her work in corporate graphic design gave her an advantage when she eventually made the switch to film and TV, landing her dream job working on The Marvelous Mrs. Maisel, and how she takes inspiration from living and working in New York to authentically bring to life its 50’s era on the show.
Leah also tells us how she uses her skills in illustration in between making shows, and how she has plans to help new designers to break into the film and TV industry.
Links:
Leah Spencer Studio
www.lspencerstudio.com
Leah's Info Session
tinyurl.com/5awnej3h
Opening Credits
www.openingcredits.net
Opening Credits Instagram
www.instagram.com/openingcredits
Opening Credits Network
www.facebook.com/groups/openingcreditsnetworkHosted and produced by Stephen Nutley.
Hosted on Acast. See acast.com/privacy for more information.
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