Episodes
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Today on The Grateful Web I’m joined by Sam Owen-Hull, an artist whose practice moves fluidly between painting, sculpture and textile work, creating richly layered pieces that explore contradiction, connection and the spaces where opposing forces meet. Her work brings together gestural painting and painstaking hand embroidery, combining instinctive mark-making with slow, careful construction.
Alongside her studio practice, Sam is also a deeply committed educator who believes passionately in the power of creativity to build confidence, resilience and emotional wellbeing. Through projects including Art of Resilience with Manchester Art Gallery, she has worked with young people across Manchester to encourage critical thinking, curiosity and creative freedom.
In this episode we talk about materials, making, the value of art education, portals (!) and how creativity can help us better understand both ourselves and the world around us.
@samowenhull / @samowenhullprojects
www.samowenhull.co.uk
Current Project: Art Of Resilience at Manchester Art Gallery @mcrartgallery
https://manchesterartgallery.org/wp-content/uploads/2023/06/AoR-Boing-Boing-Resilience-Framework.pdf
If you enjoyed this episode please follow, share, spread the word and look out for more brilliant conversations coming soon. You can find the grateful web on ACAST, spotify, apple podcasts, Patreon or wherever you get your podcasts.
Thank you so much to those regular listeners who have been supporting me in this endeavour. If you want to support me further, please do check out my Patreon page, for just £2 a month you can help me to keep this podcast going https://www.patreon.com/cw/JoClementsTheGratefulWeb
Hosted on Acast. See acast.com/privacy for more information.
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In today’s episode of @the_grateful_web Art Podcast I'm joined by curator Will Marshall.
Based in Manchester, Will has played an active role in the region's artist-led scene, previously working as a curator at Bankley Gallery and co-running the nomadic Scaffold Gallery, producing exhibitions in spaces across the North West. He is now the founder and director of Texture, an independent gallery established in 2025, presenting a thoughtfully curated programme of artists from both the North West and further afield.
In this conversation, we explore the importance of artist-led initiatives, local support networks, and the communities that sustain creative practice. We discuss the value of creating your own opportunities, the realities of building a gallery from the ground up, and why DIY approaches remain vital in providing spaces where artists can meet, exhibit, experiment, and contribute to a thriving cultural landscape.
Texture gallery re opens in a brand new space on the 19th June 2026 with the show Redactions.
Redactions
Thomas Griffiths, Jonah Hoffman, Joe O'Rourke, Emily Scarrott
Opens Friday 19 June 7-9
Continues 20 June - 27 July by appointment
48 Stocks Street, Cheetham Hill, M88QJ
https://www.patreon.com/cw/JoClementsTheGratefulWeb/membership
Hello and thank you for tuning in – just a short message before we hear from this weeks fabulous guest. If you’re enjoying this podcast, please consider supporting it. Any support you can give to what is becoming a valuable resource and evolving archive of what’s happening in the North West of England’s arts community would be really appreciated. I am completely committed to supporting and shouting about our art community and the brilliant artists and curators who make it all happen and this is your chance to support them too .
You can sign up to my Patreon for just £2 a month, make a one-off donation, or get in touch if you’d like to support in another way.
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Today on @the_grateful_web Art Podcast I’m joined by Nicola Ellis, an artist whose practice is deeply rooted in industry, collaboration, and materiality. Much of Nicola’s work has developed through her long-standing relationship with the Blackburn-based engineering company Ritherdon & Co, where she has worked alongside fabricators and factory workers to explore how knowledge, skill, and labour are embedded within materials and industrial processes.
Alongside discussing the exhibition, we also talk openly about the importance of artist support, the Festival of Making, networks, collaboration, and creating sustainable ways for artists to continue working and developing outside increasingly fragile arts structures.
I had the privilidge of speaking to Nicola at her current exhibition Exercises in Knowing at HOME, Manchester a major new presentation that brings together sculpture, sound, and installation. Her film documenting the factories workers creates a fitting backdrop to our conversation echoing her process and the environment and the workers who inspired this fabulous exhibition.
@_nicola_ellis_
@homemcr
https://www.nicolaellis.com/
https://www.homemcr.org/theme/spring-2026-exhibitions-md7x
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Hello and welcome to The Grateful Web with me Dr Jo Clements.
This week I’m delighted to be taking to Katy Morrison, Katy is a Manchester-based independent curator/researcher and is the Director of PINK, a curatorial project and artist studio space in Stockport. She is pursuing a practice-based PhD at Manchester School of Art, exploring artist residencies as performative spaces for curatorial enquiry. Do join me for this fascinating discussion where we talk about the pitfalls and benefits of our working class roots, how her background in hospitality has given her the tools and business mindset to create spaces where art can thrive. Discover her innovative curatorial approach, the importance of resource-led practices, and her vision for sustainable, community-focused art spaces.
https://www.pink-mcr.com/about
@pinkmcr_
@katherineanastasia_If you’re enjoying this podcast, please consider supporting it. I am currently unfunded any support you can give to help keep this labour of love going would be really appreciated. You can sign up to my Patreon for just £2 a month, make a one-off donation, or get in touch if you’d like to support in another way.
I genuinely believe this is becoming a valuable resource—an evolving archive documenting what’s happening across the art world in the North West of England and want to continue shouting about our art community and meeting more brilliant artists.https://www.patreon.com/14900165/join
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Welcome to The Grateful Web with Dr Jo Clements. This week I’m joined by artists Alan Ward @alanjward_axisdesign and Jeffrey Knopf @jeffrey_knopf to talk about their collaborative exhibition *Nothing Remained Unchanged but the Clouds*.
Do tune in to this fascinating conversation about a project that started out with one slide bought on ebay during lockdown that developed into an amazing collaborative project with participants from a whole French village.
Developed through eventual residencies in Grandpré in the French Ardennes, the project weaves together photography, text, 3D scanning, and community participation to create a kind of living archive — where fragments of memory (personal, historical, imagined) are held, reshaped, and seen anew.
Alan brings a deep sensitivity to narrative and sequencing, shaped by decades as a book designer, while Jeff’s use of mobile 3D scanning introduces a fascinating instability — where objects blur, shift, and take on new meanings.
🔗 Listen now: [link in bio]
🎧 Available on all major platforms
Links below for more details and images of the project and to buy a copy of the fabulous accompanying book – which I highly recommend:
https://www.alanjward.co.uk/news/
https://www.alanjward.co.uk/product/pre-launch-subscription-offer-nothing-remained-unchanged-but-the-clouds/
https://www.jeffreyknopf.co.uk
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In this episode, I am joined by artists Dr Kimberley Foster and Jane Scobie to discuss their participation in the Compass Residency.
The residency connects two artists based in Manchester—Margaret O’Brien and Emma Illingworth—with Kimberley and Jane who are based in Norfolk. The project is organised by Proforma and Cromer Art Space in Norfolk and is structured around a dialogue between urban and coastal environments.
The Manchester phase of the residency takes place at Rogue artists Studios, located within a former school building. This setting provides a layered context in which histories of learning, labour, and place intersect, offering a rich framework for artistic development and it is here that I first met with Kimberley and Jane
Kimberley’s work engages closely with the building’s educational past, reflecting on questions of pedagogy and the legacy of learning environments. By drawing connections between historical and contemporary approaches to knowledge, her practice considers how these structures continue to inform artistic thinking.
In contrast, Jane’s work responds to the surrounding landscape, focusing on the traces of the area’s industrial history. Through careful observation and documentation, she examines the material and cultural remnants that persist within the urban environment.
Together, their perspectives offer two complementary approaches to site-responsive practice, shaped by the context of the residency and the specificities of place.
@kimberleyfostersorhed @emmaillingworth_ @obrienmgt @janescobieartist https://cromer-artspace.uk/event/compass/
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On this weeks episode I’m joined by members Rebecca, Blake and Aliya from 1838 Collective - an artist-led organisation based at Islington Mill in Salford. Founded by 7 postgraduate students who met at Manchester School of Art, the collective takes its name from 1838, the year the school was established. Their work focuses on supporting emerging and graduate artists as they navigate the often-uncertain shift from art education into professional practice. Through exhibitions, workshops and a strong culture of peer support, they’re building a community that helps artists in Manchester develop their work, their networks and their confidence.
@1838_collective
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Today I’m delighted to be talking to artists Sophy King and John-Paul Brown about their major new exhibition The Guardians of Living Matter at The Lowry in Salford, currently on show until 29th March 2026.
Sophy King is a multidisciplinary environmental artist whose work interrogates the nature–culture continuum through installation, film, and sound to examine ecological systems under the pressure of climate crisis. Her research across the moors and lowlands surrounding Manchester focuses on moss, fungi, peat, wildfire, and water—both as material and subject—probing our entanglement with damaged landscapes while proposing urban rewilding and sustainable futures.
John-Paul Browns practice spans large-scale installation, documentary photography, expanded drawing, and painting. His work layers personal narrative with geopolitical and environmental realities, combining material sensitivity with environmentally conscious production methods. Like King, his commitment to low-carbon practice is not an add-on but a structural principle—shaping both aesthetics and ethics.
Together they present this fabulous, ambitious multimedia exhibition unfolding across four galleries.
At the centre of the exhibition is a vast, multi-sensory, immersive installation that explores a hope inducing speculative future: a living sculpture where mycelium and AI co-exist, a fictional research lab containing factual research, new ambitious large scale bodies of work and a delicious mixture of entangled logics and imagined possibilities for fungal and artificial systems.
Instagram: @sophykingart
Website: www.sophyking.com
Instagram: @johnpaulbrown_
Website: www.johnpaulbrown.com
https://thelowry.com/the-guardians-of-living-matter-myvx
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In this episode of The Grateful Web, Dr. Jo Clements interviews filmmaker Jeremiah Quinn, who shares insights into his diverse body of work, including documentaries that focus on social justice and forgotten narratives. They discuss the importance of sound design in filmmaking, the impact of his films like 'Oluwale' and 'Incognito', and the emotional connections that storytelling can create. Quinn also highlights his experiences working with charities and his upcoming projects, including a film about artist Heather Alderson. Quinn is a multi-skilled, multiple award-winning filmmaker, videographer and screenwriter. He is close to completing his first feature documentary about an undisclosed subject which he has filmed in nine countries on three continents over the last three years.
His work spans documentary and narrative, short and long-form, much of it rooted in social justice. His films have helped raise significant funds for organisations, transformed institutions, and in some cases, changed the course of people’s careers. They also pack a serious emotional punch.
Links to Quinns work and the artists mentioned in this episode @jeremiahq_quinn1 https://www.youtube.com/@jeremiahq/videos HeatherAlderson @heathera077 and David Gledhill @davidgledhillartist
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On this brand new episode I speak to the brilliant multi-disciplinary artist John Powell Jones
John Powell-Jones is a UK-based artist whose work spans sculpture, animation, print and installation. Drawing on horror, folklore and the visual language of videogames, he creates speculative worlds populated by mutated beings and unstable technologies. His practice examines how power, ideology and myth shape perceptions of the body, the other and the future. Often working with ceramics and hand-built props, Powell-Jones combines meticulous craft with DIY worlding to produce narratives that are darkly humorous, unsettling and critically charged. He has exhibited widely across the UK and Europe, presenting projects that merge countercultural aesthetics with experimental storytelling.
https://www.johnpowell-jones.co.uk
https://johnpowelljones.bigcartel.com
@johnpowell_jones
If you enjoyed this episode please follow, share, spread the word and look out for more brilliant conversations coming soon. You can find the grateful web on ACAST, spotify, apple podcasts, Patreon or wherever you get your podcasts.
Thank you so much to those regular listeners who have been supporting me in this endeavour. If you want to support me further, please do check out my Patreon page, for just £2 a month you can help me to keep this podcast going – link in bio/show notes
This podcast has been made possible with generous support from GMCA Inspire Fund and by an a-n Artists Bursary.
Hosted on Acast. See acast.com/privacy for more information.
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In this episode I’m delighted to talk to Amanda Sutton Director of Venture Arts
Based in Manchester, Venture Arts is a supported studio that provides professional facilities, long-term artistic development, and artistic support that enables neurodivergent learning disabled artists to develop their own visual languages, produce ambitious work, and build sustainable careers within the contemporary art world.
Under Amanda’s leadership, Venture Arts has become nationally and internationally recognised for its exhibitions, commissions, collaborations with major cultural institutions, and its commitment to challenging who the art world is for, and whose work is valued.
In this conversation, we talk about how Venture Arts works day-to-day as a supported studio, the conditions artists need to thrive, and what happens when access, care, and excellence are placed at the centre of an organisation’s practice. We also discuss what learning disabled artist Nnena Kalus’s recent Turner Prize win means for artists, organisations, and the future of inclusive contemporary art.
https://venturearts.org
@venturearts_
If you enjoyed this episode please follow, share, spread the word and look out for more brilliant conversations coming soon. You can find the grateful web on ACAST, spotify, apple podcasts, Patreon or wherever you get your podcasts.
Hosted on Acast. See acast.com/privacy for more information.
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Hello and welcome to the grateful web. I’m Dr Jo Clements - artist, artists coach and your grateful web host
My guest today is the brilliant Jamie Holman
A multidisciplinary artist, Jamie Holman seeks to make visible the exciting connection and propositions that manifest when heritage collides with contemporary practice. His research often proposes the emergence of culture through the celebration of topics & movements including subcultures, trades unions, folklore, activism, mill workers, football, labour & poetry.
Jamie’s work includes deep research particularly into archives, often resulting in the discovery of unknown working class histories and stories of individuals who have impacted the future of our nation, it’s culture and communities.
He often works in collaboration with communities, many of whom are categorised as not engaging in art
Recent commissions include ‘Wonderful Electric’ a four-part commission for the capital development of Blackburn Youth Zone, and his solo exhibition ‘Contagious Acts’ at The Whitaker.
https://www.jamieholman.co.uk @jamie_holman_studio
If you enjoyed this episode please follow, share, spread the word and look out for more brilliant conversations coming soon. You can find the grateful web on ACAST, spotify, apple podcasts, Patreon or wherever you get your podcasts.
Thank you so much to those regular listeners who have been supporting me in this endeavour. If you want to support me further, please do check out my Patreon page, for just £2 a month you can help me to keep this podcast going – https://www.patreon.com/cw/JoClementsTheGratefulWeb
This podcast has been made possible with generous support from GMCA Inspire Fund and by an a-n Artists Bursary.
Hosted on Acast. See acast.com/privacy for more information.
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My guest today is the fabulous artist Jude Wainwright
Jude is a figurative and surrealist painter based in Manchester. Her work explores identity, emotion and storytelling through staged, symbolic self-portraits that blur the line between the real and the imagined. Drawing on theatrical gesture, costume and surreal settings, she examines how we construct and conceal the self, reflecting on the boundaries between authenticity, performance and control.
Alongside her practice, Jude is the Studio Manager at AWOL Studios in Ancoats, where she supports a large community of artists and creatives. In 2022, she reached the semi-finals of Sky Arts Portrait Artist of the Year, and in 2025 returned to Sky Arts as a guest presenter, leading two Portrait Artist Masterclass episodes on narrative portraiture.
Jude is an Associate Member of the Manchester Academy of Fine Artists, and her work has been exhibited widely across the UK and internationally.
@judewainwright_ https://www.judewainwright.com.
If you enjoyed this episode please follow, share, spread the word and look out for more brilliant conversations coming soon. You can find the grateful web on ACAST, spotify, apple podcasts, Patreon or wherever you get your podcasts.
Thank you so much to those regular listeners who have been supporting me in this endeavour. If you want to support me further, please do check out my Patreon page, for just £2 a month you can help me to keep this podcast going – link in bio/show notes
This podcast has been made possible with generous support from GMCA Inspire Fund and by an a-n Artists Bursary.
Hosted on Acast. See acast.com/privacy for more information.
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A warm welcome to the 14th episode of the Weaving Connections series on The Grateful Web the podcast that weaves connections with some of the fabulous people I’m privileged to call part of my arts community here in Manchester and the North West.
I’m Dr Jo Clements - artist, artists coach and your grateful web host
My guest today is the artist Rowland Hill.
Rowland studied Drama and English and worked as an award-winning artist film curator before graduating in 2018 with a Masters from the Slade School of Fine Art where she received the Clare Winsten Memorial Award. In 2024 she presented her debut institutional solo exhibition Logical Song at Castlefield Gallery in Manchester which she transformed into an ambiguous attraction. In the same year she was shortlisted for the prestigious Jerwood & MAYK Bursary for artists working in radical live performance.
Her projects have been supported and commissioned by institutions including the Jerwood Foundation, Raven Row, Hospitalfield, Turner Contemporary, and Flux Factory in New York and she’s performed and directed work at the Southbank Centre, Tate Britain and The Lowry among others.
www.rowland-hill.com
@row.land.hill
Thank you so much to those regular listeners who have been supporting me in this endeavour. If you want to support me further, please do check out my Patreon page, for just £2 a month you can help me to keep this podcast going – link https://www.patreon.com/cw/JoClementsTheGratefulWeb
If you enjoyed this episode please follow, share, spread the word and look out for more brilliant conversations coming soon. You can find the grateful web on ACAST, spotify, apple podcasts, Patreon or wherever you get your podcasts.
This podcast has been made possible with generous support from GMCA Inspire Fund and by an a-n Artists Bursary.
Hosted on Acast. See acast.com/privacy for more information.
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Welcome to The Grateful Web, I’m Dr Jo Clements and In this episode I’m delighted to speak to curator Chris Bailkoski.
Chris is an independent curator with over 20 years’ experience developing collaborative practices with artists to co-create dynamic exhibitions and events, predominantly focusing on grassroots visual and musical artists in Greater Manchester. He has founded several cultural spaces including music venue SOUP (2010), artist development platform PROFORMA (2017) and resident-led gallery Longsight Community Art Space CIC (2022). In 2024, Chris relocated to Norfolk and is currently embarking on new projects in the region and across the UK.
If you enjoyed this episode please , follow, share, spread the word and look out for more brilliant conversations coming soon. You can find the grateful web on ACAST, spotify, AND apple podcasts.
This podcast has been made possible with generous support from GMCA Inspire Fund and by an a-n Artists Bursary.
Hosted on Acast. See acast.com/privacy for more information.
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On this episode of The grateful Web I’m honoured to be joined by Sara Hindhaugh, a visual artist whose work weaves together fragments of memory, autobiography, and myth. Born in the Solomon Islands, Sara studied Fine Art at Wimbledon School of Art and is a valued member of AWOL Studios in Manchester. Her practice spans drawing, painting, printmaking, embroidery, book arts, and sculpture.
Themes of time, grief, vulnerability, and salvation run through her work, shaped by delicate, time-consuming processes and materials that are as fragile as they are powerful. With threads of Oceanic and Chinese culture, humour, and deeply personal storytelling, Sara creates intense and moving narratives that reflect her emotionally honest, formidable approach to life.
https://www.sarahindhaugh.com @awolstudiosmcr @saraehindhaugh
Please note there is mention of suicide in this episode.
If you enjoyed this episode please , follow, share, spread the word and look out for more brilliant conversations coming soon. You can find the grateful web on ACAST, spotify, AND apple podcasts.
This podcast has been made possible with generous support from GMCA Inspire Fund and by an a-n Artists Bursary.
Hosted on Acast. See acast.com/privacy for more information.
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Welcome to this FINAL edition of my special series The Grateful Web: Rogue Studios 30@30 celebrating 30 years of Rogue Artists’ Studios in Manchester.
Today I’m joined by artist Martin Nash.
A long-standing member and director of Rogue Artists’ Studios, in this last episode of the 30@30 series before we open our doors tomorrow, Martin tells us about his work and the history of the origins of Rogue Studios, it’s journey and expansion through 3 different buildings and how our marvellous artists community came to our current home at the former Varna St School.
Having first studied Architecture and Martin completed a Degree in Printed and Woven Textiles at Manchester. This grounding in Architecture and Textiles, both arts which have a practical application and deal with the flat surface as well as 3 dimensional space and form, has informed the evolution of Martin's work. From his early days in a Manchester studio near Piccadilly, producing prints and paintings inspired by architectural shapes, he’s gone on to create public sculpture commissions, corporate works, and exhibitions across the UK.
http://www.martin-nash.co.uk
We look forward to seeing you for Open Studios at 2–6 Barrass Street, Openshaw, Manchester M11 1PU on Saturday 20th September from 12–8pm
Listen to the podcasts @the_grateful_web on ACAST, Spotify and Apple music or wherever you get your podcasts.
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Welcome to this special edition of The Grateful Web: Rogue Studios 30@30 celebrating 30 years of Rogue Artists’ Studios in Manchester.
Today I’m delighted to be joined by Rebecca Davy. Rebecca is an artist- predominantly a painter- based in Rogue Artists Studios. She studied at Manchester Metropolitan University, graduating with a BA in Fine Art in 2003, where she was awarded the Ken Billany Prize for Painting, and went on to complete her Masters in Fine Art there in 2006.
Rebecca’s practice centres on still life painting. She describes the act of pushing paint around a canvas as both lush and meditative—a way of finding stillness in a chaotic world. Her work often focuses on colourful, ephemeral objects that spark curiosity and that carry echoes of still life’s traditional association with memento mori.
The slow meditative process of painting is in contrast to the way she initially captures the objects in photography. A fraction of a moment stretched out through paint, to appreciate little things that make life joyful.
Rebecca has exhibited in the UK and abroad, both in solo and group shows.
She exhibits with Comme ca Art and her work has been seen in the Lowry Hotel, Harvey Nichols, Manchester, and INNSIDE by Melia
Rebecca’s instagram is @rdavyart
Her work via Comme Ca Art can be seen at www.commecaart.com/rebecca-davy
We look forward to seeing you for Open Studios at 2–6 Barrass Street, Openshaw, Manchester M11 1PU on Saturday 20th September from 12–8pm
Listen to the podcasts @the_grateful_web on ACAST, Spotify and Apple music or wherever you get your podcasts.
Hosted on Acast. See acast.com/privacy for more information.
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Welcome to this special edition of The Grateful Web: Rogue Studios 30@30 celebrating 30 years of Rogue Artists’ Studios in Manchester.
Today I’m joined by Karol Kochanowski, a Polish-born artist and painter based at Rogue Artists Studios in Manchester. A graduate of Manchester Metropolitan University, Karol’s work has been shown across the UK, Germany, the US, and Greece, and in 2020 he received the Granada Foundation Gallery Exhibition Award at the Manchester Open for his piece Class.
Karol’s paintings explore the hidden layers of the subconscious, drawing viewers into a dialogue with what is unspoken and unseen. His practice is shaped not only by this fascination with the mind, but also by a deep commitment to human rights, cultural diversity, and the LGBTQI+ community. He is also a co-founder of EARTS, a collective supporting European artists in Manchester and beyond.
https://www.karol-kochanowski.com @karolkochanowski
We look forward to seeing you for Open Studios at 2–6 Barrass Street, Openshaw, Manchester M11 1PU on Saturday 20th September from 12–8pm
Listen to the podcasts @the_grateful_web on ACAST, Spotify and Apple music or wherever you get your podcasts.
Hosted on Acast. See acast.com/privacy for more information.
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Welcome to this special edition of The Grateful Web: Rogue Studios 30@30 celebrating 30 years of Rogue Artists’ Studios in Manchester.
Today I’m joined by Julie Cassels a multidisciplinary artist whose practice explores textiles, clothing, and the way fabric has been depicted and reinterpreted throughout art history. Working with photography transferred onto fabric, paper, and aluminium, Julie’s series-based works are not displayed behind glass but rather exhibited to embrace the materiality of their surfaces
After an early career as a Systems Analyst in England and New Zealand, Julie graduated with a degree in Visual Arts from Salford in 2004 and an MA in Textiles and Fashion at MMU in 2005. Since then, she’s exhibited widely in the UK, Europe, and New Zealand.
Her work appears in ‘Everyday Delight’ a Shutter Hub Editions publication and her practice is discussed in the book ‘Reframing Photography – Theory and Practice’, published by Routledge.
She has been a finalist in the GM Arts prize 2019, the Women in Art Prize and in The Eve Arnold Photography Prize Category, in both 2024 and 2025.
Www.JulieCassels.co.uk
Instagram @julie.cassels
We look forward to seeing you for Open Studios at 2–6 Barrass Street, Openshaw, Manchester M11 1PU on Saturday 20th September from 12–8pm
Listen to the podcasts @the_grateful_web on ACAST, Spotify and Apple music or wherever you get your podcasts.
Hosted on Acast. See acast.com/privacy for more information.
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