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陪你读书看片的知识分享播客
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Think About It engages today's leading thinkers in conversations about powerful ideas and how language can change the world.
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This podcast is for all types of wine lovers. It features informal conversations with wine makers, wine bar owners, importers, sommeliers; you name it. Hosted by a former radio journalist turned wine nerd, who has been blogging at State of the Vine for the last few years. Lauren has her WSET Level 2 certification, but the most important thing is she's curious and loves to make wine fun for people to learn about, while learning herself! Grab a glass of your favorite wine and join her to learn about wine and interesting stories surrounding wine. Cheers!
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Writing Tips from the Working Writers Coach
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A fun and energetic look at the world of art education.
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Tragedy has been around for over 2500 years, from its earliest manifestations in the huge open-air gathering-places of Athens and other Greek city-states, to the theatres of Renaissance England, Spain and France, right through to the twentieth century with its cinematic tragedies, and the disturbing works of Harold Pinter and Samuel Beckett. In four dialogues, Oliver Taplin, Emeritus Professor, and Joshua Billings, a graduate student in the Oxford Classics Faculty, ask and discuss what tragedy is, what tragedy does for people, whether tragedy teaches, and if tragedy is still alive today.
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Every weekday morning from 7 until 9 on The Ideas Network stations, listeners can hear "The Morning Show," where we talk with a wide variety of guests about issues that matter — from politics to popular culture.
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In four short dialogues, Oliver Taplin, Emeritus Professor in the Oxford University Classics Department and Lorna Hardwick, Professor of Classical Studies and Director of the Classical Receptions in Late Twentieth Century Drama and Poetry in English project, discuss the issues surrounding the translation of Ancient Greek and Roman texts for modern audiences. Looking into the technical, philosophical and literary aspects of this, they centre their discussions around four topics: Is there a core to translation? Is there ever a faithful translation? Can Poetry be Translated? And who translates and for whom?
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The discipline of Comparative Literature is changing. Its Eurocentric heritage has been challenged by various formulations of ‘world literature’, while new media and new forms of artistic production are bringing urgency to comparative thinking across literature, film, the visual arts and music. The resulting questions of method are both intellectually compelling and central to the future of the humanities. To confront them, our research programme brings together experts from the disciplines of English, Medieval and Modern Languages, Oriental Studies, and Classics, and draws in collaborators from Music, Visual Art, Film, Philosophy and History.
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The principal tenets of the movement known as Romanticism first began in Germany and England, with the former pioneering the moral and philosophical beliefs and the latter producing the first Romantic artists and poets. This album concentrates on the development and spread of Romanticism in mainland Europe, analysing in clear, concise terms the metaphysical questions and beliefs that engendered the movement, along with the cultural and historical contexts that encouraged its development. The album also explores how Romanticism spread and was adopted in other countries, concentrating on how intellectual progress was often hindered by societal pressures and prejudices. This material forms part of The Open University course A207 From Enlightenment to Romanticism c.1780-1830.
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The Faculty of English Language and Literature is by far the largest English Department in the UK, with over 75 permanent postholders, a further 70 Faculty members, 900 undergraduates and 300 postgraduates. The Faculty has a very distinguished research and teaching record, covering all periods of English Literature. This series includes talks from the English Faculty Open days.
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８６年の歴史と伝統を持つ『九州美容専門学校』よりお届けする情報満載のPODCASTINGをご期待下さい。※姉妹サイト：「THE ROSETTA STONE（www.dandl.co.jp）」、「Podcast1592（www.podcast1592.net）」も宜しくお願いします！！
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abC编辑部的音频节目。我们希望帮助你从头开始做一件事，并鼓励大家在任何感兴趣的领域开始实践。
网站：radio.artbookinchina.com
欢迎听众来信：[email protected]
微博: abC艺术书展 | 微信公众号: abCofficial -
青鳥search，由青鳥書店創辦人蔡瑞珊與文化評論作家張鐵志攜手主持，以關注出版時事、用閱讀連結社會為宗旨，邀請當月新書作家、跨領域意見領域擔任來賓，4/1起，每週三與你一起以書為友，線上閱讀不孤獨！
✉️ 廣告合作邀約➠ [email protected]
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Follow former PABallet principal dancer, Lauren Fadeley, as she embarks on a new and exciting journey as a soloist with Miami City Ballet. In this podcast, Lauren will discuss her transition into a new company and all the aspects that go into "rediscovering the dream" of what it means to be a professional ballet dancer.
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Overexposed is a film photography podcast for beginner and professional film photographers. In which I have long-form conversations with film photographers that inspire and inform. New episodes released every Friday.
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A series of interviews with authors of new books from Princeton University Press
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Better narratives for a better future.
An interactive podcast featuring interviews with leading authors and editors in the speculative genre and writing prompts designed to support the imagination of better futures.
Narrative Futures is the capstone podcast project of the Futures Thinking network at TORCH. Devised, recorded and edited by Chelsea Haith, the Narrative Futures podcast features eight interviews with some of the mosts important authors and editors working in the the speculative genre today. At the end of each interview, novelist and creative writing tutor Louis Greenberg presents two writing prompts which are designed to support engaged thought and creative imagination about the interview and the listener's own creative practice in narrative building.
Interviewed on the podcast are Lauren Beukes, Mohale Mashigo, Sami Shah, Mahvesh Murad, Jared Shurin, EJ Swift, Ken Liu, and Tade Thompson. Each interview explores writing strategies, hopes and fears for the future, opinions on genre fiction and tackles questions such as: How do you conceive of and write time? Why is alien invasion a good metaphor for colonialism? What would a benevolent AI look like? What kind of representation is needed in the speculative genre? Are the old stories of future worlds still relevant? How do we integrate the present pandemic into our future imaginaries? -
跑了世界半圈美術老師，決定還是要回到最愛的孩子圈裡，聊教育也聊大小事。
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