Episódios
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Lauren Oyler is one of our rowdiest and sharpest literary critics, twice causing the LRB website to crash from too much traffic, and author of the novel Fake Accounts. No Judgement is her first collection of non-fiction; a series of interlinked essays connecting internet gossip, the attention economy, and the role of criticism.
Oyler is in conversation with journalist and cultural commentator Leo Robson.
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Three of Wales' best contemporary writers in an early St David's Day celebration of Wales in words. Novelist Joe Dunthorne, National Poet of Wales Hanan Issa and Carnegie prize-winning novelist and playwright Manon Steffan Ros explore the country's literary history, share its less-known treasures, and discuss the meaning of 'Welshness' today, in a one-off conversation with readings. The event was curated by Hay Festival as part of Wales Week in London.
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Fernanda Eberstadt’s Bite Your Friends is both a history of the body as a site of resistance to power, and a subversive memoir, drawing on a cast of outrageous heroes including Diogenes, Saint Perpetua, Pasolini, Pussy Riot and the political artist Piotr Pavlensky, who nailed his scrotum to the pavement of Red Square to protest Vladimir Putin’s tyranny. Eberstadt was joined at the Bookshop by critic and novelist Olivia Laing, whose latest book The Garden Against Time (Picador) is forthcoming in May 2024.
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When Clair Wills was in her twenties, she discovered she had a cousin she had never met. Missing Persons, or My Grandmother’s Secrets is a detective story, memoir and cultural history of Ireland’s Mother and Baby homes. ‘Attending to the ways that the past ruptures and grows through the present’, writes Seán Hewitt, ‘this is a history shaken by intimacy – a brave and rigorously humane book.’ Wills was joined in conversation with Alice Spawls, editor of the LRB and co-editor of After Sex (Silver Press).
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Alexandra Harris has previously cast her probing critical eye over poetic and artistic responses to English weather (in Weatherland), and English art of the 1930s and 40s (in Romantic Moderns); now, in The Rising Down (Faber & Faber) she turns it on the West Sussex landscape of her childhood, revealing the layers of buried lives beneath a familiar landscape in a work which the Independent has described as ‘scholarship at its life-enhancing best’. Harris was in conversation with essayist and critic Laurence Scott, author of Picnic Comma Lightning and The Four Dimensional Human.
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Frantz Fanon was only 36 when he died in 1961, but his books and ideas – from White Skin, Black Masks to The Wretched of the Earth – have proved lastingly influential. Adam Shatz’s The Rebel’s Clinic is both a biography of Fanon and an in-depth study of his writing.
Shatz, the US editor of the London Review of Books and the author of Writers & Missionaries, was joined by Kevin Okoth, author of Red Africa: Reclaiming Revolutionary Black Politics.
Listen to Adam discuss Fanon with Judith Butler on Close Readings: https://lrb.me/fanonhc
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At the time of his death in 2017, the architectural critic and historian Gavin Stamp (Private Eye’s ‘Piloti’) had nearly completed his monumental survey of British architecture between the world wars. His wife, the writer and historian Rosemary Hill, has edited the text for publication. Interwar: British Architecture 1919-1939 (Profile) is a refreshing reassessment of the period which looks beyond modernism to give a broader picture of an age of turbulence and contradiction.
Hill was joined in conversation with Rowan Moore, whose most recent book is Property: The Myth that Built the World (Faber).
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In Revolutionary Acts (Faber), Jason Okundaye meets an elder generation of Black gay men and listens as they share intimate memories and reflect upon their lives. Through their conversations he traces these men's journeys and arrivals to South London through the seventies, eighties and nineties from the present day, seeking to reconcile the Black and gay narratives of Britain. Okundaye was in conversation with Mendez, author of Rainbow Milk and contributor to the London Review of Books.
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Within the British music scene, recent years have borne witness to underground genres emerging from the inner cities, going on to become some of the most popular music in the nation. In Where We Come From, journalist Aniefiok Ekpoudom travels the country to explore the dawn, boom and subsequent blossoming of UK rap and grime. Taking us from the heart of south London to the West Midlands and South Wales, he explores how a history of migration and an enduring spirit of resistance have shaped the current realities of these linked communities and the music they produce. These sounds have become vessels for the marginalised, carrying Black and working-class stories into the light. Ekpoudom was joined in conversation with Gary Younge, journalist and author of Dispatches from the Diaspora.
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Laleh Khalili’s new book The Corporeal Life of Seafaring (Mack) draws on her own experiences to describe with care and imagination the material and physical realities of contemporary commerce at sea, detailing (in the words of Steve Edwards) ‘the labouring bodies – hands, legs, and eyes; flesh and soul; suffering and solidarity – that make the world go round. In the process, the connections and divisions of the world economy come into view.’ Khalili was in conversation with LRB contributing editor James Butler, the co-founder of Novara Media.
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Fleur Adcock’s sly, laconic poems have been delighting audiences since her 1964 debut The Eye of the Hurricane. Her Collected Poems draws together the work of sixty years; as Fiona Sampson writes, ‘Informality and immediacy are good ways to remake a world; and Adcock’s style has not dated in the half-century since her debut.’ Adcock was joined in conversation at the Bookshop with her publisher, Neil Astley, and read from her Collected Poems.
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Holly Pester discusses her debut novel, The Lodgers, with Nathalie Olah.
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‘Here is a wasteland / of parched aesthetics / patched up with modern tubes’ – Rachael Allen’s long-awaited second collection, God Complex, is a long narrative poem describing the breakdown of a relationship against a backdrop of environmental degradation and toxicity. In this episode, she reads from the collection and was joined in conversation with the poet Lucy Mercer, whose first collection is Emblem (Prototype, 2022).
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Lara Pawson discusses her new book Spent Light with Jennifer Hodgson.
Find out more about London Review Bookshop events: www.londonreviewbookshop.co.uk/
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Paul Muldoon reads from and talks about his collection Howdie-Skelp.
Find out more about London Review Bookshop events: www.londonreviewbookshop.co.uk/events
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‘Our history of giving up – that is to say, our attitude towards it, our obsession with it, our disavowal of its significance – may be a clue to something we should really call our histories and not our selves’, wrote Adam Phillips in a 2022 LRB piece, ‘On Giving Up’. Now developed and expanded into a book of the same title, Phillips illuminates both the gaps and the connections between the many ways of giving up, and helps us to address the central question: what must we give up in order to feel more alive? Phillips was joined in conversation by Dame Hermione Lee.
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Lavinia Greenlaw’s new book The Vast Extent is a collection of ‘exploded essays’, about light and image, sight and the unseen, covering wide territories with the scientific precision and ease of access which characterises her poetry. She was joined by Jennifer Higgie, author of The Other Side: A Journey into Women, Art and the Spirit World.
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Seán Hewitt’s new poetry collection Rapture’s Road follows hard on the heels of Tongues of Fire – the winner of the 2021 Laurel Prize – and the bestselling memoir All Down Darkness Wide. Like its predecessors, the collection confronts dark and difficult subject matter in startlingly beautiful lyric language, ‘exquisitely calm’ in the words of Max Porter. Hewitt read from the collection and was in conversation with Sarah Perry, author of The Essex Serpent and Melmoth, whose long-awaited new novel Enlightenment is coming out in May.
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Emily Wilson’s translation of the Odyssey, published in 2017, the first into English by a woman, was hailed as a ‘revelation’ by the New York Times and a ‘cultural landmark’ by the Guardian. With her translation of the Iliad, ten years in the making, she has given us a complete Homer for a new generation.
Emily Wilson, professor of classical studies at the University of Pennsylvania, is a regular contributor to the LRB and the host of one of our Close Readings series of podcasts, Among the Ancients. Wilson was joined in conversation by Edith Hall, professor at Durham University and the author of many acclaimed books on Ancient Greek culture and its influence on modernity. The event was chaired by Wilson’s Close Readings co-host, Thomas Jones, and passages from Wilson’s Iliad were read by acclaimed actors Juliet Stevenson and Tobias Menzies.
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Mary Jean Chan reads from their new collection, Bright Fear, and discuss it with Andrew McMillan.
Chan’s debut, Fleche, won the Costa Book Award for Poetry in 2019. Bright Fear extends and develops that collection’s themes of identity, multilingualism and postcolonial legacy, while remaining deeply attuned to moments of tenderness, beauty and grace.
Andrew McMillan’s most recent collection is pandemonium (Cape, 2021); a novel, Pity, is forthcoming in 2024. Together with Chan, he edited the landmark anthology 100 Queer Poems(Penguin).
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