Episódios
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Before the age of 10, Adam had sat behind Alfred Hitchcock on the set of Frenzy. His future was set around that time. Now, he is an award-winning producer of comedy classic such as The Thick of it, Inside No9, The League of Gentlemen and I'm Alan Partridge.
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Manchester band Wax Head deliver brash, angry, 'I wanna break stuff' garage punk. Frontman/drummer Lewis chats about his dual role in the band, playing along to Nirvana, angry sound engineers and encouraging 'friendly violence' at their live shows.
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Harry (vocals/ guitar) and Miles (bass/ producer) talk about the band's new album Clasping Hands With The Moribund, demoing during lockdown, live sound engineers and turning duo songwriting into a 7 or 8 piece finished track.
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Bob’s music career started writing for television and after travelling to Asia and Africa, he was inspired by tribal music and ethnic sounds which birthed African Drug, the track remixed by Coldcut and other DJs which put his name on the club underground scene.
He talks about his love/hate relationdhip with live performance, how an electronic ambient composer writes music compared to a ‘standard’ songwriter, his love of Radiohead and The Smile, his music being used in The Sopranos, Friends, Ace Ventura and Lost, doing all the music for documentary until Jeff Bridges had another idea and new music Hidden Voices Unveiled.
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James talks about the difference in pressure of releasing album 3 to album 2, his struggle with mental health and having therapy, songwriting tips from friend and Wolf Alice drummer Joel Amey, Air BnB Monopoly and working with producer Andy Savours on new album Reason Enough.
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The first returning guest on the podcast, Paul comes back to talk about the cracking new Maximo Park album Stream of Life, how where he is in life has informed it's content, recording in America, set list disagreements, Maggie Thatcher and working with Low's Mimi Parker.
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Starting as runner at Talkback before climbing the production ladder to become researcher and sketch writer on Bo Selecta, James De Frond now directs his childhood friend and famous comic Tom Davis on projects they write together. Credits like BBC's King Gary, the BAFTA-winning Murder in Successville and Channel 4's The Curse have ensured James is a writer/ director with serious comedy chops.
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With industry backgrounds in film in the US and the UK, married filmmakers Sam and Bertie talk firstly about their work on Sharknado, Eternals, Spiderman: Far From Home and Cats, as well as short films about zombies and Splinter Cell, before breaking down new debut feature Midnight Taxi; how they got it funded, their process writing, directing and distributing the finished film, and the cameo by one Peter Serafinowicz.
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Ali talks about how work experience on the same floor as Empire magazine led to where he is today, namely interviewing A-List Hollywood royalty like Leonardo DiCaprio, Margot Robbie and Brad Pitt, and critiquing film. He details his process of how he makes his interviews different for both viewer and guest; how he goes from 20 minutes with Tarantino straight to a chat with the aforementioned stars of Once Upon a Time in Hollywood; how he made Harrison Ford emotional and his dream guest couch if he got his own TV talk show.
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Steve Stamp lays out his journey of Kurupt FM's humble webisode beginnings to being picked by the BBC for 5 series. He details how he approached the writing, being scared when he had to actually act, and how it felt collecting his BAFTA. He also covers working on the excellent The Curse with comedy powerhouse Tom Davis and 'sweetheart' Michael Smiley, and which actor would shout at the floor to get into the right frame of mind. And then his other baby, Peacock, and it's inception and development of story and characters from season 1 to the recently released season 2. Oh, and of course, he talks about his sex scenes in the show.
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As he releases his new album Wide Open, Horses, James talks about his leftfield approach to writing it, including two live shows playing the album before the songs were even finished. He also talks about record labels putting on the pressure to make videos of absolutely anything on social media, his Wicked Game cover that appeared in the trailer for Game of Thrones, the music of his that he isn't a fan of and more.
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From sport participant to sport photographer, Christian decided to jump from this to movie extra and then stand-in for Tom Cruise as he worked his way to become an on-set photographer in the film industry. Years later and with some A-Lister help, he has now racked up an impressive list of credits shooting on two Mission Impossible films, Boiling Point with Stephen Graham, Ted Lasso, Michael Bay's 13 Hours and most recently, the new Star Wars series The Acolyte.
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The Australian troubadour talks new album Drama King and the process of recording it with a producer for the first time, running over kangaroos, swearing in songs, getting sober and how it affected live shows and more.
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From Dagenham to France to New York to Dorset, Scott Lavene has has taken his music far and wide. With new album Disneyland in Dagenham just around the corner, Scott breaks down his process with writing his unique styles of music, working with and befriending The Hold Steady's Craig Finn, breakfast, Tom Waits, The Beatles, and being in a band that was a mix of Chas 'n' Dave and Queens of the Stone Age.
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After a 16 year break, The Zutons are back! New album The Big Decider, produced by Nile Rodgers and Ian Brodie, is proof that they are still a force to be reckoned with. Frontman Dave McCabe and saxophonist Abi Harding talk about the songwriting and recording process, past albums, a bad run in with Bill Wyman and John Lydon (on separate occasions) and more.
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Editor for Christopher Nolan's debut film Following, Gareth Heal goes deep on the full story as well as an extensive look at his work on British sitcom People Just Do Nothing and it's film, Greg Davies and The Cleaner, Peacock and what it means to be a comedy editor.
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Andrew Hung Fuck Buttons brings tales of dancing in music videos, songwriting on third solo album Deliverance and scoring The Greasy Strangler to the podcast. He also debates electronic music as abstract art and whether music artists ever are their true selves to their fans.
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Edgar Wright takes to the stage at the Prince Charles Cinema in London for the opening episode of Season 3. He tells tales of the making of his main film credits and cult show Spaced, as well as his on stage with Scorsese, Jeremy Beadle, kicking a granny in the face, and answering questions especially sent in from the likes of Simon Pegg, Nick Frost, Martin Freeman and Jon Hamm.
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Willie talks about his incredible new album Bunny and how being loaned a drum machine by friend Jamie T helped influence his change of sound, bike riding with Idles front man Joe Talbot, touring with Arctic Monkeys and Florence and the Machine, getting signed and dropped by Columbia, being signed by former Maccabees guitarist Felix White, and a dive into the making of Bunny.
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Gengahr's new album, Red Sun Titans, has already been unleashed, and what a cracker it is. Bassist Hugh Schulte and guitarist Jon Victor chat about the band's origins and how John came onboard, recording the new album and how they landed on the band's unique sound, something that Hugh details with 'noodling', meeting fans at signings, and the upcoming tour.
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