Episódios
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An electronic composition, original sounds created in Pure Data.
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I mixed a number of hard drive recordings and combined the result with a drone sequence created in Pure Data.
More on the 663rd weekly Disquiet Junto project, Drive Way — The Assignment: Record a piece of music that complements the hum and whir of a hard drive — at https://disquiet.com/0663/
The image associated with this project is licensed thanks to a Creative Commons Attribution-Share Alike 3.0 Unported. It was taken by Evan Amos — whom Popular Science has reportedly referred to as “gaming’s most famous photographer” — as a part of Vanamo Media.
https://creativecommons.org/licenses/by-sa/3.0/deed.en/
https://en.wikipedia.org/wiki/File:Laptop-hard-drive-exposed.jpg -
Estão a faltar episódios?
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An electronic composition, sounds created in Pure Data.
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An electronic composition, sounds created in Pure Data.
More on the 662nd weekly Disquiet Junto project, Spin Cycle — The Assignment: Record a piece of music that pits one bicyclist against another — at https://disquiet.com/0662/ 1 -
A drone sequence derived from original recordings of a washing machine and a kettle.
More on the 661st weekly Disquiet Junto project, Consumer Drone Product — The Assignment: Record a piece of drone music using sounds from your home — at https://disquiet.com/0661/ -
An electronic composition, sounds created in Pure Data.
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An electronic composition, original sounds created in Pure Data.
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I split the original track by Ted Lewis into numerous clips, then rearranged them with the longer ones at the beginning & the shorter ones towards the end. The resulting track was gradually slowed down, something like an old gramophone winding down, then subjected to some detuning, delay & reverb.
More on the 660th weekly Disquiet Junto project, Louis Blues St. — The Assignment: Break a public domain song into parts and reorganize them — at https://disquiet.com/0660/
Background: More on the source track here:
https://archive.org/details/78_st-louis-blues_ted-lewis-and-his-band-handy_gbia0268157b 2 -
See the Wind (naviarhaiku554) by ray_cobley
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I extracted a part of the image and adjusted the colour and contrast.
I then proceeded to create a sonic impression using a couple of sequences created in Pure Data, with contrasting, lightly pulsating blocks of sound and random, mainly percussive interjections.
More on the 659th weekly Disquiet Junto project, Reading the Body — The Assignment: Interpret the markings on the back of a cello as a graphic score — at Disquiet Junto Project 0659: Reading the Body – Disquiet -
Electronic composition, a textured drone sequence, sounds created in Pure Data.
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“Kokytos” by Daniel Glaus, multiplied, re-amplified, remixed & re-panned, a touch of delay & reverb added. I kept to roughly the same length as the original composition in order not to lose any of the various sound combinations.
More on the 658th weekly Disquiet Junto project, Re-Amplify — The Assignment: Re-record and re-compose an organ improvisation by Daniel Glaus — at https://disquiet.com/0658/ 1 -
An electronic composition, sounds created in Pure Data.
More on the 657th weekly Disquiet Junto project, Straight Edged — The Assignment: Held tones, sharp edges — at https://disquiet.com/0657/ -
An electronic composition, sounds created in Pure Data.
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An electronic composition, sounds created in Pure Data & Audacity.
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This is a reworking of: dream, kiddo by Terry Mullett, acknowledgements to whom for a well-crafted track.
More on the 656th weekly Disquiet Junto project, Soothing Sounds II RMX — The Assignment: Make music for babies’ parents — at https://disquiet.com/0656/
The image associated with this project is from an early patent for a pacifier. -
An electronic composition, sounds created in Pure Data.
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An electronic composition, sounds created in Pure Data.
More on the 655th weekly Disquiet Junto project, Soothing Sounds II — The Assignment: Make music for babies — at https://disquiet.com/0655/ 1
The image associated with this project is from an early patent for a pacifier. -
An electronic composition, sounds created in Pure Data.
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An intuitive response to the graphic score derived from visual glimpses, as the title suggests. It comprises a series of atonal or microtonal sound clusters structured horizontally and vertically. The track was created in Pure Data with some additional reverb, etc.
More on the 654th weekly Disquiet Junto project, Just Notation — The Assignment: Interpret a graphic score by Franziska Baumann — at https://disquiet.com/0654/
The cover image for this project is a detail of a graphic score, titled True Glimpses 1, by Franziska Baumann, used with her permission and the support of Musikfestival Bern. More on Baumann at franziskabaumann.ch 2. - Mostrar mais
