Episódios
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When seventeen-year-old Christian Bekker killed a poacher, he claimed it was self-defense. But the judge disagreed. He gave Christian a choice: go to prison or leave his home in South Africa and never return.
Following his father’s suicide, conservation director Dr. Christian Bekker uncovers a plea from the grave to find out what really happened on that fateful day more than twenty years ago.
Suddenly, he’s on a plane headed for Johannesburg, leaving behind his life in London in search of answers. Were his father’s suspicions correct or the result of twenty years spent dreaming about what might have been?
All thoughts of staying under the radar disappear as his past plunges him into a murky and profitable world where police officers and government officials conspire with criminals to exploit what remains of South Africa’s wildlife. Soon he finds himself in the criminals’ sights…
Blood on the Veld (Elevin Books, 2024) by S. A. McLain is the first book in the Christian Bekker Wildlife Crime Thriller series, featuring compelling characters, surprising plot twists and a man searching for the truth.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Vikas Swarup’s new novel, The Girl With the Seven Lives (Simon & Schuster India: 2024), opens with its main character Devi locked in a room, forced to retell her life’s story. Or, rather, her life’s stories–starting in the slums of Delhi, Devi reinvents herself time-and-time-again, with a new name and a new backstory, as she tries to carve a niche for herself in Indian society–only to be knocked back down, and be forced to start anew, with a new name.
Vikas joins the show today to talk about his novel, which settings are perhaps ripped from the headlines, and what The Girl with the Seven Lives says about the idea of meritocracy.
Vikas Swarup is a former diplomat, television host and best-selling author who gained global recognition with his debut novel, Q&A (Scribner: 2005). It was filmed as the multiple-Oscar-winning ‘Slumdog Millionaire’. His second book Six Suspects (Random House: 2008) was converted into a nine-part web series titled ‘The Great Indian Murder’, which premiered on Disney+Hotstar and Hulu on the 4th of February, 2022 and became the most watched Hotstar Special ever. His third novel, The Accidental Apprentice (Simon and Schuster UK: 2013), is also being adapted for the screen.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Girl With the Seven Lives. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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In the poetry collection Prayers of a Heretic (Plain View Press, 2015), Yermiyahu Ahron Taub explores the "crime" of heresy and the condition of existential displacement through the language of prayer and prayerful voice/s. In the first section, "Visits and Visitations," the poet imagines a variety of protagonists in situations of supplication. The second section, "In the Gleaning," examines the life, transgressions, and prayers of the title character and the primacy of books, libraries, and reading for refuge and reconfiguration. Eschewing a secular/religious divide, the book offers an expansive interpretation of the enduring power of prayer. Four poems also have a Yiddish version.
Interviewee: Yermiyahu Ahron Taub is a poet, writer, and translator of Yiddish literature. Taub earned a Master of Arts degree in history from Emory University and a Master of Library and Information Science degree from Queens College, City University of New York.
Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.
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Sam Sax is a queer, jewish, writer and educator. They're the author of Yr Dead (McSweeney's Books, 2024), longlisted for The National Book Award and PIG named one of the best books of 2023 by New York Magazine and Electric Lit. They're also the author of Madness, winner of The National Poetry Series and Bury It winner of the James Laughlin Award from the Academy of American Poets. They're the two time Bay Area Grand Slam Champion with poems published in The New York Times, The Atlantic, Poetry Magazine, Granta and elsewhere. Sam's received fellowships from The National Endowment for the Arts, The Poetry Foundation, Yaddo, Lambda Lit, MacDowell, and is currently serving as an ITALIC Lecturer at Stanford University.
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Today I talked to Chikodili Emelumadu about Dazzling (Harry N. Abrams, 2023).
Treasure and Ozoemena are young Nigerian girls forced to deal with spirits after losing their fathers. Treasure is forced to beg in the marketplace as her mother lies bedridden and depressed, and a wicked spirit finds her there and tries to make her his wife. He promises to bring her father back to life if she helps him by finding other girls for his friends. Ozoemena’s father has disappeared, leaving the family with questions and responsibilities. She learns from her grandmother that she is descended from a wild, ancient beast, the Leopard from an Igbo legend, which gives her terrible dreams and sometimes takes over her body. Touching on Igbo mythology and African folklore, Emelumadu’s dual-voiced stories focus on family, traditions, growing up, and the forces that conspire to prevent people from overcoming their grief.
Chikodili Emelumadu was born in Worksop, Nottinghamshire and raised in Awka, Nigeria. Her work has been shortlisted for the Shirley Jackson Awards (2015), the Caine Prize for African Literature (2017 & 2020) and has won a Nommo award (2020 & 2024). In 2019, she emerged winner of the inaugural Curtis Brown First Novel prize for her debut novel, Dazzling. Her short fiction is available in many magazines and anthologies such as Isolation: The Horror Anthology (2022), Screams from the Dark (2022), Experimental Writing: A Writer’s Guide and Anthology (2024) and as part of the Royal Literary Fund’s Writer’s Mosaic. She can be found raving about books and art on Twitter @chemelumadu, or Instagram @chikodiliemelumadu.
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Imagine growing up between Sacramento, California and Logar, Afghanistan; you hear stories about war, watch coverage of the United States’ War on Terror on television, and then visit your family in the very places that the U.S. army invaded and occupied. These experiences shape the work of novelist Jamil Jan Kochai, author of 99 Nights in Logar and The Haunting of Hajji Hotak and Other Stories, which was a finalist for The National Book Award. Jamil joins Northwestern prof. Kalyan Nadiminti and host Aarthi Vadde for a wide-ranging conversation about narrative form and the cycles of war.
We begin by discussing the second person, a technique Jamil uses throughout Hajji Hotak. He describes it as the most “dangerous perspective” for a fiction writer to take because it brings readers to the edge of the immersive world fiction is supposed to create. The second person in The Haunting of Hajji Hotak, from which Jamil reads, forces readers to grapple with our own complicity in the surveillance of Afghan families in the United States and to consider the paradoxical affection that develops between people on opposing sides of war. From there, Jamil, Kalyan, and Aarthi discuss the relationship between video games as mass media and the novel as literary form. Jamil is a huge fan of Final Fantasy 7 (who isn’t?) and talks about how games like Call of Duty (a game he played more ambivalently) perform a recruitment function for the U.S. army. He rewrites that vision of war in more complex terms in his own story “Playing Metal Gear Solid V: The Phantom Pain." Kalyan reflects on how the category of the post-9/11 writer intersects with the War on Terror, and the three of us consider the symbolic function of 9/11 in contemporary fiction written from inside and outside the United States.
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How do we become the persons we are? Cornelia Maude Spelman's Solace (Jackleg Press, 2024) seeks to answer that question. A portrait of the emotional legacies and psychological landscapes that shaped the author's life, Solace unfurls in a series of vignettes drawn from diaries and personal stories about her relationship to others as daughter, mother, friend, wife, therapist, and grandmother. These are stories of compassion and attention bringing about healing from grief and brokenness and the necessity of our deep and caring connection to others: the comfort offered to us and the comfort we offer to others.
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Today I spoke with Emily Dinova about her new novel The Antagonist (Bruce Scivally, 2024). Dinova, a psychoanalytic candidate working towards a license to practice psychoanalysis, wrote The Antagonist as a way of healing her own trauma. Written as a creative act of revenge, Dinova found herself in a fragmented state while writing the book. “I really feel like a fragmented part of myself wrote this book.” From this fragmented state she created characters who represent several psychoanalytic concepts including repression, negation, the uncanny, and Spotnitzian narcissistic object protection.
The structure of the novel is an enactment of Nachträglichkeit. I found the novel intoxicating and disorienting. It kept me happily off balance throughout. Rooted in the psychological adage that the urge to destroy does not have to be taught, Dinova renders her characters with layers of beguiling complexity. The horrors of this deeply informed psychological thriller unfold gradually. It is a masterful demonstration of unconscious processes.
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Life is tough for people of color in the early twentieth century—not only in the Southern states, which have put Reconstruction firmly behind them in favor of Jim Crow laws. Even so, Lucille Love, known as the Little Girl with the Big Voice, dreams of making her name on Broadway and eventually moving to Paris, leaving behind the prejudices that restrict black women in the United States. When Marcus Williams offers to manage Lucille’s singing career, she’s sure that reaching her goal is just a matter of time. Until some old enemies of her father track her down …
This richly developed story intertwines a love of music and musicians, an exploration of color prejudice, and a tense drama of criminals with long memories and no scruples. At its heart stands Lucille—a passionate, determined young woman who doesn’t always make the best choices but whose heart is in the right place. I found it an engrossing read, and I bet you will too.
Monica Chenault-Kilgore is the author of Long Gone, Come Home and, most recently, The Jewel of the Blues (Graydon House, 2024).
C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and four other novels. Her next book, Song of the Steadfast, is due in 2025.
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Megan Tennant speaks to managing editor Emily Everett about her story “Little Women,” which appears in The Common’s brand new fall issue. Megan talks about the process of writing and revising this story, which explores the complex dynamics between two sisters in a religious family in South Africa after one sister gets engaged. Megan also discusses how she layered the beauty, atmosphere, and complicated history of South Africa’s Wild Coast into the story, and how she worked to balance subtlety and clarity when bringing together the story’s many threads.
Megan Tennant is a writer based in Cape Town, South Africa. She holds master’s degrees in creative writing from the University of Cape Town and in London studies from Queen Mary University of London.
Read Megan’s story “Little Women” in The Common at thecommononline.org/little-women/.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming in April 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
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Born and raised on Manhattan Island, Eric Drooker began to slap his art on the streets at night as a teenager. Since then, his drawings and posters have become a familiar sight in the global street art movement, and his paintings appear frequently on covers of the New Yorker.
His first book, Flood, won the American Book Award, followed by Blood Song (soon to be a feature film). Naked City is the third volume in Drooker’s City Trilogy. His graphic novels have been translated into numerous languages in Europe, Latin America, and Asia. After designing the animation for the film Howl, he was hired for a project at DreamWorks Animation.
Drooker’s art is in the permanent collection of the Whitney Museum, the Museum of Modern Art, the Brooklyn Museum, and the Library of Congress. He is available for speaking engagements and frequently gives slide lectures at colleges and universities. Drooker is represented by the Wylie Agency.
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A Slight Angle (India Viking: 2024), the newest novel from Indian writer Ruth Vanita, is a story about love. Difficult love–her six characters are growing up in 1920s India, which takes a dim view of same-sex relationships, and those that transcend religious boundaries. Like Sharad, the jewelry designer who falls in love with his teacher, Abhik–only for the embarrassment to keep them apart for decades.
Ruth Vanita is the author of many books, most recently The Broken Rainbow: Poems and Translations (Copper Coin Publishing: 2023); the novel Memory of Light (Penguin Random House India: 2022); The Dharma of Justice in the Sanskrit Epics: Debates on Gender, Varna and Species (Oxford University Press: 2022); Love’s Rite: Same-Sex Marriages in Modern India (Penguin Books India: 2005). She has translated several works from Hindi to English, including Mahadevi Varma’s My Family (Penguin Books India: 2021). She co-edited the path-breaking Same-Sex Love in India, and edited and translated On the Edge: A Hundred Years of Hindi Fiction on Same-Sex Desire (India Viking: 2023).
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of A Slight Angle. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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Today I talked to Benjamin Resnick about his novel Next Stop (Simon and Schuster, 2024)
A hole opens in the universe and suddenly consumes a building, then a neighborhood, and then the entire country of Israel. Conspiracies and antisemitic paranoia simmer, violence erupts, and life for Jews around the globe becomes even more hate filled. But Ethan and Ella, both Jewish, meet and fall in love in an unnamed American city. Their relationship has its challenges, including those involving Ella’s seven-year-old son, but their biggest struggle is trying to survive. Then thousands of airplanes disappear, borders close, and the world unravels more. Drones and robotic dogs patrol the streets and Jews are forced to live in a single neighborhood, slyly named after the historical Pale of Settlement. Some Jews escape to underground cities and others are join militias and resistance efforts, but Ella and Ethan are trying to find things to smile about in this thought-provoking, dystopian novel about cultural memory, societal crisis, and living in an upside-down world.
Benjamin Resnick is a writer and the rabbi of the Pelham Jewish Center. Before joining the PJC in 2021, he served as Rav Beit HaSefer at Solomon Schechter Day School of Metropolitan Chicago and as Rabbi and Education Director at Congregation Ahavas Achim in Newburyport, Massachusetts. Resinick majored in Literary Arts at Brown University in 006 and was ordained at the Jewish Theological Seminary in 2014. He has written nonfiction for multiple publications, including the Washington Post, The Forward, Tablet, Modern Judaism and My Jewish Learning. Benjamin is married to journalist Philissa Cramer, who is currently editor-in-chief of the Jewish Telegraphic Agency. They have two boys, Jonah and Gabriel. In his free time, he enjoys gardening, playing squash, and the Chicago Cubs.
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What happens when a novelist wants “nonsense and joy” but his characters are destined for a Central European sanatorium? How does the abecedarian form (i.e. organized not chronologically or sequentially but alphabetically) insist on order, yet also embrace absurdity? Here to ponder such questions with host John Plotz are University of Wisconsin–Madison’s Sunny Yudkoff (last heard on ND speaking with Sheila Heti) and Adam Ehrlich Sachs, author of Inherited Disorders, The Organs of Sense, and the recently published Gretel and the Great War.
Sachs has fallen under the spell of late Habsburg Vienna, where the polymath Ludwig Wittgenstein struggled to make sense of Boltzmann’s physics, Arnold Schoenberg read the acerbic journalist Karl Kraus, and everyone, Sachs suspects, was reading Grimms’ Fairy Tales, searching for the feeling of inevitability only narrative closure can provide. Beneath his OULIPO-like attachment to arbitrary orders and word-games, though, Sachs admits to a desire for chaos.
Thomas Bernhard, later 20th century Austrian experimental novelist
Heinrich von Kleist, “Michael Kohlhass” Romantic-era German writer
Italo Calvino,If on a Winter’s Night a Traveler
OULIPO Home of French literary experimentalists like Perec and Raymond Queneau
Georges Perec’s most famous experiment is Life: A User’s Manual (although John is devoted to “W: or the Memory of Childhood”)
Dr. Seuss, On Beyond Zebra! (ignore John calling the author Dr Scarry, which was a scary mistake.,..)
Marcel Proust: was he a worldbuilder and fantasist, as Nabokov says or, as Doris Lessing claims, principally an anatomist of French social structures, a second Zola?
Franz Kafka is unafraid of turning his character into a bug in a story’s first sentence.
Virginia Woolf in Mrs. Dalloway offers the reader a mad (Septimus) and a sane (Mrs Dalloway herself) version of stream of consciousness: how different are they?
Cezanne, for example The Fisherman (Fantastic Scene)
The Pointillism of painters like Georges Seurat
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Sparks fly in Megan Staffel’s novel, The Causative Factor (Regal House 2024), when Rachel is randomly paired with Rubiat, a fellow student, for an assignment in their college art class. After a heavenly night together, they go hiking, and he dives off a cliff, disappearing without a trace. Although Rachel graduates with an art degree, moves to New York, and supports her painting as an ESL teacher, she’s scarred for years by the mystery of Rubiat’s disappearance. This is a sweet coming-of-age, but also a suspense-filled novel told in shifting viewpoints, about art, growing up, making choices, and finding love.
Megan Staffel splits her time between a farm in western New York State and an apartment in Brooklyn. She is an avid walker, bird watcher, and gardener. Her new novel, The Causative Factor, was inspired by a hike she took with her husband in a state park in October, 2020 and grew into a story about an artist trying to understand the mysterious disappearance of her lover. Staffel's interest in the arts and in the process of art-making has been a life-long passion. Her first novel, She Wanted Something Else, was a story about an artist as well. Staffel's other book publications include a third novel and three collections of short stories. She taught for many years in the MFA program at Warren Wilson College and writes a monthly Substack newsletter, "Page and Story."
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Tim Ecott, who is well-known as a journalist and writer, has, in his last several books, turned his attention to the history and culture of the Faroe Islands. High in the North Atlantic, half-way between Scotland and Iceland, the islands' inhabitants remain closely connected to the Viking settlers who established communities on Faroe over one thousand years ago. Tim's most recent book, Sigmundur and the Golden Ring (Sprotin, 2024), offers a compelling re-telling of the Faroese saga. It's a complex Viking revenge tragedy: two teenage cousins are wronged by an older distant relative; they set out to right those wrongs; but their success begs the question of who the story's hero might be.
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Hermine “Herself” Zook is a healer who rules over an island in a swampy area of Michigan known as “The Waters.” People, including her three grown daughters, fear her, but her powerful herbal and plant-based medicines have cured the townspeople for decades of viruses, pains, and unwanted pregnancies. Her first two daughters Molly and Prim were foundlings, but Rose Thorn is the product of Hermine’s husband having an affair with Prim before getting kicked off the island. Herself, now nearly eighty, is raising eleven-year-old granddaughter Dorothy “Donkey” Zook. Donkey loves animals and longs for her mother, Rose Thorn, to marry Titus, whom she wants as her father. Donkey is the product of Rose Thorn being raped by Titus’s drunk father in this richly nuanced tale of rural poverty, changing landscapes, corporate control of farmland, religious extremism, childhood naivete, and the shaky balance between nature and humanity.
Bonnie Jo Campbell’s novel The Waters (Norton, 2024) was a Today Show “Read with Jenna” Book Club selection. Her other novels include Once Upon A River, a National Bestseller that was adapted into an award winning film, and Q Road. Campbell’s short story collections include American Salvage, which was a finalist for the National Book Award and National Book Critics Circle Award, and Women and Other Animals, an AWP Grace Paley Prize winner. She is a 2011 Guggenheim Fellow, and a recipient of the Eudora Welty Prize and Mark Twain Award. She lives in Kalamazoo with her husband and donkeys.
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Kristopher grew up in Lincroft, New Jersey. He received his B.A. in The Writing Seminars from Johns Hopkins University and an M.F.A. in Fiction from Columbia University. He is the author of the critically-acclaimed novels, OUR NARROW HIDING PLACES (Ecco/2024) WHY WE CAME TO THE CITY (Viking/2016) and THE UNCHANGEABLE SPOTS OF LEOPARDS, (Viking/2013). His book of essays on the creative process is REVISIONARIES: WHAT WE CAN LEARN FROM THE LOST, UNFINISHED, AND JUST PLAIN BAD WORK OF GREAT WRITERS. And Kristopher is the director of the creative program and SUNY New Paltz.
Recommended Books:
E. Lily Yu Break Blow Burn and Make
Kate Hamilton, Mad Wife
Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is forthcoming with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
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An unforgettable horse gallops through the pages of Kaveh Akbar’s best-selling novel Martyr! (2024), but it is a figurative hastening toward failure and the limitations of language that Akbar discusses with critic Pardis Dabashi. In their conversation, Kaveh considers writing both as an escape from the confines of the self and as a vehicle for expressing its contradictions. Together they explore which forms might best capture the ambivalence and polyphony of the human mind, the contours of Iranian American identity, and the spiritual beauty of everyday existence. Whether discussing neurolinguistics or the affordances of poetry, Kaveh contemplates the limits of language: how can we write what we think, when we struggle to know what—or how—we think? This conversation goes deep into the psyche in order to reach far beyond it. Even Kaveh’s deeply personal response to the signature question demonstrates that the places farthest away from us may also be found within.
Mentioned in this episode
By Kaveh Akbar:
Martyr!
The Penguin Book of Spiritual Verse (editor)
Calling a Wolf a Wolf
Also mentioned:
My Uncle Napoleon
To the Lighthouse
Ars Poetica
Ferdowsi
The Palm-Wine Drinkard and My Life in the Bush of Ghosts
The Tempest
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Pip Property is no stranger to disaster. Typically, they’ve got a plan, but now Dallyangle’s favourite dandy & part-time criminal is locked in the morgue of the crime-fighting Division gone rogue, accused of far more crimes than they’ve actually committed, with (at least) two bucolic burglars out to strangle them with their own cravat. Their lover – the semi-feral Welsh heiress Rosamond Nettleblack – has disappeared into dangerous hands. Enlisting the Division to save Rosamond might be Pip’s only hope, but the cravat designer and the chaotic vigilantes have never seen eye to eye. The Division is looking to prove themselves to a potential new patron – and trusting schemers like Pip is a risk the detectives don’t want to take.
Armed only with a borrowed notebook, threadbare charm, suits without cravat pins, and a swordstick everyone keeps confiscating, Pip must get the Division on-side, convince them that faith is a thing they can still have, and unravel the truth behind Rosamond’s disappearance before it’s too late.
From Dr. Nat Reeve, the author of Nettleblack, Earlyfate (Cipher Press, 2024) throws us back into the same madcap Neo-Victorian world, where queerness is a given and chaos is mandatory.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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