Episódios
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The late 14th and early 15th century was a period of upheaval, the certainties of the Middle Ages, that the pope ruled the world and that knights were invincible were crumbling away, the long period of economic growth, of eastward expansion and conversion of the pagans made way for war, plague and famine. The church was split in half and the Ottomans were coming.
This was an age that called forth larger-than-life characters: Joan of Arc, fierce and holy; Henry Bolingbroke, seizing a throne; Jadwiga and Jogaila, uniting kingdoms; the audacious Gian Galeazzo Visconti and fiery Cola di Rienzo; the ever-scheming John the Fearless and Jacob van Artevelde; the tragic Ines de Castro and the unflinching Jan Žižka.
Into this glittering and turbulent lineup steps a man whose reputation has not exactly been polished by time. Despised in his kingdoms of Hungary and Bohemia and even Constance, the city that owes him so much, decided to remember him as a fat naked crowned guy with skinny arms and legs, worn-out face, forked beard and disproportionate genitalia balancing on the hand of a nine-meter-tall sex worker. No, I am not making this up.
Sigismund, because that was his name, was a true enigma of the late Middle Ages. He had inherited his father’s charm and ruthless cunning, his knack for negotiating compromise in impossible situations, and his unshakeable belief in his role as the head of Christendom. But what he hadn’t inherited was his father’s performative piety, his zeal for relics, his asceticism—or his wealth.
Instead, Sigismund was left with a volatile mix of ambition, enormous self-confidence, a lust for life, and, crucially, a chronic shortage of funds. Yet despite his flaws, he took on Christendom’s two greatest crises—the schism and the Ottoman threat—and in doing so, managed to create a third…This is his backstory.
The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.
As always:
Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com
Facebook: @HOTGPod
Twitter: @germanshistory
Instagram: history_of_the_germans
Reddit: u/historyofthegermans
Patreon: https://www.patreon.com/Historyofthegermans
To make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.
So far I have:
The Ottonians
Salian Emperors and Investiture Controversy
Fredrick Barbarossa and Early Hohenstaufen
Frederick II Stupor...
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This week we delve into the transformative period of the Ottomans from Osman to the Battle of Nicopolis. It highlights how Osman, the son of an Anatolian warlord, laid the foundations for what would become one of the world's greatest empires, despite starting as just one of many Turkic beys in a tumultuous landscape. The narrative explores the cultural and military strategies that enabled the Ottomans to expand, emphasizing their approach of gradual assimilation and religious tolerance as they conquered predominantly Christian lands. The episode also recounts the dramatic Battle of Nicopolis in 1396, where a coalition of European knights faced the formidable Ottoman forces, leading to a catastrophic defeat for the crusaders. As the episode unfolds, it illustrates the lasting impact of these events on the geopolitical landscape of Europe and the Ottoman Empire's rise as a dominant power in the centuries to follow.
Takeaways:
The Ottomans emerged from a small confederation led by Osman, who successfully united various Turkic tribes. Unlike many conquests in history, the Ottomans employed a model of tolerance and integration with conquered populations. The downfall of the Byzantine Empire was marked by its inability to respond effectively to nomadic incursions. Osman's victory at the Battle of Baphis established his reputation and attracted more followers to his cause. Janissaries, elite soldiers of the Ottoman army, were originally recruited from captured Christian boys. The catastrophic defeat of the crusading army at Nikopol in 1396 reshaped the power dynamics in Eastern Europe.Chapters:
00:08 - Introduction to the Ottomans00:19 - The Crusades and Eastern Expansion00:51 - The Gathering at Nikopol04:14 - Osman's Vision and the Birth of the Empire13:59 - The Seljuks and Their Legacy20:07 - Osman's Rise and Early Conquests32:03 - The Battle of Kosovo and Its Aftermath34:14 - The Crusade at Nikopol41:34 - The Impact of Timur's Invasion42:55 - Conclusion and Next Episode PreviewThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.
As always:
Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com
Facebook: @HOTGPod
Twitter: @germanshistory
Instagram: history_of_the_germans
Reddit: u/historyofthegermans
Patreon: https://www.patreon.com/Historyofthegermans
To make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.
So far I have:
The Ottonians
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Estão a faltar episódios?
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When the Great Western Schism was finally resolved at Pisa and Constance, Christendom rejoiced.
Or so we have been told. But was it really such a devastating, catastrophic event that left the papacy mortally wounded, so impaired that it crumbled when next the power of the pope “to bind and to loosen” was questioned? Or was it just an affair, a temporary misunderstanding created by some drafting error in canon law that prevented the removal of an incapacitated pope?
Me thinks that is worth investigating even if it means diving deep into theology and canon law. But do not worry we will also do a spot of fiscal policy just to lighten things up a bit.
The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.
As always:
Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com
Facebook: @HOTGPod
Twitter: @germanshistory
Instagram: history_of_the_germans
Reddit: u/historyofthegermans
Patreon: https://www.patreon.com/Historyofthegermans
To make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.
So far I have:
The Ottonians
Salian Emperors and Investiture Controversy
Fredrick Barbarossa and Early Hohenstaufen
Frederick II Stupor Mundi
Saxony and Eastward Expansion
The Hanseatic League
The Teutonic Knights
The Holy Roman Empire 1250-1356
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If you are a longstanding listener to the History of the Germans, you will already know that sometime in the late 14th century the catholic church broke apart into 2 and then 3 different obediences, three popes residing in different places and being recognised by different nations.
But what you may not know is how exactly this had happened. Why did the exact self-same cardinals elect one pope in April 1378 and another one 4 months later? Who was taking the lead in attempts to resolve the crisis and why did all these attempts fail for 40 years? How far did they go in forcing the various papal contenders to come to the negotiation table. How ridiculous were the popes’ attempts to wiggle out of that…
All that we will look into this week in part 1 of the story of the Great Western Schism.
The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.
As always:
Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com
Facebook: @HOTGPod
Twitter: @germanshistory
Instagram: history_of_the_germans
Reddit: u/historyofthegermans
Patreon: https://www.patreon.com/Historyofthegermans
To make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.
So far I have:
The Ottonians
Salian Emperors and Investiture Controversy
Fredrick Barbarossa and Early Hohenstaufen
Frederick II Stupor Mundi
Saxony and Eastward Expansion
The Hanseatic League
The Teutonic Knights
The Holy Roman Empire 1250-1356
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“And since these especially ruinous harms to all of Christendom are not to be tolerated or suffered any longer, so we have completely agreed – with a well-considered disposition, by means of much and various discussion and counsel, which we have earnestly undertaken concerning this among ourselves and with many other princes and lords of the Holy Empire, for the assistance of the Holy Church, the comfort of Christendom and the honour and profit of the Holy Empire – that we want fully and specifically to remove and depose the above-written Lord Wenceslas as a neglectful procrastinator, dismemberer and one unworthy of the Holy Empire from the same Holy Roman Empire and all the dignities pertaining to it with immediate effect.” End quote
So concluded the Prince Electors of Cologne, Mainz, Trier and the Palatinate on August 20th 1400. King Wenceslaus IV, son of the great emperor Karl IV, king of Bohemia and duke of Luxemburg was to be deposed for his “evil deeds and afflictions [that are] are so clearly manifest and well known throughout the land that they can neither be justified nor concealed” end quote
How could that happen. Last time we looked at the house of Luxemburg, they directly held almost a quarter of the German lands, controlled two of the seven electoral votes, had manoeuvred themselves into pole position to gain the Hungarian and the Polish crown, with even a long-term option on Austria, Styria, Carinthia and Tyrol . But now, a mere 22 years later, the great second Carolingian empire lies in tatters. How is that possible? That is what we will look at today.
The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.
As always:
Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com
Facebook: @HOTGPod
Twitter: @germanshistory
Instagram: history_of_the_germans
Reddit: u/historyofthegermans
Patreon: https://www.patreon.com/Historyofthegermans
To make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.
So far I have:
The Ottonians
Salian Emperors and Investiture Controversy
Fredrick Barbarossa and Early Hohenstaufen
Frederick II Stupor Mundi
Saxony and Eastward Expansion
The...
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On 31st of October 1517 a hitherto unknown professor at the smallish university of Wittenberg published 95 theses. And by doing so, he unleashed a sequence of events that would fundamentally change the face of Europe and still defines communities and nations.
The interesting question about the 95 theses is not why Luther rote them, but why they had any impact at all. Martin Luther stands at the end of a mile long queue of learned and sometimes less learned men who railed against the decadence of the church, called for a return to the actual text of the bible and demanded that the clergy lives like the apostles. But somehow the message on that fateful day in 1517 gained traction across the Christian world in a way no previous attempt had.
Why? That is a question I believe will be the guiding line through the coming seasons. Something about the social, political, cultural, religious and economic landscape of early modern Germany must have provided the cinder on which protestant ideas could catch fire.
You will now ask, why is Dirk talking about the Reformation. The last season ended on the 14th century, a good 150 years before “the day that changed western Christianity”. Aren’t we supposed to go through this chronologically.
Oh yes we are. But as we are moving forward at our accustomed pace we will hit the Hussite revolt that started in 1415. This religious uprising has so many common threads with Luther’s reformation, it may be seen as a dress rehearsal for the actual Reformation. Luther himself declared in 1519 “Ich bin ein Hussite” I am a Hussite.
Spoiler alert, the Hussite revolt did not lead to the fraction of the catholic church, but that makes it even more interesting. What were the circumstances that led the people of Bohemia and many other parts of the empire to take up arms to defend their convictions, how come they were successful and by what means could a reconciliation be achieved? Knowing that will help us understand why a 150 years later such a settlement failed to materialize, dividing Europe into Protestants and Catholics and spurning some of the bloodiest civil wars in history.
To explore the causes and impact of this reformation before the reformation we will take a look at the decline of the house of Luxemburg, the emergence of the Ottoman empire, the creation of Burgundy as a political entity separate from France, the defeat of the Teutonic Knights and the great western schism with its resolution at the Council of Constance where amongst other things Jan Hus was convicted and burned at the stake. We will dive into Jan Hus’ and his predecessor’s thoughts and convictions as well as the military innovations of Jan Zizka and probably a lot more things I have not yet thought about.
The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.
As always:
Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com
Facebook: @HOTGPod
Twitter: @germanshistory
Instagram: history_of_the_germans
Reddit: u/historyofthegermans
Patreon:
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As you know I am still working on getting season 9 to the staring blocks. The good news is that we will be kicking off on October 3 embarking on journey that will take us to the council of Constance, the Hussite wars, the emergence of Burgundy and the rise of a completely new threat- the Ottoman empire. Everything changes as we leave the Middle Ages behind.
Even after that season we will still be a long way away from the 20th century, And I know that many of you are very interested in this period, in particular in the first world war. One question I often get how Germany managed to hold out for so long against the combined forces of Britain, France and Russia.
But help is at hand. I have mentioned the “Not so Quiet on the Western Front” podcast before and I must say Dan Hill and Dr. Spencer Jones are doing a brilliant job at explaining the military history of the First World War. And they have just released the episode that deals with exactly this subject and a few others besides. I have listened to this episode twice already and I just find it incredibly illuminating. I hope you will too.
The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.
As always:
Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com
Facebook: @HOTGPod
Twitter: @germanshistory
Instagram: history_of_the_germans
Reddit: u/historyofthegermans
Patreon: https://www.patreon.com/Historyofthegermans
To make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.
So far I have:
The Ottonians
Salian Emperors and Investiture Controversy
Fredrick Barbarossa and Early Hohenstaufen
Frederick II Stupor Mundi
Saxony and Eastward Expansion
The Hanseatic League
The Teutonic Knights
The Holy Roman Empire 1250-1356
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The Emperor and King Charles IV (1316-1378) represents today an untouchable monument in Czech history, carved into the marble of admiration and clichés. Although a new and thorough study of his reign is yet to be written, it is nevertheless useful to introduce Charles IV from a new perspective. In many regards, historical research has already brought new findings, and thus we are now able to shed new light on both his life and his reign.
The book will be published this autumn but is already available for pre-order
here: Charles IV: Portrait of a Medieval Ruler, Žurek, Stone (uchicago.edu)
here: Charles IV: Portrait of a Medieval Ruler book by vaclav zurek, (Paperback) | Indigo
and also on Amazon:
Charles IV: Portrait of a Medieval Ruler: Amazon.co.uk: Žurek, Václav, Stone, Ian Finlay: 9788024655239: Books
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This is the last episode of this season and it is time to say goodbye to Karl IV, Ludwig the Bavarian, Henry VII, Albrecht of Habsburg, Adolf von Nassau and Rudolf of Habsburg. These have been some eventful 138 years.
When Karl IV died in 1378 he left behind an impressive list of achievements but also a number of failures. And he left behind a son, Wenceslaus he had invested with so much hope and so many crowns, it not only broke the bank but even chunks of the political edifice he had so patiently built.
How and why is what we will discuss in this episode.
The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.
As always:
Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com
Facebook: @HOTGPod
Twitter: @germanshistory
Instagram: history_of_the_germans
Reddit: u/historyofthegermans
Patreon: https://www.patreon.com/Historyofthegermans
To make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.
So far I have:
The Ottonians
Salian Emperors and Investiture Controversy
Fredrick Barbarossa and Early Hohenstaufen
Frederick II Stupor Mundi
Saxony and Eastward Expansion
The Hanseatic League
The Teutonic Knights
The Holy Roman Empire 1250-1356
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For more than a hundred years the Holy Roman Empire was a mess of constant infighting between and within the great princely families. But by the 1360s the consistent policies and elaborate diplomacy of emperor Karl IV had produced a degree of stability not seen by anyone alive.
With the home front calm, the emperor can again assume a role on the European stage, setting in train seminal events that will reverberate across the centuries…
The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.
As always:
Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com
Facebook: @HOTGPod
Twitter: @germanshistory
Instagram: history_of_the_germans
Reddit: u/historyofthegermans
Patreon: https://www.patreon.com/Historyofthegermans
To make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.
So far I have:
The Ottonians
Salian Emperors and Investiture Controversy
Fredrick Barbarossa and Early Hohenstaufen
Frederick II Stupor Mundi
Saxony and Eastward Expansion
The Hanseatic League
The Teutonic Knights
The Holy Roman Empire 1250-1356
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All is well in the empire. The Golden Bull had been debated, agreed, sealed and then celebrated at the great diet in Metz in 1357.
The first time in decades that all the Prince Electors had come together and performed the ancient duties of their offices. Even the Dauphin of France had come to do homage to Karl IV for the lands he held inside the empire.
But did all the princes join in the joy? No, not really. There are always some who felt left out and they will try to upturn the new order. How they tried to do that and why these efforts laid the foundations for the future Habsburg empire is what we will discuss today…
The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.
As always:
Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com
Facebook: @HOTGPod
Twitter: @germanshistory
Instagram: history_of_the_germans
Reddit: u/historyofthegermans
Patreon: https://www.patreon.com/Historyofthegermans
To make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.
So far I have:
The Ottonians
Salian Emperors and Investiture Controversy
Fredrick Barbarossa and Early Hohenstaufen
Frederick II Stupor Mundi
Saxony and Eastward Expansion
The Hanseatic League
The Teutonic Knights
The Holy Roman Empire 1250-1356
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“Every realm that is divided internally will go to uin, for its princes have become the comrades of thieves. The Lord has poured out the spirit of deceit among them, so that they grope about at midday as though in darkness, and He has withdrawn the light from their dwellings, so that they are blind and leaders of the blind. And those who wander in the dark run into things, and those who are blind of spirit bring about evil deeds, which occur in disunity. [..]
You, Jealousy, have soiled the Christian Empire, which was reinforced by God with the virtues of faith hope and love, just like the indivisible Trinity, and whose foundations stand firmly on the kingdom of Christ; you have soiled it with your ancient poison that you have spewed forth like an evil snake on the Empire and its members. And to shatter the pillars and to bring the whole structure to collapse, you have incited disunity among the seven electors, who should illuminate the Empire like the light of the seven lamps of the mind.
But in the name of the office which we hold as Emperor we are obliged to act against disunity and struggle among the electors [..] for two reasons: because of our Imperial office, and because of our rights as an elector.
In order to increase the unity among them, and to bring about unanimity during elections and to avoid disgraceful divisions and to close the door to the multiple dangers that arise from them, we have issued the laws written down here at our festive Imperial Diet in Nuremberg, in the presence of all the spiritual and worldly electors, and before a large crowd of other princes, counts, free lords, lords, nobles and urban delegates. From our Imperial throne, decorated with the imperial insignias and treasures, wearing the imperial crown, after ripe deliberation, we issued them on the basis of our unrestricted imperial powers, in the year of our Lord 1356, on the 10th of January, in the tenth year of our royal power and the first of our Imperial power.”
So begins one of the most important constitutional documents of the Holy Roman Empire, the Golden Bull of 1356. But what did it actually say, and even more important, what did it not say and how does it fit into the context of the history of the Holy Roman Empire. That is what we are going to discuss in this episode.
The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.
As always:
Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com
Facebook: @HOTGPod
Twitter: @germanshistory
Instagram: history_of_the_germans
Reddit: u/historyofthegermans
Patreon: https://www.patreon.com/Historyofthegermans
To make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.
So far I have:
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This season has now gone on for 22 episodes. We started with the interregnum of largely absent rulers and after a brief renaissance under Rudolf von Habsburg the empire became a sort of oligarchy where 3 families, the Luxemburgs, the Wittelsbachs and the Habsburgs took turns on the throne. Succession usually involved some form of armed conflict between the contenders and a struggle with the pope over who had precedence. Whoever emerged victorious then used the ever-dwindling imperial powers to enrich his family at the expense of the others.
When in 1349 Karl/Karel/Charles IV emerged triumphant from the latest of these conflicts, chances were that the same game would start anew, civil war between the three families, excommunication and murder. But it did not. Why it did not is what we will talk about in this episode…
The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.
As always:
Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com
Facebook: @HOTGPod
Twitter: @germanshistory
Instagram: history_of_the_germans
Reddit: u/historyofthegermans
Patreon: https://www.patreon.com/Historyofthegermans
To make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.
So far I have:
The Ottonians
Salian Emperors and Investiture Controversy
Fredrick Barbarossa and Early Hohenstaufen
Frederick II Stupor Mundi
Saxony and Eastward Expansion
The Hanseatic League
The Teutonic Knights
The Holy Roman Empire 1250-1356
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“Karl, by the grace of God, King of the Romans, ever august, and King of Bohemia [ ]
We have turned over in careful contemplation, and have been diligently pondering how
our hereditary kingdom of Bohemia may flourish in all its beauty, thrive in peace, and not fear the loss of its riches to its enemies, and how the general good and benefit of the said kingdom may prosper, how its’ governance may grow from good to better, and how it could plant a new seed for the faith in god.
To soundly provide for these things, neither sparing our labours nor expenses, we have decided to extend, expand, and newly delineate the city of Prague, recently elevated to metropolitan status at our insistence and request, situated in the midst of the kingdom and in a most fertile place, frequented by peoples from various regions and parts of the world, whose houses and buildings, inhabitants, and the multitude of people surrounding it, as well as the influx of people to it, which no one can count, especially because of the general study that we have decided to establish in the said city, cannot conveniently accommodate.”
So begins the charter that founded one of the Middle Ages most ambitious infrastructure projects, the creation of Prague’s New Town, the third city to be created near the ancient castles of the kings of Bohemia, making the combined city larger in surface area than Cologne, only surpassed by Constantinople and the eternal city. A new Rome was to rise on the shores of the Vitava River, a place adorned with churches and monasteries evoking the holiest places of Christianity and squares on such a monumental scale that reminds one more of the 19th century than the 14th. Prague still today attracts “people to it which no one can count”
This is what we will talk about today. Not just what he built, but why and how….
The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.
As always:
Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com
Facebook: @HOTGPod
Twitter: @germanshistory
Instagram: history_of_the_germans
Reddit: u/historyofthegermans
Patreon: https://www.patreon.com/Historyofthegermans
To make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.
So far I have:
The Ottonians
Salian Emperors and Investiture Controversy
Fredrick Barbarossa and Early Hohenstaufen
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In around 1320 near the lake Issy-Kul in Kyrgysistan the rats started dying. Shortly after the inhabitants became affected with terrible diseases. Some started coughing up blood and all who did, died within 3 days. Others developed swellings of the lymph nodes, particularly in the groins and armpits. Roughly half of them died within five days. A small number saw their feet and fingertips turn black. All of those died.
Everyone who could still leave sought refuge in towns and villages that had not been affected. The disease travelled with them. By 1330 Chinese chroniclers recorded a plague affecting the Mongol hordes. In 1346 a Mongol army besieging the Genoese trading city of Caffa on Crimea succumbed to the disease. In their final push to cow the defenders they catapulted the diseased corpses of their comrades into the city.
The siege lifted grain transports from Caffa to Italy resumed. The disease reached Messina in Sicily in 1347. In 1348 it had enveloped most of Italy. 1349 it crossed the alps, by 1350 people died in their thousands in Northern Germany and Scandinavia. It took until 1353 before this wave of the plague petered out, leaving between 20 and 60% of the population of Europe dead. The disease returned in 1361-1363, 1369-71, 1374-75, 1390 and 1400. After that intervals became longer but the plague never went away completely and still today a couple of 100 people die worldwide of Plague every year.
Despite having lived through a pandemic only recently, we have all realised that the impact of such an event goes far beyond the gruesome statistics. It is much too recent an event to get a grasp of the impact COVID 19 had on the economy, political system and society in general, but clearly something has changed. Now imagine the plague, which in terms of death toll was between 10 and 30 times worse and crucially affected young and old equally. The fallout was exponentially greater not least because it came on the back ofseveral other calamities. It is these impacts we will mainly focus on in this episode. So let’s dive in..
The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.
As always:
Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com
Facebook: @HOTGPod
Twitter: @germanshistory
Instagram: history_of_the_germans
Reddit: u/historyofthegermans
Patreon: https://www.patreon.com/Historyofthegermans
To make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.
So far I have:
The Ottonians
Salian Emperors and Investiture Controversy
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The year is 1346 and we have, yes, another succession crisis. Without checking through my 1500 pages of transcripts, I have counted a total f 14 contested imperial elections in the 427 years we have covered so far. Henry the Fowler, Herny II, Henry IV, Henry V, Lothar III, Konrad III, Philip of Swabia, Otto IV, Frederick II, Konrad IV, Richard of Cornwall, Adolf of Nassau, Albrecht of Habsburg and Ludwig the Bavarians all had to contend with anti-kings or severe opposition to their ascension to the throne.
I guess you are bored with these and so were the citizens of the empire. But here is the good news. From Karl IV’s reign onwards these succession crises will become fewer and fewer. Why? One reason is of course the Golden Bull we will discuss in a few episodes time. But there is another one, which had to do with the way Karl IV overcome the opposition. He claimed it was divine providence, but modern historians point to a much more temporal force that tied the imperial title to the heirs of the house of Luxemburg…
The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.
As always:
Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com
Facebook: @HOTGPod
Twitter: @germanshistory
Instagram: history_of_the_germans
Reddit: u/historyofthegermans
Patreon: https://www.patreon.com/Historyofthegermans
To make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.
So far I have:
The Ottonians
Salian Emperors and Investiture Controversy
Fredrick Barbarossa and Early Hohenstaufen
Frederick II Stupor Mundi
Saxony and Eastward Expansion
The Hanseatic League
The Teutonic Knights
The Holy Roman Empire 1250-1356
-
You have heard me complaining regularly over the last 154 episodes that what we report as political ambitions or strategic plans of the kings and emperors was pure conjecture derived from their actions and public statement. But we could never know what they were really thinking because none of them kept a diary, or if they did they did not survive to today. The subject of today’s episode however did write an autobiography, which is believed to have been written by the emperor himself, at least in large parts. So, for the first time we hear an emperor telling his own story. Do you want to hear it?
Well, here he describes what he called the most seminal moment of his youth:
That night, as sleep overcame us, a vision appeared to us: an angel of the Lord stood beside us on our left side, where we lay, and struck us on the side, saying, "Rise and come with me."
We responded in spirit, "Lord, I do not know where or how to go with you." And taking us by the hair of the front part of our head, he lifted us into the air over a great line of armed knights who were standing before a castle, ready for battle.
Holding us in the air above the line, he said to us, "Look and see." And behold, another angel ascending from the sky, holding a fiery sword in his hand, struck one in the middle of the line and cut off his genital member with the same sword, and he, as if mortally wounded, agonized while sitting on his horse.
Then the angel holding us by the hair said, "Do you recognize him who was struck by the angel and mortally wounded?" We said, "Lord, I do not know him, nor do I recognize the place."
He said, "You should know that this is the Dauphin of Vienne, who, because of the sin of lust, has been struck by God in this way; therefore, beware and tell your father to beware of similar sins, or worse things will happen to you." [..]”
There you go, the emperor Karl IV has divine visions. Not quite what you were expecting, but as it happened a good window into his way of thinking. But do not worry, Karl wasn’t just an excessively devout collector of relics, he was at the same time an astute and often ruthless politician who gave the Holy Roman empire its constitution and placed his heirs on the throne for the next centuries.
So let’s talk about Karl’s journey from his youth to becoming the King of the Romans.
The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.
As always:
Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com
Facebook: @HOTGPod
Twitter: @germanshistory
Instagram: history_of_the_germans
Reddit: u/historyofthegermans
Patreon: https://www.patreon.com/Historyofthegermans
To make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who
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The noble and gallant King of Bohemia, also known as John of Luxemburg because he was the son of the Emperor Henry of Luxemburg, was told by his people that the battle had begun. Although he was in full armour and equipped for combat, he could see nothing because he was blind. He asked his knights what the situation was and they described the rout of the Genoese and the confusion which followed King Philip's order to kill them. Ha,' replied the King of Bohemia. 'That is a signal for us.' […] 'My lords, you are my men, my friends and my companions-in-arms. Today I have a special request to make of you. Take me far enough forward for me to strike a blow with my sword.
Because they cherished his honor and their own prowess, his knights consented. [..] In order to acquit themselves well and not lose the King in the press, they tied all their horses together by the bridles, set their king in front so that he might fulfil his wish, and rode towards the enemy.
There also was Lord Charles of Bohemia, who bore the title and arms of King of Germany, and who brought his men in good order to the battlefield. But when he saw that things were going badly for his side, he turned and left. I do not know which way he went.
Not so the good King his father, for he came so close to the enemy that he was able to use his sword several times and fought most bravely, as did the knights with him. They advanced so far forward that they all remained on the field, not one escaping alive. They were found the next day lying round their leader, with their horses still fastened together. "
Anyone with even a passing interest in late medieval history will remember this scene from Froissart’s description of the Battle of Crecy on August 26th, 1346. The Blind King of Bohemia, the epitome of chivalric culture riding into the midst of a battle striking at an enemy he cannot see, relying on his comrades to guide him.
This deed made such an impression on the Edward, the Prince of Wales, known as the Black Prince that he honored his foe by adding the Bohemian ostrich feathers and the dead king’s motto “Ich Dien”, to his own coat of arms. So to this day the Blind King’s heraldic symbols and German motto features on Prince William’s coat of arms, the Welsh Rugby Union Badge, some older 2p coins and various regiments in Britain, Australia, Canada and even Sri Lanka.
But this death, call it heroic or foolish, was only the end of an astounding life. John Of Bohemia, very much against his own intentions, played a crucial role in the establishment of the key counterweight to French hegemony in Europe. No, not England, but a power centered on Prague, Vienna, Buda and Pest.
Let’s dive into this story…
The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.
As always:
Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com
Facebook: @HOTGPod
Twitter: @germanshistory
Instagram: history_of_the_germans
Reddit: u/historyofthegermans
Patreon:
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“In the same way that Jerusalem is the navel of the world, is Nurnberg the navel of Germany” is how Matthäus Dresser described the city in 1581. The astronomer Johannes Regiomontanus moved to Nurnberg in 1471 because there" ...one can easily associate with learned men wherever they live. Because of the cosmopolitanism of its merchants, this place is regarded as the center of Europe”.
How did this city grow within 200 years from an imperial castle far from the main transport links, without a harbour and on famously poor soil into one of the three most important urban centres in Germany whose merchants were well regarded in all corners of the world, whose printers published the works of Europe’s leading intellectuals, whose artists were and remain of global renown and whose engineers produced breakthrough after breakthrough.
Let’s find out
The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.
As always:
Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com
Facebook: @HOTGPod
Twitter: @germanshistory
Instagram: history_of_the_germans
Reddit: u/historyofthegermans
Patreon: https://www.patreon.com/Historyofthegermans
To make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.
So far I have:
The Ottonians
Salian Emperors and Investiture Controversy
Fredrick Barbarossa and Early Hohenstaufen
Frederick II Stupor Mundi
Saxony and Eastward Expansion
The Hanseatic League
The Teutonic Knights
The Holy Roman Empire 1250-1356
-
“The twelve-year-old Margarete, Princess of Carinthia and Tyrol, was travelling from her seat near Meran to Innsbruck for her wedding with the ten-year old Prince Johann of Bohemia. [..]
Still and serious she sat, in ceremonial pomp. Her bodice was so tight that she had had to be laced into it; her sleeves of heavy green satin, in the very extreme of fashion, fell to her feet ; she wore one of the new jeweled hair-nets which an express courier had had to bring from Flanders, where they had recently appeared. A heavy necklace sparkled on her bosom, and large rings on her fingers.
So she sat, serious and perspiring, weighed down with magnificence, between the peevish, grumbling women. She looked older than her twelve years. Her thick-set body with its short limbs supported a massive misshapen head. The forehead, indeed, was clear and candid, the eyes quick and shrewd, penetrating and sagacious ; but below the small flat nose an ape-like mouth thrust forward its enormous jaws and pendulous underlip. Her copper colored hair was coarse, wiry and dull, her skin patchy and of a dull greyish pallor.”
That is how the author Lion Feuchtwanger described Margarete, the countess of Tirol who is better known as Margarete Maultasch, the ugly duchess. This historic novel that became a huge bestseller in the 1920s describes how a bright and ambitious, but monstrously ugly woman is crushed by society’s habit to judge the inside of a person by its appearance.
I still have a copy of this book from the 1980s when I first read it, and on its cover is the same image I used for this episode’s artwork. The picture was painted by Quentin Matsys in 1513 and according to the National Gallery’s catalogue is called a Grotesque Old Woman.
It is not a portrait of Margarete Maultasch who had died 150 years earlier. The identification of the sitter as Margarete Maultasch goes back the idea of a postcard seller in Meran in the 1920s. Matsys picture also made its way into the depiction of the Duchess in Alice in Wonderland.
But it is all hokum. Chroniclers who knew Margarete personally, like Johann von Viktring either do not mention her appearance at all, or call her beautiful, if not extremely beautiful. So, as much as I love Lion Feuchtwanger’s novel, which btw. is available in an English translation, its premise is simply false.
The truth is much more interesting. Her actions to defend her inherited county of Tyrol were the changes that tilted the complex equilibrium between the Habsburgs, the Wittelsbachs and the House of Luxemburg out of kilter with unpredictable, violent results.
So, let’s find out why and how and what…
The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.
As always:
Homepage with maps, photos, transcripts and blog: www.historyofthegermans.com
Facebook: @HOTGPod
Twitter: @germanshistory
Instagram: history_of_the_germans
Reddit: u/historyofthegermans
Patreon:
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