Episódios
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Gather 'round film fans, for a spirited discussion on the latest from the BCU — the Beetlejuice Cinematic Universe! Joining your host, Pete Wright, are Tommy Metz III and Steve Sarmento, ready to delve into some hella afterlife antics.
This time around, the Deetz family takes center stage, with Lydia's daughter, Astrid, accidentally opening the door to the ghostly realm. We unpack the film's unique approach to handling multiple storylines, from Astrid's encounter with a charming ghost from the 90s to the brand new backstory of Beetlejuice himself.
The conversation explores the challenges of balancing nostalgia with fresh ideas, particularly when revisiting a beloved classic. We examine whether the sequel captures the quirky charm and visual humor of the original, or if it gets lost in a whirlwind of new characters and plot threads.
Ultimately, the episode grapples with the question of legacy and reinvention in filmmaking. Does "Beetlejuice Beetlejuice" successfully build upon its predecessor's world, or does it leave audiences yearning for the simple pleasures of the original? Tune in to find out!
Film Sundries
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The Film Board gathers to dissect the 2024 remake of The Crow, starring Bill Skarsgård, and find themselves sharply divided. Pete Wright and panelists Ocean Murff and Matthew Fox, self-described goths, express their deep connection to the original film and its place in their own personal histories. For them, the 1994 The Crow, soundtracked by The Cure and pals, and drenched in shadow, was more than just a movie; it was a cultural touchstone. The remake, awash in sunlight and overstuffed with backstory, leaves them cold.
JayJay brings the dissent, however. He finds himself surprisingly enthusiastic about the remake's approach to lore and its unflinching embrace of graphic violence. He draws a compelling comparison between the two films and their respective places within the ever-evolving landscape of comic book movies.
Is this a case of “emo kids” trying to remake a goth classic? Can a film with such a devoted following ever be successfully reimagined, or is the 2024 The Crow destined to live in the shadow of its predecessor? Tune in as the panel grapples with these questions and more.
Film Sundries
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Estão a faltar episódios?
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In "Alien: Romulus," director Fede Alvarez takes us on a thrilling journey back to the heart of the Alien franchise, capturing the essence of what makes these films so captivating. The movie expertly weaves together the themes of corporate greed, human exploitation, and the terrifying mystery of biological destruction that have become synonymous with the series.
Alvarez, known for his mastery of suspense and horror, proves to be an excellent choice to helm this installment, investing in rich sets and practical creature effects that immerse the audience in the claustrophobic and dangerous world. The film plays to the strengths of the franchise, delivering the familiar beats that fans have come to love and expect.
But, this is The Film Board. So, where does it stumble? Don’t worry: Steve Sarmento, Tommy Metz III, and Pete Wright found it and litigate the quibbles that give the film a real third-act, “Huh?” Despite this, "Alien: Romulus" remains a solid entry in our favorite era of the Alien franchise and we’re just feeling grateful that the act of us talking about it didn’t jinx it from the jump. You’re welcome, everybody.
Film Sundries
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You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
The Film Board Gathers! This month, Pete Wright and panelists Justin JJ Jaeger, Tommy Metz III, and Ocean Murff dive deep into the much-anticipated Marvel movie "Deadpool & Wolverine." The film brings together two iconic characters shaped by Ryan Reynolds and Hugh Jackman in a meta-filled, fourth-wall-breaking adventure that has left audiences and critics divided. Maybe? Probably.
We grapple with the film's overwhelming self-referential humor and the sheer number of inside jokes and Easter eggs scattered throughout, but not for very long. For us, the constant winking and nodding was the perfect fit for the Deadpool character.
As the discussion unfolds, we explore how "Deadpool & Wolverine" pays homage to and pokes fun at the Fox Studios' X-Men movies, the very films that paved the way for the Marvel Cinematic Universe's success. We also probe the movie's handling of the multiverse concept and its potential implications for the future of the MCU.
Film Sundries
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Pete, Tommy, and Steve put themselves in a box with a golden bird meant for a zoo and they all just wait for an audience. You might think we’re talking about podcasting. No, we’re podcasting about the latest from the family Night Shyamalan with Ishana Night Shyamalan’s debut, THE WATCHERS.
What’s going on with this movie? Why does it … you know… do what it does? It’s beautiful, there’s no doubt about it. But as lovely as it is, it’s just as confusing. Our challenge this week is not to come up with all kinds of great reasons for you to see it. Not at all. Our challenge this week is to justify why we can come up with all kinds of reasons why you probably shouldn’t.
Film Sundries
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You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
On the latest episode of The Film Board, Pete Wright and panelists Steve Sarmento, Tommy Metz III, and Ocean Murff dive deep into the dystopian world of Furiosa: A Mad Max Saga.
The long-awaited prequel to Mad Max: Fury Road tells the origin story of the fierce warrior Furiosa, played by Anya Taylor-Joy. Director George Miller returns to the wasteland, crafting a film that is part Shakespearean saga, part high-octane action thriller.
The panelists grapple with the movie's themes of survival, hope, and what it means to be human in a brutal world. They explore how the episodic structure, marked by chapter breaks, sets Furiosa apart from its predecessor.
While some argue the stakes feel lower since the ultimate fates of key characters are known, others find the emotional journey compelling nonetheless. The film's focus on Furiosa's transformation from a child of the Green Place into a hardened imperator is what gives it heart.
Questions arise about the movie's reliance on CGI compared to the more practical effects of Fury Road. But even when the visuals falter, the panelists agree Miller's daring vision still shines through.
Tune in for a lively discussion that covers everything from Furiosa's tragic loss to Chris Hemsworth's divisive turn as an over-the-top villain. With thoughtful analysis and a few friendly disagreements, The Film Board crew takes you on an engrossing ride through the Mad Max universe.
Furiosa: A Mad Max Saga may not be the movie everyone expected, but it's certainly one that gives fans plenty to talk about.
Film Sundries
Hear The Next Reel’s conversations about the films of the Mad Max sagaWatch this on Apple or Amazon, or find other places at JustWatchTheatrical trailerOriginal MaterialLetterboxdThe Souvenir on Trailer RewindThe Adrian Moment on TruStory FMLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
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The Film Board gathers! This month, host Justin Jaeger is joined by Steve Sarmento and Tommy Metz III to litigate Alex Garland's provocative new film "Civil War." The movie depicts a dystopian near-future America fractured by a second civil war, following a group of journalists on a perilous trek to interview the authoritarian president.
We dive into the film's central themes—what it means to bear witness to war, how allegiances break down in times of chaos, and whether the movie serves more as a warning or simply a brutal glimpse of "what if." We debate Garland's motivations in making the film now, at a time when a shocking 40% of Americans believe a civil war could happen in the next decade.
JayJay, with his background in TV journalism, scrutinizes the portrayal of war photographers and the language they use. Steve sees Apocalypse Now in the journey into the heart of darkness. And Tommy ponders if the film depicts how quickly social order and humanity could unravel in a new American civil war.
The discussion touches on the graphic war violence that eventually numbs the viewer, mirroring the journalists' experience. We question if the movie succeeds more in its fictionalized character studies than its social commentary over the ambiguous world-building around the politics of the fractured states.
We grapple with the unsettling implications of Civil War. Is it a sensationalized dystopian vision, an urgent cautionary tale, or a mix of both? The differing perspectives make for a solid conversation about one of the year's polarizing films.
Film Sundries
Watch this on Apple or find other places at JustWatchTheatrical trailerLetterboxdThe Next Reel’s Family of Film Podcasts
Cinema ScopeThe Film BoardFreely Adapted (coming soon!)Movies We LikeThe Next ReelThe Next Reel Shorts (retired)One Minute for Old Men (coming soon!)The Saturday Matinée (retired)Silver Linings (retired)Sitting in the DarkThree of a Kind (retired)Trailer Rewind (retired)Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
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In this inaugural episode of Cinema Scope, host Andy Nelson is joined by professors Leon Hunt and Chris Hamm to explore the captivating world of wuxia, a Chinese film genre that blends philosophy, action, and legend. They discuss the key elements that define wuxia, such as the chivalrous heroes, period settings, and fantastical elements, as well as the concept of jianghu, a unique world within wuxia stories.
Leon and Chris trace the evolution of wuxia from its roots in early Chinese literature to its influence on other genres, including Hollywood blockbusters. They also highlight notable works like A Touch of Zen, The Bride with White Hair, and Crouching Tiger, Hidden Dragon, analyzing their contributions to the development and popularity of wuxia cinema.
This engaging and informative episode will deepen your appreciation for the richness and complexity of the wuxia genre, inspiring you to explore more of these captivating films.
Film Sundries
Recommended and Discussed MoviesCome Drink With Me on Apple, Amazon, and JustWatchGolden Swallow on Apple, Amazon, and JustWatchThe New One-Armed Swordsman on Apple, Amazon, and JustWatchA Touch of Zen on Apple, Amazon, and JustWatchThe Magic Blade on Apple, Amazon, and JustWatchLast Hurrah for Chivalry on Apple, Amazon, and JustWatchThe Butterfly Murders on Apple, Amazon, and JustWatchSwordsman II on Apple, Amazon, and JustWatchThe Bride with White Hair on Apple, Amazon, and JustWatchCrouching Tiger, Hidden Dragon on Apple, Amazon, and JustWatchOur Letterboxd ListDr. Leon Hunt’s booksKung Fu Cult MastersMario Bava: The Artisan as Italian Horror AuteurChris Hamm’s booksThe Unworthy Scholar from Pingjiang: Republican-Era Martial Arts FictionPaper Swordsmen: Jin Yong and the Modern Chinese Martial Arts NovelLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
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In the vast expanse of cinematic storytelling, few tales grip the imagination like Frank Herbert's "Dune." As Denis Villeneuve's vision unfolds in "Dune: Part Two," the Film Board gathers to unravel the complex tapestry of prophecy, power, and the perils of messianic fervor.
Pete Wright, along with acolytes Steve Sarmento and Matthew Fox, embark on a journey through the dunes of Arrakis, where the line between hero and conqueror blurs like a mirage. As Paul Atreides grapples with his destiny, the specter of religious manipulation looms large, a testament to Herbert's prescient critique of the weaponization of faith.
Yet, in the hands of Villeneuve, the narrative takes on new dimensions. Chani, once relegated to the sidelines, emerges as a voice of reason amidst the swirling sands of fanaticism. Her perspective challenges not only Paul but the audience, forcing us to confront the seductive allure of the messianic trap.
The parallels between Herbert's world and our own become increasingly apparent. The Film Board dissects the Abrahamic roots of the messianic mythos, tracing the threads that bind the Fremen's fervor to the real-world complexities of organized religion and the mobilization of indigenous peoples.
In the end, "Dune: Part Two" emerges as more than a mere sequel; it is a mirror held up to our own struggles with faith, power, and the consequences of unchecked belief. As the credits roll and the twin moons of discourse and reflection set, we are left to ponder the eternal question: in the face of prophecy, do we have a choice, or are we all swept up in the inexorable tide of destiny?
Film Sundries
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The spy action comedy "Argylle" arrives in theaters this month with an all-star cast but mixed critical reviews. The film comes from director Matthew Vaughn, known for stylized spy franchises like "Kingsman." It also represents Apple TV+'s most ambitious foray into major theatrical releases to date.
"Argylle" stars Henry Cavill as the titular super spy, alongside Bryce Dallas Howard, Sam Rockwell, Bryan Cranston, Catherine O'Hara and others. The convoluted plot involves uncovering a global conspiracy which is the cinematic equivalent of a snake eating another snake that is eating a USB stick.
But the major talking point is a surprise twist ending that just does some stuff to Vaughn’s cinematice universes. Vaughn has hinted at ambitions to build a spy movie universe for years. The "Argylle" twist formally bridges a bunch of his prior work.
But box office has been soft for recent Vaughn spy installments, raising questions about appetite for an interconnected spy world. "Argylle” is underperforming right now.
The film's source novel also has an unusual backstory. Vaughn originally wanted to adapt "I Am Pilgrim," but couldn't secure rights. So he enlisted that book's author Terry Hayes along with Tammy Cohen to pen an "Argylle" novel as if it were written by Bryce Dallas Howard's character. That doesn’t make the story of the movie any easier.
Film Sundries
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The Film Board Gathers! The gang of thugs is here to take on a movie currently in theaters, and this month, we have Michael Mann’s return to the big screen with “Ferrari.” Join Pete Wright with Tommy Metz III and Justin "JJ" Jaeger as they unpack the high-octane drama that has raced into theaters.
Mann's return to the big screen after a lengthy hiatus has been much anticipated, with "Ferrari" taking the spotlight. The film, lensed with the sharp eye of Erik Messerschmidt, dives deep into the life of the legendary Enzo Ferrari, whose passion for racing is as much a part of his identity as the iconic vehicles bearing his name. However, it's not all smooth driving; the hosts discuss the mixed reactions from their broader social circles, hinting at a narrative that may have missed some turns.
They tackle the performances head-on, with one in particular sparking controversy — a character whose Italian accent may have veered off track. The narrative structure of the film is another point of contention, with the hosts questioning whether the story's stakes were effectively established and if the portrayal of the pivotal Mille Miglia race hit the mark.
Despite the debate, there's a clear appreciation for the craftsmanship behind "Ferrari." The cinematography scores high marks from the crew, even if some performances do not. And as always, the conversation isn't just about the film itself but what it represents, both in the pantheon of racing movies and in Mann's own storied career.
Film Sundries
Watch this on Apple or find other places at JustWatchTheatrical trailerEnzo Ferrari: The Man and the Machine by Brock W. YatesLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
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The Film Board Gathers! Pete, JJ, and Tommy settle in ‘round the hearth to hear the story of the vengeful electrician and the silent treatment in John Woo’s return to Hollywood: Silent Night.
Ok, right up front, The Film Board normally tries to pick films that are likely to be a bit bigger at the box office. Normally. But we have some ties to this production and, frankly, it’s a film trying some interesting things.
No dialog? Sure! John Woo’s first Hollywood production in years? You bet! Ok, so those are two things. Maybe it tries for more. Who could be sure? The point is, we didn’t love the movie, but we had a blast talking about it, and we hope you have just as much of a blast listening to it. Even if... especially if... you don’t go see it yourself.
Film Sundries
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You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
This month, The Film Board is taking on David Fincher's latest, The Killer. Cinematographer Erik Messerschmidt sat down with Justin Jaeger and Tommy Metz III to talk about making the movie, how movies are made, and why David Fincher's reputation in one important area is wildly overstated.
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“The Killer,” it turns out, is an interesting litmus test for movie lovers. David Fincher’s latest seems to push viewers to their corners. Is it just a movie? A competent excursion in action beats and voice-over? Or is it a meditation on what it means to work, but told through the eyes of a professional assassin? Or, perhaps the most cynical, is it simply a boring travelogue of a man exercising privilege through international travel and fast food?
Whatever it is for you, it’s worth talking about for us. So, the Film Board Gathers. Justin Jaeger, Tommy Metz III, and Pete Wright watched The Killer and as noted fans of Fincher’s work, you can imagine we have a lot to talk about.
We spend a significant portion of our conversation dissecting the film's unique marriage of high-brow and low-brow tendencies. The film's protagonist, an assassin who embodies an intricate blend of sophistication and vulgarity, presents a clear dichotomy of character, highlighted in his fluent speech and the deliberate placement of an earbud with a pinky finger, contrasted with his choice of a 10-gram protein meal at McDonald's.
As we navigate through the narrative arc of the film, we reflect on its deep-seated symbolism and the meticulousness of the protagonist. Our conversation moves from an analysis of the film to its comparison with other popular titles, such as Steven Soderbergh's work and the John Wick series. We muse over the film's realistic, almost journalistic approach to the assassin's world, which stands in stark contrast to the more fanciful, comic-book-like portrayal in Wick.
A highlight of our discussion is our interview with Eric Messerschmidt, the cinematographer of The Killer, known for his work on Mank, Mindhunter, Devotion, and the upcoming Ferrari. We delve into the technical aspects of filming, the use of motion control, and the creative process behind the scenes. Messerschmidt's insights add a new dimension to our understanding of the film and reaffirm our appreciation for the precision and control employed in its making. The full interview will be the very next episode for those curious about when Erik saw Star Wars and what that says about loving movies.
Our collective verdict on "The Killer" is quite positive. We’re enamored by the film's patience, precision, and unique take on the assassin genre.
Film Sundries
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Martin Scorsese first optioned the rights to David Grann's bestselling book Killers of the Flower Moon back in 2016, sensing it would make for a powerful film. After years of pre-production, casting leads like Leonardo DiCaprio and Robert De Niro, and nailing down the intricate period details of 1920s Oklahoma, Scorsese finally brought his sprawling murder mystery to life.
Here's a hint at what we talk about:
We dig into the movie's treatment of the real-life Osage murders, analyzing if Scorsese succeeded in his goal of reclaiming this story for the indigenous victims. There's debate around the choice to focus on DiCaprio and De Niro's characters rather than the Native American perspectives. We also discuss standout performances from Lily Gladstone and Brendan Fraser, and touch on the cinematography and editing.
Here are a few other points in our discussion:
The pacing and episodic nature of the 3.5 hour runtimeThe reliability of DiCaprio's character Accuracy of the Osage language spokenThe effectiveness of Scorsese's meta cameoHow this compares to past Scorsese filmsKillers of the Flower Moon prompted a thought-provoking discussion on our show. While we didn't all see eye to eye, we appreciated the chance to dig into this complex and haunting story. We have a great time talking about it, so check it out then tune in before The Film Board adjourns again!
Film Sundries
Watch this on Apple or find other places at JustWatchTheatrical trailerKillers of the Flower Moon by David GrannLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
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You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
The Film Board gathers! The gang of thugs is here to take on a movie currently in theaters and this month... Hey... do you ever wonder what it would be like if we all trusted AI? If we could work with these creations to build more great things? To solve hunger and teach our children? To work together in harmony?
Well, wonder no more. Because Gareth Edwards thinks the Americans wouldn't be able to handle it, and would just build bigger tanks. Welcome to The Creator.
___Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
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The WebLetterboxdFlickchartCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.–––Film Sundries
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The Film Board gathers! The gang is here to take on a movie currently in theaters and this month we have a movie with no beginning and no ending... but does it have any stakes, as the Internet wonders? Or is there actually some meat on those bones... We’re setting sail on The Last Voyage of the Demeter.
Tommy Metz III, Justin 'JJ' Jaeger, and Pete Wright set sail this week to discuss the long journey the Demeter has taken to see the big screen. We’re fans of André Øvredal and so many in the cast, so we’re a bit rocked to say that the film might not live up to the sum of its fantastic parts.
Film Sundries
Watch the FilmScriptTheatrical TrailerOriginal MaterialLetterboxdFlickchartLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
Here’s where you can find us around the internet:
The WebLetterboxdFlickchartCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
The Film Board gathers! The gang of thugs is here to take on a movie currently in theaters and this month... let’s call it counter programming. The crew is going to try and prove that we, too, are Kenough as we talk about Greta Gerwig’s MUCH pinker sequel to Little Women: Barbie.
It’s a film dense with jokes and ideology, and of course the baggage of opening Oppenheimer-adjacent. It’s certainly the biggest thing on big screens right now and we take it as our solemn duty to determine if it plays for the middle-aged guy crowd. If those guys are like Steve Sarmento, Justin 'JJ' Jaeger, Tommy Metz and Pete Wright, they’re in pretty good hands.
Watch the FilmTheatrical TrailerLetterboxdFlickchart
Film SundriesLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
Here’s where you can find us around the internet:
The WebLetterboxdFlickchartCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
The Film Board Gathers! The gang of thugs is here to take on a movie currently in theaters and this month, we’re swinging into the unknown with Miles and Gwen in Spider-Man: Across the Spider-Verse. This month, Steve Sarmento, Justin 'JJ' Jaeger, Tommy Metz III, and Pete Wright relish in the follow-up to the 2018 film that rocked us all. This film levels up almost everything we loved about the first in art, style, character, and straight-up panache. Spoiler: We liked it quite a bit.
Film Sundries
Watch this film: JustWatchTheatrical trailerOriginal MaterialFlickchartLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
Here’s where you can find us around the internet:
The WebLetterboxdFlickchartCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
We’ve only talked about one other Fast Saga film here at The Film Board and given our experience with Fast X, we’re starting to figure out why. But whether the film is good or bad isn’t really the question. The question is why? It’s big, bombastic, and bonkers-expensive, reportedly coming in at over $340 million and the 8th most expensive production ever. Numbers change, dollars move, but according to this, family is all that really matters. Family, and ridiculous amounts of money. Money is family. Family is money. And also cars.
That last paragraph was a free-writing exercise by an AI version of your fair editor, and yet we present it unaltered because it represents our experience with the film as faithfully as any conversation ever could.
It’s true. We weren’t crazy about the movie. But Justin 'JJ' Jaeger, Tommy Metz III, Steve Sarmento, and Pete Wright had a blast talking about it and hope you have as much fun joining us.
Watch this film: JustWatchTheatrical trailerFlickchartLetterboxd
Film SundriesLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
Here’s where you can find us around the internet:
The WebLetterboxdFlickchartCheck out poster artwork for movies we’ve discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. - Mostrar mais
