Episoder
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In this episode of Psycho-Cinematic, Vic is once again joined by Jane Wu. Jane discusses her work as the storyboard artist for "House of the Dragon" Season 2 Episode 4 and Vic asks her about the second season of "Blue Eye Samurai" which is currently in development. Chapters
0:00 Intro
0:24 Creating S2 E4 of House of the Dragon
1:43 The details given to the dragons
5:40 Storyboard and budget
6:18 Watching the final result
6:56 Vagar the dragon
8:54 Rules for the camera during a dragon fight
10:51 Storyboarding on a whiteboard
12:55 Storyboarding for a specific location
15:12 Storbboarding the director’s vision
15:40 Lens considerations in a storyboard
16:40 Deciding what’s in focus
17:13 What makes a good storyboard artist
19:53 Being 1 of 2 storyboard artists on S2 E4
20:34 Juggling House of the Dragon and Blue Eye Samurai
22:23 Jane’s experience on set
23:59 Working with Alan Taylor
24:18 What makes Storyboarding harder?
25:56 Jane’s new role on Blue Eye Samurai
27:52 New Blue Eye Samurai lead character designer
29:20 Reassembling the Blue Eye Samurai team
29:51 Taking other jobs while on Blue Eye Samurai
30:44 Jane’s future with Blue Eye Samurai
32:08 What to expect from Blue Eye Samurai S2
33:10 What inspire Jane today
40:11 Outro
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Guest: Jane Wu
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In this episode of Psycho-Cinematic, Vic is joined by filmmaker and YouTuber, Danny Gevirtz to discuss his new feature film called "I Think I'm Sick" (2024).Chapters0:00 Intro1:11 Danny’s role on the film1:40 Location scouting2:38 Filming at a high school6:04 Asking strangers to film in their house7:20 Danny’s relationship with YouTube and filmmaking12:08 Jiu Jitsu13:18 “The Art of Self Defense” and “Dual”14:10 How many drafts were written of “I Think I’m Sick”16:42 Revising the script19:10 Where Danny got the idea for the film21:04 Blending dark tones with lightheartedness25:01 Anti-escapism movies26:12 Letting the audience make discoveries31:07 The reasons behind the film being set in 201133:48 The sequence of events of making the film37:24 Playing your film in select theaters39:10 Crowdfunding a film41:49 What Danny took away from this film44:14 What’s next for DannyFollow me on IG: https://www.instagram.com/bigvicmedia?igsh=MWVvd3c5c2dyODN1ag%3D%3D&utm_source=qrFollow me on TikTok: https://www.tiktok.com/@bigvicmedia?_t=8nLBsEUZy0c&_r=1Psycho-Cinematic Merch: https://www.bigvicmedia.com/store/short-sleeve-t-shirtListen to Psycho-Cinematic on Spotify: https://open.spotify.com/show/6jeNRygaQjsC8eCJBIr2IdGuest: Danny GevirtzWatch "I Think I'm Sick": https://itisfilm.comFollow Danny on IG: https://www.instagram.com/dannygevirtz/
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In this episode of Psycho-Cinematic, Vic is joined by tv and film director, Alan Taylor. Alan shares his experience directing a couple episodes of season 2 of "House of the Dragon" and shares stories from his insane career. Alan has worked on everything from "The Sopranos" to "Game of Thrones". Chapters
0:00 Intro
0:50 Addressing S2 E1 of “House of the Dragon”
2:18 Did Alan read “Fire and Blood”
3:58 Alan’s background
6:21 Alan’s film heroes
7:49 Alan’s preference on TV or film directing
10:10 Alan pushing to make 3 films
10:50 Discerning good from bad writing
12:48 Alan turned down “Arrival”
13:23 Seeing the best in a story
15:04 Enhancing writing with directing
16:45 Directing the final scene of “A Son for a Son”
22:25 Learning every character as director
23:36 Preparing to direct a second season
25:34 Directing multiple episodes
27:22 The locations of ”House of the Dragon”
28:55 Work load of “House of the Dragon”
30:00 How much control does a director get on a show full of directors
33:08 TV show direction consistency
34:38 Directing a “Blue Eye Samurai” episode
38:33 Getting star struck directing actors
41:54 Rough experience on “Terminator Genisys”
43:47 How Alan would approach filmmaking if he started over
46:20 Working on “House of the Dragon” S2 E4
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In this episode, Vic is joined by former U.S. Navy SEAL Sniper and now New York Times Best Selling Author, Jack Carr, to discuss his "The Terminal List" book and tv series.Chapters0:00 Intro0:44 A look at “Red Sky Mourning”1:24 The word count on “Red Sky Mourning”2:51 Book writing vs screen writing 5:37 Writing one book a year7:15 Jack’s writing schedule8:35 Creating “Dark Wolf”12:14 Writing with the tv show in mind13:50 Writing with the audiobook in mind18:12 Jack practicing and writing jiu-jitsu23:34 BUDS vs becoming a NY Times Best Seller25:22 A “Terminal List” misunderstanding26:34 Dungeons and Dragons and “The Terminal List”28:25 Does Jack know James Reece’s Ending?31:01 Will Jack write more spin-offs?35:00 Alice the quantum computer37:48 Writing torture scenes40:31 The capsaicin torture42:48 Developing bad guys44:45 “Red Sky Mourning”46:58 Letting current events influence writing 51:43 Jack changing book titles53:34 Jack and “007”57:15 OutroPsycho-Cinemtaic Merch: https://www.bigvicmedia.com/store/short-sleeve-t-shirtListen to Psycho-Cinematic on Spotify: https://open.spotify.com/show/6jeNRygaQjsC8eCJBIr2IdFollow me on IG: https://www.instagram.com/bigvicmedia/Follow me on TikTok: @bigvicmediaGuest: Jack CarrFollow Jack on IG: https://www.instagram.com/jackcarrusa/?hl=en
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In this episode of Psycho-Cinematic, Vic is joined by actor, Raz Fritz, to discuss his journey as a young actor in Hollywood.
Chapters
0:00 Intro
1:02 Raz’s interest in acting
2:30 Befriending Luca Pizzoleo
3:55 The short film that elevated Raz’s career
7:20 Actor & director aspirations
8:36 Opportunities from successful short films
9:47 The audition process
14:19 Nudity boundaries as an actor
15:55 Working with Steven Ogg
17:44 Gauging progress as an actor
20:57 Your most recent work is your best work
22:25 How Raz gets into character
25:52 How Raz memorizes his lines
27:49 Implementing direction while filming
29:11 Good vs bad day on set
32:24 Giving effective direction
33:40 What’s next for Raz
Psycho-Cinemtaic Merch: https://www.bigvicmedia.com/store/short-sleeve-t-shirtListen to Psycho-Cinematic on Spotify: https://open.spotify.com/show/6jeNRygaQjsC8eCJBIr2IdFollow me on IG: https://www.instagram.com/bigvicmedia/Follow me on TikTok: @bigvicmediaGuest: Raz Fritz
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In this episode of Psycho-Cinematic, Vic uses "2001: A Space Odyssey" the book, written by Arthur C. Clarke to help explain "2001: A Space Odyssey" (1968) the movie, directed by Stanley Kubrick. Vic also discusses the differences between the book and the movie. Chapters
0:00 Intro
2:39 Arthur C. Clarke’s foreword
4:14 The dawn of man
10:59 Life in the book in 2001
12:30 The space station
17:43 Space born
18:07 HAL 9000
19:40 Jupiter and our solar system
21:26 Trouble on the Discovery ship
26:10 Why HAL sabotaged Poole and Bowman
28:09 HAL vs Bowman
29:03 The aliens and TMA-1
30:50 The worm hole
34:26 The hotel room
35:09 Returning to earth as a baby
35:52 Outro
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In this episode of Psych-Cinematic, Vic is joined by Eriko Miyagawa, one of the producers on "Shogun" who's role it was to bridge the gap between the two languages and ensure the efficient process and authentic portrayal of Japan. Chapters
0:00 Intro
0:28 Eriko’s role as producer
1:59 Working on “Kill Bill”
6:58 Reading the “Shogun” novel
8:24 Will any of James Clavell’s other books be turned into a series?
9:06 Eriko’s role on set and in post
10:44 Why film in Canada rather than Japan?
12:44 How many Japanese cast and crew members were there?
15:01 Translating the script
17:43 Japan’s reception of “Shogun”
19:12 The Japanese food on set
21:04 Did the Japanese actors need to be bilingual?
22:28 Visit “Shogun” sites in Japan
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Guest: Eriko Miyagawa
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In this episode of Psycho-Cinematic, Vic is joined by Carlos Rosario, the costume designer on FX's "Shōgun" (2024). #shogun #tvseries #costumedesign
Chapters
0:00 Intro
0:44 Carlos’ background
3:00 The role of Costume Designer
4:52 The costume count in “Shōgun”
5:54 The time it took to create the costumes
8:27 Costume alterations while filming
9:51 Dressing actors for violence
11:46 Symbolism in clothing
15:24 The colored armies
17:57 What happens to the costumes after filming
19:38 Researching Japanese culture
22:15 Outro
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Guest: Carlos Rosario
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In this episode, Vic is joined by Academy Award winner, James Price who was the production designer on "Poor Things" (2023) directed by Yorgos Lanthimos. Chapters
0:00 Intro
0:17 James’ background
7:04 Is college necessary for production design?
9:41 The role of a production designer
16:26 Using an LED Screen as a backdrop
17:45 Using miniatures
18:13 Working with two production designers
21:32 What James learned from his coproduction designer
22:47 What would you call this set style?
25:02 Did you refer to the novel for setting descriptions?
27:30 Set design for a fish eye lens
32:26 Cruise ship symbolism
34:25 Phallic windows
35:06 Set changes during production?
36:08 James’ role when filming starts
37:55 Baxter’s oversized furniture
38:36 Set design for black and white and then color
41:29 Problems while making Poor Things
46:42 Filming in actual locations
48:35 Actual locations vs fabricated sets
50:03 Martial arts and staying present
51:53 Work post Academy Award
52:40 When did you work on The Iron Claw?
55:25 Releasing Poor Things and The Iron Claw in the same month
57:30 Outro
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Guest: James Price
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In this episode, Vic is joined by the VFX Supervisor of "Shogun", Michael Cliett to discuss his work on the series.
Chapters
0:00 Intro
0:28 Michael’s background
2:16 Becoming a VFX supervisor on Shogun
3:41 Shogun’s significance to Michael
6:17 Going to school for VFX
7:06 Shogun’s invisible VFX
13:00 On set VFX supervisor
13:41 How long did the effects take to make?
14:52 Nine months of prep
16:19 The canon scene in Ep. 4
21:15 Is the fog CG?
23:14 Making blue screen look real
23:50 What movies impress Michael
26:40 What Michael wants to work on next
28:24 Is AI the next CGI?
31:52 Advice to beginner VFX artists
33:22 Outro
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Guest: Michael Cliett
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In this episode of Psycho-Cinematic, Vic sits down with director, Dylan Clark, to discuss his viral short horror film "Portrait of God".
Chapters
0:00 Intro
0:43 Viral films and videos
4:22 Being a young filmmaker
4:52 Dylan’s body of work
5:52 Films vs movies
7:56 Dylan’s background
10:14 How to improve as a filmmaker
11:59 Actors and dialogue
13:49 Prepping for the film
15:43 Using a projector
19:57 The creature’s eyes
21:02 The creature behind the screen
23:03 How the creature was made
24:28 Deadlights inspiration?
26:27 iPhone timer significance
27:55 Film school
28:43 How Dylan makes a living
29:33 Full length feature?
30:39 Short film budget
33:11 Recording dialogue audio
36:52 Dylan’s dream feature
39:37 AI in film
42:47 Outro
Listen to the podcast: https://podcasters.spotify.com/pod/show/psychocinematicPsycho-Cinemtaic Merch: https://www.bigvicmedia.com/store/short-sleeve-t-shirtFollow me on IG: https://www.instagram.com/bigvicmedia/Follow me on TikTok: @bigvicmedia
Guest: @dylanclark
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In this episode of Psycho-Cinematic, Vic is joined by the director of Photography for "Barbarian" (2022), Zach Kuperstein.Chapters0:00 Intro2:30 Zach’s background9:10 Landing the DP position on Barbarian11:09 Zach’s role as Director of Photography16:12 Filming in Bulgaria18:15 Building the street set19:52 Building the tunnel set23:54 Lighting and blocking a scene27:06 Zach’s preferred light bulbs for practicals27:31 Working with the costume designer28:15 Location scouting30:24 Filming with low-key lighting 37:22 The camera rig for Barbarian38:55 Lighting the tunnel43:02 Camera operating with a spotter44:41 Using wide angle lenses45:45 Eminem Easter eggs?47:00 Other potential Barbarian Easter eggs48:53 Zach’s next films49:53 OutroPsycho-Cinemtaic Merch: https://www.bigvicmedia.com/store/short-sleeve-t-shirtFollow Zach on IG: https://www.instagram.com/zachkuperstein/?hl=enZach's Website: https://zachkuperstein.comFollow me on IG: https://www.instagram.com/bigvicmedia/Follow me on TikTok: @bigvicmediaListen to Psycho-Cinematic on Spotify: https://open.spotify.com/show/6jeNRygaQjsC8eCJBIr2Id
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In this episode of Psycho-Cinematic, Vic is joined by Michael Lukk Litwak, the director of "Molli and Max in the Future" (2023).Chapters0:00 Intro1:15 Tackling the VFX as a director and DP5:17 The aesthetic of the film8:02 Complimenting the aesthetic9:10 The metaphor of the sex cult10:35 Finding and building the miniatures14:33 Shooting on an LED stage20:24 There how many VFX shots?!22:15 The time it took to make the film25:46 Funding the film27:32 Making a movie with only 12 people on set29:26 Hiring a Stop-motion artist on Fiverr33:28 Michael’s next film34:31 Molli and Max release date36:00 OutroFollow Michael on IG: https://www.instagram.com/michaellitwak/Follow Vic on IG: https://www.instagram.com/bigvicmedia/Follow Vic on TikTok: @bigvicmediaPsycho-Cinemtaic Merch: https://www.bigvicmedia.com/store/short-sleeve-t-shirtListen to Psycho-Cinematic on Spotify: https://open.spotify.com/show/6jeNRygaQjsC8eCJBIr2Id
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In this episode of Psycho-Cinematic, writer Terry Hayes sits down with Vic to talk about "Mad Max 2 The Road Warrior" (1981) and "Mad Max Beyond Thunderdome" (1985) as well as his new book "The Year of the Locust" which is now available.
Chapters
0:00 Intro
0:40 Long movies and books
2:38 Terry’s background
4:50 How Terry landed Mad Max 2
8:21 The quality difference between Mad Max and Mad Max 2
11:07 Approaches to writing movies
13:07 Writing a movie with almost no dialogue
16:45 Australian gun control in the context of Mad Max
19:30 Terry Hayes on encountering Max’s interceptor
20:57 Writing large scale action sequences
24:40 Did Terry get offered to write the new Mad Max Movies?
26:09 Creative writing
28:37 Doing research for your writing
31:22 Terry’s horrific pandemic story
37:00 Books have a longer shelf life than movies
40:49 Terry’s next project
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In this episode of Psycho-Cinematic, Vic is joined by director, @mikediva Mike discusses his directing career from making music videos to working at Saturday Night Live. Chapters
0:00 Intro
0:53 Mike’s Doja Cat music video
2:12 Mike’s filmmaking background
4:49 Working with Lonely Island
6:05 My reaction to Mike skipping college
7:02 The impact of Lonely Island
8:08 The challenge of making a music video for a video game
11:06 The wildest way to reach out
12:28 Cyberpunk D&D
12:55 How many SNL pre-taped directors are there?
14:29 SNL’s crazy turnaround time
17:57 What happens if you don’t meet an SNL deadline?
19:51 Mike’s SNL schedule
22:17 Mike’s aspirations to make a movie
23:18 Mike’s crazy themed birthday parties
25:50 Mike’s advice to aspiring directors
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In this episode of Psycho-Cinematic I discuss "Save Yourselves!" (2020) directed by Alex Houston Fischer and Eleanor Wilson.Psycho-Cinemtaic Merch: https://www.bigvicmedia.com/store/short-sleeve-t-shirtFollow me on IG: https://www.instagram.com/bigvicmedia/Listen to Psycho-Cinematic on Spotify: https://open.spotify.com/show/6jeNRygaQjsC8eCJBIr2IdFollow me on TikTok: @bigvicmedia
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In this episode of Psycho-Cinematic I discuss "Suspiria" (1977) directed by Dario Argento and "Suspiria" (2018) directed by Luca Guadagnino. Chapters
0:00 Intro
1:53 Cinematography in the original
5:03 The score in the original
6:14 The practical effects in the original
6:37 The symbolism in the original
8:25 What I didn’t like about the original
9:17 Remake Cinematography
9:56 What I liked about the remake
10:37 Foreshadowing in the remake
11:10 Suzy and Mother Suspiriorum
11:54 Helena Markos is a SpongeBob character
12:15 Three interesting things I learned
14:43 Outro -
In this episode of Psycho-Cinematic, Vic sits down with Toby Wilson, the production designer of "Blue Eye Samurai" (2023) to discuss the show.
Chapters0:00 Intro
0:45 Toby’s background
3:23 Blue Eye Samurai in trouble
6:44 Web design for The Lord of the Rings
8:08 Designing video games vs animation
9:38 Thoughts on video games today
11:25 Relationship with animation studios
13:17 Pay as an animation union member
15:45 Downtime between projects
17:33 Role as a Production Designer
23:37 Collaboration with different software
24:45 Blue Eye Samurai render requirements
26:01 Blue Eye Samurai storage space
27:14 Background painting vs matte painting
30:13 Designing massive sets in CG (world build)
33:49 Animation compositing
36:36 Simulation and hand animation
39:05 Camera motion
41:51 Son of a Dungeon
42:45 Advice to aspiring animators
45:44 Do you need to go to college?
48:12 Blue Eye Samurai season 2
49:00 Outro
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In this episode of Psycho-Cinematic, I sit down with rapper and producer, Denaun Porter, to discuss music production for films.Chapters0:00 Intro0:27 Denaun’s background7:14 The Slim Shady LP and fame10:29 Being a rapper with a gospel singing father11:26 Every self employed person needs to hear this15:12 Making music for 8 Mile17:17 Making music for Shark Tale and Indie Films21:27 Scoring the Straight Outta Compton trailer and working with Dr. Dre24:03 Using D12’s “Bane” song for a Batman spin off24:57 If a D12 movie was made, who would you want to play you?25:45 Did you get offered a roll in 8 Mile?26:18 The difficulties of scoring a trailer28:21 Pairing music with visuals30:46 Making music for Fast Five32:59 Do you aspire to make your own film?33:17 Using ChatGPT to help you write a film34:42 What brings you more pride, rapping or producing?35:27 Do you get nervous performing at massive shows?37:10 Is freestyling nerve-racking?38:59 Advice to rappers and producers looking to make it41:51 Eminem Easter eggs in Barbarian44:00 Talking Aliens44:41 OutroPsycho-Cinemtaic Merch: https://www.bigvicmedia.com/store/sho...Listen to Psycho-Cinematic on Spotify: https://open.spotify.com/show/6jeNRyg...Follow Denaun on IG: https://www.instagram.com/iamdenaun/?...Follow me on IG: https://www.instagram.com/bigvicmedia/Follow me on TikTok: @bigvicmedia
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In this episode of Psycho-Cinematic, Vic sits down with Jane Wu, the supervising director of "Blue Eye Samurai" (2023) to discuss the show.
Chapters0:00 Intro0:47 Jane’s background and journey to Blue Eye Samurai13:17 Combining live action and animation16:07 What are the rules of storyboarding?19:09 How early do you start storyboarding?22:43 Communicating as a supervising director 27:21 Will Blue Eye Samurai be adapted into live action?28:33 Would you want to direct the live action Blue Eye Samurai?29:00 How many seasons will it take to tell Mizu’s story?30:15 Season 2 status and will the band get back together?31:49 What’s the day to day of a supervising director?34:35 Do you over see the voice acting?35:15 How do you manage being spread so thin?37:26 Was this your first time as a supervising director?38:20 Would a live action version require a larger budget?40:50 Live action Mulan not going to theaters43:05 Godzilla Minus One43:51 Advice to aspiring storyboard artists and animators47:35 Do you need to be in LA to do what you do?49:10 What happened to your comic book store?50:31 Which martial arts do you know?51:45 Jane’s experience on Game of Thrones56:55 OutroPsycho-Cinemtaic Merch: https://www.bigvicmedia.com/store/short-sleeve-t-shirtListen to Psycho-Cinematic on Spotify: https://open.spotify.com/show/6jeNRygaQjsC8eCJBIr2IdFollow Jane on IG: https://www.instagram.com/janewu_626/?hl=enFollow me on IG: https://www.instagram.com/bigvicmedia/Follow me on TikTok: @bigvicmedia
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