Episódios

  • Genevieve Mushaluk, a 33-year-old corporate lawyer from Winnipeg, Manitoba, had her torch snuffed on last week’s two-hour, second-last episode of Survivor. Picked as the final member of the jury, she’ll be in LA watching the finale with the rest of the castaways when the season ends December 18 on CBS and Global.

    Did she see her elimination coming? Does she have any regrets? Will she ever eat rice again? And what about all those snakes and spiders??

    Mushaluk tells all in this shorter than usual episode of brioux.tv the podcast. Here she is, a true Canadian Survivor.

  • My guest this week has made over three dozen made for television movies, She also headlined Hallmark’s Aurora Teagarden series. Before that, as a child star, she was part of the long-running TGIF family series, Full House, as well as its streaming sequel, Fuller House.

    Of course I’m talking about Candace Cameron Bure. In 2022, she broke away from Hallmark and joined the Great American Family network. There she is not just one of its busiest stars, she is also a very hands-on Chief Content Officer, making sure
    these films touch on issues of faith and belief as well as on romance.

    Many of these films are shot in Canada, including two premiering this month on Super Channel Heart & Home. “A Christmas Less Traveled” (Tuesday, Dec. 17) pairs her with Edmonton-born Eric Johnson, while another Canadian, Cameron Mathison, stars with Cameron Bure in "Home Sweet Christmas” (Monday, Dec. 23).

    If all that isn’t Canadian enough, the California native is also married to a hockey player: former Canadiens and Flames sniper Valerie Bure. Hear her on all this and more this week on Brioux.tv: the podcast.

  • Estão a faltar episódios?

    Clique aqui para atualizar o feed.

  • If you work in this industry you know how hard it is to keep ahead in a world that always seems to be pivoting. Streaming, fast channels, multi-platform media brands – who can keep up?

    Well, one fella is Jamie Schouela, President, Global Channels and Media at Blue Ant Media.

    I caught up with Jamie a few weeks ago in Toronto when I was asked to moderate a CTAM panel on the future of the industry from a cable perspective. He leads the strategic direction and operations for the company's streaming and linear networks, as well as digital, print and consumer event properties. The companies' brands include Love Nature, BBC Earth, T+E, Makeful, HauntTV, Cottage Life and many more.

    He's also busy spreading Blue Ant content around the world. Here he is, one of the good guys, Jamie Schouela.

  • As we head into another frigid Canadian winter we bring you a podcast about a series that is set and shot in the hottest part of Australia. The series is called Troppo, a term used in north Queensland that means going mad from the heat.

    Troppo is based on the best selling novel from Candice Fox titled Crimson Lake and it is about a disgraced American ex-cop played by Thomas Jane (HBO's Hung) hired to help an Australian private investigator. They are teamed together on murder cases in far north Queensland.

    The actress playing the PI is Nicole Chamoun and we reached her half way around the world this week in Australia via a zoom call. Seasons One and Two of Troppo are streaming now in Canada on Super Channel.

  • After 31 years as host of The Fifth Estate, plus another decade winning Emmys for CBS and NBC News, award-winning investigative journalist Bob McKeown is ready to retire.
    The Ottawa native never shied away from his assignments, especially when it came to reporting on football and head injuries. Back in the '70s, he was a CFL all-star centre for the Ottawa Rough Riders. He is without a doubt the only three-time recipient of the Edward R. Murrow Award to have also won a Grey Cup.
    On this episode of brioux.tv: the podcast, the 74-year-old talks about how he lined up opposite the best the CFL and American college football had to offer. That he later went head-to-head with Bill O'Reilly, Ann Coulter and even Mutual of Omaha's Wild Kingdom host Marlin Perkins only added to his legend.
    Then there's the time he got bitten by a shark! Sink your teeth into the whole story on this story-packed podcast episode. Then see the highlights as part of The Fifth Estate: 50 Years of Truth, premiering Friday, November 29 on CBC and CBC Gem.

  • Tyler and Jordie Schwartz started their business of selling retro toys and gifts in 2007 as the Canadian Leg Lamp Company. The idea came after shooting their fan film “Road Trip for Ralphie,” an homage to the kid from the 1983 classic, “A Christmas Story.”

    Next they introduced Moose Mugs from “National Lampoon’s Christmas Vacation” (1989). Seventeen years later, they’ve branched out to all kinds of retro goodies, including toys, candy, books, games, ugly sweaters and much more.

    You’ll find them all packed inside their Oakville store, or on-line at retrofestive.ca.

    Thanks to the Schwartz's, you’ll also find these nostalgic Christmas treats at the TV on Film Party screenings I’ve been hosting at The Westdale theatre in Hamilton. Awarded as TV trivia prizes, they make the perfect treats for fans who know all about A Charlie Brown Christmas, The Grinch and Rudolph the Red-nosed Reindeer.

    Tyler talks about how these retro reminders bring us back to an innocent time spent growing up in front of the TV. Hear him this week on brioux.tv: the podcast.

  • When Jess Salgueiro auditioned in person for the role of Eve on Frasier, she had to do it in front of a pair of sitcom legends: Kelsey Grammer and director Jim Burrows.
    Pressure? Yes and no says the actress, who was born in Winnipeg, Man. She figured there must be hundreds of others lining up to try and win a role on this reboot of a TV classic. With nothing to lose by trying, she told herself, just have fun and see if you can make them laugh.
    She did, and got the part.
    Now after two seasons streaming on demand at Paramount+, Salgueiro feels right at home on the famed Paramount Studios lot in Hollywood.
    This past September she and Grammer were in Toronto attending a public screening of the series. She was blown away when Grammer, speaking to the crowd beforehand, got emotional about having her as part of the cast.
    Hear all about her climb up the TV ladder as this week's guest on brioux.tv: the podcast.

  • Stop me if you've seen this kind of Hallmark series before: an enterprising and attractive single woman (Sarah Drew from Grey's Anatomy) owns a Christmas store on the main street of a picturesque small town. She crosses paths with a handsome, newly single-police officer (Peter Mooney from Burden of Truth). Before you can say, "witness tampering," holiday sparks ensue.
    Mistletoe Murders, already launched in the US on Hallmark Channel and premiering Nov. 18 om W Network and STACKTV, does stick to a familiar tinsel template. The murder mystery angle, however, raises the stakes.
    Shot mainly in Pickering, Ont., the six-episode series is part of Hallmark's annual Countdown to Christmas. Every year, the production of dozens of festive flicks is an early Christmas present for many Canadian actors and even more local crew members. They shoot these films -- often in warm spring and summer months -- for November and December viewing.
    Find out if Drew and Mooney like eggnog, real Christmas trees and which holiday film is must see in their respective homes.

  • If only The Smothers Brothers Comedy Hour was still around to help us through another turbulent US Presidential election. Pat Paulsen -- where are you when we need you?
    A key writer/producer back on that 1967-69 comedy variety show was a Canadian -- Allan Byle. Before the Smothers, he worked for Fred Rogers as well as CBC songbird Juliette.
    Tommy Smothers, who has a knack for spotting talent, insisted that Blye, then in his twenties, be part of the Comedy Hour writing staff.
    The series became a mid-season, Sunday night hit. While tame by today's standards, controversial jokes, edgy guest stars and political pressure led to CBS firing the Smothers early in 1969.
    Blye carried on as a writer/producer. He went on to bring out the best in David Steinberg, Sonny & Cher, Dick Van Dyke, John Byner and Super Dave himself, Bob Einstein.
    The Winnipeg-born Emmy winner passed away in October at 87. On this episode of brioux.tv: the podcast, I welcome his younger brother Garry who also worked on many of those landmark shows.
    Garry's showbusiness credits are worthy of their own salute. He started as a talent agent, representing a couple of pretty good clients -- Elvis Presley and Col. Tom Parker. Garry's stories range from that 1968 Elvis Comeback Special to later on working with the likes of Redd Foxx, Cher, John Candy and more.
    Join us for an hour-plus of amazing showbiz memories that will fly Blye.

  • In Part 2 of my conversation with Ken Levine, more evidence that the Emmy-winner is one of TV's top storytellers.
    One of my favourite episodes from his excellent podcast, Hollywood & Levine, is the one where he told listeners exactly what he thought of the recent reboot of Frasier. Some might see this as sour grapes from one of the authors of the original series, but I for one was keenly interested in Levine's unvarnished take. He didn't hold back, and repeats what Fresh Hell he sees in the Paramount+ series.
    He also talks about a sitcom he co-created over 30 years ago with writing partner David Issacs: Big Wave Dave's. The cast was outstanding, but the network ditched it after six episodes. Hear why, and also which episode from that series Levine feels is the funniest thing he and his partner ever wrote.
    Also in Pt. 2: hear which episode from a classic TV sitcom from the '50s made Levine laugh the most as a youngster -- and also inspired an episode with a similar one-big-joke premise 30 years later on Cheers.

  • What hasn't Ken Levine done? He's an Emmy-winning screenwriter who has -- with writing partner David Issacs -- written for some of television's best comedies. You may have heard of M*A*S*H, Cheers and Frasier.
    In his spare time (!) he has also been a disc jockey, a major league baseball play-by-play announcer, a cartoonist, a playwright, a director, a travel writer, an executive producer, a blogger and a podcaster.
    His weekly podcast, Hollywood & Levine, helped make trips to the cottage fly by for me these past eight years. Recently, however, Levine stepped away from the mic. So I emailed him and asked: would he guest on my podcast?
    Here is the answer. a very entertaining two-parter, with great stories about all of these amazing things he's done. Part One starts with his start in the baseball broadcast booth, calling his very first big league game at Exhibition Stadium, the not so fondly remembered early home of the Toronto Blue Jays. From there Ken
    chronicles his path to success in the big leagues of writing for network sitcoms. If you love television you'll want to listen. If you want to write for television, you have to listen.

  • This past spring, the CBS action-drama Tracker became an instant hit, emerging as the No. 1 US network series of the season. On this episode, I speak with the tracker himself, Justin Hartley, who was in Toronto last June promoting the series at the CTV upfront.
    After a career in soaps (Passions; The Young and the Restless) as well as in primetime (Smallville; Emily Owens, MD), Hartley hit the TV jackpot as Kevin Pearson in This Is Us (2016-22). That led to the 47-year-old actor landing the lead as skilled survivalist Colter Shaw who helps others for money in Tracker.
    In this shorter-than-usual episode, the Illinois native talks about his love of baseball (he enjoyed a Blue Jays game while in Toronto), finding success later in life, and about what to expect in Season Two. The Vancouver based series is back now on Sunday nights on CBS and CTV.

  • When you’ve been busy creating, writing and starring in TV shows and films for a couple of decades, who has time for a hobby?

    That’s been the case for Mark McKinney. This son of a diplomat moved around a lot as a lad and says comedy has always been his hobby. Together with Dave Foley, Kevin McDonald, Bruce McCullough and Scott Thompson, he’s been performing on stage, film and television as one of the Kids in the Hall since the late 1980s. McKinney also spent a couple of seasons as a writer-performer on Saturday Night Live, helped create, write and act in Slings & Arrows, and appeared in shows such as Man Seeking Woman and Son of a Critch. He also was the showrunner on Less Than Kind and for six seasons co-starred as manager Glen Sturgis on the NBC sitcom Superstore.

    That didn’t leave much room for stamp collecting or skeet shooting. On Mark McKinney Needs a Hobby (Wednesdays on CTV and streaming on Crave), McKinney tries birding, fly fishing, puppetry and even tackled hockey playing robots. He’s joined by guests such as comedians Margaret Cho and Deb DiGiovanni, singer Billy Newton-Davis, Superstore co-star Ben Feldman, food critic James Chatto and Muppet puppeteer Trish Leeper.

    As you’ll see in episode one, however, he drew the line when it came to tattooing. Hear all about McKinney’s hobby search adventures on this week’s episode of brioux.tv the podcast.

  • The first scene of the new Fox and Global series Murder in a Small Town is set at that most sacred of Canadian television landmarks: the diner from The Beachcombers, Mollys Reach.

    Seated inside, shooting a first date scene, are two actors representing several generations of Canadian acting royalty: Kristin Kreuk, the Vancouver lass who went from Edgemont to Smallville to Beauty and the Beast to Burden of Truth to starring in this fifth network series, Opposite her is Rossif Sutherland. The late, great Donald was his dad; Kiefer his half brother. No pressure.

    Series creator and writer Ian Weir (also Canadian) screwed up and made Rossif a Chief of Police, not a Mountie. Kristin plays a librarian/muse, not Anne of Green Gables. Otherwise, almost everything else about this series is so Canadian it apologises. Sorry.

    Even one of our greatest homegrown actors, R.H. Thomson, plays a dead body in the pilot. That is so Canadian.

    Kreuk, one of the most popular guests ever at brioux.tv: the podcast, talks about all of this and more. Get comfy on a chesterfield, open a bag of ketchup chips, and join us.

  • Ever wonder what it was like to be in Studio 8H opening night in 1975 on Saturday Night Live?
    Director Jason Reitman wondered and his new movie, "Saturday Night," is a recreation of the hours leading up to airtime on that historic night. Somebody who was there, however, is my guest this week on brioux.tv the podcast: Lorraine Santoli.
    No, she was never one of the "Not Ready from Prime Time Players." Lorraine, who worked at NBC, was on the floor, pulling cables for the camera operators during the broadcast. Lorraine went on to a spectacular career in entertainment. When we met 40 years ago in California, she was the main Disneyland publicist. Thanks to Lorraine, I had a backstage pass to a time when it was still possible to interview Roy Disney, animators Ward Kimball, Ken Anderson and Bill Justice and voice artists such as Jimmy Macdonald.
    Meanwhile, Lorraine became close friends with original Mouseketeers Annette Funicello and Bobby Burgess, among others. She later climbed the corporate ladder and became Head of Corporate Synergy at Disney, managing up to 60 companies during the Michael Eisney era.
    And wait till you hear her story about Pam Grier! Spend an hour with my friend Lorraine Santoli, this week at brioux.tv: the podcast.

  • TV schedules and programs are like the places where we live. Sometimes they need somebody to come in a do a thorough de-cluttering.
    As CBC's Dragon's Den heads into a 19th season, who better to join the series as the latest investing entrepreneur than Brian Scudamore? He's the founder and CEO of 1-800-GOT-JUNK. You know their slogan: "We make junk disapear. All you have to do is point!"
    As a pack rat who moved in the past year I know all about clinging to too much stuff. Scudamore tells me on this podcast episode how he came up with the idea of decluttering for others when, as a student, he was stuck in a fast food drive-through lineup. Since 1998, the business has spread to three countries and over 250 franchises. Now this author and podcaster is tackling all the other jobs we don't want to do with Shack Shine, WOW 1 Day Painting and You Move Me.
    Look for Scudamore to point and make other people's business dreams happen this season on Dragon's Den. The series returns Thursday, Sept. 26 on CBC and CBC Gem.

  • After a two year wait, our long national farmhouse facelift crisis is over! Designer/contractor siblings Carolyn Wilbrink and Billy Pearson are back with a new, third season of HGTV's Farmhouse Facelift.
    The stylin' siblings--featured twice before on brioux.tv: the podcast--once again barnstorm through Southern Ontario, taking grim-looking concrete block bunkers and turning them, in Episode One for example, into custom country cottages. The eight new episodes also include a makeover of a cordwood farmhouse and a converted, one-roon school house. Plus hear what else Carolyn and Billy got up to during the two years between TV seasons.
    The new episodes are premiering weekly now on HGTV Canada and will also be streaming on Stack TV.

  • About two hours northeast of Toronto stands The Highlands Cinemas, a hand made movie palace carved out of cedars and mosquitoes. Every summer for 40 years, families from neighbouring towns and villages in Ontario’s cottage country have braved bear cubs in the parking lot to see everything from “Barbie” to the latest “Despicable Me” flick.

    It is entirely the vision of one of Kinmount, Ont.’s native sons, Keith Stata. “The Movie Man,” a documentary about this remarkable entrepreneur’s Don Quixote-like obsession with showing movies the way God intended — with an audience — is streaming now exclusively at Hollywood Suite.

    On this shorter-than-usual summer episode, we hear from Stata as well as director and photographer Matt Finlin, plus one of the executive producers of the documentary, Barenaked Ladies' frontman Ed Robertson.

    Finlin, Robertson and others came for the movies but kept cominng back for the incredible museum of movie projectors, film stills, drive-in speakers and other artifacts Stata has collected and displays in hallways that snake around the cinemas. This episode best enjoyed with popcorn.

  • Hugh Wilson talked his way into a job at MTM Enterprises at just the right time. When he arrived in the early '70s, they were busy making sitcom history with The Mary Tyler Moore Show and The Bob Newhart Show. Wilson, who had no prior TV experience, could often be found up in the rafters, taking a crash course in Funny 101.
    The result was his first series as a creator and executive producer, WKRP in Cincinnati (1978-82).
    In this "From the Vault" conversation from 2014, Wilson -- who passed away in 2018 at 74 -- talks about what it was like to strike gold with just the right cast at just the right time -- even if his rock 'n' roll radio station sitcom was never a big hit in the States.
    Among the surprising things he reveals:
    "When the show first went on, it was struggling in the ratings in the U.S. But the ratings in Canada were great right from the beginning," says Wilson, who used the Canadian response to successfully argue that the series needed time to find its audience. "I've never understood that but I've always been super grateful for it."

  • The death of comedy legend Bob Newhart July 18 had me scrambling for this "From the Vault" conversation with Bill Daily.
    Daily was one of Newhart's oldest friends from their Chicago days in the late '50s when Daily was directing and performing in television and Newhart was exploding onto the scene with, at the time, the biggest-selling comedy LP ever, "The Button-down Mind of Bob Newhart."
    The two reunited on The Bob Newhart Show (1972-78), a perfectly cast, well-written gem from the glory days of the MTM Studios. Daily praises, among other writers, Glen and Les Charles who went on to create Taxi and Cheers. He also talks about how they all adored Suzanne Pleschette, as well as the incredible cast of zanies who stole scenes as Dr. Bob Hartley's group therapy patients. Then there's the story about how Newhart had to fire his best friend for getting the studio audience too heated in the warm-up -- Don Rickles.
    "I was so grateful to have that show," says Daily, previously best known for I Dream of Jeannie. In this conversation from 2014 -- four years before he died at 91 -- Daily saves his most heartfelt praise for Newhart.
    "He was the nicest man I've ever met."
    He also tells three of the funniest jokes I've ever heard.