Episodes
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Missing episodes?
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Years after a controversial job posting sought to preserve the Indianapolis Museum of Art's "core, white" audience, the museum has finally hired a new director. Quinn and Betty discuss saying the quiet part loud and making change in museums.
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Part 2 of our Venice Biennale Architecture series! We look at this year's entries, featuring stunning art, works pushing the boundaries of what architecture is, and a Facebook rant.
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Pictorial returns from summer break with an overview of the International Architecture Exhibition in Venice and some favorite exhibits from over the years.
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Quinn and Betty examine deaccessioning (specifically in the context of museums selling art) and then get distracted by how hard getting rid of anything is.
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For Pictorial's diamond jubilee, we talk about the wide-ranging portfolio of architect and designer Liz Diller.
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The fascinating biography and beautiful textiles of mid-century icon Ruth Adler Schnee.
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Betty explains how to prove a painting was created by Rubens (and how to prove a painting was _not_ created by Peter Doig).
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Let's talk about zines! What are they? Where did they come from? Where did they go? How hard is it to make your own? (this is foreshadowing)
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Museums typically preserve and restore art using the best technology available to them, but what about when decay is part of the piece?
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Local contemporary art enthusiasts learn about extremely contemporary art.
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We are distressed.
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We are concerned.
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An art historian recently discovered that a Mondrian painting has been hung upside down for decades. How does something like that happen, and what made them realize the mistake? Plus: Quinn tries to guess which way abstract paintings are supposed to be oriented.
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After Lynn Goldsmith took photos of Prince in 1981, she gave Andy Warhol permission to make a silkscreen illustration. However, she had no idea that he made a series of illustrations, some of which have been licensed for thousands of dollars. Now she has a case in front of the Supreme Court that may shape the future of copyright.
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