Episódios
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How did a tennis pro, a theater nerd, and a TV actor redefine the action genre? Because they had nothing left to lose. This week, Chris and Lizzie dive deep into 1988’s quintessential Christmas film: from Bruce’s receding hairline and an unfinished script to Rickman’s inability to hold a gun and Joel Silver’s desire to just blow shit up, this production had more problems than a McClane marriage.
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More Gremlins, more problems! But that didn’t stop Joe Dante and Steven Spielberg from adding an endless stream of critters to the deranged 1984 Christmas classic. Busted puppets caused massive delays and pushed creature master Chris Walas to his limits, but it could’ve been worse - they could’ve used… live monkeys?! Find out why parents were furious about the film, how it helped change the MPAA rating system forever, and why Tom Hanks isn’t in it.
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Blue screens! Tennis balls! Directions from George Lucas! What are three things that make an actor’s job harder? Chris and Lizzie conclude their Menace coverage with a crunch at ILM, the public shaming of Jar Jar Binks and why George may have lost a lot more than $50 million in his divorce. Plus, how no one saw it coming… except for Weird Al.
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Jedi! Lightsabers! Taxes? This week, Chris tests Lizzie’s midi-chlorians (and patience) with George Lucas’ polarizing return to Star Wars. Was Lucas a victim of his own success, or were we all victims of his divorce? Plus, how Michael Jackson and Denzel Washington were nearly canon, and more!
CORRECTIONS:
*Doctor Dolittle was release in 1967, not 1976, as Chris mistakenly stated.
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How did the 4th (or maybe 5th) version of ‘A Star is Born’ take almost 20 years to make… and why did it almost star Russell Crowe and Beyoncé?! This week Lizzie and Chris break down Bradley Cooper’s 2018 directorial debut, and discover why Lady Gaga was initially a tough sell. Find out how everyone from Jamie Foxx to Metallica had a hand in this Oscar nominated film’s journey to the screen.
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The only thing worse than being a character in a Sam Raimi movie? Acting in one. This week, Chris and Lizzie unearth the grueling, injury-laden production of The Evil Dead. Discover the importance of such amenities as running water, toilets, and electricity; and the pain of removing fake blood with hot coffee. Plus, how Raimi couldn’t have done it without a veritable village, including a couple of Coens, a King of horror, and a septuagenarian sales agent.
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Paul Rudd was almost murdered, The Mighty Mighty Bosstones were wasted, and El Niño threatened to rain out production - that’s just the beginning of what went wrong on Clueless (1995). Find out how Alicia Silverstone and Brittany Murphy got cast, and why one studio almost changed it to be more about… the guys? As if! It took writer/director Amy Heckerling years to get her vision to the screen, but it was like, totally worth it.
CORRECTIONS: Chris mistakenly refers to having watched the Criterion Blu-Ray release of "Clueless" - there is no Criterion release! He actually watched the 25th Anniversary Blu-Ray which had been gifted to his wife in a flawlessly photoshopped Criterion package. He apologizes for the confusion but can confirm the transfer looks great.
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Tombstone' shot first and 'Wyatt Earp' died. In Part 2 of our coverage, Chris & Lizzie endure the explosive arrival of replacement director George P. Cosmatos, revisit Kurt Russell's last-minute rewrites, and try to answer the impossible question: does a better version of this movie exist?
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Saddle up and skin that smokewagon, because Kevin Costner's about to shut your movie down. In Part 1 of our coverage on 'Tombstone', Chris & Lizzie dissect the film's Hollywood duel with rival 'Wyatt Earp', Kurt Russell's hardball, and how writer/director Kevin Jarre assembled one of the greatest cast and crews of all time, only to listen to none of them.
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*CORRECTIONS: George P. Cosmatos's last name is pronounced Cos-MAH-tos, Chris botched that pretty badly.
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How did Shakespeare in Love beat one of the greatest war movies of all time for Best Picture at the 1999 Oscars? It’s simple: Harvey Weinstein. But Saving Private Ryan was just one of many massive snubs in this comedy of errors. Learn how producer and original director Ed Zwick's dreams were dashed, why Julia Roberts dropped out last minute, and why Gwyneth Paltrow didn't want to star across(ed) her lover.
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Lydia dies in a fire at the hands of a winged homicidal maniac?! ‘Beetlejuice’ (1988) started off as a gruesome, offbeat horror film, but it became the quirky classic we know and love thanks to Tim Burton, script doctor Warren Skaaren, an incredible production team, and the Beetle-Guy himself: Michael Keaton. Find out why missing her audition got Catherine O’Hara her part, how Harry Belafonte’s music made it into the final cut, why Michael Keaton almost didn’t take the job and so much more.
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Leonardo DiCaprio as Patrick Bateman? Directed by Oliver Stone?! There are so many versions of ‘American Psycho’ (2000) that we never saw, but thanks to Christian Bale and director Mary Harron, we eventually got something pretty close to perfect. Find out how Gloria Steinem accidentally saved Christian Bale’s job and why a real life serial killer made this film almost impossible to shoot.
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Oscars! Cannes! Smash Mouth? In Part 2 of our Shrek coverage, Chris & Lizzie get to the bottom of Mike Myers' Scottish brogue, why 'All Star' became an anthem for the ages, and Katzenberg's all-out blitz against the Mouse House.
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Katzenberg's quest for revenge! The death of a beloved giant! A magical kingdom under siege! In Part 1 of our Shrek coverage, Chris & Lizzie explore the revolutionary film's humble origins as DreamWorks' inaugural "B movie" and try to determine what, exactly, the film would have been with its original star, Chris Farley.
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Get ready to wrangle! We re-present our episode on Twister, but this time, Chris and Lizzie share their churning reactions to the sequel, Twisters in a special cold open!
On set jet engines, temporary blindness, and hepatitis shots - three signs you might be in the “suck zone”! This week we’re covering Jan de Bont’s Twister and how he threw everything including the kitchen sink (literally) at Helen Hunt and Bill Paxton to get this movie made.
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How did Ryan Reynolds go from fans’ biggest disappointment to the Deadpool of their dreams? In this episode Chris and Lizzie explore the long road ‘Deadpool’ (2016) took to get to the screen, why a first time feature director was the best man for the job, and how a mysterious leak actually saved the film.
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This week Chris and Lizzie go 100% pure adrenaline on Kathryn Bigelow’s “Point Break”, a film that birthed one of our most unexpected action stars, one of Hollywood’s most powerful (and short lived) power couples, and cemented Patrick Swayze as a daredevil for the ages.
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How did an Academy Award nominated director helm what’s widely regarded as one of the worst movies ever made? 2003’s “Gigli” gave us Bennifer 1.0 and torpedoed writer/director Martin Brest’s career. Find out how NOT to reverse engineer a romcom - especially when your main characters are a straight man and a lesbian. Ben Affleck and Jennifer Lopez do their best, but thanks to one of the craziest post-productions we’ve ever covered, “Gigli” does its worst.
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A bereft budget! Malfunctioning motorcycles! Two dogs looking for love in all the wrong places! This week, Chris & Lizzie speak with the writer/director/star of Garden State, Zach Braff, on how he made 2004’s little indie that could, Danny DeVito’s unlikely role in getting the film made, and just how, exactly, he scored the soundtrack of the decade.
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A specter of a script! A lead prone to ghosting! A soul-wrenching schedule! This week, Chris & Lizzie cross the streams with 1984’s supernatural success story, Ghostbusters. Learn how a cabal of Canadian comedians created an American classic and how John Belushi haunted the film more literally than you may know.
*CORRECTIONS:
*Chris incorrectly stated that Gremlins was the first film to receive a PG-13 rating. Though it helped prompt the invention of the PG-13 rating (created on July 1, 1984), Gremlins was given a PG rating. The first film to receive this new designation was Red Dawn, released in August of 1984.
*Lyndsey Buckingham caught some undeserved strays in this episode - he'd actually recently written Holiday Road for National Lampoon's Vacation and made quite a bit of sense as Reitman's choice to write the Ghostbusters theme.
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