Episodes

  • John catches up with Bob Vylan and producer Jonny Breakwell to talk about how they wrote, recorded and produced the ‘Humble As The Sun’.

    Bob Vylan, a grime and punk rock duo who emerged in 2017. Despite facing resistance for their provocative themes on racism and inequality, they gained a loyal following. Their albums, 2020’s ‘We Live Here’ and 2022’s ‘Bob Vylan Presents the Price of Life’ earned critical acclaim, and saw the duo win Best Alternative Act at the MOBO Awards. Their latest, ‘Humble as the Sun,’ sees the duo flex their musical muscles, drawing on soul, drill, and punk, brought together with their trademark intensity.

    Chatting in Miloco’s The Pool Studio, where some of the album was recorded, the conversation includes insights into navigating the independent artist landscape and the pivotal moments balancing personal and musical life. The pair also reflect on the process of refining Bobby's initial demos into polished tracks, exploring the production techniques that enhance the depth and character of the band’s sound.

    Tracks discussed: Humble As The Sun, Reign, Makes Me Violent

    TAPE IT
    Thanks to our friends at Tape It for supporting the podcast.
    Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 50% off.

    LINKS TO EVERYTHING TAPE NOTES  
    linktr.ee/tapenotes 
    Listen to ‘Humble As The Sun’ here.
    Ghost Theatre

    Intro Music - Sunshine Buddy, Laurel Collective

    GEAR MENTIONS
    FabFilter Saturn 2
    FabFilter Pro Q3
    Soundtoys Radiator
    Boz Labs Big Clipper
    Native Instruments Battery
    Native Instrument Kontakt
    Native Instruments Massive
    Native Instruments Guitar Rig
    Valhalla Delay
    Seventh Heaven Reverb
    Plugin Alliance Black Box
    Waves CLA Compressor
    Ableton Overdrive Plugin
    UAD Apollo
    Leslie Rotating Speaker
    SE Electronics SE2200 Condenser Microphone
    AKG414 Microphone
    BeesNeez Arabella Microphone
    Lomo 19A19 Microphone
    Shure KSM353 Ribbon Mic
    Shadow Hills Mono GAMA Mic Pre
    Culture Vulture Distortion
    Neve one of a kind Distortion Unit (Marshall Studios)
    Neve 80’s series desk (Marshall Studios)
    Marshall Jaguar Amp

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    HELP SUPPORT THE SHOW
    If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 
    Donate
    Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

    KEEP UP TO DATE
    For behind the scenes photos and the latest updates, make sure to follow us on: 
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    Patreon: Tape Notes
    To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 
    Visit our website to join our mailing list: www.tapenotes.co.uk

    TAPE NOTES TEAM
    Will Brown - Executive Producer, Engineer & Editor
    Tim Adam-Smith - Executive Producer, Videographer
    Will Lyons - Editor
    Nico Varanese - Videographer, Editor
    Guy Nicholls - Production Assistant
    Jessica Clucas - Production Assistant
    Katie-Louise Buxton - Production Assistant
    Seb Brunner-Stolovitzky - Production Assistant
    Jonathon Coughlin - Production Assistant
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  • John catches up with English rock band The Libertines to discuss how they wrote and recorded their latest album ‘All Quiet on the Eastern Esplanade’.

    The Libertines formed in 1997 and shot to fame with their debut album, 'Up the Bracket,' becoming pillars of the British indie/alternative resurgence of the early 2000s.
    Thirty years after their careers started, they have unveiled their fourth studio album, 'All Quiet on the Eastern Esplanade,' primarily recorded at their studio, The Albion Rooms, in Margate, with producer Dimitri Tikovoï.

    Sitting down with frontmen Carl Barat and Peter Doherty, the pair discuss their song writing process from idea to finished album. As well as sharing exclusive insights into the evolution of the Libertines’ recording process, we hear demos and ideas from their early days writing together up to recent studio time in Jamaica. 

    Tracks discussed: Run Run Run, Merry Old England, & Shiver

    TAPE IT
    Thanks to our friends at Tape It for supporting the podcast.
    Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 50% off.

    LINKS TO EVERYTHING TAPE NOTES  
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    Listen to ‘All Quiet on the Eastern Esplanade’ here  

    Libertines Recording Limited, Universal Music Operations, EMI
    Intro Music - Sunshine Buddy, Laurel Collective

    GEAR MENTIONS
    1957 NY Epiphone Casino Guitar
    Gibson J45 Guitar
    Marshall Amps
    Whurli
    The Albion Rooms Gear

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    HELP SUPPORT THE SHOW
    If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 
    Donate
    Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

    KEEP UP TO DATE
    For behind the scenes photos and the latest updates, make sure to follow us on: 
    Instagram: @tapenotes 
    Twitter: @tapenotes 
    Facebook: @tapenotespodcast  
    YouTube: Tape Notes Podcast
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    To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 
    Visit our website to join our mailing list: www.tapenotes.co.uk

    TAPE NOTES TEAM
    Will Brown - Executive Producer, Engineer & Editor
    Tim Adam-Smith - Executive Producer, Videographer
    Will Lyons - Editor
    Nico Varanese - Videographer, Editor
    Guy Nicholls - Production Assistant
    Jessica Clucas - Production Assistant
    Katie-Louise Buxton - Production Assistant
    Seb Brunner-Stolovitzky - Production Assistant
    Jonathon Coughlin - Production Assistant
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  • John catches up with producer, songwriter, and multi-instrumentalist Jack Antonoff of Bleachers to discuss how he wrote, recorded, and produced the band’s latest album ‘Bleachers’.

    Having grown up performing, song writing, and producing bands throughout his teenage years, Jack first saw mainstream success as part of the band Fun, and their global hit track ‘We Are Young’. Since then, he has gone on to co-write and produce records for some of the biggest artists of the past decade, including Lorde, Lana Del Rey, The 1975, and Taylor Swift. Among his numerous awards and accolades, he was named Producer of the Year at the Grammys for three consecutive years.

    Throughout the conversation Jack discusses his song writing process, from stories of the studio magic that occurs when picking up random instruments, to the unusual mixing and panning techniques he uses to help make parts feel big (rather than actually being big).

    Tracks discussed: Call Me After Midnight, Jesus Is Dead, We’re Going To Know Each Other Forever

    TAPE IT
    Thanks to our friends at Tape It for supporting the podcast.
    Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 50% off.

    LINKS TO EVERYTHING TAPE NOTES  
    linktr.ee/tapenotes 
    Listen to ‘Bleachers’ here .
    Dirty Hit

    Intro Music - Sunshine Buddy, Laurel Collective

    GEAR MENTIONS
    Waves Morphoder - https://geni.us/XTO8Bx
    Soundtoys Tremolator - https://geni.us/bAB3sa
    Soundtoys FilterFreak - https://geni.us/X6uk
    Soundtoys Little AlterBoy - https://geni.us/o8nbO
    Izotope VocalSynth - https://geni.us/ZIbW
    Roland Juno - https://geni.us/tEKxqpC
    Moog Synths - https://geni.us/EzWqBu
    Korg M1 - https://geni.us/GnnNmU8
    Ebow - https://geni.us/FnQRXYG
    Teenage Engineering OP1 - https://geni.us/dg6C9
    Chandler TH2 Preamp/DI - https://geni.us/kwoYxl

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    HELP SUPPORT THE SHOW
    If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 
    Donate
    Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

    KEEP UP TO DATE
    For behind the scenes photos and the latest updates, make sure to follow us on: 
    Instagram: @tapenotes 
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    To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 
    Visit our website to join our mailing list: www.tapenotes.co.uk

    TAPE NOTES TEAM
    Will Brown - Executive Producer, Engineer & Editor
    Tim Adam-Smith - Executive Producer, Videographer
    Will Lyons - Editor
    Nico Varanese - Videographer, Editor
    Guy Nicholls - Production Assistant
    Jessica Clucas - Production Assistant
    Katie-Louise Buxton - Production Assistant
    Seb Brunner-Stolovitzky - Production Assistant
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  • We’ve been having a look back through the Tape Notes archive to bring back some of our favourite early episodes that you may have missed. This selection is our conversation with Alt-J’s Joe and Gus, along with producer Charlie Andrew, recorded back in February 2019.

    EPISODE NOTES
    In this episode John is joined by Gus Unger-Hamilton and Joe Newman from Alt-J, and producer Charlie Andrew to talk about how they recorded and produced the album 'RELAXER'. 
    The trio give a fascinating account of the thought processes and production techniques used in the recording of RELAXER. 
    Hear how a friend's pavlovian response to the smell of burning wood, the Gus whistle test, and swearing at an old school master all left their mark on the band's third album. 
    Tracks discussed: 3WW, House of the Rising Sun, Pleader

    LINKS TO EVERYTHING TAPE NOTES  
    Listen to 'RELAXER' here.
    'RELAXER' - alt-J, Infectious Music Ltd., a BMG Company

    Intro Music - Sunshine Buddy, Laurel Collective 

    GEAR MENTIONS
    Akai MPC Sampler
    Melodyne
    Moog
    Roland Juno 60
    Soundtoys Echoboy
    Soundtoys Decapitator
    Teenage Engineering OP1
    UAD Plugins
    Waves Plugins
    Ableton

    OUR GEAR
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    HELP SUPPORT THE SHOW
    If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 
    Donate
    Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

    KEEP UP TO DATE
    For behind the scenes photos and the latest updates, make sure to follow us on: 
    Instagram: @tapenotes 
    Twitter: @tapenotes 
    Facebook: @tapenotespodcast  
    YouTube: Tape Notes Podcast
    Discord: Tape Notes
    Patreon: Tape Notes
    To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 
    Visit our website to join our mailing list: www.tapenotes.co.uk

    TAPE NOTES TEAM
    Will Brown - Executive Producer, Engineer & Editor
    Tim Adam-Smith - Executive Producer
    Will Lyons - Editor
    Nico Varanese - Videographer, Editor
    Guy Nicholls - Production Assistant
    Jessica Clucas - Production Assistant
    Katie-Louise Buxton - Production Assistant
    Learn more about your ad choices. Visit megaphone.fm/adchoices

  • In this episode, John sits down with singer and multi-instrumentalist Jacob Collier, delving into the creative process behind his album ‘Djesse Vol. 4,’ the concluding instalment in his four-part ‘Djesse’ album series.

    Jacob first shot to fame in 2013 when videos of his complex vocal arrangements went viral on YouTube. Three years later, he released his debut album ‘In My Room’, written and recorded entirely from his family home. In 2018, Jacob set to work on Djesse, a four-volume, 50-song, album series featuring collaborations with artists around the world, which to date has earned him 6 Grammy nominations.

    Throughout the conversation, Jacob shares his original demos and discusses his approach to fusing such a plethora of musical genres, from rap and gospel, to dance and Kpop. He also discusses the collaborations that shaped the album, with artists including Chris Martin, Lindsay Loomis, and Willow Smith, as well as his audiences from live shows around the world.

    Tracks discussed: Over You, 100,000 Voices, Cinnamon Crush

    LINKS TO EVERYTHING TAPE NOTES  
    linktr.ee/tapenotes 
    Listen to ‘Djesse Vol. 4’ here .
    Hajanga Records, Interscope Records/Decca, Universal Music Operations Limited

    Intro Music - Sunshine Buddy, Laurel Collective   

    GEAR MENTIONS
    Little Alterboy
    Oek Sound Soothe
    Xfer LFO Tool
    Gladiator Synth
    AKG C414
    Neumann U87
    Neumann U87 Customised by Klaus Heyne
    Sony MX4000 Headphones
    Native Instruments
    Taylor 5 String Guitar (custom)
    Strandberg Guitars Electric 5 String
    Mandocello

    OUR GEAR
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    HELP SUPPORT THE SHOW
    If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 
    Donate
    Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

    KEEP UP TO DATE
    For behind the scenes photos and the latest updates, make sure to follow us on: 
    Instagram: @tapenotes 
    Twitter: @tapenotes 
    Facebook: @tapenotespodcast  
    YouTube: Tape Notes Podcast
    Discord: Tape Notes
    Patreon: Tape Notes
    To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 
    Visit our website to join our mailing list: www.tapenotes.co.uk

    TAPE NOTES TEAM
    Will Brown - Executive Producer, Engineer & Editor
    Tim Adam-Smith - Executive Producer, Videographer
    Will Lyons - Editor
    Nico Varanese - Videographer, Editor
    Guy Nicholls - Production Assistant
    Jessica Clucas - Production Assistant
    Katie-Louise Buxton - Production Assistant
    Seb Brunner-Stolovitzky - Production Assistant
    Learn more about your ad choices. Visit megaphone.fm/adchoices

  • John catches up with Declan McKenna to talk about his latest album ‘What Happened To The Beach?’

    Declan McKenna first saw mainstream success in 2015 following the release of his debut single ‘Brazil’ and winning Glastonbury Festival’s Emerging Talent prize. While blending topics of politics and social issues with his indie-pop sound through his first two albums, ‘What Happened To The Beach?’ introduces us to a new world, this time looking inward and drawing on Declan’s personal growth as a musician.

    As well as opening up his hugely varied bag of demos, musical sketches, and jam sessions, Declan shares stories of his time working in the studio with producer Luca Buccellati, talking through the unusual sounds and fantasy locations that inspired his writing.

    Tracks discussed: Mulholland’s Dinner & Wine, Breath of Light, Mezzanine

    LINKS TO EVERYTHING TAPE NOTES  
    linktr.ee/tapenotes 
    Listen to ‘What Happened To The Beach?’ here.
    Sony Music Entertainment

    Intro Music - Sunshine Buddy, Laurel Collective

    GEAR MENTIONS
    Soundtoys Little Alterboy
    MWFX The Judder Pedal
    Roland Juno 60
    Shure SM7B
    Mellotron
    Electro Harmonix MEL9 Pedal
    Acoustasonic Guitars
    Logic auto-wah
    Logic Pro X
    Ableton

    OUR GEAR
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    HELP SUPPORT THE SHOW
    If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 
    Donate
    Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

    KEEP UP TO DATE
    For behind the scenes photos and the latest updates, make sure to follow us on: 
    Instagram: @tapenotes 
    Twitter: @tapenotes 
    Facebook: @tapenotespodcast  
    YouTube: Tape Notes Podcast
    Discord: Tape Notes
    Patreon: Tape Notes
    To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 
    Visit our website to join our mailing list: www.tapenotes.co.uk

    TAPE NOTES TEAM
    Will Brown - Executive Producer, Engineer & Editor
    Tim Adam-Smith - Executive Producer, Videographer
    Will Lyons - Editor
    Nico Varanese - Videographer, Editor
    Guy Nicholls - Production Assistant
    Jessica Clucas - Production Assistant
    Katie-Louise Buxton - Production Assistant
    Learn more about your ad choices. Visit megaphone.fm/adchoices

  • We’ve been having a look back through the Tape Notes archive to bring back some of our favourite early episodes that you may have missed. The first selection is our chat with Dave Bayley (Glass Animals) from summer 2018.  

    EPISODE NOTES
    John ventures up to Dave Bayley’s new home studio in London Fields to talk about how Glass Animals’ debut album ZABA was recorded and produced. 
    We hear how Dave conjured up the band’s unique style through many late night sessions in his bedroom when he should’ve been studying for medical school. He reveals his producer hero’s and an insatiable appetite for data collection, creating his own sound world through sampling every sound imaginable. 
    Dave guides us through a fascinating breakdown of Gooey – from an early voice demo recorded on his phone to the finished article and we learn some of his trade secrets along the way. 

    Tracks featured: Gooey, Hazey, Toes

    LINKS TO EVERYTHING TAPE NOTES  
    linktr.ee/tapenotes 
    Listen to 'ZABA' here.
    'ZABA' - Wolf Tone Limited
    Intro Music - Sunshine Buddy, Laurel Collective 

    GEAR MENTIONS
    Audio-Technica AT4040
    Fender Deluxe 57
    Laney VC20
    Marshall Stack
    Rob Papen Albino Synth
    Roland Jupiter 6
    Shure SM57
    Soundtoys Decapitator
    Soundtoys Microshift
    Soundtoys Alter Boy
    UAD Amp Emulators
    Vox AC30
    Waves Kramer
    Ableton
    Ableton Spectrum Plugin
    ProTools

    OUR GEAR
    https://linktr.ee/tapenotes_ourgear

    HELP SUPPORT THE SHOW
    If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 
    Donate
    Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

    KEEP UP TO DATE
    For behind the scenes photos and the latest updates, make sure to follow us on: 
    Instagram: @tapenotes 
    Twitter: @tapenotes 
    Facebook: @tapenotespodcast  
    YouTube: Tape Notes Podcast
    Discord: Tape Notes
    Patreon: Tape Notes
    To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 
    Visit our website to join our mailing list: www.tapenotes.co.uk

    TAPE NOTES TEAM
    Will Brown - Executive Producer, Engineer & Editor
    Tim Adam-Smith - Executive Producer
    Will Lyons - Editor
    Nico Varanese - Videographer, Editor
    Guy Nicholls - Production Assistant
    Jessica Clucas - Production Assistant
    Katie-Louise Buxton - Production Assistant
    Learn more about your ad choices. Visit megaphone.fm/adchoices

  • John links up with hyper-pop royalty, Laura Les and Dylan Brady, aka 100 gecs, to talk about their latest album ‘10,000 gecs’.

    100 gecs first broke onto the scene with their debut album ‘1000 gecs’ in 2019. Capturing attention online and amongst music fans, the innovative record was described as ‘one of the year's most fascinating, exhilarating experimental pop albums’. Their second studio album ‘10,000 gecs’, released in 2023, sees them maintain their status as hyper-pop trailblazers, this time blending pop-punk and ska in with their signature maximalist sound.

    Reflecting on their writing process and how it has changed over the years, the conversation covers a range of topics, from the vast number of alternatives each track goes through, to the crazy sound design and effects that make up such an enormous part of their style.  

    Tracks discussed: Hollywood Baby, 757, The Most Wanted Person In The United States

    ----------------
    Thanks to Audiomovers for supporting this episode. Their Listento Plugin has been a gamechanger for us and we use it across all of our remote interviews and recordings.
    To see their full range of plugins, visit audiomovers.com and use the promo code TAPENOTES1 at checkout to get your free month (usually only two days).
    ----------------
    Thanks to Tape It for supporting this episode. Tape It is a recording app designed specifically for musicians and songwriters. Among many of Tape It's incredible features, you can record straight from lock screen, set markers and have complete control over your record settings, and that just the start.
    To find out more and get the full app free for a month, head to www.tape.it/tapenotes
    ----------------

    LINKS TO EVERYTHING TAPE NOTES  
    linktr.ee/tapenotes 
    Listen to ‘10,000 gecs’ here .
    Dog Show Recordings, Atlantic Recordings

    Intro Music - Sunshine Buddy, Laurel Collective

    GEAR MENTIONS
    Native Instruments Guitar Rig
    Waves Tune Real Time
    Soundtoys Decapitator
    Toontrack Superior Drummer
    Xfer Serum Synth
    Mace Guitar Amp
    Shure SM7B
    Orange Amp
    V-Drums
    Mesa Dual Rectifier Amp Head
    Splice
    Logic Pro X

    OUR GEAR
    https://linktr.ee/tapenotes_ourgear

    HELP SUPPORT THE SHOW
    If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 
    Donate
    Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

    KEEP UP TO DATE
    For behind the scenes photos and the latest updates, make sure to follow us on: 
    Instagram: @tapenotes 
    Twitter: @tapenotes 
    Facebook: @tapenotespodcast  
    YouTube: Tape Notes Podcast
    Discord: Tape Notes
    Patreon: Tape Notes
    To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 
    Visit our website to join our mailing list: www.tapenotes.co.uk

    TAPE NOTES TEAM
    Will Brown - Executive Producer, Engineer & Editor
    Tim Adam-Smith - Executive Producer, Videographer
    Will Lyons - Editor
    Nico Varanese - Videographer, Editor
    David Yu - Engineer (LA)
    Guy Nicholls - Production Assistant
    Raphi Elton-Rowley - Production Assistant
    Jessica Clucas - Production Assistant
    Katie-Louise Buxton - Production Assistant
    Learn more about your ad choices. Visit megaphone.fm/adchoices

  • John ventures into the depths of Kent to catch up with Matthew Herbert and discuss his latest work ‘The Horse’.

    Renowned for his innovative sound exploration, Matthew gained recognition under various names, including Doctor Rockit, Wishmountain, and Herbert. He's produced for artists such as Bjork and Róisín Murphy, composed for stage and screen, and earned international acclaim for his records. His latest collaboration with the London Contemporary Orchestra resulted in 'The Horse.'

    Alongside a full album playback, the conversation covers the thought process behind the sounds, collaborators and story of each track, Matthew also shares his thoughts on ways in which to engage with music and creativity, and how to do it in a way that keeps you continuously inspired.

    Tracks discussed: Full Album

    LINKS TO EVERYTHING TAPE NOTES  
    linktr.ee/tapenotes 
    Listen to ‘The Horse’ here.
    Matthew Herbert, Modern Recordings, BMG

    Intro Music - Sunshine Buddy, Laurel Collective

    OUR GEAR
    https://linktr.ee/tapenotes_ourgear

    HELP SUPPORT THE SHOW
    If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

    KEEP UP TO DATE
    For behind the scenes photos and the latest updates, make sure to follow us on: 
    Instagram: @tapenotes 
    Twitter: @tapenotes 
    Facebook: @tapenotespodcast  
    YouTube: Tape Notes Podcast
    Discord: Tape Notes
    Patreon: Tape Notes
    To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 
    Visit our website to join our mailing list: www.tapenotes.co.uk

    TAPE NOTES TEAM
    Will Brown - Executive Producer, Engineer & Editor
    Tim Adam-Smith - Executive Producer
    Will Lyons - Editor
    Nico Varanese - Videographer, Editor
    Guy Nicholls - Production Assistant
    Jessica Clucas - Production Assistant
    Katie-Louise Buxton - Production Assistant
    Learn more about your ad choices. Visit megaphone.fm/adchoices

  • John links up pop-rock band Fall Out Boy, and producer Neal Avron, to talk about their latest studio album ‘So Much (For) Stardust’. 

    Emerging from Chicago’s hardcore punk scene in the early 2000’s, Fall Out Boy rose to fame with hits including ‘Sugar, We’re Goin Down’ and 'Thnks fr th Mmrs’. Constantly innovating, their eight studio albums have seen them embrace all sides of music, including R&B, and electro-pop. For their latest record ‘So Much (For) Stardust’, they return to their roots, working with producer Neal Avron. 

    Chatting with Patrick and Neal, the conversation covers the band’s approach to the early stages of demoing, their collaboration with a full orchestra and some of the best players in the business, and how they divide different writing responsibilities amongst each other.

    Tracks discussed: Love From The Other Side, Heaven, Iowa, So Much (For) Stardust

    LINKS TO EVERYTHING TAPE NOTES  
    linktr.ee/tapenotes 
    Listen to ‘So Much (For) Stardust) here.
    Fueled By Ramen, Elektra Music Group Inc.

    Intro Music - Sunshine Buddy, Laurel Collective

    GEAR MENTIONS
    Native Instruments Kontakt
    Native Instruments Guitar Rig
    Audiomovers Listento
    Fender Strat
    Orange Amps
    Dave Smith Poly Evolver Synth
    Ensoniq Fizmo Synth
    Roland TR-66 Rhythm Arranger
    Neumann U 47
    1176
    LA-2A
    Slingerland Drums
    Guild S-100 Guitar
    Gibson Les Paul
    Neve Console
    Splice

    OUR GEAR
    https://linktr.ee/tapenotes_ourgear

    HELP SUPPORT THE SHOW
    If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 
    Donate
    Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

    KEEP UP TO DATE
    For behind the scenes photos and the latest updates, make sure to follow us on: 
    Instagram: @tapenotes 
    Twitter: @tapenotes 
    Facebook: @tapenotespodcast  
    YouTube: Tape Notes Podcast
    Discord: Tape Notes
    Patreon: Tape Notes
    To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 
    Visit our website to join our mailing list: www.tapenotes.co.uk

    TAPE NOTES TEAM
    Will Brown - Executive Producer, Engineer & Editor
    Tim Adam-Smith - Executive Producer
    Will Lyons - Editor
    Nico Varanese - Videographer, Editor
    Guy Nicholls - Production Assistant
    Jessica Clucas - Production Assistant
    Katie-Louise Buxton - Production Assistant
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  • John sits down with indie rock band Bombay Bicycle Club to talk about their sixth studio album ‘My Big Day’. 

    Bombay Bicycle Club are a four-piece band from London, that broke onto the indie music scene with their genre defining debut album ‘I Had The Blues But I Shook Them Loose’ in 2009. Since then they have been releasing a steady stream of music which has been met with high critical acclaim, earning them an Ivor Novello and a Mercury Prize nominations. 

    Chatting with band members Jack Steadman and Ed Nash, the three cover a range of topics including the inspiration behind the album, their use of sampling in their music, how over-thinking can negatively influence the production process, and their collaboration with music legends Damon Albarn, Paul Epworth & Chaka Khan.

    Tracks discussed: My Big Day, Heaven, Just A Little More Time

    ----------------
    Thanks to Tape It for supporting this episode. Tape It is a recording app designed specifically for musicians and songwriters. Among many of Tape It's incredible features, you can record straight from lock screen, set markers and have complete control over your record settings, and that just the start.
    To find out more and get the full app free for a month, head to www.tape.it/tapenotes
    ----------------
    To support the show and become a Patron, head to Patreon.co.uk/tapenotes. Any and all support is hugely appreciated, we don't take it for granted so thank you.
    ----------------

    LINKS TO EVERYTHING TAPE NOTES  
    linktr.ee/tapenotes 
    Listen to ‘My Big Day’ here - https://songwhip.com/bombay-bicycle-club/my-big-day 
    Mmm…Records, AWAL Recordings

    Intro Music - Sunshine Buddy, Laurel Collective - https://songwhip.com/laurelcollective/sunshinebuddy   

    GEAR MENTIONS
    Magix Samplitude - https://geni.us/iBEqbXn
    Casio Keyboard - https://geni.us/hKfe
    Korg Monotron - https://geni.us/T5K1H
    Native Instruments Kontakt - https://geni.us/AFPeU
    Paul Epworth's Neve Desks - https://geni.us/TFoT0

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    HELP SUPPORT THE SHOW
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    Donate
    Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

    KEEP UP TO DATE
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    To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 
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    TAPE NOTES TEAM
    Will Brown - Executive Producer, Engineer & Editor
    Tim Adam-Smith - Executive Producer
    Will Lyons - Editor
    Nico Varanese - Videographer, Editor
    Guy Nicholls - Production Assistant
    Jessica Clucas - Production Assistant
    Katie-Louise Buxton - Production Assistant
    Learn more about your ad choices. Visit megaphone.fm/adchoices

  • In this episode, John is reunited with Mike Kerr of Royal Blood, to talk about how the band wrote, recorded and produced the album ‘Back To The Water Below’.

    Following the success of their fourth number one album, Mike reflects on how their purpose as musicians has changed over the years, sharing their process of working out what they love, but haven't done with Royal Blood yet.

    Giving us an in depth look behind each track, we hear stories of musical experiments, including making a new ‘wall of sound’ guitar and playing specially modified pianos, while simultaneously inviting new genres into the Royal Blood sound.

    Listen to find out the best way to beat the sounds on your demos, tips on how to keep a two-hour live set engaging, and thoughts on why you shouldn’t wait for inspiration to come.

    Tracks discussed: Triggers, There Goes My Cool, Waves

    ----------------
    Thanks to Tape It for supporting this episode. Tape It is a recording app designed specifically for musicians and songwriters. Among many of Tape It's incredible features, you can record straight from lock screen, set markers and have complete control over your record settings, and that just the start.
    To find out more and get the full app free for a month, head to www.tape.it/tapenotes
    ----------------
    To support the show and become a Patron, head to Patreon.co.uk/tapenotes. Any and all support is hugely appreciated, we don't take it for granted so thank you.
    ----------------

    LINKS TO EVERYTHING TAPE NOTES  
    linktr.ee/tapenotes 

    Listen to ‘Back To The Water Below’ here.
    Imperial Galactic, Black Mammoth, Warner Records

    Intro Music - Sunshine Buddy, Laurel Collective

    GEAR MENTIONS
    Soundtoys Devil-Loc
    Spectrasonics Keyscape
    Mrs Mills Piano
    Avid ProTools

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    HELP SUPPORT THE SHOW
    If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 
    Donate
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    KEEP UP TO DATE
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    TAPE NOTES TEAM
    Will Brown - Executive Producer, Engineer & Editor
    Tim Adam-Smith - Executive Producer
    Will Lyons - Editor
    Nico Varanese - Videographer, Editor
    Guy Nicholls - Production Assistant
    Jessica Clucas - Production Assistant
    Katie-Louise Buxton - Production Assistant
    Learn more about your ad choices. Visit megaphone.fm/adchoices

  • Thanks to Tape It for supporting this episode. Tape It is a recording app designed specifically for musicians and songwriters. Among many of Tape It's incredible features, you can record straight from lock screen, set markers and have complete control over your record settings, and that just the start.
    To find out more and get the full app free for a month, head to www.tape.it/tapenotes
    -------

    In this episode, John is joined by Dodie and Martin Luke Brown of FIZZ, along with producer Pete Miles, to talk about how they wrote, recorded and produced the album ‘The Secret To Life’.

    Discussing how FIZZ came into being, Martin and Dodie explain the reasons and implications of setting their solo work to the side (temporarily), to have a holiday from music, but still doing music...  

    As well as lots of sharing stories, stems and general shenanigans from their time down at Middle Farm Studios, we hear how each band member brought something different to the table, approaching creativity in so many different ways - from jamming over loops, to singing around their house and recording voice notes in the bath.

    Listen to find out why sometimes it’s better just to yell your guitar solos, which piece of kit is the secret 7th member of FIZZ, and which chorus pedal has the wobbliest chorus of all chorus pedals.

    Tracks discussed: Secret To Life, Strawberry Jam, The Grand Finale

    LINKS TO EVERYTHING TAPE NOTES  
    linktr.ee/tapenotes 

    Listen to ‘The Secret To Life’ here.
     Decca Records, FKA Chairs, Universal Music

    Intro Music - Sunshine Buddy, Laurel Collective

    GEAR MENTIONS
    Full Middle Farm Studios Gear
    Roland RE-301 Chorus Echo
    Soundtoys Devil Loc
    Shure M267 Mic Preamp/Limiter
    ProCo Rat Pedal
    Electro Harmonix Polychorus
    Studer A80 Tape Machine
    1965 Hammond C3
    Leslie Speaker
    Logic Pro X

    OUR GEAR
    https://linktr.ee/tapenotes_ourgear

    HELP SUPPORT THE SHOW
    If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 
    Donate
    Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

    KEEP UP TO DATE
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    YouTube: Tape Notes Podcast
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    Patreon: Tape Notes
    To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 
    Visit our website to join our mailing list: www.tapenotes.co.uk

    TAPE NOTES TEAM
    Will Brown - Executive Producer, Engineer & Editor
    Tim Adam-Smith - Executive Producer
    Will Lyons - Editor
    Nico Varanese - Videographer, Editor
    Herbie Elton-Rowley - Videographer
    Guy Nicholls - Production Assistant
    Learn more about your ad choices. Visit megaphone.fm/adchoices

  • In this episode, John is joined by Olivia Dean and producer Matt Hales to talk about how they wrote, recorded and produced Olivia’s Mercury-nominated debut album ‘Messy’.

    Taking us back to the very start of their story, the pair discuss the inspiration for the album, sharing their approach to marrying different musical cultures and the importance of the chats they had before writing.

    As well as playing their writing session voice notes showing the exact moments each song took shape, we hear stories of mouth trumpet demos, creating artefacts to make instruments sound sampled, and the thought process behind choosing mix engineers. 

    Listen to find out why so much of what makes a good record can come from turning things off, why it’s so valuable to just have things around the studio, and why tea can be such an integral part of the creative process.

    Tracks discussed: UFO, Messy, Carmen

    ----------------
    Thanks to Tape It for supporting this episode. Tape It is a recording app designed specifically for musicians and songwriters. Among many of Tape It's incredible features, you can record straight from lock screen, set markers and have complete control over your record settings, and that just the start.
    To find out more and get the full app free for a month, head to www.tape.it/tapenotes
    ----------------
    Thanks to Audiomovers for supporting this episode. Their Listento Plugin has been a gamechanger for us and we use it across all of our remote interviews and recordings.
    To see their full range of plugins, visit audiomovers.com and use the promo code TAPENOTES1 at checkout to get your free month (usually only two days).
    ----------------

    LINKS TO EVERYTHING TAPE NOTES  
    linktr.ee/tapenotes 

    Listen to ‘Messy’ here - https://songwhip.com/oliviadean/messy2023
     EMI, Universal Music

    Intro Music - Sunshine Buddy, Laurel Collective - https://songwhip.com/laurelcollective/sunshinebuddy   

    GEAR MENTIONS
    AudioThing Reels
    Shure SM7B
    Boss CE1 Pedal
    Moog Synths
    Steinberg Cubase

    OUR GEAR
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    HELP SUPPORT THE SHOW
    If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 
    Donate
    Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

    KEEP UP TO DATE
    For behind the scenes photos and the latest updates, make sure to follow us on: 
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    To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 
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    TAPE NOTES TEAM
    Will Brown - Executive Producer, Engineer & Editor
    Tim Adam-Smith - Executive Producer
    Will Lyons - Editor
    Nico Varanese - Videographer, Editor
    Herbie Elton-Rowley - Videographer
    Guy Nicholls - Production Assistant
    Learn more about your ad choices. Visit megaphone.fm/adchoices

  • Thanks to Audiomovers for supporting this episode. Their Listento Plugin has been a gamechanger for us and we use it across all of our remote interviews and recordings.
    To see their full range of plugins, visit audiomovers.com and use the promo code TAPENOTES1 at checkout to get your free month (usually only two days).


    In this episode, John is back at Strongroom Studios to catch up with Bakar and producer Zach Nahome about how they wrote, recorded and produced the album ‘Halo’.

    Looking back at the varied starting points of the songs, Bakar and Zach chart the journey of the album writing process, from writing in hotel rooms and AirBnbs to some of the most legendary studios in the world.

    As well as sharing the conversations that helped fuel their creativity, we are given a glimpse into how the pair forged Bakar’s distinctive sound, sharing tips on bringing modern elements into music that feels old, and building distinctive worlds of reverb.

    Listen to find out why you shouldn’t delete old beats, how a thief managed to unknowingly shape the sound of a track, and how working with an ‘anti-setup’ outside of the studio can benefit the song.

    Tracks discussed: Alive!, Facts_Situations, Right Here, for Now

    LINKS TO EVERYTHING TAPE NOTES  
    linktr.ee/tapenotes 
    Listen to ‘Halo’ here.
     Black Butter

    Intro Music - Sunshine Buddy, Laurel Collective


    GEAR MENTIONS
    Abbey Road Vinyl
    Soundtoys Effect Rack
    Arturia Farfisa Synth
    Arturia Jupiter 8
    Spectrasonics Omnisphere
    Nicky Romero Kickstart
    Waves API 2500 Compressor
    Valhalla Vintage Verb
    Neumann TLM 103
    Shure SM7B
    Neumann U67
    Gibson Les Paul
    Fender Strat
    Martin Guitars
    Philips Philicorda
    Squire PBass
    KRK Monitors
    Rokit 8 Monitors
    Neve Preamps
    Focusrite
    Logic Pedals - Vintage Drive
    Logic Pedals - Flanger
    Logic Space Designer
    Logic Pitch Correction
    Logic EQ
    Logic Slap Echo
    Garageband 

    OUR GEAR
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    HELP SUPPORT THE SHOW
    If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 
    Donate
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    KEEP UP TO DATE
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    To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 
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    TAPE NOTES TEAM
    Will Brown - Executive Producer, Engineer & Editor
    Tim Adam-Smith - Executive Producer
    Will Lyons - Editor
    Nico Varanese - Editor/Videographer
    Herbie Elton-Rowley - Videographer
    Guy Nicholls - Production Assistant
    Learn more about your ad choices. Visit megaphone.fm/adchoices

  • Thanks to Audiomovers for supporting this episode. Their Listento Plugin has been a gamechanger for us and we use it across all of our remote interviews and recordings.
    To see their full range of plugins, visit audiomovers.com and use the promo code TAPENOTES1 at checkout to get your free month (usually only two days).


    In this episode, John is joined by James Blake to talk about how he wrote, recorded and produced the album ‘Playing Robots Into Heaven’.

    With the idea of simplifying his solo work primarily with synths and drums, James shares his process of crafting an album with the purpose of getting away from the computer, reflecting on the impact it had on his creativity and mental health.

    A true master of modular synths, he talks us through the long journey learning to create ‘listenable’ music with them, discussing the ways in which they are able to create sounds that he couldn't have imagined. 

    Listen to discover the enlightening advice James received from Universal's Head A&R, how to best record your voice if you plan to pitch it, and how to adopt the mindset of making music for fun.

    Tracks discussed: Loading, Big Hammer, Playing Robots Into Heaven

    LINKS TO EVERYTHING TAPE NOTES  
    linktr.ee/tapenotes 

    Listen to ‘Playing Robots Into Heaven’ here.
    Republic Records, Polydor Records, UMG Recordings

    Intro Music - Sunshine Buddy, Laurel Collective

    GEAR MENTIONS
    Thermionic Culture Fat Bustard
    Sequential Prophet 8
    Native Instruments Massive
    Intellijel Metropolis
    Make Noise MATHS
    Make Noise Black and Gold
    Soma Pulsar-23
    Roland SH-101
    Roland TR-8S
    Roland TR-909
    Erica Synths LX-02
    OEK Sound Soothe
    FXpansion Geist
    Valhalla Reverbs
    Valhalla Vintage Verb
    API Desk
    Logic Pro

    OUR GEAR
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    HELP SUPPORT THE SHOW
    If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 
    Donate
    Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

    KEEP UP TO DATE
    For behind the scenes photos and the latest updates, make sure to follow us on: 
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    To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 
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    TAPE NOTES TEAM
    Will Brown - Executive Producer, Engineer & Editor
    Tim Adam-Smith - Executive Producer
    Will Lyons - Editor
    Andy Tindall - Videographer
    Guy Nicholls - Production Assistant
    Learn more about your ad choices. Visit megaphone.fm/adchoices

  • Thanks to Audiomovers for supporting this episode. Their Listento Plugin has been a gamechanger for us and we use it across all of our remote interviews and recordings.
    To see their full range of plugins, visit audiomovers.com and use the promo code TAPENOTES1 at checkout to get your free month (usually only two days).


    In this episode, John heads to Miloco’s The Yard Studios, to catch up with Guy and Howard of Disclosure, and talk about how they wrote, recorded and produced the album ‘Alchemy’.

    Having taken a break from their relentless touring schedule, the pair guide us through their reassessed approach to creativity. From stories of managing burnout and heartbreak, to balancing meaning and feelings with the key production choices of each track.

    As well as sharing Howard’s very first AirBnb demos, Guy digs deep with a vast production breakdown, including sharing his go-to method of creating kicks and the small additions to a track that can make it sparkle.

    Listen to find out the quickest way to come up with a new track idea, why it’s so good to be musically naive, and the best ways to check if things still sound cool.

    Tracks discussed: Looking For Love, Simply Won’t Do, High Than Ever Before

    LINKS TO EVERYTHING TAPE NOTES  
    linktr.ee/tapenotes 

    Listen to ‘Alchemy’ here.
     Apollo Records, AWAL

    Intro Music - Sunshine Buddy, Laurel Collective

    GEAR MENTIONS
    Soundtoys Little AlterBoy
    FabFilter Saturn
    Izotope VocalSynth 2
    BigKick - https://geni.us/vOoH
    Spectrasonics Omnisphere
    Spectrasonics Keyscape
    Spectrasonics Trilian
    Tube Tech Compressor
    Pultec EQ
    Neumann Mics
    SSL SIX Channel Strip
    Fairchild Compressor Plugin
    Fairchild Compressor (Real thing)
    Ampeg Bass Amp
    GEM Dopamine
    Kick 2
    OEK Sound Soothe
    Valhalla Reverbs
    Xfer LFO Tool
    The God Particle
    Roland Jupiter 8
    DX7 Synth
    Waldorf Wave
    Yamaha CS60
    Novation Peak
    Logic EFM Synth
    Logic Ultrabeat
    Logic Pro X

    OUR GEAR
    https://linktr.ee/tapenotes_ourgear

    HELP SUPPORT THE SHOW
    If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 
    Donate
    Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

    KEEP UP TO DATE
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    To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 
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    TAPE NOTES TEAM
    Will Brown - Executive Producer, Engineer & Editor
    Tim Adam-Smith - Executive Producer
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    Guy Nicholls - Production Assistant
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  • Thanks to Audiomovers for supporting this episode. Their Listento Plugin has been a gamechanger for us and we use it across all of our remote interviews and recordings.
    To see their full range of plugins, visit audiomovers.com and use the promo code TAPENOTES1 at checkout to get your free month (usually only two days).


    In this episode, John catches up with Amber Bain aka The Japanese House, along with producers Chloe Kraemer and George Daniel to talk about how they wrote, recorded and produced the album ‘In The End It Always Does’.

    Looking back on their time together, Amber, Chloe, and George guide us through the process of bringing each song to life. Alongside stories of misunderstood lyrics and dog walk writing sessions, they treat us to some of the most stunning first demos ever heard, as well as the spontaneous studio moments that left everyone in tears.

    As well as digging into the processes that shape the sound of the record, the trio discuss the importance of people when making music. They give us insights on the effects that come with having different personalities in the room, and how their studio mindsets have allowed them to efficiently work together in all iterations of themselves.

    Listen to find out why there should be more songs about pets, how insecurity can destroy productivity, and what the difference is between a lyric song and a music song. 

    Tracks discussed: Boyhood, Sunshine Baby, One for sorrow, two for Joni Jones

    LINKS TO EVERYTHING TAPE NOTES  
    linktr.ee/tapenotes 

    Listen to ‘In The End It Always Does’ here.
     Dirty Hit

    Intro Music - Sunshine Buddy, Laurel Collective   

    GEAR MENTIONS
    Output Portal
    Soundtoys PrimalTap
    Spectrasonics Omnisphere
    Xfer Serum
    Moog One

    OUR GEAR
    https://linktr.ee/tapenotes_ourgear

    HELP SUPPORT THE SHOW
    If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 
    Donate
    Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

    KEEP UP TO DATE
    For behind the scenes photos and the latest updates, make sure to follow us on: 
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    To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 
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    TAPE NOTES TEAM
    Will Brown - Executive Producer, Engineer & Editor
    Tim Adam-Smith - Executive Producer
    Will Lyons - Editor
    Andy Tindall/Herbie Elton-Rowley - Videographer/Editors
    Guy Nicholls - Production Assistant
    Learn more about your ad choices. Visit megaphone.fm/adchoices

  • In this episode, John is joined by Blur frontman Damon Albarn and producer James Ford, to talk about how they wrote, recorded and produced the album ‘The Ballad of Darren’.

    With Damon’s initial demos to hand, the pair give us a guided tour of the record, right through the early versions and studio sessions, from the moments that reignited the feelings they had when writing in the 90s, to piecing together the musical jigsaw that forms the Blur sound.

    Along with stories of Damon’s inspirational chickens and the dangers of making pesto while writing an album, we’re treated to an in depth production and songwriting masterclass, with details on manufacturing the sound of a room, and the importance of energy and intention behind a song.

    Listen to find out what makes the first performance of something so special, why a 4-track recorder can sometimes be a great replacement pillow, and what benefits come with giving yourself distance from a record.

    Tracks discussed: St. Charles Square, The Everglades (For Leonard), The Narcissist

    LINKS TO EVERYTHING TAPE NOTES  
    linktr.ee/tapenotes 
    Listen to ‘The Ballad of Darren’ here 
     Parlophone Records Ltd, a Warner Music Group Company

    Intro Music - Sunshine Buddy, Laurel Collective

    GEAR MENTIONS
    Eventide H3000
    U47 Mic
    Neve 1073 Preamp
    Neve Desk
    TON-1501 Analog Strings Synthesizer
    Powertran Transcendent 2000
    Coles 4038 Mics
    Mellotron
    Whurli
    Clavinet
    Fender Amps
    Semler Amps
    Garageband

    OUR GEAR
    https://linktr.ee/tapenotes_ourgear

    HELP SUPPORT THE SHOW
    If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 
    Donate
    Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

    KEEP UP TO DATE
    For behind the scenes photos and the latest updates, make sure to follow us on: 
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    To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 
    Visit our website to join our mailing list: www.tapenotes.co.uk

    TAPE NOTES TEAM
    Will Brown - Executive Producer, Engineer & Editor
    Tim Adam-Smith - Executive Producer
    Will Lyons - Editor
    Videographer - Andy Tindall/Herbie Elton-Rowley
    Guy Nicholls - Production Assistant
    Learn more about your ad choices. Visit megaphone.fm/adchoices

  • In this episode, John is joined by Ben Howard and producer Nathan Jenkins aka Bullion, to talk about how they wrote, recorded and produced Ben’s latest album ‘Is It?’.

    Looking back on their time together, Ben and Nathan talk us through their collaborative journey, from their initial coffee shop discussions, to the 10 day stint recording in the South of France. Sharing their initial sketches, voice note demos and the unexpected moments that changed the direction of each of the tracks.

    In addition to stories of delay tuning and the potentially negative effects of singing with too much reverb, the pair share their thoughts on the importance of considering different musical approaches and giving time to ideas to allow them to flourish.

    Listen to find out why you’ll never need four mics on an amp, why one wrong note with a delay can ruin a whole take, and why laziness is fundamental to Ben’s creativity.

    Tracks discussed: Walking Backwards, Days Of Lantana, Spirit

    LINKS TO EVERYTHING TAPE NOTES  
    linktr.ee/tapenotes 

    Thanks to Strongroom Studios for having us!
    Instagram
    Twitter

    Listen to ‘Is It?’ here.
    Island, Universal Music Operations Limited

    Intro Music - Sunshine Buddy, Laurel Collective

    GEAR MENTIONS
    Korg Volca Beat
    CR78 Drum Machine
    Shure SM57
    Shure SM58
    EchoPlex
    Roland Space Echo RE-201
    Teenage Engineering OP1
    Eventide H3000 Ultra Harmoniser

    OUR GEAR
    https://linktr.ee/tapenotes_ourgear

    HELP SUPPORT THE SHOW
    If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 
    Donate
    Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

    KEEP UP TO DATE
    For behind the scenes photos and the latest updates, make sure to follow us on: 
    Instagram: @tapenotes 
    Twitter: @tapenotes 
    Facebook: @tapenotespodcast  
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    To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 
    Visit our website to join our mailing list: www.tapenotes.co.uk

    HELP SUPPORT THE SHOW
    If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 
    Donate
    Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.

    TAPE NOTES TEAM
    Will Brown - Executive Producer, Engineer & Editor
    Tim Adam-Smith - Executive Producer
    Will Lyons - Editor
    Videographer - Andy Tindall
    Guy Nicholls - Production Assistant
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