Episódios
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Queerness, labels, and allyship are central themes in this moving collection of stories set in Turkey, where Middle Eastern and Euro-American expressions of identity collide and naming one's orientation is a fraught endeavor. An eleven-year-old undergoes hand surgery that will allow him to wear a wedding ring in adulthood. Two college roommates reach an erotic understanding as they indulge in dessert. A sex worker travels with an American same-sex marriage activist through the Aegean countryside. A passionate hookup during Istanbul Pride ends in tear gas. Two friends' tempers flare over cold red wine on a hot summer night by the Dardanelles. A father bonds with his son and his son's drag-queen boyfriend over classic Turkish cinema on the Mediterranean coast.
In Sweet Tooth and Other Stories (UP of Kentucky, 2024), Serkan Görkemli weaves together interconnected narratives of four Turkish characters—Hasan, Gökhan, Nazlı, and Cenk—who search for clarity, love, and acceptance amid social change. Set in a rich mixture of urban and rural locales, the stories take place from the 1980s through the 2010s against the backdrop of Turkey's transition from military-backed secularism to the rise of the religious right, local and global media representations of queer individuals and culture, and the emergence of affirming LGBTQ+ identities. Görkemli creates a complex, engaging network of plots about his characters' struggles and triumphs in navigating families, communities, and themselves. Braving discrimination, they strive to embrace their identities and find joy, solace, and approval within a society that marginalizes who they are and how they love.
Serkan Görkemli (he/him) is the author of two books: Sweet Tooth and Other Stories (University Press of Kentucky) and Grassroots Literacies: Lesbian and Gay Activism and the Internet in Turkey (SUNY Press; winner of the 2015 Lavender Rhetorics Book Award presented by the Conference on College Composition and Communication). His creative nonfiction is forthcoming in Image; his fiction has appeared in Ploughshares, the Iowa Review, Epiphany, X-R-A-Y Literary Magazine, Joyland, Foglifter, and Chelsea Station. He was a 2023-24 faculty fellow at the University of Connecticut Humanities Institute, a contributor in fiction at the 2019 Bread Loaf Writers’ Conference, and a fiction fellow at the 2018 Lambda Literary Writers Retreat. Originally from Türkiye, he has a PhD in English from Purdue University and is an associate professor of English at UConn Stamford.
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In Fractal Repair: Queer Histories of Modern Jamaica (Duke UP, 2024), Matthew Chin investigates queerness in Jamaica from early colonial occupation to the present, critically responding to the island’s global reputation for extreme homophobia and anti-queer violence. Chin advances a theory and method of queer fractals to bring together genealogies of queer and Caribbean formation. Fractals—a kind of geometry in which patterns repeat but never exactly in the same way—make visible shifting accounts of Caribbean queerness in terms of race, gender, and sexual alterity.
Drawing on this fractal orientation, Chin assembles and analyzes multigenre archives, ranging from mid-twentieth-century social science studies of the Caribbean to Jamaica’s National Dance Theatre Company to HIV/AIDS organizations, to write reparative histories of queerness. Chin’s proposal of a fractal politics of repair invests in the horizon of difference that repetition materializes, and it extends reparations discourses intent on overcoming the past and calculating economic compensation for survivors of violence.
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Antoinette Burton's Gender History: A Very Short Introduction introduces the field of gender history--its origins, development, reception, recalibrations, and frictions. It offers a set of working definitions of gender as a descriptive category and as a category of historical analysis, tracing the emergence, usage, and applicability of these entwined subjects across a range of times and places since the 1970s.
Inevitably political, gender history has taken aim at the broader field of historical narrative by asking who counts as a historical subject, what difference gender makes, and how attention to it subverts reigning assumptions of what power, culture, economics, and identity have been in the past--and what they are today. The book explores how gender analysis has changed interpretations of the histories of slavery, capitalism, migration, and empire.
As a field, gender history has been extraordinarily influential in shaping several generations of scholars and students. The fact that its early emphasis on the relationship between masculinity and femininity was part of a larger set of challenges to universal history by poststructuralism, postmodernism, and postcolonialism positions it at the heart of some of the most fractious intellectual debates of the late twentieth and early twenty-first centuries. And, as part of the movement toward gender equality that is key to modern western progress, gender history has been caught up in the culture wars that continue to shape post-global society. What is intriguing and ultimately defining about gender history is the way that the centrality of gender, so important for revealing how identity is structured in and through regimes of power, has been unable to hold its own over the half century of the field's own history. The practice of gender history has always run up against the forces of race, class, and sexuality that challenge the singularity of gender itself as an explanatory category of historical analysis. That powerful, unruly tension is at the heart of this Very Short Introduction.
Antoinette Burton is a feminist historian of 19th and 20th century Britain and its empire, and Director of the Humanities Research Institute at the University of Illinois. She is also the Principal Investigator for Mellon Foundation grants which support The Odyssey Project and the 16-partner consortium, Humanities Without Walls. In 2023 she was appointed to the Board of Illinois Humanities. She also serves as the chair of the Faculty Board of the University of Illinois Press.
Her most recent book, Biocultural Empire: New Histories of Imperial Lifeworlds is available open-access here.
Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network.
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For more than 70 years, South Korea has woven the threat of North Korea into daily life. But now that threat has become mundane, and South Korean national security addresses family, public health, and national unity. Banal Security: Queer Korea in the Time of Viruses (Helsinki University Press, 2023) illustrates how as a result, queer Koreans are seen to represent a viral threat to national security. Taking readers from police stations and the Constitutional Court to queer activist offices and pride festivals, Timothy Gitzen shows how security weaves through daily life and diffuses the queer threat, in a context where queer Koreans are treated as viral carriers, disruptions to public order, and threats to family and culture.
Timothy Gitzen is an Assistant Professor of Anthropology at Wake Forest University.
Qing Shen recently obtained his PhD in anthropology from Uppsala University, Sweden.
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In this episode, our host, Ti-han, invited Taiwanese Queer author, Kevin Chen, to talk about his LGBTQ novel, Ghost Town (Europa Editions, 2022) 鬼地方 and its fever worldwide. In our conversation, Kevin shared with us how he first “come out” as a gay writer in Taiwan in the 90s, and how his writings was influenced by key Taiwanese LGBTQ authors and continue to be shaped by his migratory experiences in Berlin. He also told us how he thinks translation and the transability of a literary work can be useful in terms of authors’ impacts on society. If you’re a fan of Kevin’s writing, you certainly can’t miss this episode!
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In this episode of High Theory, Laura Stamm talks about the biopic. One of the oldest forms of narrative cinema, biographical pictures are a mainstay of the medium today. Early biopics played an important role in public health discourse, representing the discoveries of science and the lives of scientists, which in turn led queer artists to adopt the genre in response to the AIDS crisis.
Laura’s book, The Queer Biopic in the AIDS Era (Oxford UP, 2022), asks why queer filmmakers repeatedly produced biographical films of queer individuals living and dead throughout the years surrounding the AIDS crisis. These films evoke the genre's history building up lives worthy of admiration and emulation and the parallel history of representing lives damaged. By portraying lives damaged by inconceivable loss, queer filmmakers challenge the illusion of a coherent self presumably reinforced by the biopic genre and in doing so, their films open the potential for new means of connection and relationality.
In the episode Laura references many films, including the Greta Garbo film Queen Christina (1933); Freud: The Secret Passion (1962); The Story of Louis Pasteur (1936); Dr. Ehrlich's Magic Bullet (1940); John Greyson’s musical Zero Patience (1993); and the Amy Winehouse biopic Back to Black (2024). Her research extends beyond the 1980s moment of crisis, and in the episode she gives a good explainer pre-code Hollywood and (briefly) the New Queer Cinema of the 1990s. If you were interested in this episode and want to learn more about queer representation in US popular culture, check out Margaret Galvan’s episode on Visibility.
Laura Stamm is Assistant Professor of Health Humanities and Bioethics and Director of Diversity, Equity, and Inclusion for Department of Medicine at University of Rochester. She completed her PhD in Film and Media Studies and Gender, Sexuality, and Women's Studies at the University of Pittsburgh. Dr. Stamm's research interests broadly focuses on LGBTQ+ health, transgender studies, and medicine in visual culture. Beyond the book discussed here, her work has recently appeared in the edited collection New Queer Television: From Marginalization to Mainstream (Intellect Press, 2024) and Synapsis on “From the Clinic to the Talk Show: Narratives of Trans History in Framing Agnes.”
The image for this episode shows photographs by Rob Corder of photographs by Peter Hujar of two queer artists, the sculptor Louise Nevelson and the writer, photographer, film maker, etc., David Wojnarowicz. Left: Peter Hujar, "Louise Nevelson (II), 1969". Gelatin silver print (1934-1987) Morgan Library. BAM Right: Peter Hujar, "David Wojnarowicz", 1981. Gelatin silver print (1934-1987) Menschel Collection. BAM Photos by Rob Corder. We do not own these images, but we do like them.
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It’s no secret that superhero comics and their related media perpetuate a model of a straight, white, male hero at the expense of representing women and other minorities, but other narratives exist. Searching for Feminist Superheroes: Gender, Sexuality, and Race in Marvel Comics (University of Texas Press, 2024) by Dr. Sam Langsdale recognizes that female-led superhero comics, with diverse casts of characters and inclusive storytelling, exist on the margins of the mainstream superhero genre. But rather than focusing on these stories as marginalized, Dr. Langsdale’s work on heroes such as Spider-Woman, America Chavez, and Ironheart locates the margins as a site of innovation and productivity, which have enabled the creation of feminist superhero texts.
Employing feminist and intersectional philosophies in an analysis of these comics, Dr. Langsdale suggests that feminist superheroes have the potential to contribute to a social imagination that is crucial in working toward a more just world. At a time when US popular culture continues to manifest as a battleground between oppressive and progressive social norms, Searching for Feminist Superheroes demonstrates that a fight for a better world is worthwhile.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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After over 175 years, the feminist movement, now in its fourth wave, is at risk of collapsing on its eroding foundation. In Faux Feminism: Why We Fall for White Feminism and How We Can Stop (Beacon Press, 2024), political philosopher Serene Khader advocates for another feminism—one that doesn’t overwhelmingly serve white, affluent #girlbosses. With empathy, passion, and wit, Khader invites the reader to join her as she excavates the movement’s history and draws a blueprint for a more inclusive and resilient future.
A feminist myth buster, Khader begins by deconstructing “faux feminisms.” Thought to be the pillars of good feminism, they may appeal to many but, in truth, leave most women behind. Khader identifies these traps that white feminism lays for us all, asking readers to think critically about:
–The Freedom Myth: The overarching misconception that feminism is about personal freedom rather than collective equality.
–The Individualism Myth: The pervasive idea that feminism aims to free individual women from social expectations.
–The Culture Myth: The harmful misconception that “other” cultures restrict women’s liberation.
–The Restriction Myth: The flawed belief that feminism is a fight against social restrictions.
–The Judgment Myth: The fallacy of celebrating women’s choices without first interrogating the privileges afforded or denied to the women.
In later chapters, Khader draws on global and intersectional feminist lessons of the past and present to imagine feminism’s future. She pays particular attention to women of color, especially those in the Global South. Khader recounts their cultural and political stories of building a more inclusive framework in their societies. These are the women, she argues, from whom today’s feminists can learn.
Khader’s critical inquiry begets a new vision of feminism: one that tackles inequality at the societal, not individual, level and is ultimately rooted in community.
Serene Khader is Jay Newman Chair in Philosophy of Culture at Brooklyn College and Professor of Philosophy and Women's and Gender Studies at the CUNY Graduate Center.
Emily K. Crandall is a Doctoral Lecturer in Women and Gender Studies at Hunter College. She holds a PhD in Political Theory from the Graduate Center, CUNY.
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In Radical Acts: HIV/AIDS Activism in Late Twentieth-Century England (Bloomsbury Academic, 2024), Dr George Severs draws on activist campaign literature and materials, broadcast media, and new oral history interviews to reconstruct the overlooked world of radical AIDS activism in England. This book provides one of the first detailed histories of the radical HIV/AIDS movement in England, following ACT UP's travels from New York to London via prominent queer intellectuals, and reconstructing the vibrant theatrical campaigns staged by ACT UP groups across England.
But Radical Acts also highlights expressions of activism that were far more common than demonstrations and marches. Manifestations of a political commitment to ameliorating the injustices facing people living with HIV permeated most aspects of everyday life. These forms of 'everyday activism' played out in workplaces, universities and church halls across England, as well as through networks that stretched across Europe and North America. This book breaks new ground by studying the radical alongside the everyday, presenting a diverse constellation of activist responses to the epidemic.
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By the end of the twentieth century, the idea of self-esteem had become enormously influential. A staggering amount of psychological research and self-help literature was being published and, before long, devoured by readers. Self-esteem initiatives permeated American schools. Self-esteem became the way of understanding ourselves, our personalities, our interactions with others. Nowadays, however, few people think much about the concept of self-esteem—but perhaps we should.
Self-Esteem: An American History (Polity, 2024) by Dr. Ian Miller is the first historical study to explore the emotional politics of self-esteem in modern America. Written with verve and insight, Dr. Miller’s expert analysis looks at the critiques of self-help that accuse it of propping up conservative agendas by encouraging us to look solely inside ourselves to resolve life’s problems. At the same time, he reveals how African American, LGBTQ+, and feminist activists have endeavoured to build positive collective identities based on self-esteem, pride, and self-respect.
This revelatory book will be essential reading for anyone with an interest in the history of mental health and well-being, and in how the politics of self-esteem is played out in today’s US society and culture.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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A Slight Angle (India Viking: 2024), the newest novel from Indian writer Ruth Vanita, is a story about love. Difficult love–her six characters are growing up in 1920s India, which takes a dim view of same-sex relationships, and those that transcend religious boundaries. Like Sharad, the jewelry designer who falls in love with his teacher, Abhik–only for the embarrassment to keep them apart for decades.
Ruth Vanita is the author of many books, most recently The Broken Rainbow: Poems and Translations (Copper Coin Publishing: 2023); the novel Memory of Light (Penguin Random House India: 2022); The Dharma of Justice in the Sanskrit Epics: Debates on Gender, Varna and Species (Oxford University Press: 2022); Love’s Rite: Same-Sex Marriages in Modern India (Penguin Books India: 2005). She has translated several works from Hindi to English, including Mahadevi Varma’s My Family (Penguin Books India: 2021). She co-edited the path-breaking Same-Sex Love in India, and edited and translated On the Edge: A Hundred Years of Hindi Fiction on Same-Sex Desire (India Viking: 2023).
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of A Slight Angle. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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Growing up in the Hasidic community of Brooklyn’s Borough Park, Sara Glass knew one painful truth: what was expected of her and what she desperately wanted were impossibly opposed. Tormented by her attraction to women and trapped in a loveless arranged marriage, she found herself unable to conform to her religious upbringing and soon, she made the difficult decision to walk away from the world she knew, which she details in Kissing Girls on Shabbat: A Memoir (Atria, 2024).
Sara’s journey to self-acceptance began with the challenging battle for a divorce and custody of her children, an act that left her on the verge of estrangement from her family and community. Controlled by the fear of losing custody of her two children, she forced herself to remain loyal to the compulsory heteronormativity baked into Hasidic Judaism and married again. But after suffering profound loss and a shocking sexual assault, Sara decided to finally be completely true to herself.
Kissing Girls on Shabbat is not only a love letter to Glass’s children, herself, and her family—it is an unflinching window into the world of ultra-conservative Orthodox Jewish communities and an inspiring celebration of learning to love yourself.
Interviewee: Sara Glass is a psychotherapist and the clinical director of Soul Wellness NYC, a private psychotherapy practice in Midtown Manhattan.
Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.
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Freelance curator Joanne Rosenthal joins Jana Byars to talk about Sex: Jewish Positions (Hirmer, 2024) and its concomitant exhibition at the Jewish museums in Berlin and Amsterdam. This book is also available in German with the same publisher as Sex. Judisches Positionen. An exploration of sexuality in Judaism, from ultra-Orthodox to secular. Sensuous, bold, and topical, this volume studies the entire spectrum of Jewish attitudes to sexuality. In doing so it examines widely held and contradictory stereotypes, according to which Judaism encounters sexuality either in a highly positive manner or with exceptionally strict rules and restrictions. This significant volume takes up central aspects of sexuality in Judaism and provides a comprehensive insight on topics such as Rabbinic regulations and the history of sexuality in Judaism; how ultra-Orthodox women deal with the strict regulations relating to intimacy; sexuality in films and art; and the experience of a Jewish couple and sexual therapist. Accompanied by eighty images, this interdisciplinary overview informs and offers surprises.
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The Reparative Impulse of Queer Young Adult Literature (Routledge, 2024) is a provocative meditation on emotion, mood, history, and futurism in the critique of queer texts created for younger audiences. Given critical demands to distance queer youth culture from narratives of violence, sadness, and hurt that have haunted the queer imagination, this volume considers how post-2000s YA literature and media negotiate their hopeful purview with a broader—and ongoing—history of queer oppression and violence. It not only considers the tactics that authors use in bridging a supposedly “bad” queer past with a “better” queer present, but also offers strategies on how readers can approach YA reparatively given the field’s attachments to normative, capitalist, and neoliberal frameworks. Central to Matos’ argument are the use of historical hurt to spark healing and transformation, the implementation of disruptive imagery and narrative structures to challenge normative understandings of time and feeling, and the impact of intersectional thinking in reparative readings of queer youth texts.
The Reparative Impulse of Queer Young Adult Literature shows how YA cultural productions are akin to the broader queer imagination in their ability to move and affect audiences, and how these texts encapsulate a significant and enduring change in terms of how queerness is—or can be—read, structured, represented, and felt.
The Open Access version of this book, available here, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Peter C. Kunze is an assistant professor of communication at Tulane University.
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Queer men's cultures of intimacy have long been sites of fierce contestation. Indeed, debates have raged for decades over issues such as monogamy, safer sex, sexual racism and gay marriage. The introduction of the smartphone in 2008 only intensified these debates whilst also raising a further set of questions which are explored in this open access book.
Through interviews with a diverse group of 43 queer men about their smartphone mediated intimacies, Digital Intimacies: Queer Men and Smartphones in Times of Crisis (Bloomsbury, 2024) reveals that queer men use their smartphones, not simply to arrange intimate encounters, but more specifically to gain a sense of control over the parts of their intimate lives that make them feel most vulnerable. For instance, some use messaging apps to gain a sense of control over intimate conversations that they feel too vulnerable to have in person. Others use the 'block' function on dating apps to feel in control of the racism and transphobia they are vulnerable to on these apps.
Digital Intimacies therefore illuminates not only hitherto underexplored aspects of queer men's cultures of intimacy but crucially also brings into view previously obscured cultural dynamics, gaining insight into the historical moments in which they occur.
Jamie Hakim is Lecturer at King's College London, UK.
James Cummings is Lecturer at the University of York, UK.
Qing Shen is a PhD candidate in anthropology at Uppsala University, Sweden.
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Digital Masquerade: Feminist Rights and Queer Media in China (NYU Press, 2023) offers a trenchant and singular analysis of the convergence of digital media, feminist and queer culture, and rights consciousness in China. Jia Tan examines the formation of what she calls “rights feminism,” or the emergence of rights consciousness in Chinese feminist formations, as well as queer activism and rights advocacy. Expanding on feminist and queer theory of masquerade, she develops the notion of “digital masquerade” to theorize the co-constitutive role of digital technology as assemblage and entanglement in the articulation of feminism, queerness, and rights.
Drawing from interviews with various feminist and queer media practitioners, participant observation at community events, and detailed analyses of a variety of media forms such as social media, electronic journals, digital filmmaking, film festivals, and dating app videos, Jia Tan captures the feminist, queer, and rights articulations that are simultaneously disruptive of and conditioned by state censorship, technological affordances, and dominant social norms.
Jia Tan is Associate Professor of Cultural Studies in the Department of Cultural and Religious Studies at The Chinese University of Hong Kong.
Qing Shen is a PhD candidate in anthropology at Uppsala University, Sweden.
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Jeremy Chow and Shelby Johnson set out, their new collection, Unsettling Sexuality: Queer Horizons in the Long Eighteenth Century (University of Delaware Press, 2024) to challenge the traditional ways that scholarship has approached sexuality, gender nonconformity, and sex (as well as its absence) in the long eighteenth century. Drawing from recent and emerging criticisms in Middle-Eastern and Asian studies, Black studies, and Native American and Indigenous studies, the collected authors perform intersectional queer readings, reimagine queer historiographic methods, and spearhead new citational models that can invigorate the field. In charting multidirectional queer horizons, this collection locates new prospective desires and intimacies in the literature, culture, and media of the period to imagine new directions and simultaneously unsettle eighteenth-century studies.
This book is available open source here.
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This podcast describes a short history of a man who did something we’ve lost in America. That man was James Baldwin who insisted on telling the truth. He confronted the harsh realities of racism, believing that exposing its ugliness was necessary for progress. He rejected simplistic solutions, arguing that racism was deeply rooted in American consciousness and imagination, beyond just political and economic inequalities. Instead, Baldwin called for a fundamental transformation of American society and identity. He critiqued white America, urging white Americans to confront their own behavior and complicity in racist systems.
Controversially, Baldwin advocated for Black Americans to approach white countrymen with love, while still insisting on unconditional freedom, seeing this as necessary for true transformation. He ultimately wanted to build a nation that moved beyond racial categorization, focusing instead on individual humanity. Baldwin viewed racism as stemming from a deeper spiritual problem in America, where individuals and the nation lacked a true sense of identity. While he did not offer simple solutions to racism, Baldwin's penetrating analysis and powerful writing exposed the complexities of racism in our country, challenged both white and Black Americans to confront difficult truths, and provided a framework for understanding racism beyond just political reforms. His work continues to influence discussions on race in America today, aiming not to ameliorate racism in a superficial sense, but to push for a profound reckoning with and transformation of American society and identity in relation to race.
Tell Me How Long the Train's Been Gone is a powerful novel that explores the complexities of race, sexuality, and identity in America through the life of its protagonist, Leo Proud/hammer. As the story begins, Leo, a successful African-American actor, suffers from a heart attack. As he recovers he reflects on his life and relationships.
It is also of interest to note how James Baldwin’s novel relates to Dr. Matin Luther King Jr.’s non-fiction book, Where Do We Go From Here: Chaos or Community?
Both books are discussed in terms of the major contributions they made to racism in America as well as how they illustrate psychoanalytic mechanism of defense.
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After China officially “decriminalized” same-sex behavior in 1997, both the visibility and public acceptance of tongzhi, an inclusive identity term that refers to nonheterosexual and gender nonconforming identities in the People’s Republic of China, has improved. However, for all the positive change, there are few opportunities for political and civil rights advocacy under Xi Jinping’s authoritarian rule.
Words Like Water: Queer Mobilization and Social Change in China (Temple UP, 2023) explores the nonconfrontational strategies the tongzhi movement uses in contemporary China. Caterina Fugazzola analyzes tongzhi organizers’ conceptualizations of, and approaches to, social change, explaining how they avoid the backlash that meets Western tactics, such as protests, confrontation, and language about individual freedoms. In contrast, the groups’ intentional use of community and family-oriented narratives, discourses, and understandings of sexual identity are more effective, especially in situations where direct political engagement is not possible.
Providing on-the-ground stories that examine the social, cultural, and political constraints and opportunities, Words like Water emphasizes the value of discursive flexibility that allows activists to adapt to changing social and political conditions.
Caterina Fugazzola is Assistant Senior Instructional Professor of Global Studies at the University of Chicago.
Qing Shen is a PhD candidate in anthropology at Uppsala University, Sweden.
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Mary McAuliffe is a historian and lecturer in Gender Studies at UCD. Her latest publications include (is The Diaries of Kathleen Lynn co-authored with Harriet Wheelock) and Margaret Skinnider; a biography (UCD Press,2020). Throughout the Decade of Centenaries 2012-2023 she has been conducting extensive research on the experiences of women during the War of Independence and Civil War and is currently completing her book based on that research, OUTRAGE: Gendered and Sexual Violence in the Irish War of Independence and Civil War, 1919-1923 (forthcoming 2025). Jennifer Redmond is Associate Professor in Twentieth Century Irish History in the Department of History at Maynooth University. She is the author of Moving Histories: Irish Women’s Emigration to Britain from Independence to Republic and the co-editor of Irish Women in the First World War Era. She also sits on the Editorial Board for the journal, Women's History Review and for the Documents in Irish Foreign Policy series, a joint initiative of the National Archives of Ireland and the Royal Irish Academy.
In this interview, they discuss their new edited collection The Politics of Gender and Sexuality in Modern Ireland (Four Courts Press, 2024) as well as their own intellectual backgrounds and views on Irish history-writing.
The Politics of Gender and Sexuality in Modern Ireland is an edited collection of focused, cohesive and persuasive essays, based on the newest research on gender, sexuality and sexual politics. It offers historical reflections and contemporary analyses of issues related to the contested and often hidden histories of sexual politics and gender identities in Ireland in the nineteenth and twentieth centuries. Including but going beyond the binary of male and female heterosexual experience, the book explores LGBTQI+ histories, the treatment of intersex persons, and the history of trans people and activism in Ireland. As an interdisciplinary work, this reader draws together scholars working in a range of fields on innovative, new research on this theme. The essays consider these histories as seen over two centuries and reflect on the societal shifts in modern Ireland as evidenced in two recent referenda and the responses to the scandals emerging from the state’s treatment of unmarried mothers.
Aidan Beatty is a lecturer in history at Carnegie Mellon University
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