Episódios
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HT2075 - Questions About Instax
I guess I've been hiding under a barrel, but I just this week learned about Fuji Instax printers. I can see them easily becoming a fun gimmick at a party or a social gathering, but I'm wondering if anybody has figured out how to use this medium for more serious artwork. Any ideas?
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HT2074 - Cameras Support Your Creativity, Or Not
One thing our annual LensWork community book project has proven beyond any doubt is that, when it comes to publishing anyway, high quality images can be produced with any camera. If that's so, then what criteria should we use when selecting our tools?
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LW1427 - Art That Uses Photographs
In recent years, at least for my own work, I've come more and more to realize the difference between "photographic art" and, a quite different thing, "art that uses photographs." Rarely now do I find that a processed and printed image is the end of the process. More frequently that's just the beginning phases of a piece of artwork that combines photography with other ideas and materials.
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You might also be interested in. . .Every Picture Is a Compromise, a series at www.brooksjensenarts.com.
and...
"How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.
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HT2073 - Done Is Not Always Concluded
Most often, we are drawn to photograph those subjects we are passionate about. Once we've had the exhibition, published the book, posted the web gallery, that doesn't mean our passion for the subject ends; we keep photographing. What do we do with these post-publishing images? Thank goodness for second editions, and Volume II.
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HT2072 - Time For It to Marinate
Instagram seems to have taken over the world of photography. I don't participate via Instagram because I believe it's important that images have an opportunity to mature, for us to think about them a little bit, for their meaning and metaphors to ripen. The idea of instantly posting an image just captured seems to serve a mentality that I don't agree with. The art life is not so trivial.
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HT2070 - Advice On a Great Place to Go
My experience with other photographers has been that they are generous and kind. They're always willing to give me helpful advice of where to go photographing. That advice, however, is typically the result of their having made successful images there. But the kinds of images I make, or want to make, might be entirely different than theirs. The same can be said about when to go.
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HT2069 - The Composed Background
In every picture there exists a foreground and a background. To be more precise about this, there are the things you want your viewer to see, and there is the context against which the subject is seen. Our primary task in composing and processing is to direct the viewer to what we want them to see. The background/context has an incredibly important role in this. The best photographers compose the background as much as they possibly can.
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HT2068 - On Abstractions
Abstracts are one of the most puzzling types of photography that fascinates me. Emotionally connecting with an abstract is rare, but so powerful, so unpredictable, so fickle.
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HT2067 - Brevity Is the Soul
I know that Shakespeare was talking about the soul of wit, but I've come to conclude it is the soul of photography, too. At least it can be. How often do you look at a book or a project and wish there was more? As compare to, how many times to you find yourself looking at a project or a book and feeling like it is getting too long or repetitive?
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LW1426 - More Captures, or More Artwork
I'm of the school of thought that when you've clicked the shutter and made another capture, you haven't made artwork, yet. So what will you do with this precious day, evening, hour? Do you need more captures? Or, would your time be better spent making a print or some other finished piece of art?
All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content.
Sign up for instant access!
You might also be interested in. . .Every Picture Is a Compromise, a series at www.brooksjensenarts.com.
and...
"How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.
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HT2066 - Way to Go, God
My friend Joe Lipka (who is a lifelong practicing Catholic) will often set up his tripod to capture a beautiful landscape with the words, "Way to go, God!" I've come to recognize this as a type of photography. No one would ever think this about a novel, a piece of music, a poem, or sculpture.
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HT2065 - The Forgotten Ones
Buried in your Lightroom catalog are tons of images that deserve deeper attention. I have no doubt about this. I have faith that each time you click the shutter you do so because there was something that connected with you. That is, you've never clicked the shutter on a purposeful loser. Those potential images in your catalog have simply slipped out of mind.
All previous episodes of our daily Here's a Thought . . ." commentaries are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that are added to daily with new content.
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HT2064 - Monitor Calibration
There have been a few times - - but only a few - - when a photographer we've published has been a bit disappointed in how their images looked in LensWork. In every case, it turns out that there was a monitor calibration issue on their end that was easily resolved. For critical work, the first step is always to calibrate your monitor, with hardware calibration if possible.
All 2000+ episodes of Here's a Thought . . . are available in their entirety to members of LensWork Online, our extensive resource library of our 30-year publishing history. Learn more about LensWork Online. -
HT2063 - The Additive Process
The process of photographic composition is, by the nature of its mechanics, a subtractive process. What superfluous and distracting element can we remove from the framing? It can be useful, however, to reverse this and think of our composition as an additive process, like painters do.
All previous episodes of Here's a Thought . . . are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content.
Sign up for instant access!
You might also be interested in. . .Every Picture Is a Compromise, a series at www.brooksjensenarts.com that looks at failures as a way to learn.
and...
"How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.
