Episódios
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THIS EPISODE HAS FORMER GUNS N ROSES + LONG TIME SOLO ARTIST AND MOTORCYCLE BUILDER, GUITARIST GILBY CLARKE. THIS BRIEF CHAT DISCUSSES AN UPCOMING PREMIERE OF THE MOVIE SHORT FROM THNKLAB MOTORS SERIES TITLED "ORIGINS". THIS IS THEIR 2ND EPISODE AND GILBY DISCUSSES WHAT THE SHORT IS ABOUT AND HOW TO SEE IT SATURDAY MAY 18, 2024 AT 7PM (Thnklab Motors - YouTube)
GILBY ALSO MENTIONS HOW THE CLEVELAND CHAPTER OF THE HELLS ANGELS GOT HIS INTEREST IN MOTORCYLES, WHICH HAS NOW ARGUABLY BECOME A VERY CLOSE 2ND, AT TIMES 1ST, TO HIS MUSICAL CAREER.
WE ALSO RECAP:LEMMY TRIBUTE AT THE RAINBOW BAR AND GRILL W/ THE METAL BABE MINUTE ROAD REPORT W/ ALISON COHENCOMPARING OUR CURRENT PRESIDENTIAL OPTIONSBAD COLLEGE GRADUATE PRONOUNCIATIONS OF STUDENT NAMESTHE MONKEYPOX PHONY PHONE CALL AND TONS MORE!
YOU CAN HEAR THIS THAT AND THE OTHER RADIO SHOW LIVE WEDS 2-5PM PDT ON DIRTYRADIO.FM CHANNEL 2 #DIRTYRADIOCLASSICS WWW.DIRTYRADIO.FM AND FIND OUT MUCH MOREAT WWW.DRUMMERTROY.COM -
AFTER 2.5 YEARS OF REQUESTING HIS HONORABLE PRESENCE- Judge J Middleton agreed to come on my show. When the pandemic hit, many courts went to "Zoom' style hearings and Judge Middleton secured a channel and his town/court system secured "Zoom Licenses" not in anticipation for the shutdown, but ready to go, nonetheless. After some great (or terrible) viral cases, Middleton became a Rock Star Judge. My thoughts are he was/is Fair and Firm. The guy you respect but don't want to be in front of. His court cases have been seen by A&E Court Cam and many other shows due to the sporadic events that can and will happen during a court case. I fell in love with him and his laid-back demeanor, his classic rock vibe as he sang songs while he launched his stream. This is the first of NONE- with respect to interviews and I feel we hit some very common questions and answers that perhaps we're all thinking during many of these cases. We also hit on Sov Cits and much more.
Enjoy this exclusive interview with the almighty Judge Jeffery C Middleton -
Estão a faltar episódios?
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COMEDIAN CRAIG GASS JOINS US FOR THE FIRST TIME ON THIS THAT AND THE OTHER FROM PORTLAND TALKING IMPRESSIONS, ROASTS, ACTING ON KING OF QUEENS AND A VERY TASTEFULLY GRAPHIC STORY ABOUT AND "ORAL SEX" SCENE WITH CYNTHIA NIXON OF SEX AND THE CITY. WHERE IT'S RUMORED THAT, PERHAPS BY CRAIG HIMSELF, THAT HE'S NOT ONLY RESPONSIBLE FOR HER CHILD BUT TURNING HER LESBIAN. WHILE NOT TRUE OF COURSE, THE STORY IS IN GREAT FUN AND ONE WE'VE NEVER HEARD BEFORE ABOUT THAT SCENE.
"I COULD SMELL HER" AFTER THE SCENE.-CRAIG GASS
WE MAKE A PHONEY PHONE CALL TO A GREAT MUSIC FAN NAMED "TODD" WHERE CRAIG OFFERS HIM THE DEAL OF A LIFETIME AS "GENE SIMMONS".
WE GET INTO GREAT STORIES ABOUT ALL OF THE ROCK N ROLL ROASTS, OPENING FOR METALLICA, MOTLEY CRUE, ALICE IN CHAINS And GREAT HOWARD STERN STORIES.IMPRESSIONS OF GILBERT GOTTFRIED, BABABOOEY, LARS ULRICH, PAUL STANLEY AND GENE SIMMONS (PAUSE)(PAUSE) FROM KISS, CHRISTOPHER WALKEN, AL PACINO'S BABY AND MORE!
CRAIG HAS DONE MANY INTERVIEWS AND THE CLASSIC STORIES ARE ALWAYS GREAT BUT WE "WENT OUT TO THE WEEDS" ON THIS ONE- HEARING STUFF ONLY TOLD TO FRIENDS.
TUNEINTURNUP!THIS THAT AND THE OTHER RADIO SHOW HEARD LIVE WEDS 2-5PM PST ON WWW.DIRTYRADIO.FM CHANNEL 2 #DIRTYRADIOCLASSICSLISTEN LINK: www.tinyurl.com/DirtyRadioClassicsWeds 2-5pm PSTSaturday Replays 5-8pm PSTwww.drummertroy.com -
THAT CLOWN IN CALIFORNIA GOV NEWSOM HAS PUSHED THROUGH MORE WACKINESS FOR THE YEAR 2024. HERE'S A SMALL RANT FROM THE FIRST SHOW OF 2024 OF THIS THAT AND THE OTHER RADIO SHOWHEARD LIVE 2-5PM PST ON WWW.DIRTYRADIO.FM - CHANNEL (2) #DIRTYRADIOCLASSICS
You can stream from www.drummertroy.com or go directly to the player www.tinyurl.com/DirtyRadioClassics -
Troy Patrick Farrell of the Weekly Live This That and the Other Radio Show, snagged ERIC MARTIN of Mr. Big and PJ Farley of Trixter/Fozzy to discuss what's new in Mr. Big land for 2024 and PJ Farley updates the latest in the Trixter world (updating the status of the recent "Gus-Steve Brown" feud and what's in store for Fozzy in 2024. This was done via Streamyard on YouTube which is a rarity for the Weekly Talk Show host.
More Details and time stamps below
If you'd like to "Watch" the interview on YouTube, the link is below!
LINK: THIS THAT AND THE OTHER WELCOMES ERIC MARTIN (MR, BIG) & PJ FARLEY (TRIXTER, FOZZY)
THIS THAT AND THE OTHER WELCOMES ERIC MARTIN (MR, BIG) & PJ FARLEY (TRIX...
DISCUSSING THE "BIG FINISH" TOUR BY MR BIG.
Eric goes on to discuss how MATT STARR while did "a fine job for us", there was "a lot of finesse" missing in his approach.
They wanted someone to play "exactly like Pat".
"There's no bad blood between Matt Starr and Mr. Big".
When asked about the new blood in the band that is filling the void of an absent Pat Torpey (who passed away Feb of 2018 from complications of Parkinson's Disease), and whether Mr. Big will record a new album, Eric Martin goes on to say: "We're doing it now, we're working on it now, Paul Gilbert and I have been writing and recording everything and so far 10-13 songs, Billy Sheehan has one and (new drummer) Nick (D'Virgilio) has 4 songs that are pretty good, Hell Yeah, Hells to the Yeah".
Eric goes on to say he'd like to do a duet with a female artist and goes on to name Joss Stone as well as John Mayer as another artist to collaborate with.
PJ Farley goes on to wrap up the interview talking Fozzy's "Judas" Video experience riding a roller coaster for the first time for the Music Video as well as their latest single "SPOTLIGHT" as well as bringing is up to date on the latest happenings in the world of TRIXTER.
THIS THAT AND THE OTHER RADIO SHOW hosted by Troy Patrick Farrell is weekly LIVE Radio Showheard Wednesdays 2-5pm PST on Dirty Radio Classics. More information can be found at www.Drummertroy.com
www.DirtyRadio.FM - #DirtyRadioClassics -
DONNIE VIE (FOUNDING MEMBER OF ENUFF ZNUFF) AND ALEX KANE (LIFE SEX AND DEATH) BOTH JOIN ME AGAIN ON THE SHOW, BUT FOR THE FIRST TIME TOGETHER AS THEY TALK GETTING BACK TOGETHER AFTER DECADES, AND DONNIE VIE RETURNING TO THE WEST COAST FOR THE FIRST TIME IN OVER A DECADE.
THE SHOWS ARE THIS WEEKEND09/28/2023 COUNT'S VAMP'D LAS VEGAS, NV09/29/2023 THE WHISKY A GOGO WEST HOLLYWOOD, CA10/01/2023 THE 44 GLENDALE, AZ
WE ALSO GIVE AWAY (STILL UP FOR GRABS AS OF THIS POSTING) (2) FREE MEET AND GREET PASSES FOR COUNT'S VAMP'D SHOW 09/28/2023 WHERE IF YOU ANSWER ONE OF THE FOLLOWING (3) QUESTIONS, THE FIRST 2 PEOPLE TO TEXT ANY ONE ANSWER TO 747-236-3456 GET'S EM! (50$ VALUE)(MUST PURCHASE EVENT TICKET SEPARATELY).
THE MEET AND GREET CONSISTS OF MEETING THE BAND, PHOTOS, LANYARD, TSHIRT AND/OR FLASH DRIVE OF EXTENSIVE DONNIE VIE CATALOG.
THE QUESTIONS: FAVE CURSE WORD, WHAT JOB WOULD YOU DO OTHER THAN MUSIC, WHAT WOULD YOU WANT GOD TO SAY AT THE PEARLY GATES UPON YOUR ARRIVAL?
WWW.DONNIEVIE.COM -
THISTHAT AND THE OTHER RADIO SHOW W/
TROY PATRICK FARRELL
www.DirtyRadio.FM Channel #DirtyRadioClassics
LIVE AIRDATE: 05/24/2023WEDNESDAY
GUEST: MARCUS NAND
(GUITARIST OF MIKE TRAMP’S “SONGS OF WHITE LION” ALBUM/SPRING TOUR”)NOTABLECOMMENTS & TIME STAMPS:
00:00 – 05:30 SHOW INTRO,TINA TURNER RIP, + WITH GUEST BACKGROUND
05:30 - 08:00 AUDIOSAMPLE OF COMPARING WHITE LION’S “WAIT” GUITAR SOLO BY VITO BRATTA AND THERE-RECORD BY MARCUS NAND ON “SONGS OF WHITE LION”
10:45 MARCUS NAND JOINS THE SHOW
11:30 WE DISCUSS HOW THE TOURWAS AN ACOUSTIC TOUR AND NOT A “FULL BAND” SOUND DUO TOUR
12:35 MARCUS DISCUSSES WHY AFULL BAND WAS NOT POSSIBLE THIS RUN
HOWEVER, WHILE IT’S A “FULL BAND FEEL” YET STILL INCLUDES THE STORIES.
WE WEREN’T IN A POSITION TO TAKE A RHYTHM SECTION AT THIS TIME, (BUT THE TRACKS)ALLOW US TO HAVE MORE OF A FULL BAND FEEL”
14:45 NAND SPEAKS ABOUT HISHISTORY AS A FLEMENCO GUITARIST PLAYING WITH THE LIKES OF STEVE STEVENS, ETCAND HOW HE MORPHED HIS style AND EXPERIENCE into that of a vitobratto STYLE AND PAY TRIBUTE TO THE SOLOS.
‘YOU SORT OF HAVE TO PUTYOURSELF IN THE FRAME OF MIND OF SERVING THE MUSIC. IT'S SORT OF SACRED GROUND,VITO BRATTA IS A VERY, VERY HIGHLY RESPECTED GUITAR PLAYER, WHAT HE (BRATTA) DIDAT THAT TIME WITH THOSE SONGS, AND AS A SONGWRITER, THERE WAS NO REASON FOR METO TRY DO ANYTHING DIFFERENT”THE keys aredifferent, the tempos are different.
WE TRIED TO STAY TRUE, I TRIED TO STAY TRUE TO THE SONGS, I COMPARE IT RECITINGTO A CLASSIC POEM, YOU CAN HAVE A DIFFERENT NARRATOR (VOICE) BUT THE WORDS HAVETO BE THE WORDS. THAT WAS THE INTENTION THATWAS CREATED IN THE FIRST PLACE.I TRYTO BRIDGE THE GAP BETWEEN WAS THEN AND WHAT (IS) NOW, IT WAS ON ME TO FIND WAYSTHESE SONGS WOULD EXIST IN THESE NEW KEYS (ABOUT A FOURTH DOWN)
MIKE’SVOICE HAS MATURED OVER THE YEARS.
17:20 WE DISCUSS THE “WAIT” SOLO ANDHOW IMPORTANT AS THE SOLO WAS AS WELL AS THE PERFORMANCE BY MARCUS NAND LIVE.
18:30 MARCUS DISCUSSES HIS APPROACH TOPERFORMING THE “WAIT” SOLO
HE ALSO NOTES: “IT’SNERVE RACKING” “I THINK PEOPLE APPLAUD BECAUSE IT’S BEEN A LONG TIME SINCETHEY’VE HEARD THAT LIVE”
PLUS “THE LYRICS AND STYLE (OF THE SONGS) HAS “HIT THEM IN THE HEART”21:00 WE ASK THE QUESTION IF VITOBRATTA HAS HEARD THE ALBUM AND HAS MARCUS HAD ANY CONNECTION WITH VITO BRATTAAND WOULD THERE BE ANY PUSH BACK (LIKE IN THE PAST) FOR DOING A “SONGS OF WHITELION”
WE DISCUSS SOME OF THE TENSION WITH VITO AND MIKE W/PREVIOUS VERSIONS OF WHITE LION.
21:40 WE ARE IN TOUCH, AND IT’S PRETTYASTONISHING TO ME, FIRST AND FOREMOST, I’M A MASSIVE MASSIVE FAN, I HAVE SOMUCH RESPECT FOR WHAT HE DID & HIS CONTRIBUTION TO GUITAR IS JUSTPHENOMENAL.
HE’S VERY VERY SUPPORTIVE;
HE LIKES WHAT WE’RE DOING, I WAS VERY NERVOUS ABOUT THAT INITIALLY, HE WROTE ANEMAIL TO TRAMP, TRAMP PUT US INTO CONTACT AND WE’VE BEEN COMMUNICATING THELAST FEW WEEKS AND DEVOLOPING A VERY COOL FRIENDSHIP.IT’S PRETTY SURREAL TO COME HOME FROMA SHOW AND WRITE TO VITO AND “YOUR NAME WAS MENTIONED SO MANY TIMES, AND ITSEVIDENT HOW MUCH PEOPLE LOVE YOU AND ADMIRE YOU”, SO IT’S NOTHING BUT SUPPORTFROM VITO, IT’S REALLY GREAT.
IT’S SURREAL IN A WAY.
23:30 WE DISCUSS IF HIS FLEMENCOBACKGROUND HELPS HIS APPROACH TO THE VITO BRATTA SOLOS (TWO HANDED APPROACH),DOES THAT GIVE MARCUS AND ADVANTAGE?
“THAT’S A REALLYINTERESTING POINT, YOU MIGHT BE ONTO SOMETHING THERE! IT’S NOT JUST A PIC INYOUR HAND, THE FINGERS ARE SORT OF INDEPENDENT THINGS”.
27:00 WE CLARIFY HIS PARTICIPATION WITH“RATT”
28:00 WE DIVE INTO MARCUS’ HISTORY WITHMANY ARTISTS
RICKY PHILLIPS (STYX), FERGIE FREDERICKSEN (TOTO) AND MORE
30:30 WE DISCUSS MARCUS’ CONTRIBUTION TO AROD STEWART SONG ON THE ALBUM “ANOTHER COUNTRY” AND NOT BEING CREDITED.
33:30 WE DISCUSS THE “SONGS OF WHITE LION”TOUR OVERSEAS (FULL BAND TOUR)
34:30 MARCUS DISCUSSES THE FALL 2023 USATOUR BRIEFLY (SEPT-NOVEMBER- A FULL BAND 8 WEEK TOUR)
35:45 REGARDING VITOBRATTA’S CONTRIBUTION TO WHITE LION: HE IS SPECTACULAR, AS YOU STUDY THESE SONGS, IT’S NOT JUST THESOLOS, ALSO HIS RHYTHM WORK AND ALL THE LITTLE NUANCES, ALL THE OPEN STRINGWORK UNDER THE vocal IS REALLYSPECTACULAR, REALLY REWARDING TO FIGURE OUT.
38:20 WILL YOU EVER HAVE A MEETINGWITH VITO?
I WOULD LOVE THAT, HE HASSOME OTHER OBLIGATIONS AND DUTIES AT THE MOMENT, BUT I WOULD ABSOLUTELY LOVETHAT, WE DID TALK A LITTLE ABOUT THAT, THAT WOULD BE PRETTY AMAZING TO DO”. -
THIS THAT AND THE OTHER RADIO SHOW W/ TROY PATRICK FARRELL
www.DirtyRadio.FM Channel#DirtyRadioClassics
AIRDATE: 05/17/2023 WEDNESDAY
GUEST: JOSEY SCOTT (FOUNDING MEMBER OFSALIVA) JOSEY SCOTT’S SALIVA (2023)
0:00 SHOW INTRO-GUESTBACKGROUND-TOPICS TO BE DISCUSSED
6:44 JOSEY SCOTT JOINS THE SHOW
7:30 WE DISCUSS HOW BOTH“SALIVA’S” WILL EXIST AMICABLY WHERE MOST BANDS FROM THE 80’S HAVE BEENLITIGIOUS
9:12 ‘WE’RE NOT 2 SALIVA CAMPS,WE’RE ONE SALIVA CAMP” “BOBBY HAS THE 2NDHALF OF THE MATERIAL, I HAVE THE FIRST HALF OF THE MATERIAL”. “MINES MORE OF A TRIBUTE, BROADWAY SHOW TYPEOF THING, BOBBY WILL BE DOING HIS MATERIAL”“THERE’S NO INFIGHTING, NOTHING BUT LOVE ANDRESPECT”
10:30 HE DISCUSSES HIS FRIENDSHIP WITH BOBBY AMARU SR (BOBBYAMARU JR’S DAD) AND SUPPORT HE GOT FROM THE AMARU’S FROM THE LOSS OF HIS OLDESTSON CODY.11:22 HEEXPLAINS THE DELAY IN “SHADE VIOLENT” ALBUM AND TOUR
12:06 JOSEY DISCUSSES HOW THINGSCHANGED GEARS WITH WAYNE SWINNY’S PASSING, AND COMMENDED THE ORGANIZATON BYBOBBY AMARU OF THE CELEBRATION OF LIFE FOR SWINNY.13:05 “CERTAINLY BOBBY HAS MY BLESSING ON GOING OUT THERE DOING HIS THINGWITH SALIVA AND I’M GONNA DO MINE, THERE’S NO BAD BLOOD OR ANYTHING LIKE THAT,IT’S A GOOD THING”
13:27 WE DISCUSS HOW THE FORGING OF A FRIENDSHIP WITH BOBBY AMARUSR ALLOWED BOTH CAMPS TO NAVIGATE THE LOSS OF WAYNE SWINNY TOGETHER.“OUT OF DEATH, SPRINGS FORTH LIFE”
14:30 JOSEY CONTINUES TO WEIGH IN ON THE LOSS OF HIS CHILD. “I GOOGLED “LOSING A CHILD” AND GOOGLE POPPEDBACK “THE ULTIMATE TRAGEDY” “I WOULDN’T WISH THAT ON MY WORST ENEMY”.
-NOTE THAT MONDAY MAY 22, 2023, WILL BE ONEYEAR SINCE HIS SON’S PASSING
16:45 THROUGHTHE RELATIONSHIP WITH BOBBY AMARU SR, JOSEY AND BOBBY AMARU JR HAD ALREADYDISCUSSED MUSICAL COLLABORATIONS.18:31 WEDISCUSS THE FAILED REUNION OF JOSEY SCOTT AND SALIVA AS WELL AS THE BLUE RIDGEFESTIVAL APPEARANCE, WHICH WOULD BE ONLY AND LAST APPEARANCE OF JOSEY SCOTTWITH WAYNE SWINNY.
19:30 “A LOT OF WHAT HAPPENED WAS MY FAULT, BECAUSE I HADN’TBEEN IN THE MUSIC INDUSTRY IN 10 YEARS”. “WHAT A DIFFERENCE 10 YEARS MAKES”! -JOSEY SCOTT ON THE FAILEDSALIVA REUNION
HE GOES ON TO SAY WITH COVID, HIS SON GETTING SICK AND AS THE “WORLD JUSTSHIFTED GEARS”, CHANGES IN THE INDUSTRY, THE REUNION “JUST IMPLODED AFTERTHAT”.21:08 HEGOES ONTO REFLECT ON THE BLUE RIDGE FESTIVAL OPPORTUNITY THAT HAPPENED INSEPTEMBER OF 2022. “I WAS IN A BETTERPOSITION TO SAY YES TO THAT OPPORTUNITY”.
21:30 “I HAD NO IDEA THAT WAS GONNA BE THE LAST TIME I WOULDEVER GET TO WALK ON STAGE WITH WAYNE SWINNY AND I’M JUST SO GLAD WE GOT TO PLAYTHAT GIG TOGETHER”
“THE UNIVERSE ABSOLUTELY KNOWS WHAT IT’S DOIN’”
WITH RESPECT TO THE ORIGINAL CONCEPT OF A REUNION/ TOUR: “MAYBE WASN’TMEAN TO BE IN THAT FORM, IN THAT CONNOTATION” “IF THAT’S THE CASE, I’M GLAD ITDIDN’T HAPPEN AND I’M GLAD WE GOT TO DO SOMETHING LIKE BLUE RIDGE”.22:55 WEDISCUSS WHAT IT WAS LIKE JOINING THE BAND IN FRONT OF A REPORTED 60-100k PEOPLEFOR THE FIRST TIME IN OVER A DECADE WITH THE NEW SINGER ON THE SIDE OF THESTAGE.
“IT WASABSOLUTE MAGIC MAN”
24:20 HE TALKS ABOUT BEING NERVOUS BEFORE GOING ON STAGE AND HISWIFE WALKED OVER AND SAID WHAT HE NEEDED TO HEAR TO GET ON STAGE: SHE SAID, “YOU BELONG HERE”
“AFTER SHE SAID THAT, IT JUST CENTERED ME”.
“I’M ACTUALLY GONNA GET A TATTOO THAT SAYS “YOU BELONG HERE”
26:25 WEDISCUSSED ODD JOBS THAT JOSEY DID WHILE ON HIATUS AFTER LEAVING SALIVA.HE TALKS ABOUTDOING DRUG COUNSELING FOR THE SHERIFF’S DEPT FOR 3 YEARS IN HIS HOMETOWN(BEFORE MOVING TO TULSA) AFTER GETTING CLEAN OFF OF PRESCRIBED MEDICATIONS.
IN 2016, HE TOOK “PEER RECOVERY SPECIALIST” CLASSES IN TULSA TO HELPVETERANS, HOMELESS AND OTHERS THAT DIDN’T HAVE RESOURCES TO FIND DRUG ANDALCOHOL REHAB.
“IT WAS ALMOST AS GOOD A FOOD FOR THE SOUL AS MUSIC IS”
30:00 WE TALK ABOUT JOSEY JOININGPOISON ON STAGE LAST SUMMER IN TULSA, OK AT THE BOK CENTER.“ME AND BRET HAVE BEEN REALLY GOOD FRIENDS OVERTHE YEARS, HE’S ALWAYS BEEN REALLY SUPPORTIVE OF MY CAREER AND MY COMEBACK”.
“IT WAS A DREAM COME TRUE TO GET TO GET ON STAGE WITH MY HEROES IN FRONT OF ASOLD OUT CROWD”
32:09 WE ASK THE QUESTION IF JOSEY SCOTT’SSALIVA WILL WRITE NEW MUSIC OR JUST TOUR PERFORMING THE SONGS FROM THE JOSEYSCOTT’S SALIVA ERA.“I’VE THOUGHT A LOT ABOUT THAT, AND FOR RIGHT NOW,I’M JUST GONNA KEEP, WHAT I CALL “DELIVERING THE PACKAGE””.
HE GOES ON TOTALK ABOUT TOURING THE NORTH AMERICAN MARKETS, EUROPE AND SOUTH AMERICA.
“MUSIC IS MEDICATION, MUSIC IS MEDICINE TO PEOPLE THAT ARE HURTING”-JOSEY SCOTT
35:40 I ASK WHY JOSEY SCOTT DIDN’T JUST CALL THE BANDSALIVA.
“I DON’T WANT TOCONFUSE THE MARKET AND I WANT PEOPLE TO KNOW WHAT THEY’RE GETTING, I WAS GONEFOR 10 YEARS, AND WHEN PEOPLE HAVE SEEN SALIVA (THE PAST 10 YEARS), THEY’VESEEN THE “BOBBY ERA” AND I JUST WANT IT TO BE CLEAR TO PEOPLE WHAT VERSIONTHEY’RE GOING TO SEE”37:30 “I JUST WANNA LET THE PEOPLE KNOW WHICH DRUG THEY’RE GETTIN’”
37:35 WE DISCUSS IN MORE DETAIL THE NEW SONG “HORIZON” THATWAS WRITTEN AND RECORDED BY WAYNE SWINNY ALONG WITH JOSEY SCOTT AND BOBBY AMARUWHO ARE WRITING AND COMPLETING THE VERSES DUBBED WAYNE SWINNY’S “SWAN SONG”
JOSEY GOES ON TO TALK ABOUT THE CELEBRATION OF LIFE FOR WAYNE SWINNY ANDREFERENCES THAT AT THE END OF THE EVENING AS BOBBY AMARU FINISHED HIS THOUGHTS,THE SONG WAS PLAYED ON THE CLOSING PHOTOS
A VERSION OF THE SONG CAN BE FOUND HEREFROM VIDEO AT THE MEMORIAL DURING THE CLOSING OF THE CELEBRATION OF WAYNESWINNY’S LIFE
https://youtu.be/F89QAvDpsMU?t=199
39:20 WHEN JOSEY ASKED BOBBYABOUT THE SONG, BOBBY NOTED “THAT WAS THE LAST SONG WE RECORDED TOGETHER”BOBBY SAID “HEYMAN, WHY DON’T WE GET INTO THE STUDIO TOGETHER AND YOU CAN WRITE THE 2NDVERSE, AND THE CHORUS IF YOU WANT TO, & WE’LL DO THIS TOGETHER, SINCEIT’S WAYNE SWINNY’S SWAN SONG. WE’LL DO THISAS THE BEGINNING LEAD SINGER AND THE CURRENT LEAD SINGER””
41:45 JOSEY CONFIRMS THAT WAYNESWINNY DID IN FACT RECORD GUITARS ON THIS SONG AND IT IS HIS LAST SOLORECORDED.“IT’S ONE OF THE BEST LEADS HE’S EVER PLAYED, ITWILL MAKE THE HAIR ON THE BACK OF YOUR NECK STAND UP”
JOSEY HOPESTO GET HIS VOCALS DONE IN THE NEXT MONTH OR SO (SUMMER OF 2023).
43:00 WE GO ON TO RECAP A FEW OF THE UPCOMING DATES, MENTIONJOSEYSCOTTROCKS.COM AND THEIR APPEARANCE AT NOTABLE STOPS AT THE STURGIS RALLY,WHISKY A GOGO OF WHICH HE’S NEVER PLAYED.44:45 JOSEYMENTIONS HIS BAND WHICH INCLUDES HIS SON AS WELL.
45:40 JOSEYDISCUSSES BRIEFLY ABOUT BEING BACK ON THE ROAD AFTER MORE THAN A DECADE.
“IT FEELSAMAZING MAN, I ENJOY IT EVEN MORE NOW” “I KNOW HOW TO BE GRATEFUL AND MORETHANKFUL FOR IT” “I GET TO DO IT WITH A SOBER MIND AND A CLEAR HEAD, IT’S JUSTA BLESSING AND THANKFUL TO THE FANS”.
48:15 INTERVIEWRECAP
48:56 END OF SHOW CREDITS INFO ETC -
On this episode, we speak w/ Frankie Clarke (Daughter of Rock Guitarist GILBY CLARKE (GUNS N ROSES, HEART, THE MC5, NANCY SINATRA, SLASH'S SNAKEPIT, SOLO ARTIST) & DANIELLA CLARKE (FASHION DESIGNER OF FRANKIE B JEANS))) ALL ABOUT:
-FRANKIE + THE STUDS-FOREVER 21 CLOTHING CAMPAIGN BASED ON FRANKIE + THE STUDS WITH COLLABORATION FROM DANIELLA CLARKE-MENTAL HEALTH AWARENESS MONTH (MAY)-SOCIAL MEDIAAND TONS MORE
Check out: www.frankieandthestuds.com -
THIS THATAND THE OTHER RADIO SHOW W/ TROY PATRICK FARRELL
www.DirtyRadio.FM Channel (2)#DirtyRadioClassics
Wednesdays LIVE 2-5pm PDT | Saturday Replays 5pm-8pm PDTAirdate: 05/03/2023
Guest: Bobby Blotzer (RATT DRUMMER)
00:00 STATION ID/SHOW INTRO
01:22 TTTO SHOW + GUEST PREVIEW
02:46 RATT “THE ATLANTIC YEARS” INFO
03:38 SPECULATION ON A POSSIBLE RATT TOUR,PEARCY QUOTES FROM RECENT INTERVIEWS, ETC
07:17 “THE ATLANTIC YEARS” DETAILSRECAPPED IN FURTHER DETAIL
09:30 BOBBY BLOTZER OF RATT ON THE PHONE
10:30 WILL THIS RELEASE PUT RATT BACK ONSTAGE IN THE NEAR FUTURE?
BLOTZER STATES THAT LITIGATION ISOVER AND “EVERYBODY SHOULD JUST BRUSH IT OFF” RATT SHOULD “SHAKE THEIR BUTTS, MAKE SOMEMONEY, MAKE THE PEOPLE HAPPY”
12:00 BLOTZER AND STEVE (STEPHEN PEARCY)“TALK ABOUT IT (A REUNION) ALL OF THE TIME, TRYING TO GET AHOLD OF WARREN(DEMARTINI)”.
HE MENTIONS A POTENTIAL MANAGER/ADVERSARY THAT HAS REACHED WARREN BYPHONE.
BLOTZER STATES THAT PEACY AND JUAN (CROUCIER) “HAVE SOME SLOPPY ENDS TO TIEUP” BEFORE MORE HAPPENS
“IT HAS TO HAPPEN THOUGH”
13:00 IF IT DOESN’T HAPPEN WITH THIS RELEASE, ITCOULD HAPPEN IN 2024 AS IT’S TOO LATE IN THE YEAR TO MOUNT A TOUR. “NEXT YEAR IS 40 YEARS SINCE (OUT OF THE)CELLAR CAME OUT”
“I FEEL LIKE IT’S INEVITABLE, THE FANS WANT TO SEE THIS OUTFIT ONE MORE TIMEOUT THERE”
13:50 ON MOTLEY CRUE: “RATT’SALWAYS CRUSHED MOTLEY MUSICALLY”
“THEY GOTMORE PRESS, MOVIE STARS, EXPLICIT SEX, MURDERS AND SHIT, ALWAYS IN THE MAGAZINES”.
“I DON’T THINK THEY WANT TO GO TOE TO TOE WITH US”
14:20 WE DISCUSS HOW MOTLEY CRUE USED “DRAMA” TOTHEIR ADVANTAGE, HOW JOURNEY IS TOURING WHILE 2 MEMBERS ARE IN THE MIDDLE OFDUELING LAWSUITS, THE SINGER “IS WAITING TO GET FIRED” YET RATT CAN’T “GET ITTOGETHER”.
I ASK: IS IT LACK OFPROPER MANAGEMENT THAT ALLOWED THIS STATE OF “RATT” TO EXIST?
BLOTZER COMMENTS ON REGRETS OF “AIRING DIRTY LAUNDRY” ON THE INTERNET WHILE STILL FEELING THENEED TO EXPRESS THAT IT ISN’T REASONABLE TO THE OTHER MEMBERS OF THE BAND (IE; WHENPEARCY QUIT THE BAND). “IN HINDSIGHT, I WISHED I’D NOTSPOKEN UP”.
HE ALSO TALKSABOUT NOTABLE LAWSUITS WITH BANDS LIKE THE RASCALS, MARK FARNER/GRAND FUNK RAILROADAND JOURNEY.“IT’S A JOKE”
SOME OFTHESE GUYS (THE RASCALS) ARE ON THEIR DEATH BED (IN THEIR 80’S WITH PENDINGLITIGATION)”
17:00 THE ISSUES/LAWSUITS/DRAMA HAS “TAKEN THE LIFE OUT OF ME AS FARAS THE LOVE OF THE GAME” ON IF HE COULD PUT TOGETHER AN ALTERNATEPROJECT WITH OTHER PLAYERS.WHAT IT (THE LAWSUITS) COSTS IN YOUR SPIRIT,IN YOUR HEART, AND IN YOUR SOUL.
17:38 “RIGHT NOW, I’M KIND OF RETIRED, I KNOW I CAN GO OUT ANDROCK AND TOUR AND IT WOULD HAVE TO BE WITH RATT”.
WE HAD A 1.25 MILLION DOLLAR OFFER TO OPEN A NEW ARENA, EVERYBODY TURNED IT DOWN. THESE ARE THE DECISIONS THAT CHIP AWAY AT THEINFRASTUCTURE OF DOING BUSINESS.“I DON’T HAVE ANY MORE GRUDGES, IT’SNOT HEALTHY,
I DO LOVE RATT, I DO LOVE THE GUYS”.18:45 “I DON’T KNOW WHY WE CAN’T DO IT (REUNITE)WHEN OTHER BANDS MORE DISFUCTIONAL LIKE A MOTLEY CRUE”, (CAN REUNITE ANDCONTINUE)
19:04 “YOU CAN’T BE A DEMOCRACY IN A BAND, YOU NEED A LEADER”
(AND REFERS TO NIKKI SIXX LEADING THE CHARGE W/ ALAN KOVAC.
“THOSE TWO LEAD THE CHARGE”.
20:12 I FOLLOW UP ON THE 1.25 MILLIONDOLLAR OFFER AND ASK THAT IF THAT ISN’T MOTIVATION, WHAT COULD BE GETTING IN THE WAY OF REUNITING IN SOMEWAY SHAPE OR FORM (WHETHER A ONE OFF, FESTIVAL OR TOUR)?
BLOTZER STATESTHAT WARREN HAS RECENTLY BEEN “WILLING TO GET IN AND LISTEN” BUT HEHEARS FROM OTHER’S THAT “HE’S DONE”
22:11 “WE MAKE GOOD MONEY SITTING ONOUR ASSES AT HOME”
“IT MIGHT BE THE FEAR FACTOR” (THE PREVENTS A REUNION)
23:40 I ASK IF BOBBY HAS ANY REGRETS GOINGOUT AS “RATT” IN 2016/2017 WHICH FOLLOWED WITH VARIOUS LAWSUITS.
HE ACKNOWLEDGES IT WAS A FACTOR AND ALSO NOTES A “CHANGE IN POWER” WHENWARREN DEMARTINI WAS ALSO VOTED OUT.
REGARDING REUNIONPOSSIBILITIES:
“IT’S GONNA HAPPEN I THINK, NEXT WOULD BE THE YEAR”
26:00 ON DOING OTHER PROJECTS OR GIGS. “NO, I HAVEN’T WANTED TO, I’VE BEEN COMING OUT OF PTSD WORLD”
27:05 BOBBY STATES HE WOULD PARTNERWITH PEARCY IF WARREN WOULDN’T EVER COME BACK AND THEY WOULD PARTNER UP TODELIVER “RATT”
28:15 BLOTZER COMMENDS PEARCY’S WIFE FORBRINGING HIM INTO A DIFFERENT REALM, “HE’S CLEANED UP, EVERYTHING”!
28:45 WE DISCUSS IF THERE IS SOMEONE (INA MANAGERIAL POSITION) THAT COULD “GET THIS TOGETHER”. BLOTZER STATES HE THINKS SO, HOWEVER “THERE’SNEVER BEEN ANYONE OUT THERE BEFORE”
BLOTZER STATES THEREIS A BEHIND THE SCENES MANAGER RIGHT NOW THAT IS PULLING HARD (FOR A REUNION).
32:00 DID THE BAND PUT FORTH A COLLECTIVEEFFORT IN DESIGNING THE BOX SET RELEASE?
BOBBY STATES THAT WHILE HE HAD THE CONCEPT OF THE COVER AND PACKAGE, THEINDIVIDUAL MEMBERS ALSO CONTRIBUTED NEVER BEFORE SEEN PHOTOS.“I SPENT A LOT OF TIME ON THIS AND I APPRECIATETHAT EVERYBODY ELSE GOT THEIR HEAD IN THE GAME ON THIS TOO”.
33:25 BLOTZER DISCUSSES THE POSSIBILITYOF NEW MUSIC AND I ASK HIS THOUGHTS ON PEARCY’S OPINION THAT ESSENTIALLYANYTHING POST ROBBIN’S PASSING “ISN’T REALLY RATT” (LOOSELY QUOTED)
I DON’T AGREE WITH STEPHEN’S POSITION ON THAT INANY WAY SHAPE OR FORM”
HE GOES ON TO SAY “LETME REPHRASE THAT, IT CHANGED WHEN ROBBIN WAS OUT, THE CHEMISTRY CHANGED FORSURE, IT WASN’T FOR THE BETTER, BUT WE STILL HAD GREAT SONGS”.
37:00 IF YOU COULD CALL ROBBIN CROSBY RIGHT NOW,WHAT DO YOU THINK HE’D SAY ABOUT NOT REUNITING?
ROBBIN WOULD SAY, “WHYCAN’T WE JUST DO IT, WHY DO WE GOTTA FIGHT AND TALK”?HE GOESON TO SAY THAT HE AND ROBBIN WERE THE ONES THAT ALWAYS STRIVED TO KEEP THINGSMOVING (FORWARD).
HE FEELSULTIMATELY WHAT ROBBIN WOULD SAY: “I MEAN DUDE, YOU’RE SITTING ONYOUR ASS, YOU WANNA MAKE SOME MONEY AND MAKE THE FANS HAPPY? WE OWE IT TO THEFANS, WE OWE IT TO OURSELVES”
“I LOVE ROBBIN, I MISS HIM”
38:38 WE TALK REMASTERING OF “THE ATLANTIC YEARS”AND WE ADDRESS BEAU HILL (PRODUCER) AND HIS RECENT COMMENTS ABOUT HOW BLOTZERWAS BEAU HILL’S LEAST FAVORITE GUY.
“IT’S REAL EASY, ‘BLOW HILL’ ISDISLIKED BY EVERYBODY IN RATT, EVERYBODY IN ALL OF THE BIG BANDS, ALL OF THESEBANDS, THEY COULDN’T STAND HIM,
HE’S A DICTATOR”
BLOTZER FEELSTHAT AN EXCERPT IN HIS BOOK (BOBBY BLOTZER; TAILS OF A RATT) CRITICIZING BEAU’SUSE OF THE “RATT” STUDIO FOR HIS OWN USES (ARTIST/GIRLFRIEND FIONA) PROMPTEDTHAT COMMENT. “I APPRECIATE HIS INPUT; IREGRET SOME OF THE THINGS WE HAD TO PUT UP WITH HIM”.
“HE WAS GOOD WITH STEPHEN AND DRIVING THE MELODIES AND LYRICS INTO A BETTER POSITION FORTHE SONG, MUSICALLY HEDIDN’T DO ANYTHING, HE RESTRICTED ME, RESTRICTED JUAN”
43:00 HAD RATT EVER PLAYED TO TRACKS? HE DISCUSSES THE HORNS IN “WAY COOL JUNIOR”BEING THE ONLY ATTEMPT AND DIVES INTO MORE ABOUT IT.“ONE NIGHT, I WENT TO THE THING (TAPE MACHINE) IN SUCH DISGUST, I BROKE IT, WE WILL NEVERUSE THIS THING AGAIN”
45:15 HE WEIGHS IN ON HIS THOUGHTS OFWHAT MOTLEY CRUE IS GOING THROUGH WITH THE LAWSUIT AND MICK MARS AND HOW HISRELATIONSHIPS HAVE CHANGED WITH THEM OVER THE YEARS.
“THEY’RE NOT THE SAME GUYS I WAS SO TIGHT WITH, THEY’RE DIFFERENT CATS NOW, WEALL ARE”
“I KNOW HOW NIKKI IS, HE’S A LITTLE TOO COCKY, HE’SGOT A RIGHT TO BE TO SOME DEGREE, BUT NOT AGAINST SOME PEOPLE HE’S KNOWN FOREVER”.I’M NOT A FAN OF MOTLEY, IF I HEAR ARIFF START OF MOTLEY, MY HAND IS SO FAST ON THE KNOB (OFTHE RADIO)”.
47:22 I START OFF BY SAYING THAT THE GUYS IN RATTHAVE MORE IN COMMON THAN NOT AND LEAD INTO THAT IF THEY CAN COME TOGETHERSOMEWAY; WHO FILLS THE SHOES OF ROBBIN CROSBY SHOULD RATT GET BACK TOGETHER INA LIVE SETTING?
HE STARTS OFF BY DISCUSSING HOW THE NEGATIVITY HAS FILLED TOO MUCH OF THE AIRIN THE ROOM.
“WE HAD WAY MORE FUNTHAN DISFUNCTION” “WEGET OBSCURED EVEN IN OUR OWN MOUTHS, MIND, HEARTS”.“ONCE WE GET TOGETHER, IT’S SO FUN”
49:00 ON WHO MIGHT REPLACE ROBBIN: “I WOULD THINK CARLOS WOULD BEINVITED BACK, I WOULD RATHER HAVE MICHAEL SCHENKER ON THAT SIDE OF THE STAGE,THAT WAS FIERY WITH HIM AND WARREN UP THERE, THEY WERE BATTLING EVERY NIGHT”.
52:25 “FORRATT NOT TO BE ON THAT TOP SHELF, TO BE ON THAT STADIUM TOUR, IT’S RIDICULOUS”
“OUR ARGUING AND OUR WOESHAVE CLICKED US DOWN (A FEW NOTCHES). I WANTRATT, THE ENTITY, TO GET IT’S DUE, A BIG SHOW LIKE WE USED TO AND TO KILL ANDCONQUER”.
54:45 WE BRIEFLY DISCUSS THE ROCK N ROLL HALL OFFAME.“I DON’T GIVE A SHIT”, MISSY ELLIOT,WILLIE NELSON, THEY’RE NOT ROCK N ROLL”
57:15 END OF SHOW CREDITS AND INFORMATION -
I recently saw a post about a customer who went to a restaurant in Minnesota noting the questionable "Health and Wellness" charge. I called the restaurant to find out why there were charging this rate and I'm certain you can guess how they justified it. We also find out what a "Frickle" is and discuss my recent experience at Rock N Brews at LAX where Gene and Paul are tossing in a 20% tip on overpriced beers!
On This That and the Other, we dive deep into this massive scandal! :)
And BTW: MinnesotaMinnesota law makes it legal to record an oral or telephone conversation with the consent of one or more parties, provided there was no criminal or tortious intent. Unauthorized recording in violation of this law can lead to jail time, fines, and/or civil liability.
MN Stat § 626A.02 (definition & penalty), § 626A.13 (civil damages) -
On this episode of THIS THAT AND THE OTHER with TROY PATRICK FARRELL, vocalist of WIG WAM, Åge Sten Nilson joins me to discuss Wig Wam's longevity, thoughts on our hero bands fighting and what they should do to resolve their differences and thoughts on bands like KISS and Motley Crue among others and the use of Tracks during Live Performances.
www.WigWamOfficial.com #OutOfTheDark US Tour April/May 2023
Transcript and Time Stamps:THIS THAT AND THE OTHER RADIO SHOW W/TROY PATRICK FARRELL
www.DirtyRadio.FM– Channel 2 #DirtyRadioClassics
LIVE Weds 2-5pm PDT (Saturday Replays 5pm PDT)
www.Drummertroy.com(Show Page)
www.tinyurl.com/DirtyRadioClassics(Direct Player Page)
Show Date: 04-12-2023
Guest: Åge Sten Nilsen Vocalist of WigWam (Norway)
00:50 SHOWSTART-GUEST INFO
02:45 WEBSITE ANDTOUR INFO
04:00 FOREIGN VISATAX THOUGHTS
06:40 INTERVIEWINTRODUCTION
08:00 ÅGE STEN NILSENANSWERS FROM OSLO INTERNATIONAL AIRPORT
08:30 DISCUSSINGTHOUGHTS ON COMING TO THE USA “WE’RE EXCITED, WE’VE NEVER PLAYED IN THE US BEFORE-THIS IS (OUR) FIRSTTIME, WE’RE READY FOR A KILLER SHOW”!
09:20 WE DISCUSS WIGWAM’S LONGEVITY OF THE SAME MEMBERS FOR OVER 20 YEARS (MINUS A 5 YEARHIATUS), WHILE OUR HERO BANDS ARE FIGHTING (MOTLEY CRUE, KISS AND ACEFREHLEY, JOURNEY) WE DISCUSS THEORIES ON WHY BANDS SPLIT (EGO ETC) &HOW WIG WAM HAVE MANAGED TO GET BEYOND THEIR ISSUES. “WE BURIED OUR HATCHETS AND CAMETO OUR SENSES-IT’S ALL ABOUT GROWING UP”
10:30 STATES DURINGTHEIR SPLIT OF 5 YEARS, THEY WERE TRAPPED INSIDE “OUR CHARACTERS” (*WIGWAM HAS TAKEN ON A SUPER HERO PERSONA WITH EACH GUY HAVING A NICKNAME)
11:00 TALKS ROOTS OF“WIG WAM” - “WE STARTEDOFF LIKE STEEL PANTHER”
11:30 THOUGHTS ON MOTLEYCRUE/PAUL STANLEY VS ACE FREHLEY FIGHTING:
“DIRTY LAUNDRY IN PUBLIC,NOT TOO KEEN ON THAT, CAN’T THEY JUST GET TOGETHER AND HAVE A FIGHT BETWEEN THEMSELVES”?
12:00 DISCUSSINGSPARKS IN THE WIG WAM CAREER- WITH COME-BACKS
Eurovision Song Contest (2005), COME BACK ALBUM AFTER REFORMING IN2020 BUT
HAMPERED DUE TO CORONAVIRUS, JAN 2022- “DO YOU WANNA TASTE IT” ADDED AS OPENING THEME TOHBOMAX’S “PEACEMAKER”
13:30 HOW WIG WAMGOT A SONG ON THE HBO MAX SHOW “PEACEMAKER”
(CREATOR) “JAMES GUNN HAD US ON HIS RADAR AND WAS A FAN OF THE BAND”. “HE FOUND IT TO BE THE PERFECT SONG OF THEDANCE ROUTINE.” “WE THOUGHT IT WAS AREQUEST FOR A COMMERCIAL OR SOMETHING”
15:40 DISCUSSING THEPOSTPONEMENT OF THE FIRST TOUR IN 2022 (COVID/VISA DELAYS)
16:10 ON TOURINGIN THE USA: “WE DON’T KNOW WHAT TO EXPECT, WE HOPE THERE AREPLENTY OF ROCK N ROLL FANS THAT WANT TO CHECK OUT THIS KIND OF NEW BAND FROMNORWAY, THAT ARE KINDA CRAZY ON STAGE”, “WE PROMISE WE GONNA PUT ON ONE HELL OFA SHOW”, “WE’RE IN OUR PRIME, WE’VENEVER SOUNDED BETTER, WE ARE DRUG FREE, SAFE AND SOUND AND WE’RE GOOD TO GO,AND WE REALLY LOVE PLAYING”WE’REHAPPY TO COME DOWN AND PLAY AND I THINK THAT’S GONNA SHOW
18:30 VISA DISCUSSIONS AND HOWEUROPE MAY ANSWER BACK WITH TAXING AMERICAN BAND WHO GO OVERSEAS: “THE EXPENSES FOR US TO COMEOVER AND PLAY THESE GIGS, IT’S CRAZY MAN”“YOU’LL SEE A CHANGE IN THE COMINGYEARS” (WHEN IT COMES TO AMERICAN BANDS GOING ABROAD AND TAXES)
“WE’RE NOT COMING OVER TO THE US TO STEAL AMERICAN MUSICIAN’S JOBS, WE’RECOMING TO CREATE JOBS”, “WE’RE COMING TO GIVE PEOPLE SOMETHING NEW”
“AMERICAN BANDS HAVE COME TO EUROPE AND TAKE THAT FOR GRANTED, IT’S TIME FORAMERICA TO BE EASIER ON LETTING EUROPEAN ACTS COME TO (USA), IT’S CULTURE MAN,WE NEED TO GROW TOGETHER, WE MIGHT SEE THINGS WITH DIFFERENT GLASSES THAN THEAMERICANS, WE CAN LEARN FROM EACH OTHER, EVEN BY MUSIC”.
21:30 THOUGHTS ON BAND’S USINGTRACKS: “I THINK THE ROCK N ROLL SHOWS PRODUCTION HASBECOME SO BIG (SYNCINGPYRO LIGHTS ETC WITH THE MUSIC) “WHEN YOU HAVE EVERYTHING ON TRACK AND INSYNC, SHOULD WE (JUST) ADD SOME BACKGROUND CHOIRS, EXTRA GUITARS ANDVOCALS?” IT’S ALL IN THE NAME OF THE BIGPRODUCTION”
“WE TRIED IT BEFORE IN 2003, WE HAD SOME SONGS WITH SOMETHING ON TRACK”, IT DIDN’T FEEL,…WE LOST OURSOULS. IN THE MIDDLE OF A SONG THESEDAYS, WE CAN DO SPECIAL THINGS, THE MAGIC OF THE MOMENT”
(HE GOES ON TO SPEAK ABOUT SINGING FOR TONEY CAREY (RAINBOW-KEYBOARDS))
“I WAS HIS SINGER FOR MANY YEARS, THE RAINBOW-DIO ERA; “WE NEVER BROUGHT ASETLIST” ,“WE KNEW WHAT SONG TO START WITH AND WHAT SONG TO END THE SHOWWITH.”“THAT MEANTSOMETIMES WE WOULD IMPROVISE AND MAKE NEW TUNES, NEW MELODIES AND JAM”, “ONENIGHT WAS NEVER THE SAME AS THE NEXT NIGHT”
WE ALWAYSTRIED TO FIND SOMETHING NEW (A NEW MAGIC EACH NIGHT).
“ROCK N ROLL NEEDS TO LEARN SOMETHINGFROM JAZZ, WHERE PEOPLE CAN COME TO A SHOW AND THE NEXT DAY, THE SHOW WILL BETOTALLY DIFFERENT,
“IT’S THE MAGIC OF THEMOMENT, I THINK ROCK N ROLL IS SUPPOSED TO BE THAT WAY”24:30 REGARDING KISS (END OF THE ROAD TOUR):“I’M A HUGE KISSFAN, I’VE BEEN TO LIKE 5 OR 6 OF THOSE SHOWS, (END OF THE ROAD TOUR) AND IT’SEXACTLY THE SAME, YOU KNOW WHAT HE’S GONNA SAY BETWEEN THE SONGS, EVERYTHING ISTHE SAME, SO YOU MIGHT AS WELL JUST PUT ON A DVD OR SOMETHING, YOU KNOW WHAT TOEXPECT.
“WE’RE TRYING TO MAKE THAT NIGHT COUNTAND THE NEXT DAY IT WILL BE SOMETHING DIFFERENT. YOU’RE MAKING IT AS IT GO, AND THAT’S THE COOL THING ABOUT NOTUSING TRACKS.
“YOUHAVE TO TAKE CHANCES SOMETIMES”
26:00 “IF I HAVE A BAD DAY ATWORK, IM A HUMAN BEING, IF MY VOICE IS TIRED FROM 4 DAYS IN A ROW, OK, THAT’STHE SOUND OF MY VOICE THAT DAY, AND THAT’S THE BEAUTY OF BEING A HUMAN BEING. THE THING IS, THESE DAYS,THERE’S SO MUCH MONEY BUILT INTO THESE PRODUCTIONS, THEY CAN’T RISK THE SINGERTO HAVE A BAD DAY BECAUSE THEY HAVE YOU TUBE AND ALL THAT SHIT”.“LIKE I SAW IAN GILLIAN, GREAT SINGER; ACONCERT SHOWN FROM PARIS, HE HAD A REALLY BAD DAY, HE TO CATCH THE FLU,THAT WAS THE BEAUTY OF THAT CONCERT, HE HAD TO COME UP WITH NEW MELODIES, HEHAD TO WORK AROUND THE MELODIES, HE WAS STRUGGLING, BUT HE WAS HUMAN.
WHENI SEE SOMETHING MODERN WITH AUTOTUNE AND ALL THAT SHIT, IT’S “AH”.
“EVERYBODY CAN MAKE A MISTAKE, IT’S BETTER TO SHOW PEOPLE THAT WE AREHUMAN BEINGS AND WE CAN MAKE MISTAKES AND THERE’S NOTHING ABOUT IT”.29:15 ABOUT THE BAND NAME “WIG WAM” AND THEHISTORY OF THE BAND. ORIGINALLY CALLEDTHE “ABSOLUTE FRIDAY BAND”, A JAM BAND, WEEKLY JAM SESSIONS ON FRIDAYNIGHTS.
THEY GOT BOOKED FOR AN 80’S THEMED PRIVATE PARTY SHOULDN’T BE CALLED THE “ABSOLUTEFRIDAY BAND”.
THEY ALL APPRECIATE (THE BAND) “THE SWEET” WHO HAS A SONG CALLED “WIGWAMBAM” AND THE DRUMMER “SPORTY” HAD PLAYED DRUMS IN SWEET WHICH ULTIMATELYINSPIRED THE BAND NAME.
31:20 ABOUT THESTAGE NAMES: (TEENY,SPORTY, GLAM, FLASH) WE WANTEDTO CREATE CHARACTERS, MAKING A STORY ABOUT THE BAND FROM THE BRONX ANDIMMIGRATED TO NORWAY.
THEY STARTED TO ADD IN ORIGINALS IN THE COVER BAND BUT PRETENDED THEY WERE KISSAND BON JOVI COVERS AND PEOPLE REALLY LOVED THEM, MAYBE WE SHOULD MAKEAN ALBUM, AND SO WE DID.32:30 ABOUT THE DISCOGRAPHY OF THE EARLY ALBUMS AND
“667, THE NEIGHBOR OF THE BEAST”
33:30 ABOUT THE BAND SLOGAN"Rock is the new schläger".
WHICH SIMPLY MEANS “ROCKIS THE NEW “HIT” (SONG)
35:30 FINAL THOUGHTS ABOUT THETOUR, BAND MEET AND GREETS ETC
“WE ARE EAGER TO PUTON A GREAT SHOW, AND KICK SOME ASS, EVERY NIGHT”
“AFTER EVERY SHOW, WE WILLSIGN AND TAKE PHOTOS” (AT THE MERCH BOOTH FREE OF CHARGE)
“WE’RE COMING OVERTO MAKE NEW FRIENDS”
37:00 FINAL TOUR DETAILS AND INTERVIEW WRAP UPWIG WAM “Out of the Dark” USA TourSpring 2023
www.WigWamOfficial.com
Apr 15 Fresno,CA, US Tower TheatreApr 16 Roseville,CA, US GoldfieldTrading Post Roseville
Apr 17 WestHollywood, CA, US Whisky a Go Go
Apr 22 StCharles, IL, US Arcada Theatre *with WINGER
Apr 24 Warrendale,PA, US Jergels
Apr 27 Leesburg,VA, US Tally Ho Theater
Apr 29-May 4 Cape Canaveral, FL, US Monsters of Rock Cruise
-
In Light of Founding Guitarist WAYNE SWINNY of Saliva, who passed away today 03/22/2023, I wanted to upload and share his final in person interview for radio; along w/ singer of 12 Years, Bobby Amaru whom invited me out to chat and see their show with their new drummer on Fremont Street in Las Vegas.
We will all miss Wayne whom I had the pleasure to tour with in 2018 quite extensively when I was in Tantric. I send love and light to their fans, bandmates and of course his family.
He was 59.
SALIVA Guitarist WAYNE SWINNY Dies After Suffering Brain Hemorrhage - BLABBERMOUTH.NET -
THIS THAT AND THE OTHER RADIO SHOW W/ TROY PATRICKFARRELL
www.DirtyRadio.FM / www.drummertroy.com / Channel 2- DirtyRadio Classics
Live WEDS 2-5pm PST (Saturday Replay 5-8pm PST)
OnDemand/Podcast Site for Interviews: www.tinyurl.com/TTTOTPFARCHIVE03/08/2023
GUEST: ANDREW FREEMAN (LAST IN LINE)3:30 ANDREW FREEMAN JOINS THE SHOW
5:00 DISCUSSES THE PROCESS OF THE 3RD ALBUM AND THEDYNAMICS OF WRITING AND RECORDING
DURING A PANDEMIC NOT LIVING IN THE SAME CITIES. THE BAND PRIMARILY LIKES TO “WRITE AS A UNIT”VS. OVER EMAILING TRACKS.
Half of the album “JERICHO” was done in 2020 and the rest in June of 2022.
6:00 ANDREW DISCUSSES CHANGING FROM FRONTIERS TO earMUSIC STATINGTHAT “VIVIAN MADE THE DECISION TO CHANGE AND WOULD NOT ALLOW CHANGES TO THEORIGINAL CONTRACT”.ALL NEW TEAM, LABEL, MANAGEMENT AND WILL “HOPEFULLY WILLBE BETTER”.
6:45 RECORD RELEASE PARTY DETAILS HARD ROCK CAFÉLAS VEGAS STRIP, LAS VEGAS, NV APRIL 1ST, 2023 CALLING IT A “DESTINATIONSHOW”
8:00 FINDING THE BALANCE OF LAST IN LINE AND THE CONFLICTS OFDEF LEPPARD’S (VIVIAN CAMPBELL) TOUR SCHEDULE.ANDREW GIGS A LOT DOING LOCAL SHOWS IN VEGAS. “YOU GOTTA FIND A WAY” AS (LAST IN LINE) “IS A SIDE BAND TO DEFLEPPARD. WAITING AROUND FOR (SCHEDULESTO OPEN UP) CAN BE FRUSTRATING”.
10:00 WHAT ANGST COMES FROM HAVING LAST INLINE BEING HAVING TO PAUSE MOMENTUM DUE TO THE DEF LEPPARD SCHEDULE
“YOU’RE KIND OF A PAWN IN THEIR MASTER PLAN”.
“IT’SFRUSTRATING”. “IT’S THE NATURE OF THEBEAST, WHEN YOU ATTACH YOURSELF TO THEIR FAME, YOU’RE JUST A PAWN IN THEIR MASTERPLAN”
VIVIAN WON’T STOP WHAT HES DOING FOR THIS, YOU’RE EITHERGONNA DO IT OR NOT (IT’S BLACK OR WHITE)
“VIVIAN IS COMMITTED IN A SENSE; MANY GIGS HAVE BEENCANCELLED. HE *(VIV) DOESN’T EVEN KNOW THE SCHEDULE”.
12:00 “IT IS A SIDE PROJECT, IT IS A SERIOUS PROJECT, IT’LLEXIST UNTIL VIV DOESN’T WANT TO DO IT ANYMORE”
13:00 ANDREW CLARIFIES “THIS WAS NEVER A TRIBUTE TO THE MEMORY TO ANYBODY”
THOSE GUYS “NEVERREALLY GOT ALONG (WITH RONNIE JAMES DIO)”, THEY “WANTED TO PLAY THE MUSIC THEYWROTE”, “EVERYTHING IS DUBBED A TRIBUTE NOW”.
14:30 REGARDING THE ALBUMS VIVIAN/VINNY/JIMMY BAIN- “THEYWANTED TO PLAY SOME OF THEIR OWN (DIO) SONGS, BUT WE WON’T PLAY ANYTHING OFF OFTHE 3RD ALBUM” OR ANY SONGS WRITTEN PRIMARILY BY RONNIE”.16:30 WETALK ABOUT ANDREW’S APPROACH FOR FILLING IN OR REPLACING AN ORIGINAL SINGER OFOTHER BANDS
“I DON’T THINK OF IT AS A “SHOE FILLING” THING, I’M A GOOD IMITATOR”
“I WANT TO AUDIENCE TO FEEL THAT THEY’RE GETTING SOMETHING ELSE THAT’S JUST ASGOOD, OR BETTER OR COMPARIBLE”. “I DON’T WANT TO WEAR FRILLYOUTFITS THAT RONNIE WORE, THAT COMES OFF FAKE”18:30 “WHEN I FILLED IN FOR CJ (SNARE OF FIREHOUSE), HE WAS NOTSUPER HAPPY ABOUT IT, I SANG THE SONGS AS ME, THE BEST I COULD, MORE AGGRESSIVELY THAN CJ DID,NOT SAYING IT’S BETTER, BUT I JUST DID IT MY WAY”
“I FIND A CERTAIN ELEMENT (TO THE SINGER) AND EXPLOIT THAT”19:00 REGARDINGGREAT WHITE: “THEY’RELIKE A BLUES BAND, I WASNEVER A BIG FAN OF GREAT WHITE”.
“I LOVED THEIR FIRST ALBUM BUT I WASN’T A FAN OF CERTAINELEMENTS”, “I WANTED TO BRING OUT THE BLUES ELEMENT OUT BY WHAT INSPIRED THATMUSIC (NAMES HUMBLE PIE).
“RONNIEJAMES DIO WAS A BLUES SINGER” EVEN THOUGH HE’S “THE METAL GOD, THE GOD OFMETAL”.
21:30 FOLLOWING UP ON FIREHOUSE (CJ SNARE NOT BEING HAPPY)AND HOW ANDREW HANDLES SEEING THE ORIGINAL SINGERS OUT ON THE ROAD.
“IF I SEE SOMEBODY GETTINGWEIRD, I CONFRONT IT IMMEDIATELY-I DON’T TAKE SHIT FROM PEOPLE”. “IF SOMEBODY HAS A PROBLEM WITH ME (FOR FILLINGIN/REPLACING), I CONFRONT IT FIRST”.HE RECALLED A MEETING W/ MARQ TORIEN (BULLETBOYS) WHERE HE WENTUP TO MARQ AND STATED, “HEY MAN, YOU AND I SHOULD BE FRIENDS”, “THIS ISALL NONSENSE”, “EVERYBODY IS TRYING TO MAKE MONEY AND STAY OFF THE CONSTRUCTIONSITE; OR GET A REAL JOB”.
24:00 “I GET IT THOUGH”, BUT “WE’RE NOT SAVINGPEOPLES LIVES” “WHEN YOU TAKE YOURSELF TOO SERIOUSLY, YOU’RE GONNA LOSE YOURMARBLES”
25:00 NAME BANDS YOU TURNEDDOWN AND WHAT WOULD BE ONE OF YOUR DREAM BANDS TO JOIN? HE DISCUSSES ONE TIME WHEN HE HAD ACHANCE TO AUDITION FOR ANTHRAX. HE MENTIONS BANDS IN THE PAST HAVE OFFERED HIM OPPORTUNITIES TO “SCARETHEIR SINGERS BACK INTO THE BAND”
26:30 WE GO BACK TO GREAT WHITE AND HIS DEPARTURE FROM THE BAND;WAS IT REALLY JUST SCHEDULING CONFLICTS SINCE YOU KNEW EARLY ON THERE WOULD BESOME OVERLAPPING, OR WAS IT SOMETHING ELSE THAT FOUND YOU OUT OF GREAT WHITE?
“I DON’T WANT TO GET THESEBANDS MORE PRESS FOR WHAT I’M DOING” (IN WHY HE DOESN’T LIKETALKING ABOUT IT)
“WHEN I START TALKINGABOUT THESE HUGE BANDS FROM BACK IN THE DAY ABOUT WHAT HAPPENED BETWEEN ME ANDTHEM, IT JUST BRINGS MORE PRESS TO THEM” “I DON’T WANT TO GET THEM ANY MORE PRESS” LIKE BETWEEN “JACK RUSSELL ANDTHE OTHER GUY”, “I’VE GOT NO SKIN IN THAT GAME”.“IWAS IN THE BAND FOR 4-5 MONTHS, WHY THE FUCK DOES IT MATTER”.
“(GREATWHITE) WERE NOT HAPPY WITH THEIR OLD SINGER (MITCH MALLOY), WHAT IT CAME DOWNTO, MY MANAGER AND THEIR AGENT DIDN’T TALK TO EACH OTHER BUT THEY DIDN’T TALK,NOBODY WANTED TO BUDGE”
BECAUSE OF THAT, THEY HAD BOOKING ISSUES.
31:00 I WOULD LEAVE LAST IN LINE IN A HEARTBEAT IFALICE IN CHAINS, SOUNDGARDEN, LINKIN PARK NEEDED A SINGER.
“AT THE LEVEL THAT GREAT WHITE, LAST IN LINE, FIREHOUSE-2, 3 FLY DATES PER MONTH, IT’S NOT SUSTAINING”.
“A LOT OF GUYS DO IT” (PLAY IN MULTIPLE BANDS WITHPROPER MANAGEMENT/AGENTS THAT MAKE IT WORK).
32:30 WHEN PUSHED FURTHER ABOUT IT ANDREWANSWERS MORE ABOUT LEAVING GREAT WHITE: “I HAD A GIG BOOKED IN JUNE ANDI GAVE EVERYBODY ALL OF THE INFORMATION AND SOMEBODY DIDN’T WRITE IT DOWN”(GREATWHITE) “THEY DON’T HAVE GREAT COMMUNICATION”, “A (GREAT WHITE) SHOW GOT MOVEDTO A DATE THAT I HAD BOOKED ALREADY, THEY KNEW AND WE TRIED TO FIGURE THAT OUT”. “I CALLED 12 SINGERS TO GET THE DATE COVERED”. “BASICALLY, THEY SCREWED UP, THEIR AGENTSCREWED UP”.
“IHAD 3 WEEKS BOOKED IN NOVEMBER (LAST IN LINE), THEY BOOKED (YET) A SECOND SHOW(HOWEVER) THE LAST WEEK OF LAST IN LINE GOT CANCELLED SO IT WAS A NON-ISSUE”.
“I KIND OF FIGURE OUT THEY WERE GOING TO GET RID OF MEBEFORE THEY KNEW” (THAT LAST IN LINE HAD CANCELED THEIR LAST WEEK AND THEREWOULD NOT HAVE BEEN A CONFLICT).
“I HAD QUIT IN SEPTEMBER BECAUSE OF THE FIRST CONFLICT AND SOMEBODY GOT MOUTHYWITH ME OVER EMAIL AND I SAID “I DON’T REALLY NEED THIS GIG”, GET SOMEBODY ELSE”AND THE PHONE RANG RIGHT AWAY.“BUT LISTEN, I’M JUST AS REPLACABLE AS THE NEXT GUY”, “I’MSURE THEY’LL BE FINE WITH THE NEW GUY, I THOUGHT MITCH WAS GREAT”
36:30 “MICHAELLARDIE AND I HAD A HANDSHAKE AGREEMENT, IF THIS DOESN’T WORK FOR YOU LET MEKNOW, NO HARM NO FOUL, THE PROBLEM IS, THEY GOT SNEAKY ABOUT IT”
“ALL COMMUNICATION STOPPED” AND AS THEY FOUND THEIR NEW SINGER (Brett Carlisle).
“I TOLD THEM I WAS AVAILABLE FOR DATES” (THERE WAS ORIGINALLY A CONFLICT FOR) “ANDTHEY HAD ALL OF THEIR PLANE TICKETS AND HOTELS FOR THE OTHER GUY” AND THEY DON’TNORMALLY DO THAT.37:30 “THEY WANTED ME TO FLY OUT TO AGIG IN NEW YORK WITH MY SON AND THEY WANTED TO LET ME GO AFTER THE SHOW IN NEWYORK”. “I’M NOT GONNA FLY ACROSS THECOUNTRY TO GET FIRED IN FRONT OF MY KID”
“THEY ONLY LISTEN TO MEWHEN I SAY THE GUYS IN THIS BAND ARE DICKS, THEN IT MAKES A BLABBERMOUTHHEADLINE” (WHEN STATING HE WAS ORIGINALLY GOING TO GIVE A PREPARED STATEMENTBUT INSTEAD TOLD MORE OF THE STORY).“THATWHOLE THING WAS JUST A LITTLE SNEAKY AND IT DIDN’T NEED TO BE”.
40:00 WE TALKABOUT ANDREW PLAYING GUITAR WITH GUYS LIKE COREY GLOVER (LIVING COLOUR), THEOFFSPRING ETC AND HOW THAT MATERIAL IS HEAVIER. “I WAS REALLY INFLUENCED BY GRUNGE MUSIC”, “I’D LOVE TO BE IN ABAND LIKE ALICE IN CHAINS, GRUNGY, ALTERNATIVE ROCK”
42:00 WE TALK ABOUT ANDREW DOING SOME VOICEOVER WORK BACKIN THE LATE 90’S FOR NICKELODEON (KA-BLAM). “NOTHING THAT MADE ME A TON OF MONEY”. “THE ONE THAT WAS OF NOTE, I WAS ZAC HANSON OFTHE BAND HANSON”43:30 WE DISCUSS HIS TIME IN “RAIDINGTHE ROCK VAULT” (A 10+ YEAR SHOW IN LAS VEGAS). “I LEFT BECAUSE OF MONEY, I WASN’T GETTINGPAID, I ASKED FOR IT AND I GOT FIRED”.
45:30 WE DISCUSS OTHER PROJECTS IN TOWN- HE IS DOING “LONGLIVE ROCK” AND SOME SESSION WORK. PRIMARILY WORKING ON LAST IN LINE FOR GRAPHICS, VIDEOS AND THEMARKETING.
46:30 DOES VIVIAN EVER OFFER TO PAY FOR VIDEOS AND OTHER THINGS DUE TO HISFINANCIAL STATUS WITH DEF LEPPARD? “I DON’T THINK HE’S INVESTEDFINANCIALLY IN THIS, WE GET BUDGETS FROM RECORD LABELS, IT’S AN EQUAL PARTNERSHIP,BUT HE DEFINETLY GETS THE MOST ATTENTION”.“WE’VEBEEN ADDED TO BIG FESTIVALS AND OTHER DEF LEPPARD SHOWS, THE DEF LEPPARDCRUISE, ETC”.
48:30 WE DISCUSS WHEN ANDREW FILLED IN FOR JOE ELLIOT ON THE DEFLEPPARD CRUISE IN 2016.
“I KNOW A LOT OF THEIRSTUFF”, “IT WAS EASY FOR ME” “PHIL ASKED WHAT I KNEW, I ASKED PHIL “WHAT DO YOUKNOW”!(PHIL) “HE’SSTILL THE NEW GUY TO ME” (LAUGHS)
PARTINGWORDS: “I JUSTDON’T CARE ANYMORE, IT’S NOT THAT I DON’T CARE ABOUT DOING THE RIGHT THING, I DON’T CARE IF THESE GUYS LIKE ME OR IF THEY DON’TLIKE ME ANYMORE”, “IF THEY DON’T LIKE ME, THAT’S FINE, I DON’T CARE, STRAIGHTUP”!
“USUALLY WHEN I DO THIS (FILL IN), THE (ORIGINAL) GUY ISN’T THERE”.
50:30 BACK IN 2016,VINNY APPICE WAS ASKED IF WENDY DIO APPROVED OF LAST IN LINE AND WHAT HER REACTIONWAS. HAS IT CHANGED SINCE?
“DEFINETLY NOT, DEFINETLYNOT APPROVED”, “I’M GOING TO HESITATE FROM ELABORATING BECAUSE I’VE LOST WORKBECAUSE OF THIS BAND AND THEIR FUED, I’VE LOST WORK”
52:00 WE WRAP UP THESHOW BY ASKING “ARE THERE ANY OTHER BRIDGES WE CAN BURN BEFORE WE LET YOU GO”?
WE TALK THE LAST IN LINE RELEASE OF JERICHO AND THE APRIL 1STSHOW IN LAS VEGAS AT THE HARD ROCK CAFÉ.
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On the cusp of celebrating 40 years in radio, this mainstay in the RNR community, having forged his way into radio, being and A&R Rep, hosting TV shows, Live Concerts, to being the end all be all in many Rock Docs, Eddie Trunk comes on my show and lays it on the line.
Time Stamps of the moments are below, and this will go down as my fave interview in 2022.
Thanks Ed!THIS THATAND THE OTHER RADIO SHOW WITH EDDIE TRUNK (FACTION TALK 103/SIRIUSXM-THAT METALSHOW) 12/21/2022 ONDIRTYRADIO.FM CHANNEL #DIRTYRADIOCLASSICS
0:00 BUMPERS-SHOWIDS-INTRO (MOST INTERESTING MAN IN THE WORLD)
3:00 INTRO AND EDDIETRUNK TAKES MY CALL
5:00 DISCUSSING THE DELUGEIN “PODCASTS” & ARTIST RADIO/YOUTUBE SHOWS SINCE THE PANDEMIC
AS WELL AS THE DYNAMIC OF NEW BANDS NOT NEEDING LABELS. “THE FLOODGATES ARE WIDEOPEN, THECHALLENGE IS STANDING OUT FROM THE CROWD AND BUILDING AN AUDIENCE”
8:30 WE DISCUSS HOWARDSTERN AND HIS VIEW ON PODCASTERS AND HOW SIRIUSXM IS THE #1 PODCAST OUTLET
AND EDDIE GETS INTO THE DYNAMICS OF THESE NEW “PODCAST” COMPANIES. WE TALK JOE ROGAN, CONAN O’BRIEN, ETC
12:00 EDDIE ANSWERS ANEARLIER QUESTION ABOUT “NOT” GOING TO BROADCAST SCHOOL OR COLLEGE ANDHIS NEAR “RUN-IN” WITH BEING INVOLVED IN A PIRATE RADIO STATION. “TALKABOUT ALMOST BEING ARRESTED, I CAN RELATE”
EDDIE DISCUSSES HOW AND WHY HE GOT INTO RADIO: “IT WASN’T ABOUT DOINGRADIO, IT WAS ABOUT REACHING MORE PEOPLE AND TO PLAY MUSIC THAT I LOVED”. “I LOVE THIS MUSIC, I’M NOT HEARING ITREPRESENTED, HOW CAN I SPREAD THE WORD?”
17:00 EDDIE DISCUSSES HOWHIS PASSION FOR PLAYING THE MUSIC HE LOVED TO NOW PREDOMINATELY “TALKING” ABOUTTHAT MUSIC AND HIS PIVOT TO A “TALK SHOW HOST” VS A RADIO DJ.
20:00 EDDIE TALKS ABOUTTAKING CHANCES TAKING CALLS INSTEAD OF SPINNING THE RECORDS. FANS AND MANAGEMENT ALIKE WERE NOT HAPPYINITIALLY UNTIL HE “STUCK TO (HIS) GUNS” AND THEN IF HE WASN’T TALKINGTO LISTENERS, THE BACKLASH WENT THE OTHER WAY.
22:00 IN 2014, EDDIE DISCUSSESAN OLD CONTACT THAT HIT HIM UP FOR A MUSIC/TALK SHOW WHICH EDDIE HAD BEEN DOING1 DAY A WEEK AT SIRIUSXM ALREADY AND SAYS “I WAS VERY DISILLUSIONED WITH SIRIUSXM FOR 13 YEARS, I WAS VERY TREATEDNOT WELL AT ALL, I HAD 1 SHOW A WEEK, THE MONEY WAS A JOKE”
AFTER THE DAILY SHOW CHANGE EDDIE STATES “DOING THIS SHOW EVERY DAY HAS BEENREALLY ONE OF MY FAVORITE THINGS I’VE EVER DONE, IT’S SPORTS TALK FOR THE ROCKFAN”
EDDIE THEN SUMS UP HIS APPROACH TO SATISFYING THE DAILY TALK RADIO SHOW ANDTHEN THE WEEKLY FM RADIO MUSIC SHOW KNOWING THAT HE HAS TO DELIVER WHAT EACHWANTS FOR THEIR LISTENERS. THE WEEKLY FMSHOW, DESPITE THE FACT IT’S A PRE-RECORD, IS THE ONE THAT STARTED IT ALL FORHIM ESSENTIALLY.”“ITWOULD BE VERY HARD FOR ME ANNOUNCING “HERE’S PINK FLOYD AND ANOTHER BRICK INTHE WALL” ON A DAILY BASIS HOWEVER”.
31:00 EDDIEDISUSSES HOW MUCH PREP HE DOES AND HOW HE DEALS WITH ONLINE CRITICS WHO SAY HEIS A “KNOW IT ALL” –
EDDIE TRUNK INTERVIEW ON THIS THAT AND THE OTHER RADIO SHOW NOTES CONTINUED:
34:00 THE INTERNET NAYSAYERS, “I LAUGH AT IT, I’VE HEARD IT ALL,NOTHING BOTHERS YOU”, “IT HAS ALOT TO DO WITH JEALOUSY”.
IF I MAKE A POST AND THEN DON’T EMBELLISH (MY RELATIONSHIP), THE PERSON MIGHTSAY “HEY DUDE, WTF”, “YOU CAN’T WIN”, “I’M NOT GONNAAPOLOGIZE” (FOR HAVING THESE RELATIONSHIPS).
“THE OTHER THING I’VE ALWAYS DEPSISED AND THEY SAY HE’S A NAMEDROPPER, THATTO ME IS THE MOST ABSURD RIDICULOUS THING I’VE HEARD IN MY LIFE”, “AM ISUPPOSED TO DROP THE CELEBRITY FIGURE OUT OF IT WHEN I’M TELLING A STORY”? “YOU’VE GOT TO DO THAT, THAT’S WHY YOU’REHIRED, TO LET THE PEOPLE IN ON THE INSIDE STUFF”
37:00 EDDIE DISCUSSES THEBALANCE BETWEEN ALL OF HIS RADIO SHOWS, TRAVELING, DOCS, EMCEE GIGS AND FAMILY. “IT’S ABSOLUTELY A BALANCE”, “THERE’S AGREAT UNDERSTANDING THERE”.43:00 EDDIETALKS MEGAFORCE RECORDS, AND HOW HE GOT INVOLVED WITH THE LIKES OF A VERY EARLYMETALLICA, ACE FREHLEY, WHITE LION AND MUCH MORE WHICH STARTED FROM HIS EARLYDAYS IN FM RADIO. “I STARTED OFF ONWDHA, I WAS THE ONLY GUY PLAYING METAL ON THE RADIO (IN 1983) WHICH GOT THEATTENTION OF JOHNNY Z (MEGAFORCE)”.
EDDIE TALKS HOW JOHNNY Z STATED HE WOULDN’T LEAVE UNLESS HE PLAYED METALLICAAND WAS PROMISED A GIG IF HE PLAYED THE BAND. EDDIE PLAYED THE BAND; JOHNNY Z HIRED HIM AT MEGAFORCE.
49:00 WE TALK EDDIE TRUNK “RANTS”WITH RESPECT TO ROCK BEING SO IGNORED WITH THE LIKES OF THE RNR HOF, NFL,GRAMMY’S ETC. “HAVE YOU EVER BEENASKED TO PRODUCE OR WEIGH IN ON INPUT FOR A ROCK SHOW AT ANY OF THESE EVENTS”?52:00 BECAUSEOF INFLUENCE FROM TOM MORELLO (RAGE AGAINST THE MACHINE), THE RNR HALL OF FAMEMADE EDDIE A MEMBER DESPITE HIS CRITISISM “TO THEIR CREDIT, LET’S LET HISVOICE BE HEARD AND GIVE HIM A FULL VOTE”
54:00 I ASK EDDIE ABOUT THE BALANCE OF REPORTING UNFLATTERINGNEWS ABOUT HIS FRIENDS AND IF HE EVER REACHES OUT PRIVATELY TO GIVE THEM ADVISE. WE TALK SEBASTIAN BACH, DAVE ELLEFSON ANDPETE EVICK (BRET MICHAELS BAND).
DO YOU EVER HAVE A BATTLE OF BEING THE FRIEND VS THE RADIO HOST?“IGENERALLY STAY AWAY FROM THE GOSSIPY STUFF, WHETHER I AGREE WITH IT OR NOT, IAPPLAUD AN HONEST OPINION”, “WE ARE IN AN INSANELY HYPERSENSITIVE WORLD”.
“IBELIEVE EVERYBODY IS ENTITLED TO THEIR OPINION”.
REGARDING“DAVE ELEFFSON, IT HAD TO BE ADDRESSED BECAUSE IT COST HIM HIS GIG, THATIMPACTED MEGADETH’S RECORD, WHO WAS GOING TO BE IN THE BAND”
EDDIE TRUNK INTERVIEW ON THIS THAT AND THE OTHER RADIO SHOW NOTES CONTINUED:
“I DON’T CARE SO MUCH ABOUT THE DIRT, IT’S NEVER APPEALED TO ME, I’VENEVER FELT GOOD ABOUT THAT STUFF”59:00 WE DISCUSS VITO BRATTA (WHITE LION) AND VITO’S LASTINTERVIEW IN GUITAR WORLD
AND EDDIE DROPS “BRAD WHITFORD” (WE HAVE A LAUGH).
WE CONTINUE TO DISCUSS MIKE TRAMP AND MY NEW SYMPATHY FOR VITO BRATTA.1:04:00 EDDIE WEIGHS IN ON MIKE TRAMP TOURINGIN 2023 AS “MIKE TRAMP AND THE SONGS OF WHITE LION”
“MIKESEEMS TO HAVE A VERY CONFLICTED THING WITH WHITE LION, HE WANTS TO DISTANCEHIMSELF, AND THEN HE WANTS TO EMBRACE IT”
“MIKE HASJUST AS MUCH A RIGHT TO PERFORM THOSE SONGS AS A CO-WRITER”
1:05:30 “WE’RE IN A TIME NOW, IT BLOWS MYMIND, HOW MANY PEOPLE WILL ACCEPT ANY LINEUP OF ANY BAND, AND HOW MANY BANDSARE OUT THERE WITH NO ORIGINAL MEMBERS, HOW MANY PROMOTERS DON’T KNOW WHO’S INTHESE BANDS”
1:08:00 EDDIE DISCUSSES HIS THOUGHTS ON WHAT BANDS CAN SUB OUTMEMBERS VS OTHERS THAT MAY NOT BE SUCCESSFUL DOING SO “TO ME IT’S ON ACASE BY CASE (BASIS)”
WE TALK LYNYRD SKYNYRD, FOREIGNER ETC.1:12:00 WE DISCUSS “THAT METAL SHOW” ANDCOMMENTS BY PAUL STANLEY “IT’S LIKE WAYNE’S WORLD” “WE ALL TOOK IT AS A COMPLIMENT, WE ALL LAUGHED, YEAH, HENAILED IT”!
EDDIE COMMENTS ON A SHOW IN VEGAS HE HOSTED WHERE HE HAD TO CALL PAUL STANLEYUP ON STAGE, JUST DAYS BEFORE THIS INTERVIEW!
“WE DIDN’T INTERACT” AT THIS EVENT.
1:15:00 LISTENER QUESTIONS
QUESTIONS FROM DON JAMIESON AND JIM FLORENTINE AND LISTENER QUESTIONS.
1:17:30 EDDIE TALKSABOUT HIS BOOK AND HOW SEBASTIAN BACH GOT PISSED OFF BECAUSE WHEN SEBASTIAN WROTEHIS BOOK, HE DISCUSSED BRINGING AXL ROSE INTO EDDIE’S STUDIO, BUT WHEN SEBASTIANREAD EDDIE’S BOOK, THERE WASN’T A MENTION OF SEBASTIANS SOLO ALBUMS NEXT TO THESKID ROW SECTION.
WHEN SEBASTIAN REFERENCED THE AXL STORY, HE NEGLECTED TO MENTION EDDIE’S NAMEBECAUSE HE WAS PISSED AT EDDIE FOR NOT MENTIONING “SOLO RECORDS”.
1:19:00 EDDIE NAMES HISEND ALL BE ALL GUESTS.
AXL ROSE, BRIAN JOHNSON, STEVE HARRIS, TONY IOMMI STAND OUT AS MAJOR LANDMARKMOMENTS
THE ONE’S THAT DIDN’T HAPPEN WOULD BE EDDIE VAN HALEN (ON TV) AND JIMMYPAGE ON THE LAST SEASON OF TMS. HEWOULDN’T DO THE SHOW BECAUSE IT WAS CALLED “THAT METAL SHOW”. HE DIDN’T WANT “METAL” IN THE NAME.EDDIEDIDN’T WANT “THAT METAL SHOW” AS WELL.
EDDIEWANTED IT TO BE “THAT ROCK SHOW”
1:23:00 THOUGHTSON THE 80’S BANDS TODAY AND THEIR FUTURE TIMELINE AND SHELFLIFE AND WHO MIGHTREPLACE THOSE BANDS TODAY.
“IT’S ALL CASE BY CASE DEPENDING ON HOW THEY TAKE CARE OF THEMSELVES AND HOLDIT TOGETHER”
“THE 80’S GUYS COULD HAVE ANOTHER 10 YEARS, THE 70’S GUYS HOWEVER…”
126.30 WEDISCUSS MY APPEARANCE ON “THAT METAL SHOW”
127.45 MY SEGMENT ON THAT METAL SHOW/STUMPTHE TRUNK
1:31:00 WEPROMOTE THE TMS LIVE SHOW AT DINGBATZ IN CLIFTON, NJ AND EDDIE DISCUSSES WHATTHAT SHOW IS ABOUT IN A LIVE FORMAT
1:33:00 WE TALKWHAT EDDIE’S PLANS ARE TO CELEBRATE HIS 40TH ANNIVERSARY IN RADIO
135:00 WE CLOSEOUT “THE LONE RNR HISTORIAN” -
JAN 1 I GOT FIRED FOR SUBBING OUT A GIG DUE TO MY WIFE HAVING A SURGERY.
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GREG D’ANGELO (WHITE LION) 12/13/2022PRE-RECORD TO 12/14/2022 AIRDATE
THIS THAT AND THE OTHER RADIO SHOW ON WWW.DIRTYRADIO.FMCHANNEL (2) DIRTY RADIO CLASSICS WITH HOST TROY PATRICK FARRELL“IT REALLYCOMES DOWN TO WHAT DO YOU WANT? DO YOU WANT TO BE IN A “BAND”? IF YOU’RE GONNA TAKE THE LEAD ROLE, YOU ALSO HAVE TO TAKE THE ROLE OF RESPONSIBILITYTO MAKE SURE IT’S FAIR FOR EVERYBODY & THAT EVERYBODY IS HAPPY”
“THAT’S REALLY WHAT IT COMES DOWN TO, IT’S NOT JUST ABOUT TAKING THE DOUGH ANDRUNNING, YOU REALLY NEED TO BE A LEADER AND MAINTAIN THAT STABILITY, IT’S ARESPONSIBILITY”.
GREGD’ANGELO ON LEAVING WHITE LION
SHOW NOTES:
00:00 INTRO & SHORT BACKGROUND ON GREG D’ANGELO(ANTHRAX, WHITE LION, STEPHEN PEARCY BAND).
02:34 GREG D’ANGELO ON THE PHONE
04:25 WE DISCUSS ANTHRAX (WHETHERGREG WAS IN THE RECENT ANTHRAX YOUTUBE DOCUMENTARY)
05:35 REGRETS LEAVINGANTHRAX? EVER THOUGHT YOU COULD’VE BEENIN THE BAND BEYOND THE EARLY YEARS?
AND HE DISCUSSES WHYHE LEFT “I WANTED TOPLAY WITH BETTER MUSICIANS”, “IT WAS TOUGH PLAYING WITH THE BASS PLAYER”
07:00 ANTHRAX HAD PUNKINFLUENCES, (SEX PISTOLS, RAMONES), “I WAS MORE LED ZEPPELIN, BAD COMPANY, DEEP PURPLE”
08:45 THE BAND CITIES (W/ AJ PERO (TWISTED SISTER)ON DRUMS)), GREG D’ANGELO REPLACED AND THEN WAS REPLACED BY AJ PERO
09:30 WE DISCUSS SOME OF THE PIONEERSIN THE NEW YORK, EAST COAST AREA FOR EARLY 80’S HEAVY METAL; PRIMARILY DRUMMERS
(BOBBY RONDINELLI, JOE FRANCO,TONY PETRI, JOE MARKOWSKI, CARMINE APPICE)
12:00 JACK STARR’S BURNING STARRW/ BRUNO RAVEL (DANGERDANGER)- SESSION WORK ONLY
14:00 WE DISCUSS PLAYING TOP 40MUSIC, MULTIPLE SETS ETC IN THE SCENE (AT THE END OF THE INTERVIEW, HE REFERENCESTHAT HE IS ESSENTIALLY DOING THAT NOWIN THE LEGENDS OF CLASSICROCK (WITH CHUCK WRIGHT (QUIET RIOT) TERRY ILOUIS (XYZ-GREAT WHITE)) ETC
14:45 GREG DISCUSSES GETTINGINTO WHITE LION, THE AUDITION PROCESS AND WHAT HAPPENED TO NICKY CAPOZZI (HELEFT DUE TO HEALTH RELATED ISSUES) + “THINGS WEREN’T GOING RIGHT FOR THEM”, DROPPED BY ELECTRA (ALBUMSHELVED), SO THEY NEEDED “NEWBLOOD”
16:30 GREG DISCUSSES HIS AUDITIONPROCESS AND HIS THOUGHTS ON MEETING THE WHITE LION GUYS, AND THEIR STYLE OFMUSIC
17:30 “I HAD TO DO A MENTAL ADJUSTMENT, PLAYING IN A POPGIG, PLAYING FOR THE SONGS, AND UNDER PLAYING”. HE ALSO DISCUSSES THE DIFFERENCES FROM THE 2YEARS OF PREP THEY HAD FOR PRIDE, A FULL BAND EFFORT TO A 2 WEEK PREP FOR THEOTHER ALBUMS ESSENTIALLY BECAUSE OF TOURING AND GETTING THE ALBUM OUT “YESTERDAY”. IN ADDITION TO WOOD-SHEDDING THE SONGS AS ABAND MINUS SINGER MIKE TRAMP WHO WOULD COME IN AT THE END WITH MEDLEYS HECREATED WITH DEMOS FROM REHEARSALS.
22:00 WE DISCUSS THE MANY HITS OFBANDS THAT HAD HUGE HITS WITH SONGS THAT DIDN’T HAVE ANY DRUMS, BUT IN CONTRASTTHAT RADAR LOVE (A#1 VIDEO ON MTV), HAD AN ACTUAL DRUM SOLO IN IT WHICH WAS VERY DIFFERENT FORTHE TIME.
WE DISCUSS HOW MICHAELWAGENER (PRODUCER) INSTRUCTED GREG TO DO HIS OWN BIG SOLO IN RADAR LOVE,AND HOW HE CAME UP WITH THE PARTS AND THE DYNAMIC OF PLAYING IT LIVE.
27:00 WE DISCUSS THE MANY BANDSTHAT WHITE LION OPENED FOR/TOURED WITH AND A FEW PRANKS AND STORIES HEREMEMBERS FROM GETTING HAZED. (WHITE LION TOSSED AN ADULTMAGAZINE “FORUM” AT THE STRYPER SHOWS BECAUSE STRYPER TOSSED OUT BIBLES).
29:55 “YEAH, THE BUSINESS IS WHY WE LEFT”, “I THINK THEBAND COULD’VE LASTED”. WEDISCUSS THE CLIMATE MUSICALLY (BOTH IN WHITE LION AND WITH GRUNGE COMING IN) WHICHULTIMATELY CONTRIBUTED TO JAMES LOMENZO AND GREG D’ANGELO DEPARTING THEBAND. GREG BLAMES “OUR GROWN-UP MANAGERS”WHO LACKED SKILL AND DIRECTION.
31:00 WE GET INTO THE ZAKK WYLDE CONNECTION (JAMMINGW/ ZAKK WHILE ON TOUR W/ OZZY). THE BANDWENT OUT AS “LYNYRDSKYNHEAD” AND WOULD ULTIMATELY BECOME “PRIDE AND GLORY” OF WHICH FOUND GREG D’ANGELO EXITING1 WEEK BEFORE TRACKING THE DEBUT ALBUM.
WE DISCUSS “FARM FIDDLIN’” AND “BABY PLEASE DON’T GO”- THE ONLYTWO RELEASED “PRIDE AND GLORY” RELATED RECORDINGS RELEASED WITH GREG D’ANGELOON DRUMS IN ADDITION TO JAMES LOMENZO AND ZAKK WYLDE.
GREG SAYS THAT THE ENTIREPRIDE AND GLORY ALBUM WAS FULLY RECORDED (DEMO’D) BEFORE HIS EXIT WHERE BRIANTICHY WOULD TRACK THE ALBUM THAT WAS RELEASED
34:30 GREG DISCUSSES WHY HE LEFT WHITE LION- WHICH HAS NEVERBEEN DISCUSSED PRIOR TO THIS INTERVIEW THAT WE WERE ABLE TO SOURCE. WHILE HE DOESN’T NAME “SPECIFICALLY”, BOTHWHITE LION/PRIDE AND GLORY AND HIS DEPARTURE IS WHAT WE WE’RE SPECIFICALLYDISCUSSING.
IT AGAIN LEADS TO BUSINESS ISSUES (PUBLISHING, SONG WRITING ETC, HOWEVER THEBAND WERE EQUAL PARTNERS). IT APPEARSTHAT LIKE WHITE LION, PRIDE AND GLORY WOULD LEAVE THE RHYTHM SECTION TO NOT GETEQUAL CUTS OF ALL OF THE BUSINESS ASPECTS (I READ THAT AS PUBLISHING,SONGWRITING).
“IT REALLY COMESDOWN TO WHAT DO YOU WANT? DO YOU WANT TO BE IN A “BAND”? IF YOU’RE GONNA TAKE THE LEAD ROLE, YOU ALSOHAVE TO TAKE THE ROLE OF RESPONSIBILITY TO MAKE SURE IT’S FAIR FOR EVERYBODY& THAT EVERYBODY IS HAPPY”
“THAT’S REALLY WHAT IT COMES DOWN TO, IT’S NOT JUST ABOUT TAKING THE DOUGH ANDRUNNING, YOU REALLY NEED TO BE A LEADER AND MAINTAIN THAT STABILITY, IT’S ARESPONSIBILITY”.
37:30 WHY DID WHITE LION FAIL WHENGREG AND JAMES LEFT BEFORE THE US TOUR IN 1991?
GREG GOES BACK TO DISCUSSING THEDEMISE OF THE BAND DUE TO THE DEMISE OF THE BROTHERHOOD. “YOU NEED TO HAVE ELEMENTS OF THOSE IDEAL INANY BUSINESS, IF YOU’RE NOT TREATING SOMEONE FAIRLY, THEY’RE GONNA SPLIT; YOUNEED TO TREAT PEOPLE FAIRLY”.HE DOESN’T BLAME MIKE AND VITO, HE BLAMESMANAGEMENT THAT WAS AS I INTERPRET AS SHORTSIGHTED.
39:40 GREG BELIEVES BEYOND THE BUSINESSISSUES, THE BAND COULD HAVE SURVIVED IN OTHER MARKETS DESPITE THE MUSICALCLIMATE CHANGING.
40:30 I ASK POINT BLANK- “HOW DO YOU GET TOTHE GOAL LINE OF RECORDING/RELEASING THE S/T DEBUT PRIDE AND GLORY ALBUM ANDBAIL. HOW DID THAT HAPPEN? “SIMILAR ISSUES”
WE DISCUSSIF GREG KEEPS UP WITH THE OLD WHITE LION GUYS, (ODDLY ENOUGH HE TALKS LEASTWITH JAMES LOMENZO WHOM HE DEPARTED THE BAND WITH AS WELL AS A RUMOREDLAWSUIT).
42:30 WE DISCUSS IF GREG HAS ANY UPDATE WITHVITO BRATTA AND WHAT THE LAST MEETING WAS LIKE.
43:15 I ASK WHAT GREG THINKS OF “TRAMP’SWHITE LION” AND HIS OPINION OF THE WORD “SCABS” AS OUTLINED BY ANOTHERINTERVIEWER.
“I THINK SCAB IS ALITTLE EXTREME”, “EVERY BAND OUT THERE WOULD BE A SCAB BAND”, “PEOPLE WANT TOHEAR THOSE SONGS”
46:00 GREG RESPONDS TO SEEING “TRAMP’SWHITE LION” WITH MIKE TRAMP’S 2005-2009 VERSION OF THE BAND. “I WAS SMILING WHILE I WASWATCHING IT”
48:15 WHEN’S THE LAST TIME YOUPLAYED A WHITE LION SONG? GREG PLAYS “RADARLOVE” IN THE LEGENDS OF CLASSIC ROCK BAND WHICH DID EXTENSIVE TOURING OF 60PLUS DATES IN 2022. WE TRANSITION INTOWHAT’S GOING ON NOW WITH THE LEGENDS BAND.
50:20 WE DISCUSS HIS BRIEF STINTIN ROUGH RIOT (PAUL SHORTINO/CARLOS CAVAZO)
52:00 MEETING STEPHEN PEARCY OFRATT “I WAS GETTING MYMAIL- HE WAS WATERING HIS ROSES”
HE LEFT BECAUSE “ITRAN IT’S COURSE, IT WAS TIME TO DO SOMETHING ELSE”GREG D’ANGELO WASCONSIDERED TO BE IN RATT “THAT WAS PART OF A CONVERSATION FOR AWHILE”, “STEPHENWARREN AND JUAN COULDN’T SEE EYE TO EYE, WHAT A SHAME”, “THEY REALLY SHOULD BEOUT THERE PLAYING”.
GREG DOESN’T BELIEVETHERE IS ANY MANAGER/MANAGEMENT THAT COULD GET RATT TOGETHER. “WHAT’S THENUMBER”? (MONEY)56:15-WRAP UP
FINAL PLUGS FOR THE LEGENDS OF CLASSIC ROCK-
BRIEF UPDATE ON HIS STUDIO ENGINEERING, GEAR
GREG HAS PLATINUM AND GOLD ALBUMS IN HIS BATHROOM
GREG DISUSSES MOVING LA WHEN HIS SON GRADUATES HIGH SCHOOL. “I’M GONNA PULL UP TO GRADUATION IN A U-HAUL”.GREGDISCUSSES A FEW OF HIS COOL CARS (ASTON, FERRARI, McLAREN)
WE DISCUSS OUR “NET WORTH”
FINAL GOODBYES! -
THIS THAT ANDTHE OTHER RADIO SHOW
GUEST LES WARNER 11/30/2022
06:31
WE DISCUSS THE SUCCESS OF THE CULT’S “ELECTRIC” AND THE RICK RUBEN PROCESS OFRECORDING AS TO COMPARED OF THE ORGINAL “PEACE SESSIONS” WITH PRODUCER STEVEBROWN (WHO HAD PRODUCED THE CULT’S “LOVE” ALBUM).ESSENTIALLY RUBIN GOT RID OF VERB AND OTHER EFFECTS TODELIVER A RAW LIVE BAND RECORDING WITH MINIMAL PRODUCTION.
08:00
WE DISCUSS THE IDENTITY OF THE CULT AND WHAT GENRE THEY STARTED OFF IN ANDWHERE THEY WENT WITH DIFFERENT PRODUCERS SUCH AS RICK RUBIN AND BOB ROCK.
09:37
LES GOES BACK TO THE RECORDING OF THE “PEACE SESSIONS” WITH STEVE BROWN ANDHOW HE WAS REPLACED WITH RICK RUBIN AND MORE DETAILS ON HOW THEY CHANGED THESONGS, RECORDING PROCESS AND MORE. HEWEIGHS IN ON THE NOTABLE DIFFERENCES BETWEEN THE ORIGINAL SESSIONS VS. WHATWOULD BECOME “ELECTRIC”. “THEPRESSURE WAS ON, IF I MESSED UP A DRUM FILL, IT WAS ON THE RECORD”!12:00
WE DICUSS THE DIFFERENCES OF DOING A RAW LIVE ALBUM IN THE MID 80’S TOMODERN DAY TECHNOLOGY OF PRO TOOLS ETC.
LES MENTIONS A “DROP IN” (OVERDUB”) THAT ULTIMATELY MADE THE ALBUM WITHOUT RUBIN’SKNOWLEDGE.14:00
LES DISCUSSES DOING A SONG FOR HOOKERS N BLOW (ALEX GROSSI – QUIET RIOT& DIZZY REED – GUNS N ROSES) AND HOW THE DRUMS WERE QUANTIZED TOO MUCHAND RUINED THE FEEL OF THE SONG. (THE ELTON JOHN COVER OF SATURDAY NIGHTSALRIGHT FOR FIGHTIN’)15:47
WE DISCUSS PROS AND CONS OF RECORDING TO A CLICK TRACK AND REFERENCE MANYALBUMS AND DRUMMERS THAT MIGHT NOT WORK IF RECORDED TO CLICK AND A GRID. LES MENTIONS THAT DRUMMERS CAN PLAY “AROUND ACLICK” VS. “TO THE CLICK”. “YOU CANSTILL SWING TO A CLICK”.
18:33
WE GO BACK TO RE-RECORDING THE PEACE SESSIONS (WHICH WOULD BE “ELECTRIC”)AND DISCUSS HOW RICK RUBIN RE-WROTE THE SONGS ESSENTIALLY IN ADDITION TO THEVAST PRODUCTION CHANGES. LES DISCUSSASPECTS OF THE ALBUM THAT HE FELT DIDN’T WORK.
21:19
LES DISCUSSES HOW HE BEAT “160 DRUMMERS” FOR THE CULT AUDITION IN LATE1985. IT WAS A “DEFIANT” MOMENT WHERE HE CHANGED A SIGNATURE FILL IN “SHESELLS SANCTUARY”.
WE DISCUSS HIS PRIOR WORK (TO THE CULT) WITH JULIAN LENNON, RANDY CALIFORNIA OFSPIRIT, LOCAL BANDS IN THE UK, PAUL KILMISTER (LEMMY’S ON), ETC.
HE ALSO DISCUSSES A FAILED AUDITION FOR AC/DC TO A LED ZEPPELIN TRACK (BLACKDOG), BUT NEVER PERFORMED WITH THE BAND. HE MADE THE TOP 5.
THIS THAT AND THE OTHERRADIO SHOW
GUEST LES WARNER 11/30/2022
26:41
WE TALK FIRST TOURS WITH THE CULT, AS HE TOURED ON THE “LOVE” ALBUM, TO THENWORK ON THE “ELECTRIC” ALBUM WITH STEVE BROWN.DURING THE FIRST YEAR OF TOURING, A YOUNG GUNS N ROSES WOULDBE AN OPENER, AS WELL AS ZODIAC MINDWARP IN ADDITION TO OPENING FOR DAVID BOWIE.
28:36
THE INTERVIEWER “TPF” ASKS LES ABOUT HIS DYNAMIC WITH “THE CULT” AND WHAT HISSALARY WOULD BE AND IF HE WAS A “BAND MEMBER” OR HIRED GUN. WARNER ANSWERS “UNFORTUNATELY, THERE’SAN AWFUL WORD ON THIS PLANET, AND IT’S CALLED “GREED”, AND THAT’S WHY I’M NOTLIVING IN A MANSION” AND GOES ON TO SAY HE’S HAPPY DOING WHAT HE DOES; “I’MBLESSED”.“THEY TREATED ME LIKE A MEMBER OF THE BAND, BUT WHENWE PARTED WAYS, I WAS JUST A HIRED GUN”
HE DISCLOSES HE WAS ON A “WAGE” WITH SOME BONUSES, BUT NEVERGOT MERCHANDISING, PUBLISHING ETC, “IT WASN’T A VERY FAIR SITUATION”.
31:31
LES DISCUSSES HIS CURRENT PROJECTS AND RECENT FALL 2022 TOURS IN ADDITIONTO EARLY 2023 TOUR PLANS. LES IS PLAYINGBASS FOR “THE DEAD BOYS” (A 70’S PUNK BAND), FILLING IN FOR BLAS ELIAS(SLAUGHTER/TSO) AT “RAIDING THE ROCK VAULT”.32:55
LES IS ASKED EXACTLY WHY HE LEFT “THE CULT” DURING THE START OF THEIRHEY DAY AND HESITATES TO ANSWER. HEESSENTIALLY HINTS TO WANTING TO BEING “TAKEN CARE OF” AND “THEY DECIDED TONOT DEAL WITH IT”. IT WAS EITHER “TAKECARE OF ME AND BE FAIR OR GET RID OF ME”. “AGAIN, IT’S THAT AWFUL WORD (GREED)”. “IT WAS A PRETTY UNFAIR SITUATION”.34:00
LES DISCUSSES HIS POST “CULT” BAND “HELLFIRE CLUB” WITH PAULRAVEN (KILLING JOKE) & BRIAN ROBERTSON (THIN LIZZY) AND AFTER 1 ALBUMAND SUBSEQUENT VIDEOS AND TOURING, LES WOULD THEN MOVE TO NEW YORK CITY.*NOTE: I WAS UNABLE TO SOURCE ANY CONNECTION ONLINEOF BRIAN ROBERTSON AND HELLFIRE CLUB OR PAUL RAVEN HOWEVER LES NOTED IT “WAS ASHORT STINT”.
34:56
LES NOTES THAT HE HAS NO CONTACT FROM BILLY DUFFY OR IANASTBURY HOWEVER HE HAS HAD CONTACT WITH BASSIST JAIME STEWART AND LATESTDRUMMER JOHN TEMPESTA. HE MENTIONS JOHNHAS EXTENDED AN INVITE TO COME AND PERFORM WHEN THE CULT WAS IN LAS VEGASHOWEVER DOUBTS BILLY DUFFY WOULD ENTERTAIN THAT.
35:41
LES DISCUSSES THE “NEW YORK YEARS” WHERE HE OPENED A JINGLEHOUSE (SCORING AND RECORDING/PRODUCING MUSIC FOR FILM AND COMMERCIALS), BUTAFTER 9/11, HE AND HIS (THEN) WIFE WOULD MOVE TO LAS VEGAS.THE VEGAS CHAPTER:
RON MANCUSO (BASSIST BEGGAR AND THIEVES, RED DRAGON CARTEL (JAKE E LEE), RESTAURANTEUR& OWNER OF STUDIO 77) WAS THE ONE THAT ENCOURAGED THE MOVE TO LAS VEGAS IN 2001.
LES DISCUSSES MORE ABOUT HIS DRUM STUDIO & GETS INTO FINDING THE ENERGY ANDINSPIRATION TO CONTINUE PERFORMING LIVE AND TOURING ETC.
HE DEALS WITH THE WOES OF THE ROAD OVER HAVING A 9-5 JOB.
THIS THAT AND THE OTHER RADIOSHOW
GUEST LES WARNER 11/30/2022
40:41
LES DISCUSSES PAYING DUES AS A BASS PLAYER NOW AND HOW HE MADE THE TRANSITIONFROM DRUMS TO OCCASSIONALY BASS GUITAR IN A FEW ACTS IN LAS VEGAS AS WELL ASDOING INTERNATIONAL TOURING (WITH THE DEAD BOYS AND OTHERS).
41:53
LES TALKS ABOUT A SHOW WHERE TONY FRANKLIN (THE FIRM, BLUE MURDER, LOUGRAMM) “BREAKS WIND” LIVE ON STAGE, AND WALKED AWAY. LES FINDS FREEDOM AND JOKINGLY SAYS HE’SINSPIRED TO PLAY BASS BECAUSE HE CAN “BREAK WIND” AND WALK AWAY.
LES THEN FINDS OUT THAT HE PLAYED DRUMS ON A RECENTLY RELEASED PHIL SOUSSONTRACK (OZZY OSBOURNE, LAST IN LINE) “NOBODY’S FOOL” AS WE THEN TRANSITION INTOHIS TIME HANGING WITH THIN LIZZY’S PHIL LYNOTT.44:26
LES DISCUSSES PHIL LYNOTT WHERE HE WOULD HANG AT A BAR PHIL SOUSSONWOULD WORK AT. THEY HAD JAMMED AT PARTIESBUT WANTED TO DO MORE JAMMING WHEN LES WOULD RETURN FROM “THE CULT” TOUR, BUT ALAS,PHIL LYNOTT HAD PASSED. “I LOVE PHIL, I LOVE HIS ENERGY”.
LES CONTINUES TALKING BRIAN DOWNY (THIN LIZZY DRUMMER) ABOUT HIS R&B SWINGAND HOW HE WAS A BIG INFLUENCE ON HIS PLAYING.
48:51
WE DISCUSS THE NEW BAND “CUSTARD PIE” WITH ROWAN ROBERTSON (DIO,RAIDING THE ROCK VAULT) WHICH WAS PROMPTED DURING THE PANDEMIC WITH ASINGER FROM INDIA NAMED GIRISH PRADHAN. (FOOL IN LOVE IS THE FIRST VIDEO AND AVAILABLE ON YOUTUBE).RAIDING THE ROCK VAULT: LES IS FILLING IN FOR BLAS ELIAS (SLAUGHTER,BLUE MAN GROUP, TSO) AND GETS INTO A BIT OF THE HISTORY OF THE SHOW ANDWHERE TO SEE IT AT. “IT’S A HARD SHOW,IT’S TRICKY”!
HE SPEAKS OF THE CHALLENGES OF “ROCK VAULT” AND WE GET INTOHIS TIME TOURING WITH “BOW WOW WOW” (I WANT CANDY).
54:56
AS WE WRAP UP, LES DISCUSSES A “BOSTON” TRIBUTE AND HE ENJOYS DOING THETRIBUTE GIGS, “I JUST GO WITH THE FLOW AND I’M WORKING ON MY HEALTH”. LES IS CURRENTLY DOING SOME BOXING TO TRAINAND WILL CONTINUE TO TAKE NEW GIGS AND STAY ACTIVE IN HIS CURRENT ACTS.
LES ALSO REVEALS HE’S TAKING DRUM LESSONS, AS HE’S “CONSTANTLY LEARNING”. HE ALSO REVEALS THAT HE AND ROWAN ROBERTSONARE FINISHING UP THE TOUCHES ON A CHRISTMAS SONG.YOU CAN FIND EVERYTHING “LES WARNER” AT WWW.LESWARNER.COM
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Over the past year or so, I've kept up w/ ANDY DICK (NEWS RADIO, ZOOLANDER, EMPLOYEE OF THE MONTH, DANCING WITH THE STARS). TTTO donated some money when he was apparently down and out, and a strange "Friendship" (if you will) began.
We hadn't spoken to Andy since March (https://www.podcasts.com/this-that-the-other-radio-show-with-troy-patrick-farrell-9875be9a7/episode/03022022-ttto-andy-dick-update) and when news broke of his jail sentence, I thought I'd reach out to see how he was doing and what is in store for him post jail. (Andy Dick sentenced to 90 days in jail in groping case, must register as sex offender (msn.com))
We chatted for more than 10 minutes before he whisked himself away after asking for me to call him back "in an hour".
Check out this exclusive update. -
In light of recent publicity regarding the Sweden Rock Festival 2022 and the KINGDOM COME Performance, Drummer James Kottak addresses allegations of "being drunk".He reveals why they had the performance they did. Gave his status on drinking, and update on his relationship with the Scorpions and we discuss "Bass Solo's" at length. (well, not really)
Special Edition of This That and the Other Radio Show on Dirty Radio Classics (www.dirtyradio.fm) - Mostrar mais
