Episódios
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In the second Screen Awards Podcast for the 2023/24 race, our experts look at which titles are gaining momentum following the Golden Globe nominations and the European Film Awards, and go in-depth on the process – including costs – involved in submitting a film for Bafta consideration.
Screen’s editor Matt Mueller, executive editor, reviews and new talent Fionnuala Halligan, and awards and box-office editor Charles Gant also discuss why it’s been a good few weeks for 'Anatomy Of A Fall' and Hayao Miyazaki’s box office hit 'The Boy And The Heron'. -
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We speak to filmmaker Rian Johnson about Netflix whodunnit Glass Onion: A Knives Out Mystery.
The film received an unusual week-long theatrical release in the US, UK and other select territories, ahead of its worldwide streaming bow on December 23.
Johnson, whose previous films include the original Knives Out, Looper, Brick and Stars Wars: The Last Jedi, spoke to Screen’s Americas editor Jeremy Kay about shooting during the pandemic and the film’s groundbreaking release. -
In the second episode of our 2022/2023 awards season series, we speak to director Luca Guadagnino and writer David Kajganich about 'Bones And All'.
The film stars Timothée Chalamet and Taylor Russell as a pair on cannibals on the run in 1980s America, 'Bones And All' is based on the novel by Camille DeAngelis and debuted at Venice this year.
Guadagnino and Kajganich discuss making a different kind of cannibal movie, how David’s cameo as bus driver ended up on the cutting room floor and why Luca is planning an extended theatrical cut for his film 'A Bigger Splash'.
Interview by Screen’s international reporter Ben Dalton. -
In our first episode covering the 2022/2023 awards season, Alejandro Gonzalez Iñárritu, a two-time best director Oscar winner for 'Birdman' and 'The Revenant', talks to Screen contributing editor Mark Salisbury about his latest project, Mexican Oscar entry 'Bardo, False Chronicle Of A Handful Of Truths'.
Iñárritu explains why it took him so long to follow up 2015’s 'The Revenant', cutting more than 20 minutes of footage from 'Bardo' after its Venice premiere, and the real-life inspiration for the project.
'Bardo' is released in select UK cinemas on November 18, before launching worldwide on Netflix on December 16. -
In the latest episode of The Screen Podcast, the team make their final Oscar predictions, and Denis Villeneuve discusses Dune, which is up for 10 awards on the night.
In the first half of the pod, Screen’s chief film critic and reviews editor Fionnuala Halligan, deputy editor Louise Tutt and Americas editor Jeremy Kay assess the upcoming Oscar ceremony on March 27. How did the Bafta Film Awards affect the Oscar race? And what does Oscars producer Will Packer have lined up to boost ratings? Finally, our hosts pick their favourites in the actor, actress, director and best picture categories.
Then Villeneuve, speaking to Jeremy Kay in late January, discusses when he first became a fan of Frank Herbert’s Dune novels, how a comment at a Venice press conference helped him land the gig, and his biggest challenge making the film. -
In the latest episode of The Screen Podcast, the team discuss the final contenders for the Baftas, and mark International Women’s Day by speaking to renowned independent filmmaker Nina Menkes.
Screen’s editor Matt Mueller, deputy editor Louise Tutt, awards and box office editor Charles Gant, and chief film critic and reviews editor Fionnuala Halligan give their final Bafta predictions ahead of the ceremony on March 13, and assess the overall awards race as it enters its final stretch.
And with International Women’s Day 2022 taking place on March 8, Halligan also spoke to director and academic Nina Menkes about her documentary Brainwashed: Sex-Camera-Power.
Premiering at Sundance before a worldwide tour which includes Berlin and the upcoming CPH:DOX to date, Brainwashed is based on a series of Menkes’ lectures which argue that shot design is gendered – that men and women are, quite simply, shot differently. Halligan speaks to the director about her career and the impact that gendered shot design has on wider culture. -
In the latest episode of The Screen Podcast, the team reflects on this year’s virtual Sundance, and festival director Carlo Chatrian previews the 2022 Berlinale.
Screen International editor Matt Mueller, chief film critic and reviews editor Fionnuala Halligan and Americas editor Jeremy Kay assess the buzzy titles and key deals from Sundance (which ran Jan 10-20), and also discuss how well it worked as a virtual event for a second year in a row.
Then Halligan sits down with Berlin film festival director Chatrian, who shares his insights on the line-up and the overall shape of the festival, which kicks off on February 10. -
In the latest episode of The Screen Podcast, the team discuss the latest awards season developments including the Bafta longlists, the SAG award nominations and the Golden Globes. Plus, Sundance senior programmer John Nein offers his insights into this year’s festival.
Screen International editor Matt Mueller, chief film critic and reviews editor Fionnuala Halligan, and awards and box office editor Charles Gant take the temperature of the ongoing awards season. The Screen trio consider key talking points from the 2022 Bafta longlists, including a mainstream best film selection and a relatively weak showing for independent British films. Also under discussion are the SAG Awards nominations, with no place for Kristen Stewart; and the first Golden Globes winners to be announced solely live on Twitter.
With Sundance Film Festival kicking off this Thursday, January 20, Halligan interviews Sundance senior programmer Nein about the upcoming event, films to watch, and the switch to a virtual edition for 2022. -
The latest episode of our monthly podcast sees our hosts assess this year’s Oscar shortlists.
Screen’s editor Matt Mueller, Americas editor Jeremy Kay, and awards and box office editor Charles Gant discuss the 15 titles that made the cut in the Oscar international and documentary categories, as well as some surprising omissions.
After that, Screen’s chief film critic and reviews editor Fionnuala Halligan talks to Jonas Poher Rasmussen, the director of Danish Oscar submission Flee, which has made both international and documentary shortlists. -
The latest episode of our monthly podcast is focused on the UK contenders this awards season.
Screen’s editor Matt Mueller, chief film critic and reviews editor Fionnuala Halligan, and awards and box office editor Charles Gant discuss the UK titles in contention for this year’s Oscar and Bafta races, reflect on the recent Bifa awards and look at the criteria that define a “British film” in the eyes of Bafta.
After that, Halligan is joined by one of the filmmakers in this year’s awards race, Joanna Hogg, to discuss The Souvenir: Part II. -
In the third episode of our monthly podcast, Screen’s editor Matt Mueller, chief film critic and reviews editor Fionnuala Halligan, and awards and box office editor Charles Gant delve into this year’s Oscars international feature race.
With 93 titles submitted so far, the trio pick out some of the contenders that could go all the way in what seems like a more open race this year, as well as the surprising omissions that were not submitted to the category by their home countries.
Mueller is then joined by director Paolo Sorrentino, who discusses Italy’s submission The Hand Of God. Sorrentino explains how much of the film is autobiographical, and why he took the project to Netflix. -
In the second episode of our monthly podcast, Screen’s editor Matt Mueller and chief film critic and reviews editor Fionnuala Halligan report from the 2021 Cannes Film Festival.
They discuss getting to Cannes, the vibe on the ground and the opening night film Annette. They are then joined by Jonathan Rutter, director of film at Premier PR, who tells us about the logistics for getting talent to the festival. Finally Screen’s US editor Jeremy Kay swings by to give us the lowdown on this year’s market. -
In the first episode of our new monthly podcast, Screen International's editor Matt Mueller and chief film critic Fionnuala Halligan give their verdict on the Cannes Film Festival's 2021 Official Selection.
Cannes head Thierry Fremaux announced the titles at a Paris press conference for its 2021 edition, which will be held as a physical event from July 6-17 after it was forced to cancel last year.
We'll pick out the most intriguing (and most unusual) selections in the line-up, debate how well Cannes has done in terms of diversity, and explore what impact this year's festival could have on the international independent film sector. -
In a sponsored episode of the Screen podcast, the three heads of Canada’s leading screen-based organisations – Telefilm Canada, Canada Media Fund and CBC/Radio-Canada – share their insights into the state of the industry in Canada, how strategic partnerships are helping their companies to thrive, and look at what’s next for Canada’s audiovisual creators in an age of radical industry change.
Leading the discussion are Christa Dickenson, executive director of Telefilm Canada; Valerie Creighton, president and CEO of Canada Media Fund; and Catherine Tait is president and CEO of CBC/Radio-Canada.
Their wide-ranging conversation covers topics including how Canada can continue to stay competitive on the international stage, how their organisations are fostering parity and diversity in the industry, and how significant the challenges are ahead. -
In a special edition of our podcast series, Screen International donned its winter gear and flew into Park City, Utah, for a chat with four international filmmakers at Sundance Film Festival 2020.
Each director’s new film screened in the prestigious World Cinema Dramatic Competition section: Maïmouna Doucouré brought Cuties (France); Fernanda Valadez Identifying Features (Mexico/Spain); Visar Morina Exil (Germany/Belgium/Kosovo); and Aneil Karia Surge (UK).
All four films address notions of belonging and human connection, yet in very different ways that reflect the filmmakers’ countries of origin and specific social issues.
The directors talk about their stories, how they found financing, what kind of support their respective governments provide for content creators, and what they’re planning next.
After this recording took place, several of our guests were honoured at the Sundance awards ceremony. Identifying Features earned the section’s audience award, while Valadez and Astrid Rondero won the juried screenplay prize. Doucouré won the section’s directing award, and Surge star Ben Whishaw won the section’s special jury award for acting.
To subscribe to future episodes, search for the Screen podcast, which is available on Soundcloud, Apple Podcasts, Spotify and a host of other podcast apps. -
Avengers: Endgame writers Christopher Markus and Stephen McFeely sat down with Screen International to reveal how they approached writing the record-breaking superhero epic and their favourite moments from the movie.
After the Walt Studios Motion Pictures release became the highest-grossing film of all time with $2.8bn at the global box office, screenwriters Christopher Markus and Stephen McFeely sat down to discuss their journey across the Marvel Cinematic Universe.
The duo reveal how they approached writing the climactic instalment of the Infinity Saga – the name given to the series that comprises the first 23 films in the Marvel Cinematic Universe.
They also share their thoughts on awards recognition for superhero movies, the screenwriters who most inspire them and their relationship with Marvel Studios president Kevin Feige.
To subscribe to future episodes, search for the Screen International Podcast, available on Apple Podcasts, Spotofy, Google Podcasts and a host of podcast apps -
In the first of Screen International’s awards season podcast series, Screen editor Matt Mueller is joined by features editor Charles Gant and joint managing director of Picturehouse Cinemas and Picturehouse Entertainment Clare Binns to discuss the kick-off to the 2019/20 awards season.
Who are the early front-runners in the major categories, how is the date change impacting the release schedule and can anything beat Parasite in the international feature film category?
Matt, Clare and Charles discuss the shorter window for capitalising on awards contenders this year following the US Academy’s decision to move the Oscar ceremony forward to February 9 and Bafta responded in kind, shifting to February 2 – what ripple effect will that have on exhibitors, distributors and audiences?
Others topics include examining the contenders across all major categories that are making the biggest impression so far, and how the US Academy’s expanded international membership is exerting a stronger influence on the overall shape of nominations.
To subscribe to future episodes, search for the Screen podcast, which is available on Apple Podcasts, Google Podcasts and a host of podcast apps. Screen International is a Media Business Insight company.
