Episodes
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In this special episode, Ryan and Todd address the newly minted US Supreme Court decision that overturns the nationwide right to abortion access. They delve into the history of the famous decision granting abortion rights and theorize what has changed. During this discussion, they use the so-called abortion episode from the television series "Maude" as a reference point.
The works referenced in the episode can be found here:
https://www.dailymotion.com/video/x6e2rff
and here:
https://www.youtube.com/watch?v=Zv1bmY4Wd34 -
Ryan and Todd investigate the concept of the quilting point (point de capiton), as originally coined by Jacques Lacan and then in additional permutations. They attempt to develop this concept in further directions that challenge Lacan's original theorization of it in order to uncover its political efficacy.
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Missing episodes?
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Ryan and Todd provide their reading of Jacques Lacan's Seminar III devoted to the psychoses. They focus on the idea of the foreclosure of the paternal signifier while also addressing the role that Lacan theorizing the imaginary having in psychosis. They also outline the theory of the signifier that Lacan articulates in this seminar and how it relates to his later theorizing.
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Ryan and Todd address the history of psychoanalytic interpretations of Shakespeare's Hamlet, devoting time to both Freud and Lacan's reading. They then delve into the play as a work of modernity, seeing in it the modern project that attempts to reject the authority of tradition and of the father.
Ryan's article on seriality and binge mentioned in the episode is located here: https://ir.canterbury.ac.nz/bitstream/handle/10092/103108/22%20Engley.pdf?sequence=3 -
Ryan and Todd question the theoretical implications of the development of streaming for narrative, spectatorship, and politics. They look at the changes that streaming ushers in and the hidden continuity between streaming and earlier aesthetic forms.
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Ryan and Todd explore Lacan's late aphorism, "The Woman doesn't exist." They address the importance of this statement for psychoanalytic feminism and the complications that have arisen from it. The relation between signifying logic and the sociocultural situation becomes a central part of their discussion.
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Ryan and Todd explore theories of film noir and try to account for its success as a cinematic movement. They discuss films such as Out of the Past, Double Indemnity, and The Third Man, as well as figures such as the femme fatale and the hard-boiled detective in an effort to understand what gives film noir its radicality.
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Ryan and Todd investigate the possibility of thinking about all competing philosophies under the headings of dualism, multiplicity, and dialectics. They take as avatars for each position St. Paul, Gilles Deleuze, and Hegel. Rather than serving as a reductive matrix for dismissal, this model becomes a way to think about relationality between different thinkers and systems of thought.
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Ryan and Todd delve into a shorter text from Freud's later years--"Notes on a Mystic Writing Pad." Freud takes the child's toy that he discovers as a paradigm for how memory works in the psyche. Ryan and Todd tease out the implications of the essay for how to understand the unconscious, and they conclude with an analysis of Jacques Derrida's famous discussion of it in "Writing and Difference."
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Ryan and Todd conduct a thorough exploration of Freud's 1920 text Beyond the Pleasure Principle, beginning with the claim that this represents Freud at his most radical and original point. They look at the notion of death drive that Freud develops and trace how he comes to abandon the idea of the primacy of the pleasure principle.
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Ryan and Todd examine the theoretical underpinnings of the genre of the superhero film. They look at its origins in the western and its development from the 1970s through Christopher Nolan and culminating in the Marvel Cinematic Universe. They discuss why one might see it as a failed genre.
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Ryan and Todd pick up their discussion of Hegel's Phenomenology of Spirit with an exploration of the "Spirit" section of this book. They probe into Hegel's conception of Sittlichkeit (or the ethical order) and his investment in the act of getting one's hands dirty ethically and politically.
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Ryan and Todd discuss Lacan's claim that "there is no metalanguage." They address the political implications of this idea and look at various attempts to constitute a metalinguistic position. Finally, they explore the connection between metalanguage and capitalist subjectivity.
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Ryan and Todd return to the theorization of the Christmas film by examining three entries in the genre: Meet Me in St. Louis, Holiday Inn, and Christmas in Connecticut. They discuss the Christmas film's depiction of castrated authority, its challenge to cynicism, and its insistence that one must immerse oneself in a fiction to find truth.
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Ryan and Todd delve into the theoretical importance of the 1942 film Casablanca. They examine its critique of cynicism, its intermixing of love and politics, and its enactment of the importance of the barrier. They conclude by exploring how the film figures enjoyment and the political implications of this figuring.
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Ryan and Todd explore the concept of retroactivity or Nachträglichkeit from its development in Hegel's philosophy to its pivotal status as the basis for freedom in Slavoj Zizek's thought. In between, they discuss how Freud, Lacan, and Laplanche each deploy this central theoretical concept and trace its political implications.
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Ryan and Todd finish their three-episode examination of Freud's structural theory of the psyche with a focus on the id. They discuss the lack of discussion of the id among theorists and try to fill this lacuna. They then explore its cultural resonance.
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In this second in a series of three episodes, Ryan and Todd discuss the trajectory of the concept of the ego from Freud to Lacan. They investigate how Lacan's critique of the ego reshapes psychoanalytic thinking by distancing the subject from ego.
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In this episode, Ryan and Todd trace the development of the concept of the superego from Freud's invention of it in the Ego and the Id to Jacques Lacan's development of it through his seminars to Slavoj Zizek's theorizing of it as a political category. They examine the link between superego and social authority, focusing on the role that enjoyment plays in superegoic logic.
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Ryan and Todd analyze the presuppositions and argument of Theodor Adorno and Max Horkheimer's Dialectic of Enlightenment. They challenge the conception of dialectic that the book proffers and its general condemnation of the culture industry by examining cases that illustrate the culture industry's failures.
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