Episódios
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Artistic titan, Zack Snyder, gives the world what it's been waiting for - a sequel to the all concurring first installment and a return to the amazingly original and well developed universe he created. We watch in awe as the packed story develops in ways we could never have seen coming, such as nothing at all happening in the first hour - absolute madman! We are lucky to be alive in an era when he wants to make six of these, each with a four hour cut.
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IT-girl of the moment, Sydney Sweeney, is either incredibly smart, incredibly lucky or has a great agent, as this Gallo/Nunsploitation horror throwback is exactly the film she should be a lead actress in right now. It aligns her with two of the other hottest and trendiest actresses out there - Mia Goth and Anya Taylor-Joy - who've also made a massive mark through horrors. Its a perfectly decent film, with a wildly transgressive final third and Sweeney shines without resorting to her big guns.
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The live music festival is dying for a number of reasons, including the acts that are headlining, the now failing Coachella is both an embodiment of why and far far worse.
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A retrospective of Tarantino's very different third film.
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Amazingly, despite being a massive Shawshank fan, I had never seen The Green Mile before.
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Arguably the most faultless three album opening run since Arcade Fire, hit a speed bump with the loss of Rostam, a core member and producer, resulting in the least well received album of their career, Father of the Bride and wonders whether the golden era was over. Only God is a dramatic return to form and will be an obvious contender for album of the year.
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Two of the most prominent definers of modern commercial rap combine again, though this time for an album length project (already succeeded by a follow up) that is both a weak album and a crappy review as I was tormented by a wasp.
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Finally getting a wider release, debut director Andrew Cumming (who insanely uses a made up language on his first film) excels with a post cave-man horror, with an outstanding score and cinematography.
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Director Matthew Vaughn seems to inhabit this middle ground between Guy Ritchie and Zack Snyder, for better or worse. As much of a fan of Bryce Dallas Howard and Sam Rockwell as I am (both excellent casting choices here) this post-Kingsmen spy caper, has all the hallmarks of Synder's over delivery and poor execution.
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1. Beyoncé Is the most overrated recording artist this century, an average two bit hack put together in a laboratory and the blandest mass produced corporate product since the Big Mac
2. The only reason she recorded a modern pop country album, is her fragile, Princess Diana style ego, cannot handle Taylor Swift getting far more attention than she does
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The underappreciated Shoe-gave titans third comeback album is by far the best. The most urgent, dynamic, cohesive, melodically memorable and impactful of their trio of post come-back releases and their best album since Going Blank Again.
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Arguably the most important cultural artifact since the Rosetta Stone.
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One of this years major Oscar contenders is, I'm sorry, a massive let down. Two very different parallel films, that don't work together, shoved into one. A handsomely produced and acted rich people family drama occupies 80% of the film and is ordinary and boring, whereas the far more more interesting satire side of the movie is totally undeveloped.
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The only 100% true review of this movie online today.
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The return of Schoolboy Q heralds back to an era of rap, that saw long form projects that were high art and not just gaming streaming charts, and his best work yet, one of the albums of the year.
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The near excellent second album from the UK post-punk alumni is self aware to a fault.
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Yorgos Lanthimos is well established as at the very top of directors internationally and one of the best cross-overs from foreign art-hours to English language "big pictures", with artistry and acclaim only increasing, a rare feat. Poor Things, probably the second most successful film at this years Oscars is worthy of the acclaim and one of the most imaginative films of the era. If I want to nit pick, the middle act is far too long and repetitive and the characters a little superficial.
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Well it's back-to-back BIG FAT ZEROS out of ten for the last two MCU films. It's even worse than The Marvels but sadly never so bad it's good, it's far too boring to ever be entertaining. But it is interesting to watch the actors actually become totally disinterested in even being there. No one cared at all about any aspect of this film, which supplants its predecessor as the worst post Iron Man comic book super hero film yet
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