Episodes
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Carbon transfer printing is one of those processes that somehow feels more complicated the longer you talk about it, and that is exactly why we wanted to have Michael Strickland on the show.
Michael is a photographer and printmaker based in Kansas who specializes in carbon transfer printing, platinum-palladium printing, and drum scanning. He joins Michael and Jeffrey to break down what carbon printing actually is, how pigment, gelatin, UV light, and multiple transfers come together, and why the finished prints have a depth that is difficult to describe until you see one in person.
But this is not just a technical conversation. Michael also talks about the challenge of building a business around a demanding handmade process, balancing the studio with family life, stepping back from his own landscape photography for a while, and finding creative satisfaction in helping other artists bring their work to life.
From printing with soil collected from meaningful places to experimenting with gold leaf, glow-in-the-dark pigments, glass, and dimensional textures, this one goes well beyond what most of us think of when we hear the word âprint.â
Join the conversation over on Patreon. Free members and paid supporters can jump into the post-episode discussion, and weâd love to hear your thoughts on culling, editing, critique, printing, creative growth, or anything else this episode brings up.
đ https://www.patreon.com/ShutterNonsense
Highlights:
Michael Strickland shares his path from music and engineering into film photography, drum scanning, and alternative-process printing.A plain-English explanation of carbon transfer printing and why it is a pigment-based transfer process.How color carbon prints are built through multiple layers, careful color separation, and extremely precise registration.Why one print can take days to prepare and complete, even before accounting for the trial and error involved.The role that materials, humidity, temperature, and consistency play in a successful print.Michael talks about taking a step back from personal landscape work and giving himself room to reconnect creatively.Why digital files, film originals, water, rich tones, and physical depth can all work beautifully in carbon.The wild creative possibilities of the process, including earth pigments, soil, gold leaf, glow-in-the-dark layers, glass, and custom materials.Related Links:
Michael Stricklandâs website: https://www.michaelstricklandimages.com/Michaelâs Instagram: https://www.instagram.com/mstricklandimages/?hl=enOverview of Carbon Transfer Printing: https://www.michaelstricklandimages.com/the-carbon-transfer-serviceAnsel Adams book âThe Printâ: https://amzn.to/4weyEso (affiliate link)Edward Weston: https://www.westongallery.com/original-works-by/edward-weston Edward Burtynksy: https://www.edwardburtynsky.com/ Cody Cobb: https://www.codycobb.com/Learn more about Michael's photography: www.michaelrung.comLearn more about Jeffrey's photography: www.jeffreytadlock.com
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In this episode of Shutter Nonsense, Michael and Jeffrey talk about the messy, subjective, and sometimes frustrating process of evaluating your own photography.
They dig into what happens after a trip, from the first Lightroom pass to choosing which images deserve more attention, which ones fall short, and which ones might have potential even if they do not immediately jump off the screen. The conversation gets into culling, sharpness, composition, edge patrol, raw files that look flat, and the role gut feeling plays when deciding whether an image is worth editing.
They also talk about feedback, including when it helps, when it becomes overwhelming, and how to decide whose critique is actually worth listening to. From one-on-one input to camera clubs, Discord groups, and online critique communities, Michael and Jeffrey discuss the balance between staying open to outside perspectives and trusting your own creative instincts.
The episode also covers knowing when an edit is done, the danger of chasing perfection, why printing can reveal flaws that are easy to miss on a monitor, and how looking back at your larger body of work can help you see growth, stagnation, and changes in your photographic style over time.
Join the conversation over on Patreon. Free members and paid supporters can jump into the post-episode discussion, and weâd love to hear your thoughts on culling, editing, critique, printing, creative growth, or anything else this episode brings up.
đ https://www.patreon.com/ShutterNonsense
Highlights:How Michael and Jeffrey approach their first pass through new imagesWhy Jeffrey often waits weeks before seriously reviewing his photosThe role of sharpness, composition, light, and edge patrol when culling imagesWhy raw files can feel discouraging before an edit brings out their potentialHow gut feeling and experience shape image selectionWhen outside feedback helps, and when it can become noiseThe value of choosing critique from photographers whose work you respectWhy good feedback does not always mean you have to follow itKnowing when an edit is done and when good enough really is good enoughHow printing can reveal flaws, tonal issues, and composition problemsLooking at your body of work as a way to measure growth and creative evolutionRelated Links:Michaelâs PhotoPack Pro app: https://www.photopackpro.comPhotographerâs Guide to Yellowstone and the Tetons: https://amzn.to/3Sw1KVB (Amazon affiliate link)50 Jackson Hole Photography Hotspots: https://amzn.to/4ezfxC8 (Amazon affiliate link)Michaelâs free Smoky Mountains ebook: https://tinyurl.com/23fkb2cn Michaelâs other free ebooks: https://www.michaelrungphotography.com/free-ebooks Ben Horne: https://www.benhorne.com Jeffreyâs presentation offerings: https://jeffreytadlock.com/talksMichaelâs rating and culling process: https://www.michaelrungphotography.com/post/pro-tips-for-using-ratings-color-labelsRethink Landscape Toolkit: https://www.exploringexposure.com/products/rethink-landscapeAlex Noriega: https://www.alexnoriega.com/Eric Bennett: https://www.bennettfilm.com/LPW Discord: https://discord.gg/xqwVXAJw Nature Photographers Network: https://www.naturephotographers.network/Gary Randall: https://www.gary-randall.com/Sarah Marino: https://www.smallscenes.com/New Mexico Fine Art: https://nmfa.io/ -
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In this episode of Shutter Nonsense, Michael and Jeffrey are joined by landscape photographer Jon Norris to talk about Joshua Tree National Park, a place that has become one of Jonâs favorite subjects and creative escapes.
Jon shares what keeps pulling him back to Joshua Tree after hundreds of visits, from the strange character of the trees to the glowing rock formations, hidden corners, old mine workings, and the need to explore beyond the obvious roadside views. The conversation also gets into how learning more about a place, its geology, history, plants, wildlife, and people, can shape the way we photograph it.
They also talk about the challenges of leading photography workshops in national parks, including recent CUA restrictions in Joshua Tree that led Jon to step back from offering workshops there. From there, the conversation turns toward stewardship, responsible park use, volunteering, and the role photographers can play in helping people better understand and care for public lands.
And because this is Shutter Nonsense, the episode eventually wanders into social media, Substack, websites, and the ongoing question of where photographers should be sharing their work.
Join the conversation over on Patreon. Free members and paid supporters can jump into the post-episode discussion, and weâd love to hear your thoughts on Joshua Tree, national park stewardship, workshops, social media, or anything else this episode brings up.
đ https://www.patreon.com/ShutterNonsense
Highlights:
Jon Norris shares how Joshua Tree became his photographic âhappy placeâWhy Joshua Tree rewards exploration more than checklist photographyJeffrey looks back on rock climbing in Joshua Tree before photographing itHow geology, history, and ecology can add depth to landscape photographyThe recent CUA and workshop restrictions affecting photography workshops in Joshua TreeWhy responsible workshop leaders can act as stewards for public landsJonâs volunteer work with Joshua Tree National Park Association and the Desert InstituteLeaving Instagram, finding community on Substack, and keeping your website as home baseRelated Links:
Jon Norrisâ website: https://jonnorrisphoto.com/ Jonâs Substack: https://jonnorrisphoto.substack.com/ Jonâs interview with Grant Swinbourne: https://www.podbean.com/ep/pb-fnmvs-1a19edd Michael Fryeâs Yosemite photography guide book: https://amzn.to/4dRQ87L Alabama Hills: https://www.blm.gov/programs/national-conservation-lands/california/alabama-hills-national-scenic-area Joshua Tree National Park Association: https://joshuatree.org/ Desert Institute: https://joshuatree.org/desert-institute/ Nature First Principles: https://naturefirst.org/en/principles/ National Park Foundation: https://www.nationalparks.org/ Michaelâs Featured Frames series: https://www.patreon.com/collection/500898 Landscape Photographers Worldwide: https://discord.gg/kCVTCFFA NPN (Nature Photographers Network): https://www.naturephotographers.network/ -
One year ago, we recorded the very first episode of Shutter Nonsense in the Great Smoky Mountains. For this bonus anniversary episode, we are back in the Smokies reflecting on the first year of the podcast, answering listener questions, and talking about what we have learned from recording the show, leading workshops together, and having regular conversations about landscape photography.
In this episode, Shutter Nonsense hosts Michael and Jeffrey talk about how working together has influenced their photography, why certain images become favorites because of the experience behind them, what happens when motivation to photograph fades, and how online photography communities can lead to real friendships and creative opportunities.
We also talk about the behind-the-scenes work of producing a podcast, including guest scheduling, systems, show notes, video editing, social media, Patreon, and why having a backlog of episodes has helped keep the show moving.
Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. https://www.patreon.com/ShutterNonsense
Highlights:
Recording the anniversary episode back in the Great Smoky MountainHow working together has changed our approach to photographyWhat Michael has learned from Jeffrey about streams and waterfallsWhat Jeffrey has learned from Michael about woodland photographyFavorite photography experiences and the stories behind meaningful imagesWhy some photos matter more because of the experience attached to themDealing with creative ruts and not wanting to pick up the cameraWhy local photography is sometimes the first thing to get skippedHow Michael and Jeffrey met through the landscape photography communityWhat goes into producing, editing, scheduling, and publishing the podcastWhy systems and checklists have helped keep Shutter Nonsense organizedThe hidden costs of running a podcastWhy guest episodes have become such an enjoyable part of the showBooks and films that have influenced how we think about photographyWhether our wives should get their own Shutter Nonsense episode somedayRelated Links:
Michael 4Runner Tour - https://youtu.be/coE_3kpf29c?si=VCetKMDTpvracOeuJeffrey 4Runner Tour - https://youtu.be/kOuH2T6u6B4?si=WRNQ6gwg_xVT_KgZLandscape Photographers Worldwide Discord - https://discord.do/landscape-photographers-worldwide/The Secret Life of Walter Mitty - https://en.wikipedia.org/wiki/The_Secret_Life_of_Walter_Mitty_(2013_film)Desert Solitaire by Edward Abbey - https://en.wikipedia.org/wiki/Desert_SolitaireColleen Miniukâs book, So Said the River - https://www.sosaidtheriver.com/
Learn more about Michael's photography: www.michaelrung.comLearn more about Jeffrey's photography: www.jeffreytadlock.com
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In this episode of Shutter Nonsense, Michael and Jeffrey are joined by nature photographer Brenda Tharp for a thoughtful conversation about finding your own creative voice in landscape and nature photography.
Brenda shares her perspective on the pressure to photograph popular locations, follow trends, chase social media approval, and balance personal expression with the realities of building a photography business. The conversation moves from iconic landscapes and intimate scenes to print sales, creative confidence, and the ongoing challenge of staying true to what actually excites you behind the camera.
Brenda also shares stories from her own career, life on the road, photographing beyond the obvious view, and why the most meaningful work often comes from slowing down, looking deeper, and trusting what resonates with you.
In this episode, we talk about:
Why iconic landscape locations can still be worth photographingThe pressure photographers feel from social media trendsFinding your own creative voice instead of chasing likesBalancing personal passion with the business side of photographyWhy intimate landscapes and grand views both have valueThe challenge of sharing work that feels personalHow photographers can avoid creative burnoutWhy staying true to your own vision is a lifelong processJoin the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members.
đ https://www.patreon.com/ShutterNonsense
Related Links:
Brendaâs website: https://www.brendatharp.com/Brendaâs Substack: https://brendatharp.substack.com/ Pacific Northwest Art School: https://pacificnorthwestartschool.org/product-category/400-photography/Michaelâs free Featured Frames series on Patreon: https://www.patreon.com/collection/500898Northern California Council of Camera Clubs: https://n4c.org/Richard Martin: https://www.richardmartinphoto.com/Michaelâs PhotoPack Pro App: https://www.photopackpro.comMichaelâs Print Box Set: https://www.michaelrungphotography.com/limited-edition-print-folios Ben Horne: https://www.benhorne.com/ Ernst Hass: https://ernst-haas.com/Sammy Davis Jr, Iâve Gotta Be Me: https://www.youtube.com/watch?v=OXYndNL4Mu8Freeman Patterson: https://www.freemanpatterson.com/Ansel Adams quote: https://photographylife.com/two-people-in-every-photo-ansel-adamsJay Maisel: https://www.jaymaisel.com/
Learn more about Michael's photography: www.michaelrung.comLearn more about Jeffrey's photography: www.jeffreytadlock.com
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In this episode of Shutter Nonsense, Michael and Jeffrey talk about one of the trickier decisions in landscape and nature photography - knowing when to keep working a scene and when it is time to move on.
Sometimes staying longer helps you find stronger compositions, better light, and quieter details you would have missed at first glance. But sometimes you are not really working the scene anymore, you are just standing there pressing the shutter over and over because you feel like you should be doing something.
We talk through the difference between patience and getting stuck, the temptation to keep photographing the same frame, how a second camera body can help you keep exploring, and the FOMO that comes with wondering if the best light is about to happen right after you leave. We also share a few stories from Death Valley, Lost Dutchman, Colorado, the Grand Canyon, and other photography outings where the decision to stay or move on shaped the images we came home with.Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. https://www.patreon.com/ShutterNonsense
Highlights:
The difference between working a scene and repeatedly pressing the shutterWhy the âobvious shotâ is often just the starting pointHow staying longer can reveal smaller details and better compositionsThe role of patience when waiting for light or changing conditionsWhy dynamic light makes the decision to move on so difficultHow a second camera body can help you keep exploringPhotographing alone versus working around other photographersThe regret of leaving too early or not refining a composition enoughRelated Links:Jeffreyâs Trail Ready Guide: https://jeffreytadlock.com/ebook-store/p/trail-ready-ebookLost Dutchman State Park: https://azstateparks.com/lost-dutchmanPhotoPack Pro App: https://www.photopackpro.com Johnny Carson: https://www.youtube.com/user/johnnycarsonFoqos App: https://www.foqos.app/Matt Payne: https://www.mattpaynephotography.com/ Richard Bernabe: https://beyondthelens.fm/Cameron in Ferris Bueller: https://www.youtube.com/watch?v=0XC1fGYWLCEMichaelâs Wildfire Blog Post: https://www.michaelrungphotography.com/post/the-power-of-regret
Learn more about Michael's photography: www.michaelrung.comLearn more about Jeffrey's photography: www.jeffreytadlock.com
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In this episode of Shutter Nonsense, Michael and Jeffrey dig into the idea of growth through limitation in nature photography. What happens when you intentionally narrow your options instead of keeping every possibility open?
They talk about one-lens outings, local shooting, black and white challenges, slowing down in the field, and how removing certain choices can actually help you see more clearly. The conversation also gets into the difference between a constraint that helps you grow and one that just leaves you frustrated.
If you have ever felt stuck, burned out, or too dependent on your usual habits in the field, this one may give you a few ideas to shake things up.
Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense
Episode Highlights
How a one-lens outing can help you learn to truly see in a new focal lengthWhy local photography can become a powerful tool for growth instead of feeling limitingThe difference between a helpful challenge and a frustrating restrictionThoughts on trying black and white only for 30 days as a way to train your eyeHow reducing gear and decisions can help break creative ruts and burnoutWhy slowing down in the field can improve both composition and intentionMichaelâs story of avoiding sunrise and sunset photography to force a different way of seeingHow to choose challenges that push your photography without ruining the experienceRelated Links:
Moterra Vans: https://alnk.to/1N5B0k5Thomas Heaton: https://www.youtube.com/@ThomasHeatonPhoto Gavin Hardcastle (Fototripper): https://www.youtube.com/fototripper Alan Ross: https://www.alanrossphotography.com/ Ephemeral / Permanence: https://www.michaelrungphotography.com/product-page/ephemeral-permanenceLearn more about Michael's photography: www.michaelrung.com
Learn more about Jeffrey's photography: www.jeffreytadlock.com
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In Episode 25 of Shutter Nonsense, Michael and Jeffrey are joined by Cole Thompson and John Barclay to talk about color versus monochrome photography, and how to know when each one makes sense. The conversation goes way beyond editing choices and gets into vision, intention, creativity, and why black and white can be either a distraction-free tool or a deeply personal way of seeing.
Along the way, they talk about learning to see in black and white, how personal vision shapes the work we make, the difference between photographing for likes versus photographing for meaning, and why this choice often goes much deeper than simple aesthetics. Thereâs plenty of humor in this one too, which is probably exactly what youâd expect when these four get together.
Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense
Highlights:
Cole explains why black and white is not a style choice for him, but simply how he sees the worldJohn talks about using both color and monochrome, and how he decides which serves the image bestMichael and Jeffrey reflect on using black and white as a beginner âsaveâ versus making a deliberate creative choiceThe group discusses whether color or black and white is actually harder to do wellA conversation on vision, imitation, and finding your own voice as a photographerWhy color can sometimes overpower a photograph instead of helping itThe role age, experience, and older darkroom exposure may play in how photographers connect with black and whiteA bigger conversation about social media, likes, and making work that feels personal and meaningfulRelated Links:
John Barclay: https://johnbarclayphotography.com/Cole Thompson: https://colethompsonphotography.com/The Cole & John Photography Show: https://www.youtube.com/@thecoleandjohnshow7236Rick Rubinâs The Creative Act: https://www.penguinrandomhouse.com/books/717356/the-creative-act-by-rick-rubin/Sarah Marino: https://www.smallscenes.com/Matt Payne: https://www.mattpaynephotography.com/Murray Livingston: https://www.murraylivingston.com/Jack Curran: https://jackcurranphotography.store/Joshua Cripps: https://www.joshuacripps.com/Mitch Dobrowner: http://mitchdobrowner.com/Chuck Kimmerle: https://www.chuckkimmerle.com/Michael Kenna: https://www.michaelkenna.com/Learn more about Michael's photography: www.michaelrung.comLearn more about Jeffrey's photography: www.jeffreytadlock.com
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In this episode of Shutter Nonsense, Michael and Jeffrey talk about nature photography hit rate, keeper rate, and whether taking fewer photos actually means you are becoming a better landscape photographer.
They dig into the difference between intentional landscape photography and the old spray and pray approach, how culling photos after a trip can shape your view of success, and why a low hit rate is not always a bad thing. If you have ever wondered how many photos you should come home with, how many should be keepers, or whether your process in the field is actually helping you grow, this one is for you.
This episode also gets into creative experimentation, slowing down in the field, using your phone to test compositions, revisiting old files, and why comparing your photography process to someone else usually is not very helpful.
Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense
Highlights
What photography hit rate really meansWhether a higher keeper rate actually mattersThe difference between intentional shooting and spray and prayWhy experimentation can lower your hit rate for good reasonsHow Michael and Jeffrey think about culling after a tripWhy revisiting old images can change what counts as a keeperWhy your photography process has to work for youRelated Links:
Michaelâs Lightroom Classic Start-to-Finish Walkthrough: https://www.patreon.com/posts/145865590Linda Nickellâs Happiness Hour: https://www.youtube.com/@LindaNickellHappinessHourGavin Hardcastle (Fototripper): https://www.youtube.com/fototripperLost Dutchman State Park: https://azstateparks.com/lost-dutchmanMichaelâs Lightroom Compare Photos Demo: https://www.patreon.com/posts/125609814Landscape Photographers Worldwide: https://discord.gg/GxE7HWc9PhotoPack Pro: https://www.photopackpro.comLearn more about Michael's photography: www.michaelrung.comLearn more about Jeffrey's photography: www.jeffreytadlock.com
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In this episode of Shutter Nonsense, we dig into minimalism vs maximalism in landscape photography and talk through what those ideas actually mean in practice.
We start by catching up on the usual behind-the-scenes chaos: preparing for the long drive from Ohio to Death Valley for an upcoming workshop, building landing pages for holiday promotions, launching a new iPhone photo app, and squeezing in a last-minute presentation for Angel McNeeseâs 2025 landscape photography summit.
From there, we get into the main topic and explore the difference between minimalist and maximalist photography, why âsmall scenesâ are not automatically minimalist, and how the places you shoot can heavily influence the way you see and compose images. We also talk about reducing visual confusion, managing visual weight, why minimalist images are often harder to pull off than they look, and how editing can either strengthen or completely undo a simple composition.
We also get into the role social media plays in what photographers choose to share, and how that can shape perceptions of style more than we might realize.
Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense
Highlights Include:
Defining minimalist vs maximalist landscape photographyWhy small scenes are not automatically minimalistHow your environment can influence your natural shooting styleThe challenge of simplifying chaotic scenes into stronger compositionsUsing visual weight to create balance and clarity in an imageWhy minimalist photography is often harder than it first appearsThe difference between an image feeling empty versus intentionally minimalHow editing and processing can strengthen or weaken minimalist photographsSocial Media InfluenceRelated Links:
PhotoPack Pro App
John Barclay and Cole Thompson YouTube Channel
Jennifer Renwick
Sarah Marino
Anna Morgan
Eric Bennett
Learn more about Michael's photography: www.michaelrung.com
Learn more about Jeffrey's photography: www.jeffreytadlock.com
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In Episode 22 of Shutter Nonsense, Michael and Jeffrey dig into one of the least glamorous but most important parts of landscape photography: planning and scouting. From pre-trip research to in-field decision-making, this episode is all about finding the balance between being prepared and staying creatively flexible.
The conversation pulls from real experiences photographing in Utah, Colorado, and the Great Smoky Mountains, and explores how planning changes depending on whether you are visiting a new location or returning to a familiar one. Along the way, they talk about using weather as a creative tool, managing expectations, avoiding preconceived shots, and why scouting does not stop once you arrive.
If you have ever overplanned a trip, underplanned a trip, or shown up with great intentions only to be humbled by conditions, this one is for you.
Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense
HighlightsWhy planning matters, but rigid plans can hold your photography backHow pre-trip research differs for new locations versus familiar placesUsing weather, seasons, and conditions to guide creative decisionsManaging expectations and setting realistic goals for a tripThe role of scouting before and during a photography outingAvoiding preconceived images and staying open to what the landscape gives youBalancing preparation with spontaneity to stay creatively engagedRelated Links:
Michaelâs Amazon guidebook list: https://www.amazon.com/shop/michaelrungphotography/list/2EDPL69ILQ1K7?ref_=aipsflist Cole Thompson's article on photo celibacy: https://colethompsonphotography.com/2018/03/22/photographic-celibacy-thoughts-ten-years-later/Learn more about Michael's photography: www.michaelrung.comLearn more about Jeffrey's photography: www.jeffreytadlock.com
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In this most recent episode of Shutter Nonsense, hosts Michael and Jeffrey sit down with special guest, landscape photographer Ben Horne, for a thoughtful conversation about how the way we see our own photographs changes over time. What starts as excitement or disappointment in the moment often shifts months or years later, sometimes in ways we never expect.
Ben shares stories from a recent trip to Zion, walks through his film and large-format workflow, and reflects on what itâs like to revisit older work with fresh eyes. Together, they talk openly about creative doubt, the tension between technical perfection and emotional impact, and why some images only reveal their value long after they were made. This episode is an honest discussion about growth, patience, and learning to trust the photographic process.
Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense
Highlights
How photographersâ perceptions of their own work evolve over timeRevisiting older images and seeing them differently years laterCreative doubt and its role in long-term growthBalancing technical perfection with emotional impactFilm photography, large format workflow, and slowing downWhy some images take time to reveal their valueRelated Links
Ben Horneâs Website: https://www.benhorne.com/Learn more about Michael's photography: www.michaelrung.comLearn more about Jeffrey's photography: www.jeffreytadlock.com -
Is photography better kept as a passion, or does turning it into a business change the relationship entirely?
In this episode of Shutter Nonsense, Michael and Jeffrey dig into the real-world tradeoffs between photography as a hobby and photography as a source of income. The discussion explores what monetization actually looks like for landscape photographers, why prints and education tend to be the most common paths, and how financial pressure can quietly influence creativity, subject choice, and long-term enjoyment of the craft.
The episode also looks beyond gear and images to the less visible side of the business: financial readiness, safety nets, diversification of income, and the mental and emotional weight of being âalways on.â Whether photography is something you love on the weekends or something you are trying to build into a career, this episode offers an honest framework for thinking through the decision with intention.
Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense
HighlightsHobby vs business: what it really means to monetize photographyCommon income paths for landscape photographers, including prints and educationWhy portraits and events often become the first step into paid photographyThe reality of saturation and competition in nature photographyThe hidden workload behind monetization and being constantly âonâFinancial readiness beyond gear: savings, insurance, and unexpected expensesWhy timing matters when considering full-time photographyHow monetization can influence creativity and subject choiceBalancing personal passion with work that is more marketableWhen paid photography starts to pull energy away from what you loveHow teaching and selling work can deepen connection with an audienceThe importance of diversified income streams for long-term stabilityRelevant Links:
https://www.michaelrungphotography.com/post/struggling
Learn more about Michael's photography: www.michaelrung.com
Learn more about Jeffrey's photography: www.jeffreytadlock.com
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In Episode 19 of Shutter Nonsense, hosts Michael and Jeffrey dig into how photography trips shape us far beyond the images we bring home. Travel can spark creativity and excitement, but it also introduces uncertainty, pressure, and the challenge of balancing expectations with reality.
We talk about what happens when you photograph unfamiliar places, how travel can help reconnect you with your original motivation for picking up a camera, and why growth often comes from being uncomfortable. Along the way, we share personal travel stories, discuss planning versus spontaneity, explore solo versus group travel dynamics, and reflect on how revisiting familiar locations compares to chasing something new.
This episode is less about destinations and more about intention, awareness, and the long-term impact photography trips can have on your creative life. Whether you travel often or only occasionally, this conversation is about making those trips more meaningful.
Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense
Highlights:
Why photography trips often change how we think about photography, not just what we photographThe creative benefits and mental challenges of working in unfamiliar locationsHow travel can help reconnect you with your original motivation for picking up a cameraPlanning versus spontaneity, and why both matter on photography-focused tripsSolo travel compared to group trips, and how each shapes the experience differentlyBalancing photography goals with simply being present while travelingThe role of repeat visits versus constantly chasing new destinationsHow deeper connections to places can influence conservation awareness and advocacyPractical advice for photographers planning their first trip centered around photographyRelevant Links:
Learn more about Michael's photography: www.michaelrung.com
Learn more about Jeffrey's photography: www.jeffreytadlock.com
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In this episode of Shutter Nonsense, hosts Michael and Jeffrey explore the often-overlooked power of local photography and why shooting close to home can make you a stronger, more fulfilled nature photographer.
Traveling for your nature photography is inspiring and iconic, but local landscapes offer something just as valuable: repetition, familiarity, and the chance to truly learn a place. We talk about how photographing nearby locations can sharpen your skills, deepen your connection to the land, and help you stay creatively energized without constantly chasing new destinations.
We also dig into the realities of balancing local and travel photography, how to work through location fatigue, and why your audience often connects just as much with meaningful local work as they do with bucket-list locations.
This episode is part practical advice, part creative mindset, and part honest reflection on what keeps photography enjoyable long-term.
Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense
Highlights Include:
Why local photography is one of the best ways to improve technical skillsHow familiarity with a place leads to stronger compositions and better timingThe mental and creative benefits of shooting close to homeScouting and building fitness without always bringing a cameraPlanning vs spontaneity when working locallyHow to avoid burnout and location fatigueBalancing local projects with travel photographyAudience reactions to iconic travel shots vs meaningful local imagesRelevant Links:
Michaelâs App: https://www.photopackpro.com
2026 Workshops: https://www.michaelrungphotography.com/landscape-photography-workshops
Learn more about Michael's photography: www.michaelrung.comLearn more about Jeffrey's photography: www.jeffreytadlock.com
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In Episode 17 of Shutter Nonsense, Michael and Jeffrey dive deep into the business side of selling photographic prints. From pricing and production choices to fulfillment and customer service, this conversation pulls back the curtain on what it really takes to make print sales work sustainably.
They discuss how to think about pricing beyond just cost, the pros and cons of printing your own work versus using a professional lab, and how different sales channels like online stores and art fairs shape your strategy. The episode also explores presentation, shipping, refunds, replacements, and the ongoing debate around limited edition prints.
If you are a photographer who sells prints or is thinking about adding print sales to your business, this episode is packed with real-world insights and practical considerations.
Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense
Highlights Include: ⢠Pricing photographic prints realistically ⢠Self-printing vs third-party labs ⢠Selling online vs art fairs ⢠Presentation and display choices ⢠Shipping and fulfillment workflows ⢠Customer service, refunds, and replacements ⢠Limited edition prints and whether they make sense
Related Links:
Red River Paper (affiliate link)NMFAShiny Prints (affiliate link)Matt Payne's print lab reviewsLearn more about Michael's photography: www.michaelrung.comLearn more about Jeffrey's photography: www.jeffreytadlock.com
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In this episode of Shutter Nonsense, Michael and Jeffrey take a candid look at imposter syndrome in photography. How it shows up, why itâs so common, and what you can actually do about it. From selling prints and filling workshops to navigating slow seasons and shifting economic realities, they unpack the pressures photographers face at every stage of their creative and business journeys.
Michael and Jeffrey share personal stories, talk through the ongoing challenge of balancing healthy humility with unproductive self-doubt, and offer practical ways to manage imposter syndrome when it starts creeping in.
If youâve ever wondered whether youâre âgood enough,â second-guessed your portfolio, or questioned whether your work matters, then this episode is for you. And honestly? Youâre far from alone.
Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense
Highlights Include:
Exploring imposter syndrome and why it affects photographers at every levelPersonal updates on current projects, art fairs, and calendar printingBehind-the-scenes challenges of scheduling and running workshopsHonest stories about self-doubt, validation, and the creative struggleHow economic shifts impact photography businesses and marketingFinding the balance between humility and harmful self-criticismLessons learned from teaching, mentoring, and supporting other photographersFinal thoughts on building community and navigating imposter syndrome togetherRelevant Show Notes Links
Landscape Photographers Worldwide Discord: https://discord.gg/kU8GXH6RNature Photographerâs Network: https://www.naturephotographers.network/Learn more about Michael's photography: www.michaelrung.comLearn more about Jeffrey's photography: www.jeffreytadlock.com
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In this episode, renowned nature photographer Alex Noriega joins the hosts Michael and Jeffrey. The trio delve into the critical importance of curating your nature photography to elevate it from good to memorable.
The conversation covers a variety of topics, including the selection and refinement of images, social mediaâs impact on curation, balancing personal satisfaction with audience engagement, and the influence technology may have on future curation. Alex shares his insights and experiences, offering listeners a new perspective on curating their work.
Whether a hobbyist, a seasoned pro, or somewhere in between, this episode highlights the significance of a well-curated portfolio and how thoughtful curation can improve oneâs photographic journey
Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense
Highlights Include:
Welcoming Alex NoriegaDiving into CurationEmotional Attachment in PhotographyThe Curation StruggleBuilding Excitement Through Tighter CurationStanding Out in a Saturated MarketSocial Media and Mediocre WorkCuration for the Hobbyist and Professional The Role of AI in PhotographyRelevant Show Notes Links
Alexâs Newsletter Signup: https://www.alexnoriega.com/subscribeAlexâs Website: https://www.alexnoriega.com/Chrissy Donadiâs Lightroom Organization Course: https://chrissydonadi.com/lets-get-organized-courseLearn more about Michael's photography: www.michaelrung.comLearn more about Jeffrey's photography: www.jeffreytadlock.com
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In this episode of Shutter Nonsense, join Michael and Jeffrey as they delve into the challenges and opportunities that arise when photographing in difficult weather conditions. From harsh midday light, heavy overcast skies, rain, snow, wind, and other less-than-ideal situations, nature photographers can face it all.
They discuss their personal experiences and strategies for adapting to unforeseen difficulties, and turning infield challenges into creative opportunities all while ensuring safety and comfort. This episode also covers approaches to post-processing for different types of weather, practical usage of weather apps, and the importance of situational flexibility in nature photography.
Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense
Highlights Include:
Adapting to Tough ConditionsMindset and FlexibilityPreparation and Gear for Bad WeatherEditing Photos Based on Weather ConditionsMidday Nature PhotographyInfrared Filters for Bright Sunny DaysEmbracing Harsh LightDull and Overcast ConditionsWeather Apps for PlanningRelevant Show Notes Links
Michaelâs fall photos from Utah: https://www.michaelrungphotography.com/shop?Locations=Utah&Seasons=AutumnMichaelâs high-key processing video: https://youtu.be/7uY2JS7fcLgJeffreyâs Five Tips for Photographing in Cold Weather Video: https://youtu.be/E97lV4Q0mCYJeffreyâs Cold Weather Clothing Video: https://youtu.be/0TSN2Hc5Af8Weather App - Windy - https://www.windy.com/Weather App - Carrot - https://www.meetcarrot.com/weather/Weather Site - https://www.weather.gov/Learn more about Michael's photography: www.michaelrung.comLearn more about Jeffrey's photography: www.jeffreytadlock.com
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In this episode of Shutter Nonsense, hosts Michael and Jeffrey dive into the ever evolving debate of whether camera gear still matters in 2025 for nature photography.
They discuss brand loyalty, the real-world benefits of upgrading, and how new technology impacts photography. They also highlight the common traps photographers fall into when upgrading their gear and offer advice on evaluating genuine needs versus fear of missing out, also known as FOMO. Additionally, the episode features detailed discussions on professional vs. hobbyist needs, the impact of mirrorless systems, and the future of camera technology.
Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense
Highlights Include:
Photography Gear and Brand LoyaltyThe Upgrade MentalityPixel Peeping and MegapixelsField Performance vs. Lab ResultsProfessional versus HobbyistFuture TechnologyRelated Links:
Michael's Gear List: https://www.michaelrungphotography.com/my-gearJeffrey's Gear List: https://jeffreytadlock.com/my-gearLearn more about Michael's photography: www.michaelrung.com
Learn more about Jeffrey's photography: www.jeffreytadlock.com
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