Episodit
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рдЗрд╕ рдмрд╛рд░ рд╣рдо рдмрд╛рдд рдХрд░ рд░рд╣реЗ рд╣реИрдВ, рдЖрд╡рд╛рдо рдХреЗ рд╢рд╛рдпрд░, рдХрд╡рд┐ рдЕрджрдо рдЧреЛрдВрдбрд╡реА рдХреА ред рдЙрддреНрддрд░ рдкреНрд░рджреЗрд╢ рдХреЗ рдЧреЛрдВрдбрд╛ реЫрд┐рд▓реЗ рдХрд╛ рдпрд╣ рдХрд╡рд┐, рдЬрдирддрд╛ рдХреА рдмрд╛рдд рдХрд░рддрд╛ рд╣реИ, рдЕрдкрдиреА рд╕рд╣рдЬ рдФрд░ рд╕рд░рд▓ рднрд╛рд╖рд╛ рд╕реЗ, рд╣реБрдХреНрдорд░рд╛рдиреЛрдВ рдХреЛ рдЧрд╣рд░реА рдорд╛рд░ рджреЗрдиреЗ рд╡рд╛рд▓рд╛ рдпрд╣ рдХрд╡рд┐, рдХрд╡рд┐рддрд╛ рдкреЭрдиреЗ рд╡рд╛рд▓реЗ рдХреЗ рдорди рдореЗрдВ рдЧрд╣рд░реА рдЫрд╛рдк рдЫреЛреЬрддрд╛ рд╣реИред
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Shortly before his death in Lahore, Pakistan, in 1955, Saadat Hasan Manto wrote a sketch about himself. In the 43 years that he lived and published – among 22 collections of short stories, a novel, five collections of radio plays and two collections of sketches of famous personalities – this was the first time Manto was writing as his doppelganger. In Manto on Manto (1951), he wrote, “We were born together and I suppose we will die together. But it may also come to pass that Saadat Hasan may die and Manto may not. I have never seen a ‘one–two’ man like Manto in my entire life.”
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Puuttuva jakso?
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рд╡рд┐рджреНрд░реЛрд╣реА рдХрд░реАрдм рджреЛ рджрд╢рдХреЛрдВ рддрдХ рдЬреЗрдПрдирдпреВ рдкрд░рд┐рд╕рд░ рдореЗрдВ рд╣реА рд░рд╣рддреЗ рд░рд╣реЗ. рд╢рд╛рдпрдж рдЬреЗрдПрдирдпреВ рдХреА рд╡рд┐рджреНрд░реЛрд╣реА рд╣рд╡рд╛, рдкрд░рд┐рд╡рд░реНрддрдирдХрд╛рдореА рдЖрдХрд╛рдВрдХреНрд╖рд╛ рдФрд░ рдЙрдирдХреА рд╣рд┐рдВрджреА рд╕рд╛рд╣рд┐рддреНрдп рдкрдврд╝рдиреЗ рдХреА рдЗрдЪреНрдЫрд╛ рдиреЗ рдЙрдиреНрд╣реЗрдВ рд░реЛрдХреЗ рд░рдЦрд╛ рд╣реЛ. рд▓реЗрдХрд┐рди рд╡реЗ рдЬрдм рддрдХ рдЬрд┐рдВрджрд╛ рд░рд╣реЗ, ‘рдЖрд╕рдорд╛рди рдореЗрдВ рдзрд╛рди рдмреЛрддреЗ рд░рд╣реЗ’ рдФрд░ рдЕрдВрдд рдореЗрдВ рдЫрд╛рддреНрд░реЛрдВ рдХреЗ рд╕рд╛рде рд╕рдВрдШрд░реНрд╖ рдХрд░рддреЗ рд╣реБрдП рд╣реА рдЪрд▓реЗ рдЧрдП.
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In 1970, Pash published his first book of revolutionary poems, Loh-Katha (Iron Tale), at the age of 18. His militant and provocative tone raised the ire of the establishment and a murder charge was brought against him. He spent nearly two years in jail, before being finally acquitted. In 1972, the 22-year-old started a On acquittal, he became involved in Punjab's Maoist front, editing a literary magazine, Siarh (The Plow Line). He became a popular political figure on the left during this period and was awarded a fellowship at the Punjabi Academy of Letters in 1985. He toured the United Kingdom and the United States the following year; while in the U.S., he became involved with the Anti-47 Front, opposing Sikh extremist violence. His words had a great influence on the minds of the people. Later he was assassinated by the group of people. Here we are reciting one of his poems- apni asuraksha se
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Here we are reciting a piece of political satire written by Sharad joshi
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A piece of sarcasm written by harishankar parsai.
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A famous poem by Gorakh Pandey