Episódios
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Episode 363: Devon Gilfillian has been a key artist fulfilling the promise of a New Music City - a Nashville that's been welcome to the widest-ever range of genres, influences and innovations. He came to town with no contacts and a job with AmeriCorps in 2013. But before very long he'd landed a major label deal and national radio hits - all with an iconoclastic take on soul, funk and Americana. His newest album - his second for the prestigious Fantasy Records - is a beautiful grooving swirl called Time Will Tell.
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Episode 362: Songwriter and artist Tenille Townes is a certified star in Canada where she's won heaps of awards and seen her moving songs top the country charts. In over a dozen years in Nashville, she's been an impressive songwriter with one foot in major label country and another in Americana. Now with a lovely self-produced acoustic album called The Acrobat, Townes points to an independent future with a unique vision and a renewed sense of self.
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Episode 361: Folk rocker John R. Miller can be dry and understated, but get beneath the surface and you'll find an artist keen to write music that helps people be better people. Inspired by John Prine and others, the Nashville based West Virginian has earned widespread acclaim and released three albums for the prestigious Rounder Records, the latest being the sweeping and fiery The Great Unknowning. He spoke with Craig at his Madison home studio.
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Episode 360: Andy Leftwich was a Tennessee string picking prodigy who crushed it at fiddle competitions and was working by his late teens. Then, before he turned twenty, he was offered a job (on stage no less) by legend Ricky Skaggs. For 15 years with Kentucky Thunder, he built a reputation as one of the most complete and technically gifted musicians in bluegrass, sharing in numerous IBMA and Grammy Awards. Now, after a few years of being independent, he's fired up his solo career with two enthralling instrumental albums.
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Episode 359: We love it when great things happen to good people, especially when the story is a total surprise, and that's what's been going on with Alabama-raised singer and songwriter Kashus Culpepper. He'd never been on a stage or played the guitar before 2020, but a confluence of free time, an encouraging group of friends, and a timely instrument helped Kashus find his voice and his calling. He's been celebrated by the media and stars like Elton John, and his debut album Act 1 has surprised many with its depth and power.
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Episode 358: Fifteen years into their close and literally harmonious relationship, Joey Ryan and Kenneth Pattengale sound as satisfied and enriched as ever by the audience and aura they've established in Americana music. The Milk Carton Kids name was a self-effacing joke about how quickly they expected to be forgotten, but it's been quite the opposite. They've earned four Grammy nominations and an Americana Award as Duo/Group of the Year. Audiences still lean in to hear the nuances of their quiet and thoughtful sound. Their seventh album Lost Cause Lover Fool is the latest iteration of their less-is-more approach to folk artistry.
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Episode 357: Liam Duncan grew up in the small city of Brandon, Manitoba and moved to the provincial capitol and musical hotbed of Winnipeg as soon as he could, thinking he might be a session musician and sideman. But post pandemic, he's been Boy Golden, a quirky, neo-romantic persona making some of Canada's most compelling folk rock. During a swing through Nashville, Boy Golden talked about shifting focus from Canada to the US, his tight band of old friends, and his new album Best Of Our Possible Lives.
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Episode 356: Brit Taylor came to town from eastern Kentucky chasing the US Route 23 dream that brought us Loretta Lynn and Patty Loveless - and wound up working with Cowboy Jack Clement and Sturgill Simpson. Adam Chaffins grew up one or two counties over and ensconced himself, as a bass player and singer, in the East Nashville bluegrass scene. Eventually, a friend was smart enough to introduce them, and they became a super-talented Americana couple. But not a duo. Taylor has four albums out, including two produced by her husband. Chaffins dropped a debut LP in 2020 and a soulful EP last year, with Taylor's harmony vocals. Craig visited their homestead near Mt. Juliet to hear their story around their kitchen table.
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Episode 355: Nearly 12 years ago, an informal arrangement between the caretakers of a down-on-its-luck American Legion Post and a handful of young honky tonk musicians led to the creation of Honky Tonk Tuesday Nights, one of the most vibrant residency music series of the past two decades. It's been a haven for people who love to dance, for East Nashville community, for visits from stars, and for talent development in roots/Americana music. Craig spends time with the event's founders and takes you to the scene, now moved to Eastside Bowl in Madison.
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Episode 354: The Infamous Stringdusters emerged out of Nashville's world-class but somewhat undiscovered bluegrass scene of the 2000s. Six guys with different professional pathways into the music and wide ranging tastes in other genres got to know each other at gigs, picking parties, and the IBMA World of Bluegrass. And their first gesture as a band - the 2007 album Fork In The Road - was a triumph, winning three IBMA Awards. Since those days and after a couple of early personnel changes, today's quintet has become a huge force in jamgrass music with a fierce and in-demand live show. Yet they turn back to some of the simpler and more blues-based elements of their core heritage on their new 20th anniversary release, 20/20. Craig speaks with Chris Pandolfi (banjo), Jeremy Garrett (fiddle), and Andy Falco (guitar).
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Episode 353: He was an East Tennessee country guitar prodigy who was invited on the Grand Ole Opry at age 11 by Marty Stuart, and Trey Hensley has made good on that promise by emerging as one of the finest singers and pickers in contemporary roots music. His national profile took shape after forming a super-flexible duo with dobro master Rob Ickes around 2016. Now, after four albums, collaborations with Taj Mahal and a Grammy nomination, Hensley has revved up his songwriting and made Can't Outrun The Blues, which is not his first solo album but the one he regards as his true artistic debut.
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Episode 352: When Emily Scott Robinson released Appalachia, her fifth album in a 10-year career and her third for Nashville boutique Oh Boy Records, it spiked up into the Americana airplay top ten, something that had never happened to her before. But she had set the table through quality songwriting, ambitious touring, and a luminous voice that embraces the dark and the light with a rare alchemy. At WMOT's Eastside studio, Craig and Emily speak about her newest work with super-producer Josh Kaufman and the hard work that led to it.
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Episode 351: Justin Townes Earle, blazingly gifted and deeply troubled, died of an accidental drug overdose in 2020 at the age of 38, after a life beset by addiction. Six years later, two coincident projects expand on what we knew about the songwriter with a mix of compassion and regret. Sammy Brue, Earle's much younger friend and protegé, has written a song cycle based on Justin's private notebooks, shared by his widow. Rolling Stone journalist Jonathan Bernstein recently published the first definitive biography of Steve Earle's son. Both join Craig in this hour of remembrance and appreciation.
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Episode 350: Since breaking out with his 1989 major-label album How Did You Find Me Here, North Carolina's David Wilcox has been a consistently excellent practitioner of the new folk, fingerstyle guitar arts. The songwriter, known for his empathic writing and audience-embracing shows, is now 67 and still thinking deep thoughts about the world, compassion, art, and the arc of life. He stopped through Nashville last November to talk about maintaining a "visionary attitude" over time and his latest album The Way I Tell The Story.
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Episode 349: For its 38th annual conference, Folk Alliance International returned to New Orleans, home of their largest-ever event (2020's draw of 3,600 people) and the epicenter of one of the nation's great regional roots music legacies. Besides a slate of Louisiana talent in blues, Cajun and zydeco, FAI was once again distinguished by diversity of style, genre, and nationality. Craig captured conversations with showcasing artists Joy Clark, Tyler Ramsey & Carl Broemel, Sparrow Smith, Maisy Owen, and Rachel Sumner & Traveling Light.
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Episode 348: Kristina Train is a singer and songwriter who should be on more people's radar. Her remarkable resume was built in the jazz world (Blue Note Records and touring with Herbie Hancock), but the Savannah, GA native has always shown mastery for a seductive strain of country soul. That goes explicit on the powerful yet subtle 2025 album County Line. Craig speaks with Train about her critically acclaimed albums of the 2010s and her decade or so as a Nashvillian.
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Episode 347: Rachael Price became an American fixture as the dynamic and flawless lead singer of roots/pop phenomenon Lake Street Dive. Long before she and the Dive were headlining Madison Square Garden, she was a Hendersonville, TN native pursuing a career in classic jazz, after her girlhood idol Ella Fitzgerald. This is the story of how a music school friend - guitarist, singer, and songwriter Vilray - helped her build a parallel life pursuing her first musical love. They have incredible chemistry on and off stage, as you'll hear in this fascinating interview.
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Episode 346: To say that a lot has happened since Molly Tuttle last appeared on The String in 2019 would be an understatement. She's won two Grammy Awards and been nominated for two more. She won her first IBMA Female Vocalist of the Year Award, to go along with her two groundbreaking Guitar Player trophies. But most important, she's been through two entire stylistic swings in her musical vision and recording career. And she got engaged to Ketch Secor. So we cover a lot of ground in our latest conversation.
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Episode 345: Last year, The String got a new opening theme tune. "Vera" comes from New York based mandolin virtuoso, composer and band leader Jacob Jolliff. The Oregon native came East when he got a scholarship to the Berklee College of Music and joined a cadre of future acoustic stars clustered in the Boston area. He's worked for some big-league bands including Joy Kills Sorrow and Yonder Mountain String Band, but in this decade he's pursued his own four-piece Jacob Jolliff Band. We talk about building the audience for instrumental, improvisational acoustic music and about select pieces from Jake's fascinating discography.
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Episode 344: Ashley Monroe moved to Nashville just after 10th grade from East Tennessee with a single-minded drive to sing and write country music. Her career would be the envy of many - Grammy nominations, several major label albums, and Pistol Annies, an influential supergroup - and yet many in roots music haven't recognized her as among the greats of our time. Following recovery from blood cancer, Monroe dove into her most ambitious and daring project yet, Tennessee Lightning.
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