Эпизоды
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First get rid of the expecations of what you do in the studio, and be willing to learn a lot about creativity, focus and a get ready to have some fun, consider Plein air painting.
Here easle I used is a Traveler Series Watercolor Package click here
View the Beach painting demo on Youtube
Online courses
Join the mailing list on my Home website
Instagram
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Based on my "Fearless flowers" courses, in this episode, we explore when painting how to get out of your comfort zone, and grow to be more bold and dynamic.
In the Fearless Flowers series, both the interactive and independent study options are available. For immediate access to any of the lessons I suggest the independent study option, full courses
Single lessons
Schedule of interactive courses
Join my mailing list, courses, brushes and more at www.birgitoconnor.com
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Пропущенные эпизоды?
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Today were talking about what if you’re doing a painting and use photos that someone else took as your reference material, can you use it for a show, can you sell it, can you claim it as your own?
Are you using your artistic vision or copying an image?
What if you took a class and are inspired by the instructor, and use their lesson and reference material, is it now yours?
Is there a subject matter that you would like to hear about? Drop us a line and let us know
Online courses
Join the mailing list
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Pushing through the fear.
Do you feel the need to always be perfect?
What kind of artist do you want to be?
Do you want to have the control you want over your brushstrokes, and if you don’t it can depend on the brush and the amount of water it’s holding?
Are your paintings to weak and wimpy, and are you afraid of the darks? Try to relax and think of every painting as an experiment.
We will be looking at a few white flower paintings and talking about the brushstrokestrokes, background and where do you want to direct the viewers eye?
How to get the wobble out of the paper, try ironing it.
Framing options
When painting on a half sheet size painting 15"x22" the standard size frame I usually use is a standard 22"x28".
The standard mat never seems to work as well so I have mine custom.
You can go to your local craft store or framer for more information or custom frames, which can be pricy.
I was looking online for online frame options, and the standard frame size can work but again, I'm not sure if the online mat option is as good as custom cut.
I like Cheap Pete's but they don't ship the larger size frames
Here are some online companies you can try, but you may want to call them before ordering.
ArtoFrame
Picture Frames
Website www.birgitoconnor.com
Online courses Watercolor courses
The course we reviewed today was from the interactive 6-week course
Interactive white flower (runs in sessions)
Independent study
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Sometimes it’s difficult to get started and paint again, it can be because of some life circumstance, the holidays, or we're just not inspired. Not everyone enjoys the isolation of the studio or is a self-motivated artist, some enjoy painting with other artists, especially watercolor.
With the pandemic, many people haven’t felt creative and have been absolutely paralyzed, so what are some of the things you can do, let’s talk about it.
If you’re interested in taking an online course, or joining “Watercolor in Motion” take a look at my upcoming schedule on my website or go directly to my school
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Values help to invite the viewer into the painting, so in today's episode we are having a discussion about why they are important, to help create a push pull effect and prevent paintings from looking flat.
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In today's meeting will talk a little bit about how to get that fine spray in a painting by using an atomizer, a Kemper tool or a toothbrush.
We will also discuss a value study app and talk about some of the challenges you can face when doing a plein air competition, and how all these challenges can help you grow in your creativity.
Value study app
Kemper spatter tool
Monarch garden online course all levels
Monarch Migration Full course
Shop
Home website
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In this episode will be having a conversation about where your inspiration come from?
Have you ever thought of where you painting from in your body? Is it your head, your heart, your fingertips, wrist, arm, full body and what kind of experience is it for you?
What about commissions, do you enjoy doing them or is it a chore, and how can you move away from realism into something more painterly.
These are just some of the things that will be talking about in today's episode we're going to be talking
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Today Ann told us today about Ranger inks, and how much she is enjoying them, especially the distressed inks. Then our conversation took a turn into what's the difference of inks, alcohol inks and water color pigments and can alcohol inks be used in watercolor competitions. Personally, I found this fascinating information, I hope you will too.
www.birgitoconnor.com
Birgit's online watercolor courses
Ranger inks
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When I first started painting years ago, the art store where I did my first demonstration gifted me with the largest brush that I had ever seen, a #30.
I had no idea what to do with it, or how to use it, it wasn't terribly comfortable in my hand, I thought the brush they gave me was nice, so I just put it to the side, because most of my brushes that I worked with at that time, were the smaller #3, #8, #10 and maybe the largest brush being a #12.
Then one day, I was a little tired of being fiddly with my strokes and I wanted to simplify my painting style and expand the size of my paintings. I found it challenging to get the results that I wanted with most of my brushes and I learned quite a bit just by testing different brands and types of brushes.
Most were either be too soft and wimpy or stiff, so, I gave the brush from the demonstration a try, and it worked beautifully, I was not only able to expand the size of my paintings but grew as an artist.
View on YouTube https://youtu.be/6BP7z-o_ocs
If you have seen any of my earlier videos or demonstrations then you would have noticed my white handled brush, and over the years the ferrule loosened, and I wanted to share this great brush with my students, so I searched and it was nowhere to be found. I found an alternative that worked almost as well but I still loved my original white handle brush, and since I was not able to direct my students to this brush I put it to the side and focused on other ones.
The funny thing is after 20 years or so, one day I found myself struggling with a piece of paper for a demonstration where the sizing just wasn't working for me, I grabbed that old brush, and it felt like an old friend, the comfort and ease of how well it worked, I thought just take another look around, and I found it, I was stunned.
In the video you will be able to see the brush as I tested it again for the first time and it may be something that you might like to explore for yourself.
You will now be able to find them in my store. am now carrying the brushes in my store on my website www.birgitconnor.com
Visit my store Cats Tongue Wash Brush
Blog
Online courses
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Today I will give you a glimpse inside my process as I discuss an article by Cherie Dawn Hass from Realism live and how my work has changed over the last decade. Click here to see the full online article
For online courses and workshops visit my website
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Today we discuss how to get focused after being distracted with summer, and should you use black in a painting?
If you use a black, should you use it from the tube or mix your own? will it look harmonious, like a black hole and what happens to the surrounding colors.
When it comes to figures should you outline them or work with values, and what do you do when you see someone on the street that you want to paint?
Try a Free online course at www.birgitoconnor.com
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Today we visit Ingrid in her home studio, and discuss what art projects she has been up to during Covid. You can find out more about Ingrid in one of our past inteviews, or on my Podcast The World of Watercolor Painting with Birgit O'Connor
Past interview #041
Guest interview with Ingrid Butler / The Business of Art Oct 6th, 2019 by Birgit O'Connor Watercolors Join me as I sit down with Ingrid Butler of Moth Mablers and discuss a little about the business of art. Even though she isn't a watercolor artist her papers and designs are internationally recognized. Her work has been included in many museums and collections throughout the world.
View some of her Youtube videos
https://youtu.be/Bb0YyISfMY4
https://youtu.be/K3eLAIoCpfU
https://youtu.be/RN-rD_aEGZM
https://youtu.be/2Q_FbLluRMs
Website
Ingrid Burler Artist https://ingridbutler.com/
Birgit O'Connor https://birgitoconnor.com/
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Wet into wet how to paint a fluffy cat, discussing paper, drying time.
Do you attach paper to a board?
Painting with one color, values, dampness of the paper.
Working on a full sheet painting
Discussing how to separate from the analytical mind into more of the creative mind
Why highlights make a difference
Review of handmade Indian paper
What about the judging process in shows
Where to get art supplies during the Covid shortage.
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Painting with a piece of paper
The best way to experience this method is either by enrolling in the independent course on Seascapes or you can always join the interactive course later. Interactive courses run in sessions.
How to handle painting in dry enviornments
Humidifier: TAOTRONIS model: TT-AH043 Tao Tronics Ultrasonic Cool Mist Humidifier from Amazon about $60.00
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Interview with Andy Rycroft of Creative Productivity and his upcoming event later this month.
Purpose, productivity and creative value.With the support of the creative community and strategic daily activities, you will identify your creative value, the potential it has for others, and make powerful steps towards living your creative life on your own terms.
The Creative Canvas course offers you the opportunity to get clear about your purpose, get engaged with your audience, and build an actionable plan to get your ideas done.
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Today we discuss how to let the color find its own path through the water on the surface, and how with a simple touch you can allow dissolve an edge, to the color to escape.
Do you want hard or soft edges?
Do you want to keep it light, soft and pretty, or do you want to create depth?
Have you tried tools other than a brush?
What about paintings that aren't working, you don't need to throw them away or turn it into a collage. When your frustrated, put them away for a while, then repurpose them later, you'll love it.
For online courses go to www.birgitoconnor.com
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