Episódios
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Since the turn of the century, actor Josh Brolin has had quite a run. From No Country for Old Men and Hail, Caesar! from the Coen Brothers, to Inherent Vice from Paul Thomas Anderson, to Sicario and the Dune films from Denis Villeneuve.
His new memoir, From Under the Truck, contains stories about the life in between. We discuss his upbringing bouncing from Paso Robles to Santa Barbara (8:49), the influence of his mother (10:05), and his entry to writing (19:40). Then, Brolin reflects on his vivid early adulthood in the 80s (26:14), the power of a story (32:30), and what actor Anthony Hopkins illuminated about sobriety (34:35).
On the back-half, we get into his collaborations with the Coen Brothers (38:48), his challenging relationship to drinking (50:50), and why finally, after three decades of playing characters on screen, it was time to fill in some of the backstory (1:07:13).
This conversation was recorded at Spotify Studios. Thoughts or future guest ideas? Email us at [email protected].
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It’s been a week. To help us through it, we’ve enlisted The New York Times political reporter Astead Herndon.
We start with election night 2024 versus election night 2016 (6:35), what Astead discovered about the electorate reporting across the U.S. on his podcast The Run-Up (9:25), and how insider Democrats arrived at a second Biden run in 2023 (13:30). Then, we discuss politicians’ “lowercase racist” assumptions about Black and Latino voters (16:02), Herndon’s telling one on one interview with Vice President Harris (22:52), and the pervasive, nationwide sentiments that led to Donald Trump’s re-election (32:24).
On the back-half: where the Harris campaign fell short in its messaging to voters (38:48), the rise of the “podcast election” (44:48), a revealing window into the Biden administration (47:35), how quickly “good intentions” can turn power corrupted (53:01), and why the Democratic party must remake itself (1:00:55) as we begin to move forward from this election (1:06:00).
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On the heels of his latest book The Message, author Ta-Nehisi Coates joins Sam for a conversation in Los Angeles.
At the top, we discuss how his Atlantic piece The Case for Reparations guided these three new essays (6:10), Coates’ early education growing up in West Baltimore (14:57), and his powerful dispatches from South Carolina (22:00) and the Middle East (29:30).
On the back-half, Coates unpacks why he believes the mainstream media prioritizes “factual complexity over self-evident morality” (37:47), his advocacy for Palestinian journalists (39:20), and his reflections about the U.S. election (47:28). To close, a formative passage from James Baldwin's The Lost Generation (52:38) and a story about love and writing (57:45).
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Anna Kendrick (Pitch Perfect, Up in the Air) has been a fixture in Hollywood for the past fifteen years. She joins us this week to discuss Woman of the Hour, her directorial debut and most revealing project to date.
At the top, we dive into the film’s true crime story (7:00), its examination of gender politics in the 1970s (19:29), and the personal Hollywood experiences Anna embedded into this project (22:00). Then, Kendrick reflects on her early years as a child actor: commuting from Portland, Maine into New York City for work (25:40), receiving a Tony nomination at twelve (29:50), and moving to Los Angeles at seventeen (35:10).
On the back-half, Anna unpacks the “dissociative” process of directing a film (38:25), the mentorship she received from actor and collaborator Jake Johnson (45:00), and the dangers of workaholism (47:19). To close, she shares a passage from her memoir Scrappy Little Nobody (57:20) and describes the work she hopes to make in years to come (1:00:00).
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For the past decade, Jason Reynolds has become an inspiring voice in the literary world. He’s a New York Times bestselling author and as of this month, a 2024 MacArthur fellow.
Reynolds sits with us today to share his latest YA novel Twenty-Four Seconds from Now… (7:45), why he was interested in writing a story about boyhood and masculinity (12:05), and an early passage from the book (15:52) that captures the distinct rhythm of his writing (17:59). Then, we talk about the story structure of this new novel (19:00), how Queen Latifah’s Black Reign introduced him to poetry (21:45), and how his early memories of writing (27:45) and a singular high school teacher (35:17) saved his life.
On the back-half, Reynolds describes a meaningful post-college job at rag & bone (46:02), what he’s seen in the education system post-pandemic (59:30), his hope for the next generation (1:02:30), and his lifelong mission to embolden students to see the value in their own narratives (1:14:23).
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Today, culture critic Wesley Morris (The New York Times) returns to Talk Easy for a conversation about The Wonder of Stevie, his new podcast with the Obamas’ Higher Ground Productions.
At the top, Wesley unpacks Stevie Wonder’s legendary five-album run from 1972-1976, his recent “battleground states” tour in the run up to the election, and how his relationship to Stevie’s music has evolved in the process of making this limited series.
To listen to The Wonder of Stevie, stream here or wherever you get your podcasts.
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Since his directorial debut in 2006, Jason Reitman has made the kind of films they say Hollywood doesn’t make anymore.
Today, we sit to discuss his latest project Saturday Night (9:09), the influence of 1970s movies like Michael Ritchie’s The Candidate (12:46), and the details Reitman and his co-writer Gil Kenan collected from dozens of interviews leading up to production (17:45). Then, Jason describes the dynamic between Lorne Michaels and his father, the late director Ivan Reitman (21:55), his formative years at the movie theater (25:50), and the filmmakers that shaped his early work: Alexander Payne, Kevin Smith, Spike Jonze, and Richard Linklater (31:03).
On the back-half, we talk about Reitman’s debut film Thank You For Smoking (39:06), the collaborators that shaped Juno (42:50), his personal connection to Up in the Air (43:10), and lessons from making Young Adult (49:43) and Labor Day (51:08). To close, a story about fatherhood (53:00) and the joy of directing (58:58).
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Director Francis Ford Coppola doesn’t just want to make movies. He wants to change them. This was true in 1969 when he co-founded Zoetrope Studios with George Lucas, and it remains true today at age 85.
We begin with the historical context of his modern-day Roman epic fable Megalopolis (9:40), his decades-long process developing the film (12:18), and the inspiration he’s taken from Georges Méliès (22:25) and Jacques Tati (24:59). Then, Coppola reflects on the origin of how he became ‘Francis Ford Coppola’ (29:27), the irrepressible spirit he forged in childhood (32:34), and where he sees himself in films like The Godfather (38:29), Apocalypse Now (41:48), and Gardens of Stone (42:17).
On the back-half, we unpack the parallels between the titular city of Megalopolis and Zoetrope Studios (50:19), his capacity to keep dreaming, even in the face of financial ruin (53:46), where he believes America is headed in 2025 (54:29), and the lasting memory of his late wife, Eleanor (1:03:25).
Watch this conversation on YouTube.
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Joaquin Phoenix is one of the greatest actors of his generation. For three decades, he’s moved seamlessly between auteur-driven films (Her, The Master) and box-office sensations (Gladiator, Joker).
We sit today for a rare, long-form conversation with Phoenix, starting with his latest film, Joker: Folie à Deux (9:10), his free-wheeling collaborations with director Todd Phillips (11:32), and the nomadic upbringing that marked his early years (15:00). Then, he reflects on his childhood television debut in Hill Street Blues (22:27), the brilliance of Robert De Niro (27:53), and his formative performances in To Die For and Parenthood (34:45).
On the back-half, we discuss how the polarizing mockumentary, I’m Still Here (47:15), inspired his singular collaborations with directors Spike Jonze, Paul Thomas Anderson, James Gray, and Lynne Ramsay (51:30). We also talk about the evolution of his acting process (52:47), the impassioned Oscars speech he delivered accepting Best Actor for Joker (58:15), and whether he’ll ever turn in what he believes is a ‘great’ performance (1:02:40).
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For actor Myha’la, the role of a lifetime arrived less than a year out of college. “Lightning struck,” she says, “and in so many ways I have been preparing my entire life to be here.” In this case ‘here’ is Industry’s Harper Stern, a fiercely ambitious New Yorker who has come to London to join Pierpont, a prestigious financial investment bank.
With the season finale of HBO’s breakout hit approaching, we sat down with Myha'la to discuss all things Industry (4:42): how the evolution of Harper can be charted by her changing hairstyles (8:05), her recent pivot into “ethical investing” (10:45), and the Gen-Z qualities she best embodies (14:04). We also discuss the actor’s first experiences singing and dancing (16:00), her time as front-woman of a Christian Rock band (20:30), and a formative experience at her Catholic high school (23:01).
On the back half, Myha’la reflects on her years at Carnegie Mellon (34:55), her views around “method acting” (39:30), the first day on the set of Industry (42:55), the personal investment she’s made in Harper Stern (48:00), a humbling performance never far from mind (53:50), and the ‘picture’ she’d like to paint as an artist in the years ahead (56:50).
This conversation was recorded at Spotify Studios and Pushkin Industries. Thoughts or future guest ideas? Email us at [email protected].
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For the past couple decades, actor Ken Leung has played scene-stealing characters in films like Rush Hour, Keeping the Faith, and A.I. Or, prestige TV shows like Lost and The Sopranos.
Today, he joins us to discuss his spectacular turn in HBO’s Industry (7:30), how he created his character in baseball-bat-wielding manager Eric Tao (9:55), and his Brooklyn upbringing to a family of Chinese immigrants (17:35). Then, he shares how he found his footing as an actor (23:30), a memory of his late younger brother, Kevin (29:27), and why he views each film and TV set as a ‘spiritual space’ (30:56).
On the back-half, we walk through Leung’s work on The Sopranos (32:30), his present-day collaboration with actor Myha’la (37:45), the arc of this latest season of Industry (44:15), the state of representation in Hollywood (48:06), and why he feels at peace in this moment (53:00).
Clips courtesy of HBO. Thoughts or future guest ideas? Email us at [email protected].
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To commemorate his 30th birthday, Abbi Jacobson interviews Sam!
They talk about Sam's early days in journalism (8:00), his Almost Famous-like experience as a teenage film critic (10:30), making Talk Easy and how the show evolved post-pandemic (13:15), and the email from the late Roger Ebert that changed his life (22:30).
On the back-end, they discuss Abbi’s annual birthday questions (28:00), why Sam’s episode with filmmaker Werner Herzog has stayed with her (31:57), and how he approaches asking hard questions on Talk Easy (36:43). To close, a passage from Sam's debut episode with Don Cheadle (45:28) and a philosophy captured in his short film Sebastian (53:20).
Listen to our first conversation with Abbi Jacobson from 2022.
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To start, Sam sits with another week in American life, before returning to our timely conversation with Congressman Maxwell Frost (FL-10).
At the top, we discuss the five-year aftermath of the horrific shooting at Stoneman Douglas High School in Parkland, Florida (10:29), his first two months in office as the first Gen-Z Congressman (12:10), and the legislature he’s fighting for to reduce gun violence (17:14). Then, we walk through his impassioned response to the Sandy Hook shooting (19:40), how it cemented his early commitment to politics (26:17), and embracing his Afro-Cuban identity as an adopted child (30:15).
On the back half, Frost reflects on his road to Congress (37:58), the connection he shares with his biological mother (41:00), the blend of grassroots organizing and policy-making he leads with today (49:22), and the progress he hopes to see in the years to come (57:40).
Original air date: February 26, 2023.
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This week, our guest is trailblazing filmmaker Lee Daniels.
At the top, we discuss his fifteen-year journey to the new Netflix film The Deliverance (5:00), Daniels’ relationship to spirituality (9:16), and his memories of directing theatre at eight-years-old (14:55). Then, we dive into the therapeutic quality of filmmaking (17:14), his work as a casting director at Warner Brothers in the 80s (19:48), and what it meant for Daniels to manage young performers like Morgan Freeman and Loretta Devine (23:38).
On the back-half, he unpacks the tumultuous process of making his award-winning film Precious (32:00), the projects that followed in The Paperboy and The Butler (39:30), the rise of Empire and his paradigm-shifting work in Hollywood (41:10), the peace that guided him to make his new film (46:10), and what motivates him to keep working (50:31).
Thoughts or future guest ideas? Email us at [email protected].
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Since 1989 (Sex, Lies, and Videotape), filmmaker Steven Soderbergh has been a pioneering voice in American cinema. Part free-wheeling iconoclast, part exacting technician.
Today, we return to our conversation with the legendary artist. First, Soderbergh describes his process making No Sudden Move amid the pandemic (8:38), his ability to push past creative blocks (14:34), the importance of 1998’s Out of Sight (31:00), the seismic impact of his late mentor, Mike Nichols (27:28), and how a formative moviegoing memory (28:48) informed his ideas on the role of storytelling (32:43). Before we go– Steven speaks candidly on the future of movies (39:20) and his role in them (41:13).
This episode originally aired June 27th, 2021. To hear our latest talk with Sean Fennessey, listen here. Thoughts or future guest ideas? Email us at [email protected].
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We’re so back at the movies… with head of content at The Ringer and co-host of The Big Picture, Sean Fennessey!
At the top, Sam and Sean discuss Sean Wang’s Dìdi (8:52), the father-daughter story at the heart of M. Night Shyamalan’s Trap (15:52), and why the documentaries Brats (19:39) and Faye (22:35) make the perfect weekend watch.
Then, they talk about the real-life story behind A24’s Sing Sing (27:45), what Borderlands reveals about post-strike Hollywood (29:57), the anticipation building around Sean Baker’s triumphant upcoming feature Anora (32:13), Jason Reitman’s Saturday Night (33:17), Joshua Oppenheimer’s apocalyptic musical film The End (35:49), and James Mangold’s A Complete Unknown (37:17).
On the back-half, we dive into Sean’s childhood in Long Island (43:37), his early writing at Ithaca College (44:15), working at Complex Magazine in the mid-aughts (53:00), his pivot to Grantland (1:02:10), launching The Ringer (1:15:50), his on-mic personality on The Big Picture (1:11:50), the future of his podcast(s) (1:18:31), and why he remains optimistic about the film industry (1:27:09).
This conversation was recorded at Spotify Studios. Thoughts or future guest ideas? Email us at [email protected].
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What’s the difference between an interview and a first date? For the past decade, Amelia Dimoldenberg has been walking that fine line on her hit YouTube series, Chicken Shop Date. The premise is in the title: filmed at various chicken establishments across London, the show features a series of funny (sometimes awkward) ‘dates’ with everyone from Paul Mescal to Billie Eilish.
To celebrate the 10th anniversary of her beloved series, Amelia and Sam have a cup of tea to discuss her recent sit-down with Hugh Jackman and Ryan Reynolds (5:00), her upbringing in London (7:20), and how Mary-Kate and Ashley inspired the young creative ambitions (11:10) that lead to Chicken Shop Date (17:17). We also highlight a few pivotal episodes of the show with rapper Ghetts (24:50), actor Daniel Kaluuya (32:10), and documentarian Louis Theroux (32:52).
On the back-half, we unpack Dimoldenberg’s comedy influences—from Amy Poehler in Parks and Recreation to Zach Galifianakis’ Between Two Ferns (36:34), how she continues to expand her reach as an independent creator (43:00), why the ‘anti-interview’ genre has come into vogue (49:12), and what she hopes for in the decade to come (1:02:12).
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Vinson Cunningham has been a staff writer at The New Yorker for the past eight years, covering theater, television, and politics. He joins us this week to unpack his personal debut novel Great Expectations.
At the top, we discuss the state of the US election (5:00), the emergence of the new Democratic ticket in Kamala Harris and Minnesota Governor Tim Walz (10:00), and the fickleness of internet hype (15:00). Then, Cunningham explains how his new book dovetails with his time working on Barack Obama’s 2008 Presidential campaign (19:00), his process writing fiction (30:00), and his early memories of getting involved in politics (35:30).
On the back-half, we talk about Vinson’s upbringing in the church (38:00), the role of faith in his life (47:00), and his personal feelings about divine intervention (57:00), both in politics and on the heels of a tragic personal loss (1:01:40). To close, he shares a moving piece of his review of Hamlet (1:07:00), reflects on his growth over the past year (1:15:00), and reveals why this moment for Kamala Harris gives him hope for his daughters (1:22:00).
This conversation was recorded at Spotify Studios and Condé Nast. Thoughts or future guest ideas? Email us at [email protected].
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Last fall, Zadie Smith published her prescient historical novel The Fraud. We return to our conversation with the beloved author this week, on the heels of our latest sit-down with writer Taffy Brodesser-Akner.
At the top, Smith details her most recent book (7:48), her instinctive writing process (13:37), and the role of projection in her work (20:08). Then, Zadie reflects on her upbringing in North West London (23:48), the art that influenced her growing up (26:42), and the media circus that followed the publication of her debut novel, White Teeth (31:28).
On the back-half, we discuss her desire to frequently reinvent herself as an artist as a writer (41:53), why she prioritized pleasure after her book On Beauty (45:24), her evolving relationship to humanism (48:06), the nuanced politics of her work (54:13), a striking passage from Intimations (1:01:56), and what she sees in this next generation of novelists (1:04:55).
This conversation was recorded at Spotify Studios. Thoughts or future guest ideas? Email us at [email protected].
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Taffy Brodesser-Akner (“Fleishman Is in Trouble”) is a staff writer at The New York Times, where she covers everything from The Eras Tour to Tom Hanks.
She joins us today to unpack her new book Long Island Compromise (7:30), its central questions about wealth, trauma, and inheritance (11:58), and the real-life crime that inspired the story (12:52). Then, we dive into the process of writing a novel (15:17), a formative passage from the book (24:31), and Brodesser-Akner's memories of growing up in between Brooklyn and Long Island (29:54).
On the back-half, she describes her work as a journalist (40:14), profiling Nicki Minaj (45:38) and Bradley Cooper (45:54), how those experiences propelled her to write Fleishman Is in Trouble (46:20), her reflections while writing about Taylor Swift (54:05), and the transformational power of storytelling (1:04:07).
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