Episódios
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In an age of increasing urbanisation and digital distractions, a growing movement is seeking to reestablish our innate connection with the natural world. At the forefront of this revolution is Martin Brown, a sustainability consultant and self-proclaimed "provocateur," who is challenging the way we design and inhabit our built environments.
Speaking with Vanessa Champion on The Journal of Biophilic Design Podcast, Martin recounts his own journey, one that has seen him transition from a career in project management to becoming a leading voice in the world of regenerative design. "I think biophilia, rather biophilic design, was that sort of gateway to try attract more people and gain attention," he explains, describing how simple biophilic elements, such as living walls and textured wood panelling, can have a profound impact on both the occupants and the bottom line.
But Martin's vision extends far beyond mere aesthetic improvements. He speaks passionately about the concept of "kinship," a deeper, more spiritual connection to the natural world that draws inspiration from indigenous philosophies. This shift in mindset is essential if we are to address the pressing environmental and social challenges of our time. He laments the "disconnect" he observes in modern society, where people are quick to marvel at the "pretty lights in the sky" but equally quick to discard their litter.
The solution, according to Martin, lies in reclaiming our time and space, both physically and mentally. "If you're too busy to spend 20 minutes in nature, you should be spending an hour," he advises, emphasizing the importance of mindfulness and reconnection. It's a message that is resonating with a new generation of designers, architects, and urban planners, who are increasingly recognising the transformative power of biophilic design.
As the world grapples with the consequences of our disconnection from nature, the work of visionaries like Martin Brown offers a glimmer of hope. By reweaving the threads of our relationship with the natural world, they are paving the way for a more sustainable, resilient, and fulfilling future.
Listen to Martin Brown speak at the Biophilic Design Conference on 12th November. If you missed it you can still buy tickets to access the videos online from the website www.biophilicdesignconference.com
To find out more about all the links Martin mentioned visit:
https://linktr.ee/martin_brown
https://www.living-future.eu/lfa/martin-brown/
https://www.living-future.eu
https://fairsnape.substack.com
Have you got a copy of the Journal? You can now subscribe to the digital edition or purchase a copy directly from us at the journalofbiophilicdesign.com or Amazon. If you like our podcast and would like to support us in some way, you can buy us a coffee if you’d like to, thank you x
Book tickets to the Biophilic Design Conference here www.biophilicdesignconference.com
Credits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all our podcasts.
Did you know our podcast is also on Audible, Amazon Music, Spotify, iTunes, YouTube, Stitcher, vurbl, podbay, podtail, and most if not all the RSS feeds?
Facebook https://www.facebook.com/journalofbiophilicdesign/
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Lyn Falk is founder and president of Retailworks, Inc. – an award-winning branding, design, display and consulting firm specializing in retail, corporate, and hospitality spaces. She has devoted over 35 years to teaching and helping retailers and business professionals build healthy, purposeful and productive spaces that move hearts, minds & merchandise.
Her expertise in retail design, business, science, consumer behaviour and environmental psychology has helped her develop designs that not only meet but often exceed her client’s projected goals/sales.
Lyn is a passionate advocate of biophilic design. From her perspective, it is important all the time, humans are part of nature and need to reconnect with the environment rather than living in a built environment that pulls us away from nature. Early in her career she was really keen on healthy design, sustainable design and eco-friendly design and took an early interest in Biomimicry and Biophilia.
In this podcast, Lyn describes herself as a long-term preacher and educator in the sphere of biophilic design. To her, "Everything is energy, even this brick building I'm in is made from molecules and atoms and energy,", and different materials like glass, wood, and brick vibrate differently, affecting our senses and well-being. She emphasizes the importance of natural materials like wood, which have not undergone extensive processing and retain their original energy. Her designs always include the immediate benefits of incorporating natural elements like plants, natural light, and fresh air into design and as many other elements the brief allows.
Lyn's design philosophy is rooted in the understanding that we are fundamentally part of nature, not separate from it. "We cannot exist without abiding by the laws of nature," she says. "We've perhaps been forced into built environments that pull that out of the environment, but we're now seeing the results of that." Those results, according to Lyn, are all too apparent in the retail and hospitality sectors, where a focus on maximizing profits has often come at the expense of human needs.
Lyn believes that by reintegrating nature into our built spaces through elements like natural light, plants, and natural materials, we can not only improve the customer experience, but also the wellbeing of employees. "I always say if I had to work in a cubicle, just shoot me," she laughs. “We are living nature, and we've been put in buildings that are static and not necessarily living, breathing buildings.”
The key, Lyn argues, is understanding how our senses and subconscious respond to different environmental cues. For instance you can increase dwell time by having your customers listen “to the right genre of music for your target market and for the product that you're selling and your brand the right genre of music at the right volume and the right aroma, people think they were only in your store for a shorter period of time than they actually were."
Ultimately, Lyn's vision for a future painted with the “Magic Brush of Biophilia” is one where biophilic design is the norm, not the exception. "Lush green and beautiful, clear blue. It's greens and blues, but all different shades, and just the depths of the green is amazing and enveloping. And the clear, deep, different coloured shades of blue that make you be able to breathe and see and there’s clarity."
As the world grapples with the consequences of our disconnection from nature, Lyn's advocacy and insight in this podcast serves as a powerful reminder that the solutions may be found in reconnecting with the very essence of what makes us human.
www.retailworksinc.com
Have you got a copy of the Journal? You can now subscribe to the digital edition or purchase a copy directly from us at the journalofbiophilicdesign.com or Amazon. If you like our podcast and would like to support us in some way, you can buy us a coffee if you’d like to, thank you x
Book tickets to the Biophilic Design Conference here www.biophilicdesignconference.com
Credits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all our podcasts.
Did you know our podcast is also on Audible, Amazon Music, Spotify, iTunes, YouTube, Stitcher, vurbl, podbay, podtail, and most if not all the RSS feeds?
Facebook https://www.facebook.com/journalofbiophilicdesign/
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Talina Edwards, founder of the award-winning architecture firm Envirotecture, shares her passion for sustainable, biophilic design that reconnects people with the natural world.
Based in Ballarat, Victoria, Talina and her team are at the forefront of a movement to transform the way homes and buildings are constructed in Australia. "We really care about health, we really care about people, and we really care about the planet, because we want a healthy, thriving future for the future generations," Talina explains. This ethos underpins Envirotecture's work, which spans certified PassivHaus projects, off-grid homes, and advocacy for more environmentally-conscious building practices.
One of Talina's standout projects is the "Huff and Puff" house, a straw bale home that also achieved PassivHaus certification. "We wanted it to be very healthy. The clients were very keen on using straw because of being so connected to the land there. So that drove the whole project," she said. The home's thick straw walls, combined with careful solar orientation and triple-glazed windows, allowed it to meet the rigorous PassivHaus standard while still maintaining a strong connection to its natural surroundings.
This connection to place is a crucial element of biophilic design, which Talina sees as essential for shifting societal mindsets around sustainability.
Talina believes that biophilic principles can have a profound impact. “If we remember our true wild nature and our connection to spirit of place, it changes your outlook and everything." This sentiment is echoed in the design of Envirotecture's "Biophilic Bungalow" project, which involves the sensitive renovation and expansion of the existing California-style home.
By incorporating elements like a central courtyard, a reflection pond, and carefully curated natural materials, they are creating a space that nurtures its occupants' connection to the surrounding landscape.
With projects that seamlessly blend sustainability, health, and biophilic design, Talina and Envirotecture are leading the charge towards a more harmonious, nature-centric future for the built environment in Australia and beyond.
Have you got a copy of the Journal? You can now subscribe to the digital edition or purchase a copy directly from us at the journalofbiophilicdesign.com or Amazon. If you like our podcast and would like to support us in some way, you can buy us a coffee if you’d like to, thank you x
Book tickets to the Biophilic Design Conference here www.biophilicdesignconference.com
Credits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all our podcasts.
Did you know our podcast is also on Audible, Amazon Music, Spotify, iTunes, YouTube, Stitcher, vurbl, podbay, podtail, and most if not all the RSS feeds?
Facebook https://www.facebook.com/journalofbiophilicdesign/
Twitter https://twitter.com/JofBiophilicDsn
LinkedIn. https://www.linkedin.com/company/journalofbiophilicdesign/
Instagram https://www.instagram.com/journalofbiophilicdesign
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In a world increasingly disconnected from nature, the principles of biophilic design offer a powerful antidote.
Chintamani Bird, an Australian designer committed to biophilic design, shared her insights on how Biophilic Design can heal both people and the planet. She emphasizes that biophilic design has a profound impact on the brain, reducing stress, improving cognitive function, activating the parasympathetic nervous system, and enhancing overall mood and well-being.
As the Journal of Biophilic Design expands to Australia in 2025, this is the first in a series of interviews with leading names in Biophilic Designers from that side of the globe and who champion the transformative potential of this design philosophy.
At the heart of Biophilic Design is the recognition that humans have an innate need to connect with the natural world. "Biophilic design has the opportunity to heal and heal through biodiversity, heal the soil, heal the environment, heal communities," Chintamani emphasized.
When we put people in an environment like a modern open plan office with sensory deprivation, with white walls and square functional modular furniture for instance, we're actually really giving our people a beating. “It's very unkind and quite malicious," Chintamani explains. In contrast, environments infused with natural elements like fractals, water, and greenery can have a profound impact. Because the brain uses up an enormous amount of energy when engaged in any task, having those medium density fractals, allows for cognitive function to reduce as far as the effort it makes, and so helps us use the leftover energy to be more creative, to function, be more productive.
This extends beyond the individual to the collective. Chintamani envisions a world "where nature is honoured and treated as sacred, with an integral balance between nature, Earth, and humanity."
Biophilic design, she believes, can heal communities and ecosystems alike. The urgency of this approach is clear. "We're at a tipping point, we need to save our planet." With insects facing mass extinction, the time to act is now. Yet Chintamani's vision is not one of sacrifice, but of abundance. "Biophilic design has the opportunity to really do a lot of healing, not just for the environment, but also for people."
From healthcare settings to workplaces, the integration of natural elements can reduce stress, improve mental health, and foster a sense of connection. I am often saying that biophilic design sits above everything... it's a catch all design principle that embraces everything and this discussion with Chintamani highlights this in buckets!
By honouring our innate biophilia, our love of life, designers like Chintamani are reshaping the built environment to nurture both human and ecological wellbeing. In Chintamani's words, "we should actually imbue it with reverence and then be able to find an integral balance between nature, Earth and humanity."
This is the transformative power of biophilic design.
To find out more and follow Chintamani’s work visit:
https://www.facebook.com/profile.php?id=61557684881987
https://www.instagram.com/studio.chintamani/
https://www.linkedin.com/in/chintamani-bird-lfa-b3a90662/
www.studiochintamani.com
Have you got a copy of the Journal? You can now subscribe to the digital edition or purchase a copy directly from us at the journalofbiophilicdesign.com or Amazon. If you like our podcast and would like to support us in some way, you can buy us a coffee if you’d like to, thank you x
Book tickets to the Biophilic Design Conference here.
Credits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all our podcasts.
Did you know our podcast is also on Audible, Amazon Music, Spotify, iTunes, YouTube, Stitcher, vurbl, podbay, podtail, and most if not all the RSS feeds?
Facebook https://www.facebook.com/journalofbiophilicdesign/
Twitter https://twitter.com/JofBiophilicDsn
LinkedIn. https://www.linkedin.com/company/journalofbiophilicdesign/
Instagramhttps://www.instagram.com/journalofbiophilicdesign
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How does a passion for biophilic design, which stems from a desire to improve an architect and designer’s own health, lead to the design of a major new healthcare building? For Steven Edge, founder of Salvage Sustainable Design, his personal interest in Volatile Organic Compounds (VOCs) expanded into advocacy of Biophilic Design in buildings. We catch up with and discuss his recent project, commissioned by Manchester based architects AHR in 2017, where he acted as biophilic design consultant for their client the Royal College of Physicians’ new £35, million HQ in Liverpool. The Spine opened in the Spring of 2021 and with 109 out of a possible 110 WELL Credits, the highest of any (over 26,000) WELL certified buildings in the world, its set to become one of the healthiest buildings in the world.
Stephen is a biophilic design consultant, and a Senior Fellow of the Higher Education Academy, with over 40 years’ experience in academia and the design and construction industry. He shares his background, starting with work in architecture and interior design, and his growing interest in sustainability and healthy materials.
Talking about biophilic design principles used in The Spine, Steve describes how The Royal College of Physicians wanted to create a building that would make people feel healthier when they left it than when they entered; a brief that was fully met. Because it's a college as well as Office Spaces, they have young surgeons who would also be diagnosing real patients’ problems in this new building.
The design, led by architect Rob Hopkins, drew inspiration from the human body, with elements like the "skin" of the building and the "spine" staircase.
Steven describes how the team incorporated biophilic design principles to support health and wellbeing. This included maximizing natural daylight, providing views of nature, and incorporating lush indoor planting that was dubbed the "lungs" of the building. One of the things he mentions, is that trees give out a hormone that stimulates the vagus nerve in our brains. It calms us down, and so we are not only breathing that in but are also visually affected by the fact that we're in nature and walking under a tree canopy.
The design also features sensors to allow occupants to control their immediate environment and temperature. Taking an holistic approach it uses innovative materials such as a clay plaster that absorbs toxins from the air.
The team also looked at principles of biomimicry, taking cues from natural structures like bone to inform the building's columns. Interactive elements, like kinetic sculptures, were planned to encourage movement and play. Steven explains how lighting was a key consideration, with the team aiming to support circadian rhythms through strategic use of natural and artificial light. They consulted research on how lighting can impact productivity and mood throughout the day.
Beyond the immediate health benefits, Edge discusses the links between biophilic design and sustainability. The team explored circular economy principles, looking at designing for disassembly and the potential to lease lighting systems rather than own them outright. They also drew on NASA research to select plant species known for their air purifying properties.
The Spine is an amazing and inspirational project for any designer and architect. It demonstrates an holistic approach to biophilic design, integrating elements that support human health, wellbeing, and environmental sustainability.
Edge's passion for this approach shines through, as he envisions a future with more playful, interactive biophilic design elements woven into our cities and buildings.
For more information on Steve’s work visit: www.salvedge.co.uk
These are a couple of the extra references mentioned in the podcast:
https://www.squintopera.com/projects/floodedlondon/
https://www.studioroosegaarde.net/project/wind-3-0
and
https://www.studioroosegaarde.net/project/flow
Also Dr Vanessa Champion, will also be presenting at the Healthy Cities by Design Conference at The Spine on 15 and 16 October 2024 https://www.healthycitydesign.global
And Steve Edge will be presenting at the Biophilic Design Conference 12 November 2024 at the Barbican London (another Biophilic Space, we will also be in the Conservatory, the second largest after Kew Gardens). www.biophilicdesignconference.com
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"I love this term biophilia, because it's this, in a sense, it's a love of nature in a word, isn't it? And I had this beautiful description recently of what it actually means to love something or to love someone. In very plain terms, it means to include that person or that thing's interests as one's own." Jojo Mehta, Co-founder, Stop Ecocide International.
For me Biophilic Design has the potential to heal more than just physical and mental health of people, it has the potential to help heal our earth too. If we implemented Biophilic Design in cities for instance, we can help mitigate climate change, even just by planting more trees which is a Biophilic Design solution, we increase tree canopy cover, increase biodiversity, mitigate flooding. There are many more, from creating Blue cities with cleaner rivers and waterways to planting on roofs and sides of buildings helping reduce the need to switch on air conditioning units in the summer and heating in the winter, which in turn reduces energy consumption. Also, as interior designers we specify more natural materials, reducing plastic, are more considerate of what textiles are made of and originate from.
With our global temperature reaching a danger point, we need to do all we can as designers, architects, fit out managers and anyone who works in the built environment at any point.
Today we have got the amazing Jojo Mehta with us on the podcast. Jojo is CEO and co-founder of Stop Ecocide International (SEI), the hub of the global movement to create a new international crime of ecocide to protect the Earth from the worst acts of environmental damage, a movement that is gaining significant political traction. She co-founded SEI with the visionary lawyer, Polly Higgins, who died in 2019, having devoted the final decade of her life to the cause.
We explore and put into context just WHY we need to do more as designers, seize every opportunity we can to create better environments, not just for people, but for planet too and also how Biophilic Design is an essential part of the solution.
Jojo Mehta is the CEO and co-founder of Stop Ecocide International, the organization working to create a new international crime of "ecocide" to protect the environment from severe damage. The goal of ecocide law is to hold companies and governments accountable for the worst acts of environmental destruction, similar to how genocide and war crimes are treated as international crimes.
Jojo explains that ecocide law aims to shift the mindset around the environment, moving away from the perception of nature as an infinite resource to be exploited, towards a more holistic, interconnected view. By making severe environmental damage a crime, it would force decision-makers to consider the consequences of their actions on the natural world.
She sees ecocide law as a crucial tool to complement initiatives like biophilic design, which seeks to reconnect people with nature through the built environment.
Designers, architects, and others in the built environment sector have a vital role to play, not just in implementing biophilic principles, but in advocating for the legal frameworks that can drive systemic change.
Individuals can get involved by raising awareness of ecocide law in their personal and professional networks, encouraging its inclusion in policy discussions and industry publications. Jojo emphasizes the importance of building a broad conversation around the need for such legislation, as politicians are more likely to act when there is clear public support.
Ultimately, Jojo envisions a world where people and nature are deeply interconnected, with decisions made with the wellbeing of the natural world in mind.
She believes that by aligning our laws and cultural attitudes with this biophilic worldview, we can begin to heal the damage done and create a more sustainable future.
Have you got a copy of the Journal? You can now subscribe to the digital edition or purchase a copy directly from us at the journalofbiophilicdesign.com or Amazon. If you like our podcast and would like to support us in some way, you can buy us a coffee if you’d like to, thank you x
Credits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all our podcasts.
Did you know our podcast is also on Audible, Amazon Music, Spotify, iTunes, YouTube, Stitcher, vurbl, podbay, podtail, and most if not all the RSS feeds?
Facebook https://www.facebook.com/journalofbiophilicdesign/
Twitter https://twitter.com/JofBiophilicDsn
LinkedIn. https://www.linkedin.com/company/journalofbiophilicdesign/
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How can Biophilic Design be used to create happier and healthier environments? Ben Channon is an architect, author, TEDx speaker and mental wellbeing advocate, and is well known as a thought leader in designing for happiness and wellbeing. As a Director at the wellbeing design consultancy Ekkist, he helps clients and design teams to create healthier places, and researches how buildings and urban design can impact how we feel. He also offers talks on workplace mental health, productivity and company culture, sharing his philosophy that happier staff are better staff.
Ben developed an interest in design for mental health, wellbeing and happiness after suffering with anxiety problems in his mid-twenties. His search for solutions to his personal issues led to him unearthing lots of amazing research including in the realm of environmental psychology, which proved that the environment we spend time in has a huge impact on how we feel, think, behave and interact with other people. All this led him to research the relationship between buildings and happiness, which formed the basis of his first book: ‘Happy by Design’. Ben’s second book ‘The Happy Design Toolkit’ - which offers more practical advice on how to create buildings for our mental wellbeing (published in March 2022) which gives people the tools to implement the principles of Happy Design.
Ben makes it clear that progress towards Happy Design doesn’t have to be in big steps. He advocates using ‘nudge’ psychology; making small but significant changes that encourage healthier, happier behaviours, to add “little bits of joy” wherever we can, creating uplifting places and spaces that add elements of joy.
Biophilic Design is increasingly more widely embraced, but long-term thinking and better education are required for the benefits of a biophilic approach to be fully realised. Listening to this podcast is a fantastic way to start that journey as Ben’s advocacy of the benefits of biophilic design is clear and compelling.
As he says:
“ We have to live more in balance and in symbiosis with nature. We have to not see nature as something we can plunder and keep taking from, but actually something that we need to support, and that actually, if we support nature, nature will support us back. “
https://www.ekkist.co/designforwellbeing/
https://www.ekkist.co/healthyhomeschecklist/
Have you got a copy of the Journal? You can now subscribe to the digital edition or purchase a copy directly from us at the journalofbiophilicdesign.com or Amazon. If you like our podcast and would like to support us in some way, you can buy us a coffee if you’d like to, thank you x
Credits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all our podcasts.
Did you know our podcast is also on Audible, Amazon Music, Spotify, iTunes, YouTube, Stitcher, vurbl, podbay, podtail, and most if not all the RSS feeds?
Facebook https://www.facebook.com/journalofbiophilicdesign/
Twitter https://twitter.com/JofBiophilicDsn
LinkedIn. https://www.linkedin.com/company/journalofbiophilicdesign/
Instagram https://www.instagram.com/journalofbiophilicdesign
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Have you got a copy of the Journal? You can purchase a copy directly from us at the journalofbiophilicdesign.com or Amazon. If you like our podcast and would like to support us in some way, you can buy us a coffee if you’d like to, thank you x
Credits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all our podcasts.
Did you know our podcast is also on Audible, Amazon Music, Spotify, iTunes, YouTube, Stitcher, vurbl, podbay, podtail, and most if not all the RSS feeds?
Facebook https://www.facebook.com/journalofbiophilicdesign/
Twitter https://twitter.com/JofBiophilicDsn
LinkedIn. https://www.linkedin.com/company/journalofbiophilicdesign/
Instagram https://www.instagram.com/journalofbiophilicdesign
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There is strong evidence that strong green environments can improve educational outcomes as well as improving focus and concentration restoration levels, and for Nicholas Artherton, a chartered Landscape Architect and qualified Urban designer, Biophilic Design is a core tenet to create connections with natural elements and outdoor spaces through diversity, movement and multi-sensory interactions.
Nick is founder of Natural Dimensions, a multi-award-winning landscape architecture and urban design practice. For Nick, Biophilic Design is: “a way of incorporating into design a balance of ecological planning and planning for mental well-being and responding to systems which encourage human health.”
One of Nick’s most celebrated designs was for Merstham Park School where, Natural Dimensions were appointed to design extensive ground around a ground-breaking new pathfinder secondary school that is a template for low carbon technology and biophilic landscape principles.
From the entrance to the school and throughout the grounds, Natural Dimensions created a beautiful space with varied spaces incorporating many different habitats, spaces and an overall feeling of the school sitting within nature.
With a rich variety of planting, and so much thought gone into choosing a mix of species that change throughout the seasons, the school is nestled in a beautiful “hug” of colour, shapes and biodiversity. But not only is the landscape beautiful, with the deciduous trees, it maximises solar heating in winter and solar cooling in summer. Nick has also optimised the use and preservation of rainwater through some clever tech under the permeable pathways and planting areas which is then used for irrigation and recycling it for toilet flushing.
Nick shares his passion for increasing the awareness of Biophilic Design and believes it should be adopted as the de facto approach to design. In fact, he explains that he can't think of a better location into which to bring biophilic design than schools. With kids being super aware of environmental issues, Nick believes there is no better place for them to be really engaged in really well-designed schools, which represent those values for them, and encourage them to engage with environmental stewardship.
His view is that if you are advocating for responsible behaviour towards climate issues, and also mental well-being, it makes complete sense for schools to be the locations for that advocacy. He believes that they can act as community hubs because they are representatives of spaces where there is a focus for environmental stewardship, and that could reach out to the rest of the community.
Nick’s personal mission is to enable landscape architecture and urban design to be at the heart of development, with the many benefits it brings for all, including an increasingly important positive ecological impact. Natural Dimensions aims to help companies, organisations, communities and individuals reap the rewards of design in the form of landscape aesthetics and features, natural systems, environmental enhancement and the wellbeing of citizens.
With every design, new build, school refit or refurb we have a choice to make, and I think that Nick’s passion for creating well thought out, meaningful spaces and enlightened planning through the adoption of Biophilic Design prove that we can transform public sector design.
To find out more about Nicholas Atherton and his practice, Natural Dimensions, visit https://www.naturaldimensions.co.uk
Also come and see him speak at our conference www.biophilicdesignconference.com
Pick up a copy of his article in our EDUCATION issue of The Journal of Biophilic Design Ebook or lovely printed edition
Have you got a copy of the Journal? You can purchase a copy directly from us at the journalofbiophilicdesign.com or Amazon. If you like our podcast and would like to support us in some way, you can buy us a coffee if you’d like to, thank you x
Credits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all our podcasts.
Did you know our podcast is also on Audible, Amazon Music, Spotify, iTunes, YouTube, Stitcher, vurbl, podbay, podtail, and most if not all the RSS feeds?
Facebook https://www.facebook.com/journalofbiophilicdesign/
Twitter https://twitter.com/JofBiophilicDsn
LinkedIn. https://www.linkedin.com/company/journalofbiophilicdesign/
Instagram https://www.instagram.com/journalofbiophilicdesign
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Andrew Waugh is an architect with a passion for using sustainable materials in construction projects. His practice, Waugh Thistleton Architects, is a London based architectural practice producing thoughtful and sustainable projects both locally and internationally.
The practice is a world leader in engineered timber and pioneer in the field of tall timber buildings. Of particular renown is the Black & White building in London that has been short listed for a RIBA London Award in 2024. The build was described by RIBA journal as 'a major step forward for the development and construction industry’ and is the tallest engineered timber office building in central London.
In 2023, Waugh Thistleton were named Architect of the Year in AJ Architecture Awards 2023. The Architect's Journal recognised the practise for their long standing advocacy for timber saying that 'In the face of the climate crisis, Waugh Thistleton is a worthy winner for its ability to work within the constraints of very challenging policy yet create cutting-edge, sustainable architecture. Not only that, it is also prompting the whole industry to raise its game.’
In this podcast, Andrew explains the different types of engineered timber and how some have superior structural strength while others have the mass required to offer superior acoustic performance. The choice of materials, as he outlines, is determined by usefulness, cost and how they fit into an overall objective of using as few materials as possible.
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Andrew’s passion for the use of sustainable materials shines through as he explains how the wood used is sourced from forests planted with biodiversity in mind. The forests are not monoculture forests, they are planted with FSC of PEFC licences, and the harvest used for producing construction materials is a long way short of the overall capacity of the forests to produce sustainable timber.
From a biophilic design perspective, Andew details some of the many health and well-being benefits of using wood in the built environment. The better acoustics, the hydroscopic nature of wood creating better air quality and the calming properties of sawn timber are among the benefits discussed. He also describes how the external wood design, creates Solar shading on the building which reduces energy use for heating and cooling by about a third.
Talking of the Black and White building, Andrew says:
“IIt is important for us to ensure that this move towards low carbon construction, low carbon architecture is not a peripheral occupation. It is not just for birdwatching centres, and National Trust museums, it has to be mainstream. The entire building, which was built for a commercial company, Blackstone, is above the ground floor slab made of timber. So, it's timber staircases, timber, lift shafts, timber beams, columns, floor slabs, external wall curtain walling is timber, and the external cladding is timber as well. A completely timber building. It was built very quickly in 83 weeks. So very fast construction. It was cost equivalent to concrete. We were obliged to track the cost of the building all the way to tender with the main contractor against a concrete equivalent building and we were able to demonstrate that it was cost equivalent.
So fast, inexpensive, and letting extremely well - the client’s very happy, which is really nice.”
Each piece of timber has a QR code, so it can be placed exactly into place. So it’s not only fast but also quiet and clean. Put that against the usual cement trucks and building site cacophony. In fact the whole building took only 70 deliveries
The overriding message from Andrew’s advocacy of sustainable building, using the example of the Black and White building, is that using these technologies and approaches is a positive advance in construction with myriad benefits. It is no longer necessary to wear a metaphorical hair shirt to build in a way that is sympathetic to the environment. Fast, quiet and quick construction of modern buildings filled with biophilic design is the route to happy owners and happy occupants.
To find out more about the projects visit: https://waughthistleton.com
To download the free ebook he mentioned, click here:
https://info.thinkwood.com/download/100-uk-clt-projects
Have you got a copy of the Journal? You can purchase a copy directly from us at the journalofbiophilicdesign.com or Amazon. If you like our podcast and would like to support us in some way, you can buy us a coffee if you’d like to, thank you x
Credits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all our podcasts.
Did you know our podcast is also on Audible, Amazon Music, Spotify, iTunes, YouTube, Stitcher, vurbl, podbay, podtail, and most if not all the RSS feeds?
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Did you know for every £1 you spend on even simple Biophilic Design enhancements, you could get £2.70 back? So reveals the new research conducted by Joyce Chan Shoof Architect and Sustainability Lead at the UK Parliament.
Using a scientific approach with control environments, adding biophilic design elements to test the effect and then removing them to further test the effect of their absence, Joyce explains the rigorous approach she took over a seven-year period to arrive at her conclusion.
This is a phenomenal breakthrough for those of us working in Biophilic Design.
You can read the whole report here: https://plplabs.com/reap-what-you-sow-2/
And come and see Joyce present the research in person at Workplace Trends in London on the 18th April 2024 https://workplacetrends.co/events/wtrs24-prog/
We often have struggled trying to articulate the economic benefits of Biophilic Design, this research can be used to support arguments why businesses need it in the workplace.
Joyce has also developed a framework to help designers work out what we need and the impact it will have. Using existing frameworks, like the Flourish model (as advocated by Professor Derek Clements Croome) and others, she has woven a great new model we can all hang our designs on.
From a career as a practicing architect, Joyce explains that transferring to the client side within the Parliamentary Estate has been transformational in the way she sees building design from feasibility study through to construction. The change and the opportunity it gave her has inspired her to incorporate multidisciplinary approaches and to study the impact of taking a biophilic design on efficiency, productivity and well-being within the workplace.
Just like Goldilocks and the Three Bears, one interesting outcome that she highlights during the podcast, the study concludes that an immersive approach to incorporating Biophilic Design in the workplace is less effective overall than a more measured approach. But she explains that the immersive effect was preferred by people. The results showed that the moderate Biophilic Design intervention (that which we could normally advocate) seems to be the best.
Joyce sees academic rigour as an important part of her role when leading a complex development. Since 2017, she has been conducting this doctoral research with the Design School at Loughborough University, focused on Sustainable Well-being in the workplace with a particular interest in biophilic and social value. She is a keen advocate of how Architects can make positive impacts towards allowing people to live happier and healthier. Her team sits within the Design Authority who are a group of design professionals and specialists who are managing the estate in Westminster, and their objective is to inject new thinking into the adaptive use of new and heritage buildings within the Parliamentary Estate – a UNESCO site.
Parliament’s vision is amibitious; it aims to set an example to lead the early adoption of Zero Carbon (Scope 1, 2 & 3), Healthy Buildings, Social Value and Circular Economy through our own refurbishment projects and procurement. The team manages the design, construction and operations of the Parliamentary Estate of 20 buildings including the Palace of Westminster.
Joyce discusses her study of the economic benefits of incorporating a biophilic design approach to workspace and gives many insights into her approach and into how she found a way of attributing economic value to the benefits.
Her wish is that we reconnect with nature, the sources of food, the feeling of being part of nature rather than living lives that separate us from the natural world. She wishes that all of us benefit from an improved environment, and her research is a massive and welcome step in that direction.
To register for Workplace Trends and meet Joyce in person on the 18th of April 2024: https://workplacetrends.co/events/wtrs24-prog/
Reap What You Sow: What’s the value (£) of Biophilic Design? (14.40)
– Joyce Chan-Schoof (RIBA), PhD Research Researcher, Loughborough University and Sustainability Lead, UK ParliamentGiven employees are the largest cost for a business, to what extent can biophilic design save companies money by ensuring that staff are healthier and happier at work? We explore these questions by delving into the monetary benefits of biophilic design. This presentation presents new ways to capture the tangible well-being and environmental values of connecting with nature in the workplace. This project is part of a doctoral research project at Loughborough University in collaboration with PLP Architects, Benholm and Reading University. Joyce’s research is funded by the Design Star (AHRC), and the BCO sponsored the pilot study.
Read more and follow up on the research:
https://plplabs.com/wearables-in-the-workplace/
https://www.bco.org.uk/Research/Publications/Use_of_Wearables_In_The_Office_-_A_review_and_examples_in_practice.aspx
Have you got a copy of the Journal? You can purchase a copy directly from us at the journalofbiophilicdesign.com or Amazon. If you like our podcast and would like to support us in some way, you can buy us a coffee if you’d like to, thank you x
Credits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all our podcasts.
Did you know our podcast is also on Audible, Amazon Music, Spotify, iTunes, YouTube, Stitcher, vurbl, podbay, podtail, and most if not all the RSS feeds?
Facebook https://www.facebook.com/journalofbiophilicdesign/
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https://plplabs.com/reap-what-you-sow-2/
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The UK is one of the most nature-depleted countries and this fact is yet another reason we need more Biophilic Design included into urban planning, architecture, design, and every environmental facet of city and town life. Robert Delius, Associate Director, Architect and Head of Sustainability at Stride Treglown is doing just that. Aiming to maximise biodiversity through design, Robert has a passion to create an Eden, where buildings and landscapes come together and there's a feeling of abundance, where there's nature and birdsong and insect life and a powerful sense of well-being. Robert’s background in housing design and master planning has set him up in good stead to create good design and great places. Distinctiveness and place making are a thread through his career. He also has a particular interest in regenerative design and how great design can have a measurably positive impact on climate, ecology and people. In short, he is a brilliantly creative proactive advocate for Biophilic Design. He believes that forging a closer connection to the natural world, is extremely good for our well-being as well as being good for the planet and good for nature, and his passion for Biophilic Design is life-long. One of the projects he discusses is his Great Bow Yard project in Somerset from 2008. This had gained media attention because it had been flagged as the most energy efficient scheme in the UK. Having recently revisited the project, Robert notes that residents, are not only pleased with the low energy costs, but were actually most enthused by the shared garden and the feelings of well-being that stem from it being a beautiful spot. In this podcast, Robert talks of his background and upbringing and how that has led him to his passion for living in harmony with nature. He discusses how on his projects, and those of his colleagues, he always looks to introduce as many opportunities as possible for planting in designs, both internally and externally to reduce hard space and introduce a softer more natural element. This passion is carried through to the present day. As we said at the beginning, Robert is concerned to note that the UK is the most one of the most nature depleted countries in the world and this fact has inspired him, and others, to create a public event “Code Red for Nature” (link below), a funeral for nature in Bath on 20th April 2024. The event is open to all, even Chris Packham will be there supporting and Dan Pearson design studio will also be taking part. Great Bow Yard: https://stridetreglown.com/projects/great-bow-yard/ Code Red: https://www.coderedfornature.uk/ 2pm on Saturday 20th April 2024 in Bath, TAKE PART IN ONE OF THE MOST POWERFUL AND AMBITIOUS PIECES OF STREET THEATRE YET TO BE ENACTED ON BEHALF OF BIODIVERSITY LOSS If you like this, please subscribe! Please register for our newsletter on our website https://journalofbiophilicdesign.com/podcasts-journal-of-biophilic-design Credits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all our podcasts. Did you know our podcast is also on Audible, Amazon Music, Spotify, iTunes, YouTube, Stitcher, vurbl, podbay, podtail, and most if not all the RSS feeds? Facebook https://www.facebook.com/journalofbiophilicdesign/ Twitter https://twitter.com/JofBiophilicDsn LinkedIn. https://www.linkedin.com/company/journalofbiophilicdesign/ Instagram https://www.instagram.com/journalofbiophilicdesign
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Robert Gardner is CEO and Co-Founder of Rebalance Earth. With over 20 years of experience in the financial industry, he has a unique expertise in sustainability, pensions, and wealth management and believes that money can be a force for good.
Rebalance Earth, is a fund manager that redirects the flow of private capital to protect and restore Nature. Their mission is to drive the transition to a nature-based economy by enabling the flow of private capital to protect and restore nature. Rebalance Earth achieves this by creating opportunities for investors to achieve sustainable financial returns from projects to restore Nature.
Robert is passionate about the idea of “natural capital”. He believes that investment in the environment shouldn’t simply be about climate change but should take a broader approach. He sees a future in which biophilia is prominent and discussion of environment-conscious investment should include reduced biodiversity loss, rewilding, and all aspects of being in tune with nature.
Robert sees nature as the most valuable asset class on the planet. It provides everything from clean air to carbon capture and biodiversity; not forgetting that a balanced ecosystem is essential to create pollination and soil fertility for our food.
The investment community currently operates an extractive financial model that has been using all of nature's resources for free, not valuing them and, worse than that, destroying them. Rebalance Earth is taking steps to build and propagate a more sustainable, biophilic approach.
In this podcast, Robert talks about how he studied Geography at university and how his passions are hydrography and glaciology. He notes with sadness that a glacier he worked on as part of the Alpine Glacier Project during his studies is now gone. He sees glaciers as the canary in the coalmine of climate change and nature loss but sees the good news as being that this can be turned around with money used as a force for good.
Robert explains how his background, growing up in Holland and travelling all over the world with his parents led to his interest in geography and how is career in finance and 25 years of learning how money flows around the world has led him to establishing Rebalance Earth. He says that there is no point having a great pension if we have no coral reefs, rivers are filthy, there are no fish, and the air is polluted. There’s nothing to enjoy!
He sets out his idea that nature should be valued. He explains that assets have utility, scarcity and cashflow in order to be valued. He gives us the example of the humble bee and how it has been estimated that it would cost £1.8bn to pollinate crops if the bee were to disappear. Using this and other examples Robert observes that the concept of valuing nature is currently an intangible and how by making the intangible tangible, people will value nature and therefore will look after it. Because people look after things they value.
The five key problems that Robert sees in the UK are: Flooding, Drought, Water Quality, Biodiversity and Carbon. He goes on to detail how each of these problems represent significant opportunities for companies to make a return. The essence is the idea that companies can charge customers for reducing the customers’ risks across these areas.
He is excited by his dream that pension funds allocate 2% of their capital to invest in nature (enough to bridge the nature deficit), companies start paying for services to reduce risks from the five problem areas and the UK becomes a place worth living in.
It would be amazing if we all look at the successful ideas around the world, which Robert shares with us in the podcast, and see how they work, so we really see the value of investing in Nature. For instance, nature-based towns and cities, a countryside with nature back in it and a farming system that has nature at the heart of it. Once people see that it works they will do more.
Rebalance Earth: https://www.rebalance.earth/
White Paper: https://www.rebalance.earth/s/Rebalance-Earth-The-Nature-Opportunity.pdf
have you got a copy of the Journal? You can purchase a copy directly from us at the journalofbiophilicdesign.com or Amazon. If you like our podcast and would like to support us in some way, you can buy us a coffee if you’d like to, thank you x
Credits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all our podcasts.
Did you know our podcast is also on Audible, Amazon Music, Spotify, iTunes, YouTube, Stitcher, vurbl, podbay, podtail, and most if not all the RSS feeds?
Facebook https://www.facebook.com/journalofbiophilicdesign/
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The British Institute of Interior Design (BIID) is the only professional institute for interior designers in the UK. Our growing membership represents both the commercial and residential sectors, from heritage to cutting edge. In addition to rigorous entry requirements which assess training, experience and professionalism, they require our members to continue their professional development throughout their career to ensure their continued expertise in design process, practice and regulatory matters.
For those wishing to find an interior designer or to confirm the credibility of a potential interior designer they offer a directory of our Registered Interior Designers.
Each year BIID celebrates the very best of British interior design through its awards program. The BIID Interior Design Awards showcase the best interior design projects completed across the UK.
Winners are awarded across 7 regional categories ranging from the largest commercial project to the smallest residential dwelling. In addition, there are two landmark prices – the Interior of the Year Prize, which is awarded to the best interior design project in the UK and the Anna Whitehead Prize, which is awarded to the best achievement in sustainable interior design. 9 awards will be given out in total, along with acknowledgements of Highly Commended projects.
In this podcast, we are joined by two previous award winners and one of the judges of this year’s awards to discuss the value of the awards programme. If you are reading this on an RSS feed, try and visit https://journalofbiophilicdesign.com/podcasts-journal-of-biophilic-design to view the visuals from these brilliant projects.
James Gavigan is co-founder of House of Kin (houseofkin.com) who were the Greater London winners for 2023 with their Riverside project. The Riverside is a unique nursery that preserves the character of the original church building, whilst combining clean aesthetics, soft colours, and simple lines with homely and interactive touches. The judges praised its harmonious and child-friendly design, emphasizing sustainability with cork-clad walls, wood waste flooring, and recycled plastic bottle tiles. The space is imaginative, thoughtful, and perfect for children's learning and growth.
Susie Pfeiffer founded Pfeiffer design who won the Anna Whitehead Prize in 2022 for their design studio. The studio was designed with sustainability at the forefront; it uses a wide range of the latest sustainable technologies, sourced locally and is an inspiration to others looking to use similar sustainable elements within their own homes and offices.
Asif Din is one of the judges for the 2024 awards. He is the Sustainability Director at Perkins & Will. He has worked across the world as an architect and is a keen advocate of Zero Carbon design projects and the use of circularity in design.
Susie and James explain the importance to them, as past winners, of the BIID awards. How, the bring kudos and opportunity to their businesses but also how they bring the design community together and elevate design standards, especially when talking about sustainability and fostering creativity so that design doesn't become bland.
From a judge’s perspective, Asif comments on how it is often clear that biophilic aspects such as sustainability and environmental factors have been considered from the start as clear elements in any project. Such projects stand out and are key to achieving success at the awards.
Throughout the discussion it is clear that just adding sustainable materials to a design doesn’t make the overall design sustainable. Consideration has to be given to materials being appropriate for the design; the design can’t simply include “box-ticking” elements.
Durability is mentioned as a major factor in materials choice for many sustainable designs.
The participants are all clear that a sustainable design doesn’t involve a compromise on aesthetics. Indeed, taking a biophilic approach to design can enhance the look and feel of a space and contribute to a deeper, more meaningful aesthetic that resonates with the principles of balance with nature.
Overall, the conversation brings to the fore the joy and inspiration that great design that fully embraces biophilia brings to those who use the spaces created. Oh, and you might also win kudos and recognition in the form of a BIID award!
https://biid.org.uk/biid-interior-design-awards
https://biid.org.uk/winners-23
https://biid.org.uk/judges
Chapel Barn: https://www.pfeifferdesign.co.uk/our-approach/sustainability/
Riverside: https://biid.org.uk/design-practice-house-kin
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Steve Tonkin is the Dark Sky Advisor to Cranborne Chase National Landscape, in Wiltshire. Cranborne Chase is a designate Area of Outstanding Natural Beauty that, since 2019, has been recognised as an International Dark Sky Reserve.
Steve can pinpoint 4 October 1957 as the first became aware of dark skies. His family were, at the time, living 8 miles outside Bulawayo, Zimbabwe and his father took him outside to see if they could see Sputnik which had been launched the previous day. It was his first time looking up at a pristine dark sky and it triggered a life-long passion for astronomy which has made him aware of the effects of light pollution, and he has been raising the issue with anyone who will listen for the last 30 years.
After a first career as a telecommunications engineer, he did a BSc in Human Environmental Studies, then postgraduate work in technology policy, before training as a teacher. He taught physics, maths and astronomy in a variety of settings for 35 years, before retiring from teaching to concentrate on astronomy outreach activities. He has written several books on practical astronomy, has a monthly column in BBC Sky at Night Magazine, and is a regular speaker on astronomical topics.
Starting with a programme he made for BBC Radio Bristol in the 1980s, Steve has long been an advocate of reducing light pollution. He supported the Cranborne Chase’s International Dark Sky Reserve bid as a volunteer, taking sky quality readings and supporting the stargazing evenings by giving talks and showing people the night sky. His primary task as Dark Skies Advisor is to continue and consolidate the good work that has already been done and strengthen the Cranborne Chase’s standing as an International Dark Sky Reserve.
Light pollution is a global issue. The pollution itself is known to affect human health and wildlife behaviour and that is before considering the wasted energy involved in sending light upwards instead of downwards to where it is required. To take a Biophilic approach to the design of lighting is to reduce light pollution with direct and indirect benefits to nature.
Steve explains that there are 21 International Dark Sky Reserves across the world that have been recognised as being of distinguished quality. He explains that these spaces are not about no lights but about the right light in the right place at the right time to preserve the area for heritage, educational and enjoyment purposes.
Dark skies are relative. A truly dark sky is defined by Steve as one in which the Milky Way galaxy casts a shadow. In the context of Cranborne Chase, it means the ability to see the Andromeda galaxy with the naked eye. Steve expresses his excitement at being able to see something that is 2.5 million light years away and has been visible to earth since before humans were even around and was visible to all humans ever until light pollution started to be introduced 200 years ago.
Steve explains in some detail why it is important to take account of the circadian rhythm of light and darkness and how there is always a negative effect of introducing artificial light. He discusses the impact on the reproductive cycle of birds and relates that 8 to 10 million birds a year are killed by lit communication towers.
Moving to humans, Steve tells of studies linking light pollution to
· increased susceptibility to cancer;
· increased incidence of obesity, diabetes and hypertension due to the impact of poor lighting on leptin levels (leptin being the hormone that tells you if you feel full);
· the impact of the wrong sort of light on mental and physical health; and
· the huge reduction in insect life (both pollinators and composters) and its impact on food production.
Across a wide range of examples Steve explains how the wrong light can have disastrous consequences. He introduces the idea that not all light is the same and sets out what to look for in order to achieve healthy lighting.
Steve enumerates the five principles of responsible lighting:
1. if lighting doesn’t have a clear purpose, don’t do it
2. lighting needs to be targeted
3. don’t use light brighter than is needed for the task
4. use as warm colour as possible (i.e. low colour temperature)
5. only have lighting on when it is needed
This leads to a fascinating discussion of lighting design, how it has improved over the last 30 years and of ways to achieve better lighting solutions.
Listening to Steve, you learn that Dark Sky movements are not just to keep astronomers happy. It is really a heading that focusses thinking on lighting design and the health and environmental benefits of biophilic lighting design.
https://darksky.org/Darkskies.uk
https://darksky.uk/
https://britastro.org/dark-skies/
THE DARK SKY MANIFESTO - JOHAN EKLÖF
Publisher: https://www.penguin.co.uk/books/447865/the-darkness-manifesto-by-eklof-johan/9781529116106
Kindle: https://www.amazon.co.uk/Darkness-Manifesto-pollution-threatens-ancient-ebook/dp/B0B41NCKRY/ref=tmm_kin_swatch_0?_encoding=UTF8&qid=&sr=
Have you got a copy of the Cities issue of The Journal of Biophilic Design (you can purchase a copy directly from us at the journalofbiophilicdesign.com or Amazon. If you like our podcast and would like to support us in some way, you can buy us a coffee if you’d like to, thank you x
*due to bereavement at the JBD HQ there has been a delay in the final editing, many apologies. But like a late flowering bloom, there is much to be learnt from this podcast, and we are incredibly grateful for Morgan and Greengage’s expertise and patience. x
Credits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all our podcasts.
Did you know our podcast is also on Audible, Amazon Music, Spotify, iTunes, YouTube, Stitcher, vurbl, podbay, podtail, and most if not all the RSS feeds?
Facebook https://www.facebook.com/journalofbiophilicdesign/
Twitter https://twitter.com/JofBiophilicDsn
LinkedIn. https://www.linkedin.com/company/journalofbiophilicdesign/
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Morgan Taylor leads the biodiversity side of Greengage, a multidisciplinary environmental consultancy who cover everything from energy and carbon assessments, sustainability, health, wellbeing, socio-economic assessment, and EIA management as well as the whole gamut of biodiversity assessment through to planning.
As designers, architects, or planners, we all need to be mindful of the impact our ideas, advice and decisions have on the world around us. We recorded this interview in the summer last year* Their work is focused outside of the legislative and planning policy sphere in the world of natural capital and ecosystem service value assessment. So rather than working with developers where they are only brought in because there is a potential impact on biodiversity in the first place, they're working with a lot of people with regards to asset management, land management, informing how financial capital is put towards recovery of natural capital across managed assets.
We’ve got hundreds, maybe thousands of years of degradation and we need to take measures and understanding to address the impacts of our actions, and account for the significant loss of biodiversity particularly since the Industrial Revolution.
Morgan outlines all the different levels of legislation and planning policy that impact biodiversity in the built environment. He highlights three aspects of legislation and regulation that particularly drive positive change:
1. the Wildlife and Countryside Act.
2. The Habitats and Species Conservation Regulations, and
3. the Environment Act, which is from 2021.
These three pieces of legislation, he says, drive most actions with regards to protected species, protected habitats and importantly, the Environment Act is the legislation that will require all new development as of November 2023 to deliver measurable gains in biodiversity.
Morgan explains how Greengage guide development and design teams to incorporate biophilic design into their projects to improve biodiversity and meet the legal requirements. He explains that the scope can be as narrow as simply integrating swift boxes and house sparrow boxes or as broad and complex as approaches such as recreating woodland.
Moving away from the regulatory “stick”, Morgan explains how the requirement for financial disclosure by FTSE 100 companies resulting from the Taskforce for Climate-related Financial Disclosure (TCFD) has created a “carrot” where positive disclosure on areas such as urban heat islands, surface water and all aspects of climate change can improve the prospects of securing investment.
Greengage, says Morgan, are particularly excited about the sister disclosure recommendations from the Taskforce for Nature-related Financial Disclosure (TNFD). With a similar “carrot” companies benefit from how they implement biophilic design and how the economic benefits improve investor return.
He lays out in some details the potential for improved building performance that comes from delivering a living roof in terms of energy performance for both cooling and heating, reduced surface water meaning lower flood risk and contributions to net zero strategies.
The approach Morgan outlines is focused on the key driver for business, capital growth, and explains how biophilic design and improved biodiversity help them achieve that fundamental goal as well as being able to be proud of their green credentials.
Morgan expands on his theme covering urban and rural developments and the application of a biophilic approach in many aspects of ecology. He concludes with his personal desire to see an integrated green infrastructure in which grasslands take the place of lawns and the landscape in both town and country is managed as a habitat for nature rather than predominantly as a human playground.
To find out more visit
https://www.greengage-env.com
Have you got a copy of the Cities issue of The Journal of Biophilic Design (you can purchase a copy directly from us at the journalofbiophilicdesign.com or Amazon. If you like our podcast and would like to support us in some way, you can buy us a coffee if you’d like to, thank you x
*due to bereavement at the JBD HQ there has been a delay in the final editing, many apologies. But like a late flowering bloom, there is much to be learnt from this podcast, and we are incredibly grateful for Morgan and Greengage’s expertise and patience. x
Credits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all our podcasts.
Did you know our podcast is also on Audible, Amazon Music, Spotify, iTunes, YouTube, Stitcher, vurbl, podbay, podtail, and most if not all the RSS feeds?
Facebook https://www.facebook.com/journalofbiophilicdesign/
Twitter https://twitter.com/JofBiophilicDsn
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Instagram https://www.instagram.com/journalofbiophilicdesign
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We speak with Marco Gastoldi, interior designer and Associate at Gensler, who in collaboration with some amazing partners have created the theme of the Workspace Design Show in London this year. The Theme is “Bloom”, and we speak in this podcast about the growing awareness of Biophilic Design, how it has environmental and psychological benefits, that it is based on science, neuroscience and also the many different ways of integrating nature in the built environment.
Marco celebrates the fact that Biophilic Design is important for us, that we have a primordial innate connection to nature, an instinct. This connection produces hormones that support feelings of belonging and collaboration which are crucial to performance and connection. Humans are biological organisms and Biophilic Design supports the mind body system in terms of health and wellbeing.
“Deep down we are aware that our connection to nature is vital. We forget that recreation is recreating and restoring ourselves. We spend 90% of our time indoors and there is so much data and evidence to prove that Biophilic Design is good in the workplace. For instance the Human Spaces report that proves Biophilic Design can improve productivity by 6% and creativity by 15%. We know that connection with nature, improves individual self-esteem and mood, the presence of water for example creates a relaxing and calming effect.”
Marco also talks about Ecological Balance Theory which refers to how we prefer nature resembling colours like green and blue, but not all natural environments are green, so it’s also important to tailor to local colour pallet and ecosystems – so it’s place based.
Marco also shares quite a few examples of where Gensler has installed Biophilic Design. For instance views that integrate nature in the environment, that connect people, to bring them together in moments of wonder. He talks about the permeability of outside and inside and the power of Micro restorative experiences. These are small pockets of nature, which might be more accessible than large interventions allowing frequent exposure to small intervention results in compounded restoration response. When a long exposure to nature can’t be achieved, positioning Biophilic interventions along areas of high levels of traffic is beneficial. The Workplace survey carried out by Gensler research institute in 2023, allows Gensler to look at the data and help shape certain choices. You can read it here LINK
Biophilic Design can help companies meet the BREEAM and WELL certifications.
BREEAM is the widely used environmental assessment method and certification for buildings. It evaluates and certifies the sustainability performance of the building, on criteria such as energy efficiency, material selection and ecological impact. Biophilic Design helps in a positive way by creating indoor environments beneficial to health and wellbeing as well as ecology. Integration of Biophilic Design supports energy efficiency, comfort of the occupiers, overall sustainability and therefore aligns with the overall BREEAM code.
WELL is a performance-based system for certifying features in the built environment that impact human health and wellbeing, building design and construction as well as operation. So it looks at air quality, water, fitness, light and comfort, and obviously Biophilic Design interventions supports companies in achieving all these, for instance introduction of natural light, access to outdoor views and greenspaces.
We also chat about making #biophilicdesignawarenessday National Holiday..
Marco is speaking at the Workspace Design Show in London on 28th February 2024, free entry. The title of the panel is :Bringing energy back to the workplace, nurturing social capital and increasing happiness/productivity in the workspace" https://workspaceshow.co.uk/speaker-marco-gastoldi https://workspaceshow.co.uk/workspace-design-talks-2024
To buy a copy of The Journal of Biophilic Design visit our website www.journalofbiophilicdesign.com or from Amazon. If you like our podcast and would like to support us in some way, you can buy us a coffee if you’d like to, thank you x
Credits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all our podcasts.
Did you know our podcast is also on Audible, Amazon Music, Spotify, iTunes, YouTube, and most if not all the RSS feeds.
Facebook https://www.facebook.com/journalofbiophilicdesign/
Twitter https://twitter.com/JofBiophilicDsn
LinkedIn. https://www.linkedin.com/company/journalofbiophilicdesign/
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How do we design schools so not only children are inspired, teachers want to come to work, places are healthy, the building sustainable, the landscape regenerative, and supports biodiversity? The answer is Biophilic Design. De Verwondering is a primary school in the Netherlands, designed by architecture firm ORGA. The design won the 2023 Stephen R. Kellert Biophilic Design Award from Living Future Europe in 2023, and justifiably so and is featured in the Education issue of The Journal of Biophilic Design.
The name of school means ‘sense of wonder’ or 'amazement', referring to the sensation of curiosity in children that is triggered when they come into contact with the natural world. Any parallels with ‘The Sense of Wonder’, Rachel Carson’s timeless publication from 1960, are coincidental, but both very much speak to the same sentiment.
In this podcast we speak with Gijs Bruggink, Chef de bureau of ORGA and discuss the importance of using Natural building materials, and how we need to push boundaries for sustainable and regenerative buildings.
Gijs describes the school for our listeners, and you can see visuals of it here on the Journal website. There are three squares, with a triangular area between them, leaf shaped roof across it central area for the kids, there are big wooden steps up to the second floor, a specially designed naturally playground around he school, and there’s lots of greenery. Plus the façade has big wooden grids which allow climbing plants to grow up, so the whole school will be covered in green. There are columns in the central area, stripped tree trunks carrying the structure, sanded and oiled. Plus there is natural ventilation, separate access hatch, outlets, where a chimney effect draw fresh air 24hrs a day into the building smell of new cut grass, or smell of rain on the earth.
The difference the Biophilic Design of the school has made to the teachers, staff, and children is phenomenal, and it also shows when an organization wants to do something better with nature deeply embedded into it right from the start of the project. The difference it can make to the business, the reduction of staff and student absenteeism, the improved recruitment, overall wellbeing, air quality, acoustics and so much more.
Generally, clients are seeing the benefits of Biophilic Design, and more and more Gijs and his firm are working with them from the start, rather than fight the battle.
“It is an interesting time for designers. There are a lot of problems which need solutions nowadays with climate change and biophilic design just has a lot of answers. Not only is it beautiful but it's interesting from the health perspective and it's beneficial from a business perspective because if your users of the building are able to perform better to be more productive and they feel better, it's good for your business. There's a lot of research and science supporting these these ideas and these benefits,” says Gijs.
One of the wonderful things about the Der Verwondering design is that they have created a really healthy learning environment for children and the people working there to help them get a good education. There are also all sorts of connections to nature in the building which builds affinity with nature, and children can discover things on their own, they have a natural adventurous inquisitive nature.
We also discuss how wood lasts a really long time, and how you can use different types of wood and natural wood finishings that protect the materials of your buildings.
The Principal was at the previous school and now also at this one, and has said that the children are right at home right away in the new school with no long adjustment period. They kids can really focus on work after a break outside in nature and this focus is a big change than before. There is less absenteeism and attendance a lot better, so that along with improved recruitment it makes financial sense too.
To read more about it and see more images, Gijs also wrote in our Education issue of The Journal of Biophilic Design Printed copy https://journalofbiophilicdesign.com/shop/pre-order-journal-of-biophilic-design-issue-7-education-paperback-printed-version
Ebook PDF. https://journalofbiophilicdesign.com/shop/olwe3aq4uukmg3k3o65o1n4k1fhvww
ORGA architect: https://www.orga-architect.nl/
Gijs Bruggink: https://www.linkedin.com/in/gijsbruggink
A quote from Gijs article in Education Issue 7 of The Journal of Biophilic Design
Printed copy https://journalofbiophilicdesign.com/shop/pre-order-journal-of-biophilic-design-issue-7-education-paperback-printed-version
Ebook PDF. https://journalofbiophilicdesign.com/shop/olwe3aq4uukmg3k3o65o1n4k1fhvww
“The school as a biotope - The way the spaces in the building work together is analogous to the system of natural habitats: shared spaces in nature that allow species to both thrive and coexist. Pupils spend most of the time in an ‘ecotope’ with children of the same age, the classroom. Three clusters of classrooms, including a small gym and an outdoor classroom on the roof form ‘habitats’ where pupils meet children of adjacent ages. A couple of times each day they venture outside of the familiar surroundings of the habitat, into the larger ‘biotope’ of the school complex. For example, to the central gathering area for school meetings or to the playground outside, where they can learn more about nature and the world.”
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Dr Leighton Phillips Director of Research, Innovation and University Partnerships for the NHS Wales, Honorary Professor Aberystwyth University, and director on the Hywel Dda University Health Board joins us to share how they are bringing in Biophilic Design into healthcare in South West Wales. Part of his role is about questioning what we want the future to look like.
Dr Phillips shares with us how fundamentally important the natural environment is, how it profoundly influences our health and wellbeing. What he finds captivating about biophiilc design, is that there is an opportunity. “With over 1200 hospitals, and a million staff and nearly everyone in the UK having some interaction with the NHS services just imagine the health and planetary impact of the NHS embracing biophilic design.”
Hospitals historically have been designed with a particular modernist design approach, where it was thought that clinical settings which were white, were sterile. Of course, sterile environments are exceptionally important, but these environments do not put us at ease. We feel stressed in that setting and it doesn't aid recovery if we are talking about our hospitals.
Then if we consider that 90% of us interact more with primary care, the same can be true there. Leighton suggests that we can still maintain safe clean fantastic clinical environments while introducing colour, introducing fresh air, views of nature. We should not compromise all that we knew was good within that modernist period, but we can harness, within our current estates, the things that we know promote health and well-being and use every investment decision that we make as large organisations to do more of that, to support people and create environments that aid their recovery. Embracing the concept of Biophilic Design will drive this change.
The 10 year strategy with millions spent on healthcare infrastructure, which also sets out the future of healthcare, INCLUDES the aim to undertake activities promoting health and wellbeing. “We do more than provide services in hospitals and healthcare facilities.” It is important, he says, to “accept a wider role, in promoting health and wellbeing, and that the Biophilic approach and design is part of that. Biophilic Design keeps people healthy and well. Giving people access to fresh air, ability to walk in green spaces.” It is also important for staff to have their own decompression time, whether it is in the facility or in their own environment. Biophilic Design can help blur these boundaries personal and professional life, how we spend our time outside of work influences how we spend time in, and vice versa.
A change is happening
Things are changing in the UK, looks at the new Alder Hey Children's Hospital Trust in Liverpool, England, or the new Velindre Cancer Centre in Wales, these include the principles of Biophilic Design. While we can and should plan and build new hospitals inspired by Biophilic Design, we should also bear in mind that we still have to live with the current estate because that will still be with us. We're living with facilities that result from choices made 60-70 years ago. There's still life in those buildings and patients will still receive care, so we should also be mindful how we re-design and renovate our current estates as well. And if you think about it, ensuring success within current estate will give people the confidence to make wider changes.
Change happens within organisations because people want it and understand it. Of course you need high level ownership, but it filters down through the tiers of the organisation. To make a real shift you need 100s of people taking this on board, taking it into their personal day to day responsibility. Working with Professor Geoff Proffitt of Swansea University, Dr Phillips and his team have been adopting action learning, the application of knowledge approach. By bringing professionals together, from architects to medical professionals, building engineers, etc, they took them through a structured process over a few months. It was important that they step out of their busy environment and afford them some time to open their minds to biophilic design, and then critically to take that into their day jobs. To think about how a different future could look for our built environment.
How do we think differently?
Green groups and others within the organisation are starting to run with it. They have the National Botanical Garden of Wales on doorstep. “We are directly working with them on biodiversity and creating spaces for staff and patients to spend time in, and I believe to evidence change sustains the change and motivates people.” Show them this rapid evidence.
How do we encourage this take up on a wider scale? Show people and through every investment decision.
“Show people the positive impact biophilic design has. There is a pool of people out there who know the powerful impact that the natural world has on us. Within the Trusts or organisations, keep it real and applicable, ask them what environment they would like to work in, what are the restrictions, argue the case for change, they will have the answers.
Also, think about every investment decision as an opportunity, try and remember that you are working in systems that are under a lot of pressure, where creating space to think about how that environment can change in the future is difficult. Think how can Biophilic Design can be part of hundreds of discussions. Recognise every opportunity. Every investment decision is an opportunity. Think about the value that Biophilic Design delivers within healthcare, and all aspects of life.”
Regarding procurement, how do we value longer term investment, and battle all those tensions within a financially constrained organisation, there are tough discussions, and the supply chain has a duty of care as well, not to just peddle the same chairs, but to offer other options. We all need to be working together.
“Action learning is so important, bring all experts around the table, we do this journey together”.
To find out more about the projects Leighton is involved in visit https://hduhb.nhs.wales/
To buy a copy of the Healthcare issue that Leighton has written about this action learning programme he and his team have been running in the NHS West Wales, visit this link for the Ebook version https://journalofbiophilicdesign.com/shop/journal-of-biophilic-design-issue-3-healthcare-hospitals
or this one for the printed version https://journalofbiophilicdesign.com/shop/journal-biophilic-design-healthcare-design-magazine
To buy a copy of The Journal of Biophilic Design visit our website www.journalofbiophilicdesign.com or from Amazon. If you like our podcast and would like to support us in some way, you can buy us a coffee if you’d like to, thank you x
Credits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all our podcasts.
Did you know our podcast is also on Audible, Amazon Music, Spotify, iTunes, YouTube, Stitcher, vurbl, podbay, podtail, and most if not all the RSS feeds?
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From designing a detailed picture of the New York Skyline in moss to how we need to design with biophilia for helping mitigate climate change this great podcast with Lily Turner explores how we are just starting to realise the very real benefits that Living walls can bring to our cities, and our work and healing spaces.
Lily Turner is an environmentalist, biophilic designer and living wall specialist. She's also director of green walls at Urban Strong, the design build maintenance firm offering services for green building technology solutions. In 2013, she co-founded urban blooms a non-profit to bring large scale, publicly accessible living walls to dense urban environments. It was after Hurricane Katrina she was rebuilding homes, restoring landscapes, repairing drip irrigation systems and fields and got to do a lot of great community projects and inspired her to launch urban blooms, which aims to bring greenery back into the built environment to benefit people in the community.
We chat about sustainability, and how policy and regulation is needed to implement green spaces, an also how “new language and concepts need to be introduced. Sustainability has become rhetoric and clouded our view of the actual state of things in our products. So adding to our lexicon is also a major part of it.” Lily also advocates like we do, that it is vital to “break down silos when looking at the built environment. Adopting a more collaborative and holistic approach, is really the only way forward. If we look at Singapore's journey, I think it represents an actual a nice beacon of hope and their government's response should be seen as inspiring to the United States and other major offenders around the world.” Shifting our lexicon from just sustainability to regeneration will also shift people's behaviour and also create more awareness.
As well as the political, we speak how Living Walls and preserved moss walls can be seen as striking forms of art, especially when you add a frame or incorporate colourful foliage, and how they offer a myriad of environmental, psychological and physiological benefits as well.
Lily has been working with Biophilic Design for almost 10 years. It has to be the way forward, it has to happen. “I don't know how we're going to survive without it.”
We also discuss the practical benefits plants bring, from creating relative humidity, especially if they're of scale and how you just feel more relaxed. When you bring that into a high stress environment, like an office or even a rehabilitation institution it is extremely important. “And I think we'll see this more and more as our healthcare system changes. And our education systems change as well.”
Even a sightline view to the outdoors, we know there's significant benefits, you have reduced stress levels. Direct connection to nature is one of the most powerful of the Biophilic Design Patterns, being surrounded by something natural and green can boost productivity, enhance creativity and cognitive function, and ultimately that leads to increased sales so there's also ROI associated with that. “If people aren't sold on environmental or the aesthetic benefits, let's look at the ROI and try to push that conversation forward And then also just having a statement Living Wall in your lobby or office you're communicating this message of progressiveness and sustainability to your investors, your clients, your partners, everyone involved in supporting your company.”
To find out more about Lily and her work visit: https://urbanstrong.com
Her work features in our “Cities” issue of the The Journal of Biophilic Design, it is a case study of multi-sensory living wall that UrbanStrong installed in a corporate office in New Jersey.
https://journalofbiophilicdesign.com/shop/journal-of-biophilic-design-issue-4-cities-ebook
To buy a copy of The Journal of Biophilic Design visit our website www.journalofbiophilicdesign.com or from Amazon. If you like our podcast and would like to support us in some way, you can buy us a coffee if you’d like to,thank you x
Credits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all our podcasts.
Did you know our podcast is also on Audible, Amazon Music, Spotify, iTunes, YouTube, Stitcher, vurbl, podbay, podtail, and most if not all the RSS feeds?
Facebook https://www.facebook.com/journalofbiophilicdesign/
Twitter https://twitter.com/JofBiophilicDsn
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