Episódios
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King Oliver: Alligator Hop. Schoebel: Wonderful Dream. Ethel Waters: Down Home Blues. Hannah Sylvester: I Don't Let One Man Worry Me, Down South Blues. Piron: Bouncing Around. Bert Williams: You Can't Get Away From It. Lizzie Miles: The Man I Got Ain't The Man I Want. Alberta Hunter: Someday Sweetheart. Ida Cox: Chattanooga Blues. Bessie Smith and Clara Smith: I'm Going Back To My Used To Be. Sippie Wallace: Up The Country Blues. Edna Hicks: Kansas City Man Blues. Edith Wilson: Dixie Blues. Rosa Henderson: Midnight Blues. Abe Lyman: Havana Tango. Oliver: Riverside Blues. Hanna Sylvester: The Wicked (Dirty) Fives.
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Lizzie Miles: Cotton Belt Blues, My Pillow and Me, He May Be Your Man But He Comes To See Me Sometimes. Bechet: Tain't Nobody's Business If I Do, Lonesome Woman Blues (with Rosetta Crawford), Down on the Levee Blues (with Rosetta Crawford), Oh Daddy Blues. Marion Harris: St. Louis Gal. The Original Memphis Five: Shufflin' Mose. Paul Specht: Static Strut, La Mome Tango. Original Memphis Five: Shufflin' Mose. Bessie Smith: Beale Street Papa.
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A.J. Piron, Sudbustin' Blues, West Indies Blues. Schoebel: Wonderful Dream. Abe Lyman: Havana Tango. Jimmie's Joys: St. Louis Blues. Nat Shilkret: Cigarette Tangp. Morton: New Orleans Joys. Emma Calve: La Habanera from Carmen. NORK: Marguerite. Richard M. Jones, Jazzin' Babies Blues, 12th St. Rag. James P. Johnson: Keep Off the Grass. Bechet with Eva Taylor: Jazzin' Babies Blues. Marion Harris: St. Louis Blues. Morton: Someday Sweetheart.
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Moten: Kater St. Rag, Lyman: Havana Tango, NORK: Marguerite, Oriental. Armstrong (with Hardin, Oliver): Tears, New Orleans Stomp, Dippermouth Blues, Sobbin' Blues, Where Did You Stay Last Night?, Weather Bird Rag, Johnson: Carolina Shout, Harlem Strut, Schoebel: Wonderful Dream, Oliver: Froggie Moore, Bechet: Old Fashioned Love, Henderson: Dicty Blues, NORK: Marguerite (again, per Phil Schaap). Bechet: New Orleans Hop Scop Blues. ODJB: Indiana.
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Oliver: London Cafe Blues. Morton: New Orleans Joys, Mr. Jelly Lord and Sobbin' Blues(with NORK), The Pearls, Oliver: The Southern Stomps. AJ Piron; West Indies Blues, New Orleans Wiggle, Oliver: Chimes Blues. NORK: Wolverine Blues. Marion Harris: I Ain't Got Nobody, Rose of the Rio Grande, After You've Gone. Henderson: Charleston Crazy. Schoebel: House of David Blues (OMMB), Blue Grass Blues (CBDO). NORK: Maple Leaf Rag. Morton: London Blues.
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Schoebel, Oliver, Armstrong, Piron, Morton, and more.
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Name that tune.
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Complete recording sessions of 1923, minus alternate takes. Hear your favorites: Paul Mares, Leon Roppolo, George Brunies, Jack Pettis, Glenn Scoville, Don Murray, Kyle Perce, Bob Gillette, Chink Martin, Ben Pollock among others, e.g. one named Morton. This trove of treasure includes: Sweet Lovin' Man, That's A Plenty, Shim-Me-Sha-Wabble, Weary Blues, That Da Da Strain, Wolverine Blues, Maple Leaf Rag, Tin Roof Blues, Sobbin' Blues, Marguerite, Angry, Clarinet Marmalade, Mr. Jelly Lord, London Blues, Milenburg Joys, Mad, For thoughtful explication and broadcast of the 78's hear Phil Schaap at Phil Schaap Jazz on NORK:10/13/17, 2/16/12, 1/2/15.
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With Lovie Austin, Tommy Ladnier. Also tunes by King Oliver and Clara Smith.
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Completing Oliver's 1923 recordings and more. Richard M. Jones on piano (12th St. Rag). King Oliver (Just Gone, Canal St. Blues, Mandy Lee Blues, I'm Going Away to Wear You Off My Mind, High Society). Bert Williams (All Going Out and Nothing Coming In). Lena Wilson, vocal with Porter Grainger, piano/composer (Taint Nobody's Biz-ness if I do). King Oliver (Jazzin' Babies Blues, Alligator Hop, Zulus Ball, New Orleans Stomp, Tears, Sweet Baby Doll).Richard M. Jones, composer, (Jazzin' Babies Blues). Completing this trilogy, together with Hello, Central and Dr. Jazz, here are the first four records Oliver made followed by others previously omitted. Bert Williams, our national treasure, from 1901 sets the foundation for the emergence of jazz. Porter Grainger wrote Nobody's Biz-ness and offers this least objectionable version of the lyric. Richard M. Jones was a composer whose rare piano performances we are lucky to have. Oliver's competitive output and achievement in 1923 rivals the 1927 Yankees, the 1964 Beatles or the 2024 Simone Biles. Out of his virtuoso group blues came his student Louis Armstrong and similar explorations of elite performance in Parker, Hendrix and Coltrane. Oliver's music in 1923 had emerged from competition as unperformable by lesser musicians, like a world record.
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Sara Martin (Last Go Round Blues), Oliver (Dippermouth Blues, Chimes Blues, Southern Stomps, Mabel's Dream, Riverside Blues, Krooked Blues. Bechet with Clarence Williams (Wildcat Blues). Henderson (West Indies Blues). Oliver (Workingman's Blues, I Ain't Gonna Tell Nobody, Buddy's Habits, Sobbin' Blues, Camp Meeting Blues), Oliver's records like Babe Ruth's stats, remain in tact although much time has passed. These enduring hits are given an introduction from the wonderful Sara M. with T. Waller accompaniment, already several dimensions beyond stride. Bechet is always in the conversation as the standard of individual excellence. Henderson with Redman and Hawkins are present in their parallel trajectory toward the realized global reach of jazz.
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With NORK 1922: Eccentric, Farewell Blues, Discontented Blues, Bugle Call Blues, Panama, Tiger Rag,
Livery Stable Blues, Oriental. With Original Memphis Melody Boys, Midway Dance Orchestra, etc. 1923: There Ain't No Gal Like My Gal, Blue Grass Blues, I Never Knew What a Gal Could Do, Lots O' Mama, House of David Blues, Black Sheep Blues, Sobbin' Blues, Cotton Picker's Ball, Buddy's Habits, Wonderful Dream. In the wake of the ODJB, Schoebel merged New Orleans polyphony with fox trot glamour. Beiderbecke, among others, witnessed the miracle and here we are.
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Sara Martin (You've Got Everything a Sweet Daddy Needs But Me, with T. Waller), Kid Ory (Society Blues), King Oliver ( Room Rent Blues, Weatherbird Rag, Where Did You Stay Last Night?, Chattanooga Stomp, Sobbin' Blues, Snake Rag, Sweet Lovin' Man) Kid Ory with Roberta Dudley vocal (Krooked Blues), Bechet (Shreveport Blues) Fletcher Henderson (Linger Awhile, I'm Going to See You). King Oliver (Froggie Moore, Jazzin' Babies Blues). Wonderful Sara Martin sings the anthem. Ory is the baseline of the New Orleans sound from which Oliver in 1923 is an emerging departure. There might never be a better instrumental version of Krooked Blues than Oliver's (Episode 25), but Ory with Roberta Dudley's flaming torch vocal is the immortal standard. Bechet and Henderson are distant mountains in the sublime landscape of 1923 jazz.
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Moten, Bechet, Bessie Smith, Henderson, NORK, Morton, Oliver, Ma Rainey. Yes we play favorites and at some point will identify their titles.
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Keppard, Oliver, Armstrong, NORK, Morton, ODJB, Bessie Smith, Eva Taylor, Bechet, Waller, Henderson, Clara Smith, Clarence Williams, James P. Johnson, Piron, Wade, Ory. In honor of Phil Schaap (1951-2021).
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Solos by Henderson bookend relics from Jimmy Wade, Kid Ory (respectively Ruth Lee and Roberta Dudley voc.), Bessie Smith Ma Rainey, Earl Hines, Bennie Moten and ODJB.
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From 1923: Charleston Crazy, You've Got to Get Hot, Dicty Blues, Yodeling Blues (Bessie Smith voc.), Shake Your Feet, Do Doodle Oom, Down South Blues, 31st St. Blues, Gulf Coast Blues.
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Lotsa Henderson with Redman and Hawkins. Mixed with Oliver, James P. Johnson, Jimmy Wade, Morton, Ma Rainey, NORK, Clara Smith and Kid Ory (with Mutt Carey).
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Popular tunes from Oliver and Morton in 1923
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Dance tunes from the Lincoln Gardens, Midway Gardens and Friar's Society of 1922-3, now in the public domain.
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