Episódios
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In this episode of the VIFF Podcast, BC-based film producer Mike Johnston talks about his his transition from directing to producing with VIFF Director of Programming, Curtis Woloschuck. He highlights the complexities of financing and managing co-productions, with Beehive and Wild Goat Surf as turning points, and an upcoming international co-production with Colombia, Memoria. Together, Mike and Curtis reflect on the resilience and future of the Vancouver film community.
This conversation was recorded remotely during VIFF 2023.
This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations. -
In this episode of the VIFF Podcast, filmmaker Zarrar Kahn talks about his debut feature film, In Flames, with VIFF Director of Programming Curtis Woloschuk.
In Flames, which premiered at Cannes 2023 and screened at VIFF 2023, follows a mother and daughter navigating loss and supernatural forces in Karachi, Pakistan. After the death of the family patriarch, a mother and daughter's precarious existence is ripped apart. They must find strength in each other if they are to survive the malevolent forces that threaten to engulf them.
This conversation was recorded remotely.This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations. -
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In this episode of the VIFF Podcast, documentary filmmakers Jeremy Schaulin-Rioux and Kirk Thomas along with legendary streetball player Joel Haywood talk with VIFF Director of Programming Curtis Woloschuk.
Handle With Care: The Legend of The Notic Streetball Crew chronicles the rise, fall and rebirth of The Notic, an upstart streetball collective. While their creative basketball moves brought them global fame as teenagers, it set them at odds with the status quo in a battle involving self-expression, race and rejection. Driven by a twenty year quest to finish their mixtape trilogy, the documentary charts how a group of friends from Vancouver, Canada played outside the confines of the NBA but left an imprint on the game forever.
This conversation was recorded remotely.This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations. -
In this episode we welcome filmmaker Kim Albright, director of With Love and a Major Organ, and producer Madeleine Davis in conversation with VIFF programmer Tom Charity.
Struggling artist by night, virtual insurance broker by day, Anabel has a heart problem: it’s just too big for this world. Rejected and derided by her more sophisticated “friends”, Anabel falls for George, a stranger with a penchant for reading yesterday’s newspaper with all the bad news redacted. But George still lives with his overly protective mum, and both will take some persuading that Anabel is his heart’s desire. Filmed right here in Vancouver, Kim Albright’s directorial debut strikes a lo-(sci-)fi surrealist vibe vaguely reminiscent of Eternal Sunshine of the Spotless Mind. It’s whimsical, unpredictable, but more than anything it’s true enough to hit close to home.
This conversation was recorded as part of VIFF's Year Round programming.This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations. -
In this episode we welcome Canadian filmmaker Pier-Philippe Chevigny, director of Richelieu in conversation with VIFF Director of Programming Curtis Woloschuk.
Drawing from neo-realist traditions, beautifully photographed and elegantly constructed, Richelieu paints an undeniable portrait of a crisis unfolding across North America. Director Pier-Philippe Chevigny avoids didacticism and delivers an assured, emotionally resonant first feature which announces the arrival of a new Canadian talent.This conversation was recorded during the 2023 Vancouver International Film Festival.
–––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations. -
In this episode we welcome Mark Mangini, sound designer of films such as Blade Runner 2049, The Fifth Element, and Gremlins in conversation with film producer Matt Drake
Mark Mangini has made it his life’s work to create the unimagined worlds and fabricated sonic realities of the most epic films you can imagine. Known for films including Blade Runner 2049, Star Trek I, IV and V, The Fifth Element, and Gremlins, Mark is a six-time Oscar nominated sound designer, winning twice for Dune and Mad Max Fury Road.We go behind-the-scenes as Mark shares the secrets behind creating the most memorable sound art of these monumental films.
This conversation was recorded during the 2023 Vancouver International Film Festival.
–––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.
The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), and year-round programming at VIFF Centre. See what's playing now at viff.org.This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations. -
In this episode we welcome Meredith Hama-Brown, director of the feature film Seagrass, in conversation with Sonja Baksa, Programmer + Program Lead at VIFF
Having decamped to a Gabriola Island couples’ retreat in a last-ditch attempt to save their crumbling marriage, preoccupied Judith (Ally Maki) and Steve (Luke Roberts) leave their young daughters to their own devices. In turn, 11-year-old Stephanie (Nyha Breitkreuz) quickly ditches six-year-old Emmy (Remy Marthaller) in favour of a pack of unruly teens and their accompanying temptations. Abandoned and adrift, the introverted Emmy grows fixated with an eerie cave and convinced that her late grandmother has been conjured as an unseen ghost.
Drawing from her own childhood experiences, writer-director Meredith Hama-Brown demonstrates a profound talent for eliciting unspeakably nuanced, frequently heartbreaking performances from Breitkreuz and Marthaller. Likewise, she deftly investigates the unique tensions of Judith and Steve’s interracial marriage (including her infatuation with another man). All the while, Norm Li’s highly observant cinematography provides a practically mesmerizing degree of intimacy. A deftly orchestrated, deeply moving portrait of a family at the brink of implosion, Seagrass sees Hama-Brown exude compassion and conviction in an accomplished debut.
Meredith Hama-Brown is an actress, producer, and director. She is best known for her short Broke Bunny (2018), which won the Telus Sea to Sky Award at the Vancouver International Film Festival. With this short, she also won Best Narrative Film Award at Las Cruces International Film Festival and Best Film Award at the Future of Film Show. In 2020, Brown was selected for the TIFF Filmmaker Lab and was awarded the Canada Goose Fellowship for her first feature film, Seagrass (2023).
This conversation was recorded remotely in March 2024.
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This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.
The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), and year-round programming at VIFF Centre. See what's playing now at viff.org.This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations. -
In this episode we welcome Corey Payette, director of the movie musical Les Filles du Roi, in conversation with the film’s editor Christian Díaz Durán.
Adapted from Urban Ink’s stage production, this locally-shot film screened at VIFF 2023. Les Filles du Roi tells through song the powerful story of the young Kanien’kehá:ka girl Kateri and her brother Jean-Baptiste, whose lives are disrupted upon the arrival of the “Daughters of the King” in ‘New France’ (now Montreal) in 1665.
Corey Payette is an interdisciplinary storyteller, writer, composer, producer, and director in film and theatre. Since 2014, he has been the Artistic Director of Urban Ink, a position first held by Marie Clements, at one of Canada’s most ambitious theatre companies. Payette wrote the music, lyrics, and directed the acclaimed musicals Children of God, Les Filles du Roi, and Starwalker, among others. He is a member of the Mattagami First Nations, with French-Canadian and Irish ancestries. Les Filles du Roi is his first feature film.
This conversation was recorded at VIFF Centre in March 2024.
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This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.
The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), and year-round programming at VIFF Centre. See what's playing now at viff.org.This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations. -
In this episode, we’re featuring a conversation with Sierra Teller Ornelas – co-creator, showrunner and executive producer of the critically-acclaimed, native-centred comedy series Rutherford Falls.
Ornelas had written for Superstore, Brooklyn Nine-Nine, Selfie and Happy Endings before coming on board with Mike Schur and Ed Helms to bring Rutherford Falls to life, becoming the first Native American showrunner in history.
Speaking to writer/producer Duana Taha at the 2021 festival, Ornelas chatted about the process of creating a sitcom that breaks down Indigenous stereotypes through humour, having one of the largest Indigenous writers rooms on television and how her museum background informed her writing on the show.
This conversation was recorded on October 5, 2021.
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This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.
The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. See what's playing now.As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible. You can show your love of cinema by making a tax-deductible gift to VIFF. goviff.org/donate
This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations. -
In this episode, we’re featuring a creator talk from the 2021 Vancouver International Film Festival with Craig Zobel – the director behind the wildly popular HBO crime drama, Mare of Easttown, starring Kate Winslet.
The Emmy-nominated director spoke to host Zach Lipovsky about crafting a crime series that leaves room for soulful human drama and humour, shooting emotional and technically daunting scenes, and working with Director Of Photography Ben Richardson on letting characters guide the shot styles.
This conversation was recorded on October 4, 2021.
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This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.
The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. See what's playing now.As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible. You can show your love of cinema by making a tax-deductible gift to VIFF. goviff.org/donate
This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations. -
In this episode, we revisit a conversation from the 2021 Festival with award-winning Canadian production designer Jade Healy.
Jade Healy has created the look of some of our favourite films, including A Beautiful Day in the Neighborhood, Marriage Story, The Killing of a Sacred Deer, A Ghost Story, Pete’s Dragon, Mississippi Grind, and Ain’t Them Bodies Saints.
2021 saw Healy reunite with her frequent collaborator David Lowery on the visual masterpiece and epic fantasy adventure, The Green Knight.
Speaking to Canadian Director and Production Designer, Sophie Jarvis, Healy delves into how she approached the monumental task of creating an Arthurian world, bringing to life the fabled sets of the famed Camelot, the otherworldly Lady and Lord’s castle and the verdant Green Chapel.
This conversation was recorded on October 4, 2021.
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This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.
The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. See what's playing now.As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible. You can show your love of cinema by making a tax-deductible gift to VIFF. goviff.org/donate
This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations. -
In this episode, we bring you a masterclass in editing with BAFTA-nominated editor, Fred Raskin.
Fred Raskin is best known for his collaborations with Quentin Tarantino on Once Upon a Time… In Hollywood, Kill Bill, and The Hateful Eight, Justin Lin on The Fast and the Furious films, and James Gunn on Guardians of the Galaxy 1 and 2.
Speaking to two-time Canadian Screen Award-winning editor Mathew Hannam, at VIFF 2021, Raskin breaks down his process editing the superhero blockbuster The Suicide Squad – detailing how the story took its final shape in the editing room, his favourite scenes from the film, and his advice to emerging editors.
This conversation was recorded on October 6, 2021.
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This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.
The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. See what's playing now.As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible. You can show your love of cinema by making a tax-deductible gift to VIFF. goviff.org/donate
This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations. -
In this episode, we’re joined by a Songwriter Hall of Fame inductee – artist, producer, composer and all-around powerhouse, Linda Perry.
Linda Perry began her journey as the lead singer and songwriter of 4 Non Blondes – penning the band’s hit song “What’s Up?” – before turning her hand to production.
As a songwriter-producer, Perry quickly established herself as one of the industry’s heavyweights, shaping the sounds of musicians such as Pink, Christina Aguilera, Gwen Stefani, Alicia Keys, Britney Spears, and Adele and having a resounding influence on the presence of female empowerment in pop culture.
Headlining the 2021 VIFF AMP Music in Film Summit, Perry joined creative director and host of the Producer’s Lounge, Jane Aurora, in a keynote conversation. The discussion covers Perry’s extensive music career, creative process, and her recent transition into creating music for film and TV, including composing the soundtracks for both Soleil Moon Frye’s documentary Kid 90, and Don Hardy’s documentary Citizen Penn about Sean Penn’s work in Haiti.
This conversation was recorded on October 8, 2021.
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This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.
The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. See what's playing now.As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible. You can show your love of cinema by making a tax-deductible gift to VIFF. goviff.org/donate
This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations. -
In this episode, we’re throwing it back to a creator talk from the 2021 Festival, with one of the filmmakers behind the documentary My Name is Pauli Murray.
Co-directors Julie Cohen and Betsy West received an Academy Award nomination for their documentary RBG, on the life and career of late Supreme Court Justice Ruth Bader Ginsburg. It was from RBG that they first learned about their next subject – the late Pauli Murray – a non-binary Black lawyer, priest, poet, and LGBTQ and civil rights activist who was instrumental in shaping landmark litigation—and consciousness—around race and gender equity.
Speaking to Canadian writer/director Kevin Eastwood, Cohen details the daunting process of unpacking Murray’s life and work via hundreds of documents and audio recordings; and, ultimately, how they gave shape to the multifaceted identity of this civil rights and women’s movement trailblazer in a way that’s accessible for a contemporary audience.
This conversation was recorded on October 7, 2021.
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This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.
The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. See what's playing now.As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible. You can show your love of cinema by making a tax-deductible gift to VIFF. goviff.org/donate
This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations. -
In this episode, we’re revisiting a conversation with Canadian writer-director Emma Seligman, about her debut feature – the darkly comic, utterly chaotic coming-of-age story, Shiva Baby.
Based on Seligman’s 2018 South By Southwest eight-minute short, Shiva Baby finds twenty-something Danielle (played by Rachel Sennott), dutifully attending a shiva for a family friend, where she spends her time lurching from one potentially catastrophic encounter to another, navigating spilled drinks, wailing babies, an embittered ex-girlfriend, and the appearance of her sugar daddy.
Speaking to VIFF’s Associate Director of Programming, Curtis Woloschuk as part of our year-round virtual Indie Spirits series, Emma gives a behind-the-scenes look at the making of the claustrophobic comedy.
This conversation was recorded on April 12, 2021.
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This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.
The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. See what's playing now.As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible. You can show your love of cinema by making a tax-deductible gift to VIFF. goviff.org/donate
This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations. -
In this VIFF podcast episode, we’re featuring a special talk from the 2021 Vancouver International Film Festival with Jonas Poher Rasmussen, the writer & director behind the Sundance Grand Jury Prize-winning film, Flee.
Blurring the line between documentary and narrative filmmaking styles, Flee tells the personal story of pseudonymous Amin Nawabi (a longtime friend of Rasmussen’s) and his harrowing journey as a child refugee from Afghanistan.
Using a blend of animation and archival footage as both an aesthetic choice and an ethical necessity (to hide Amin’s true identity), the film is an illuminating and heartrending true story about the importance of personal freedom in all its meanings.
Speaking to Brishkay Ahmed, writer/director of In the Rumbling Belly of Motherland, Rasmussen discusses how he employed a technique he learned when working in radio to elicit descriptive memories from Amin, his unique editing process and how Riz Ahmed came on board as a co–executive producer.
This conversation was recorded on October 6, 2021.
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This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.
The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. See what's playing now.As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible. You can show your love of cinema by making a tax-deductible gift to VIFF. goviff.org/donate
This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations. -
This week on the VIFF podcast, we’re featuring a conversation from our year-round virtual Creator Talk series with Dune Production Designer, Patrice Vermette
When it comes to making movies, it’s a production designer’s job to transport audiences to a different world. But in the case of Denis Villeneuve’s epic sci-fi film Dune, that also involved creating entire planets.
To pull off the godlike feat, Villeneuve teamed with frequent collaborator and fellow Canadian Patrice Vermette, a two-time Oscar-nominee who has dreamed up the sets for films such as Arrival, Sicario, and The Young Victoria.
Speaking to production designer, David Brisbin, Patrice shares his process and expertise in creating the incredibly detailed sets and immersive environments for Warner Bros. and Legendary Pictures’ adaptation of Frank Herbert’s seminal bestseller, Dune.
Recorded November 20, 2021.––––––––––––––––––––––––––––––––––––––––––––––––––
This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.
The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. See what's playing now.As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible. You can show your love of cinema by making a tax-deductible gift to VIFF. goviff.org/donate
This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations. -
Hello! And welcome to the VIFF Podcast – a place to revisit some of our favourite conversations recorded at the Vancouver International Film Festival and year-round.
We’re back with another season of in-depth interviews with some of the film industry’s most exciting creators including the Production Designer for sci-fi epic, Dune , Patrice Vermette; Editor of The Suicide Squad, Fred Raskin; The Green Knight Production Designer, Jade Healy; House of Gucci cinematographer, Dariusz Wolski, and many more!
We’ll be kicking things off on January 19th, 2022, with new episodes every two weeks. So hit subscribe in your favourite podcast app to get each one as it drops.
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This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.
As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible. You can show your love of cinema by making a tax-deductible gift to VIFF. goviff.org/donateThis podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations. -
In this episode, Emmy Award-winning production designer Mark Friedberg dives into the process behind creating the iconic cinematic worlds of films such as The Ice Storm, Joker, If Beale Street Could Talk, Selma and Barry Jenkins' limited series adaptation of Colson Whitehead’s Pulitzer Prize-winning novel for Amazon Studios, The Underground Railroad.
Speaking to writer and film critic Nathalie Atkinson at VIFF 2020, Friedberg discusses collaborating with a long list of beloved directors including Ang Lee, Wes Anderson, Barry Jenkins, Ava DuVernay and Todd Haynes.
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This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.We've taken our VIFF Talks online with a series of virtual events lined up over the coming weeks, including conversations with The Underground Railroad and Moonlight editor, Joi McMillon and director of WandaVision, Matt Shakman. Keep an eye out for upcoming events at goviff.org
VIFF is running an online cinema on VIFF Connect, showcasing a program of compelling films for you to stream from the comfort of your home. View what's streaming.
You can show your love of cinema by making a tax-deductible gift to VIFF. goviff.org/donateThis podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations. -
In this episode, Joel Bakan and Jennifer Abbott join us for a conversation to dissect their approach to The Corporation follow-up.
After Mark Akbar and Jennifer Abbott transformed VIFF audiences in 2003 with The Corporation, Bakan and Abbott returned to the 2020 Festival with The New Corporation: The Unfortunately Necessary Sequel.
Refreshing the corporation’s evolution as a legal "person" to a virtue signalling chameleon, the second film is a comprehensive exploration of power and hypocrisy in the face of a growing resistance.
Speaking to NDP Candidate and lawyer Niki Sharma, Bakan and Abbott take the conversation beyond the screen, expanding on why, seventeen years on, the urgency for an update was essential.
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This podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.We've taken our VIFF Talks online with a series of virtual events lined up over the coming weeks. Keep an eye out for upcoming events at goviff.org
VIFF is also running an online cinema on VIFF Connect, showcasing a program of compelling films for you to stream from the comfort of your home. View what's streaming.
You can show your love of cinema by making a tax-deductible gift to VIFF. goviff.org/donateThis podcast is brought to you by the Vancouver International Film Festival.
Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations. - Mostrar mais
