Эпизоды
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Jen Gunderman is one of the great keyboard players currently working out of Nashville. She is always busy in recording studios and venues around town with all kinds of bands, but is also on the road as a member of Sheryl Crow’s band, a gig she’s held for over 10 years now. I’ve had the pleasure of working with Jen now and then over the past number of years, always in the studio, and she always shows up to a session with great ideas and energy, raring to go. Her path to this point in her career is a very interesting one, as she grew up playing piano in church, made her way through college and had a stint working for the last gasps of the late 80’s/early 90’s major label scene, working in the offices at Columbia/Sony Records in New York from 1992-1994. Jen jumped ship from that world and landed a gig as the keyboard player for The Jayhawks. She spent a couple of years in the band, touring and recording before eventually landing in Nashville with her husband, guitarist Audley Freed. Jen found her way into session work, landed a job treaching music history at Vanderbilt (which she continues with today) and when she’s not out with Sheryl Crow, she keeps very busy playing with local bands and artists all over Nashville. Jen is a killer piano player, but also knows how to lean into a B3 with the best of them. She plays a mean Wurlitzer, and can also come up with wildly creative soundscape parts as well. Jen’s studio career has brought her into the studio with artists like Kris Kristofferson, Roger McGuinn, Willie Nelson, Loretta Lynn, The Dixie Chicks, St. Vincent, Emmylou Harris and many more. You can get all the latest info on Jen at jengunderman.com
This season is brought to you by our sponsors Larivée Guitars and Fishman Amplification
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Singer, guitarist, jug-band pioneer and songster Jim Kweskin joins me on the show today. I can’t tell you how many times I heard Jim’s name before I ever heard his music. To the generation before me, he was a total legend, and the Jim Kweskin Jug Band was very influential to many musicians who grew up in the 60’s and 70’s. Jim came up in the Boston/Cambridge area and The Jug Band was legendary around those parts and eventually across America. Old blues, jug and string band music was considered old fashioned at that point in time, and Jim spearheaded its return and kicked off a musical revolution that inspried bands like the Lovon’ Spoonful and The Grateful Dead (don’t forget they started off as a jug band too). With bandmates like Geoff and Maria Muldaur, Bill Keith, Mel Lyman and Fritz Richmond, the Jug Band was signed to a major label, sold thousands of records and toured across the country tirelessly between 1963-1970. They turned countless young musicians on to the music of artists like Mississippi John Hurt, Blind Boy Fuller and the Mississippi Sheiks.
Jim has continued making records and performing under his own name and has just put out a rerally cool album called “Never Too Late”, which is mostly duets with some of his friends on vocals like Maria Muldaur, Meredith Axelrod and many more.
I won’t go too in depth on his bio here because in the interview, he actually had a bio preopared and read it to me, which you’ll hear on the show. It’s a first “written statement” for the podcast! I think you’ll dig that part of the conversation. You can get all the latest info on Jim at jimkweskin.com - Enjoy my conversation with Jim Kweskin!
This season is brought to you by our sponsors Larivée Guitars and Fishman Amplification
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Пропущенные эпизоды?
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Banjo legend Tony Trischka joins me on the show this week. I first saw Tony playing with his band Psychograss back in the 90’s at a bluegrass festival in Vancouver, and have been following Tony’s music ever since. Tony is from Syracuse, and has spent most of his career in the New York area. His early bands included The Down City Ramblers, Country Cooking and Breakfast Special. He also started making really cool solo records in the early 70’s that are pretty out-there in the context of what was going on in those days in bluegrass. Those albums definitely nod to traditional bluegrass, but they are also very progressive and experimental. He did alot of touring and recording with his various projects and collaborations over the years, while continuing to teach and compose (he taught a young upstart named Bela Fleck a thing or two in some lessons). After working to progress the banjo and its role in music through his entire career, Tony suddenly has dropped this amazing new project on us that is as traditional as it gets, and has allowed him to mine the depths of the greatness of Earl Scruggs. The new record is called Earl Jam, and was made after he was given hours and hours of tapes of Earl and John Hartford jamming. Unheard stuff that is like a portal into the brain of the greatest banjo innovator of all time. Tony transcribed a hours of that playing, and those transcriptions are what you hear, along with guests like Molly Tuttle and Billy Strings. So let’s dive into all this history and hear about the new record - you can get all the latest info on Tony and his upcoming gigs at tonytrischka.com - Enjoy my conversation with Tony Trischka!
This season is brought to you by our sponsors Larivée Guitars and Fishman Amplification
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Pedal steel guitarist Rich Hinman joins me on the show today. Rich is a really creative player who has definitely spent a great deal of time with the classic steel guitar cannon, but has very much branched out and developed his own style and voice on the instrument. He has a great flair for improvisation, and his tone and touch are really of the highest calibre. Rich is currently a teacher at Berklee College in Boston in the guitar Department, but continues his work in the studio and on the road. He has had recurring stints with artists like Sara Bareilles, Maren Morris, Molly Tuttle, KD Lang, Tanya Tucker, St. Vincent, Josh Ritter and many more. His current project is an amazing band with guitarist Adam Levy. The two of them go way back, and it shows, as their interplay and group improvisations are really incredible. The band is called Rich Hinman Vs Adam Levy and they have a brand new album out called “Fan Favorites” that you should check out. Rich also put out a solo album recently that is more on the ambient side, but full of inspired playing and compositions as well called “Memorial”. Rich is really active on social media which is how I first ran into his playing, and he also has a cool Patreon thing going on with weekly steel guitar lessons, so check out what he’s up to over in his world at richhinman.com and if you get a chance to see him and Adam Levy, who are out on tour as we speak, don’t miss them. Enjoy my conversation with Rich Hinman!
This season is brought to you by our sponsors Larivée Guitars and Fishman Amplification
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On today’s show is Missy Raines, one of the great bluegrass bassists out there, not to mention a fabulous singer and songwriter. Bluegrass bass playing is a funny thing - on the surface it seems simple. But there’s a whole other level to it, and when you hear someone like Junior Huskey do it, or Mike Bub, or Dennis Crouch, or Missy Raines, they all play at that level. There’s a way the really good players place their notes, there’s the tone, and it all comes down to the bed that the bass players lay for the other players in the band to live in. And that’s the hard part. Once you get a chance to play with someone of that calibre it becomes much clearer what great bassist brings to the table, and Missy is one of the best. She’s been releasing albums under her own name since 1998, and her latest recording just came out a couple months ago - it’s called “Highlander” and it’s a killer record that features her band Allegheny as well as guests like Kathy Mattea, Michael Cleveland, Darol Anger, and Rob Ickes. Missy is from West Virginia, and she was lucky enough to grow up in an area that had a strong bluegrass scene that she got to experience first hand. She’s lived in Nashville for a long time now, and is on the road alot these days. She’s won multiple IBMA awards for Bass Player of the Year, and has performed with legends like Mac Wiseman, Peter Rowan and Josh Graves. Aside from her accomplishments in the bluegrass world, Missy swerved over into more experimental territory a few years back and had a band going called The New Hip, who made a couple of incredible records well worth checking out as well that feature her songwriting in a less traditional context. But these days she’s pretty focussed on traditional bluegrass and has one of the best bands on the scene, so make sure you go see them if they come through your area. You can get all the latest news and her tour dates over at missyraines.com - Enjoy my conversation with Missy Raines!
This season is brought to you by our sponsors Larivée Guitars and Fishman Amplification
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On today’s show is Garrett Dutton, better known to you and me as G. Love and his band G. Love and Special Sauce.
G. Love appeared on my radar in the early 90’s when I was just getting into playing in bands. Originally from Philadelphia, but breaking out of the Boston music scene, Special Sauce’s debut album was pretty massive in my world. It mixed blues, soul, rap and hip hop in an organic way that no one else was doing. Garrett was influenced by everyone from John Hammond to Lightning hopkins and Muddy Waters, The Beatles to the Beastie Boys and Schoolly D and he’s one of the few people that can convincingly meld those influences into cohesive music. He got into playing guitar at a really young age, learning Beatles tunes, and eventually found his way to Bob Dylan, which led to playing harmonica, which led to John Hammond, who opened the musical floodgates for him.
He moved to Boston in the early 90’s and started playing around Cambridge with his band that included Jimmy Jazz on bass, and Jeffrey Clemens on drums, who made up the perfect rhythm section for the music they were making. The band came to be known as G. Love and Special Sauce, and their debut album, just called “G. Love and Special Sauce” which came out in 1994 is a killer. I saw them a few times around them and they put on an amazing show. Their latest album, produced by Luther Dickinson, is called “Philadelphia Mississippi” and came out in ’22. Lately, Special Sauce has been doing some shows commemorating 30 years since their debut album came out.
Garrett and I had a great conversation, and I’m thrilled that he found his way back to his hotel that day! You can get all the latest info and upcoming tour dates over at www.philadelphonic.com - Enjoy my conversation with G. Love!
This season is brought to you by our sponsors Larivée Guitars and Fishman Amplification
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The incredible guitarist Duke Levine joins me on the show today. Back in the 90’s and early 2000’s when I was just getting started, Duke was putting out all these really amazing twangy instrumental guitar records. He actually started out as almost a fusion guy on his first album, but pretty quickly veered off into this highly original guitar style that has elements of blues, jazz, country, bebop and influences like Roy Buchanan, Ray Flacke, Albert Lee, I hear Wes Montgomery and Jerry Reed in there as well. The first record I heard of his was called “Country Soul Guitar” and I feel like at that time, the early 90’s, no one was really playing anything like that. He’s primarily a tele player and just has an incredible touch and tone that makes him a totally unique player. He put out a couple more records in that vein, but pretty quickly got scooped up as a sideperson, playing guitar for artists like Shawn Colvin, Peter Wolf, J Geils, Bill Morrissey, Mary Chapin Carpenter, Slaid Cleaves, Jonatha Brooke, and eventually his current employer, the untouchable Bonnie Raitt. The hired gun gigs really became his bread and butter and he spent the better part of the last 25 years touring with alot of those folks. Duke came up in the New England club scene, and has basically stayed in the area his whole life. During the pandemic, he put out a string of really interesting videos featuring stellar guitar playing that you can watch, and some of those videos became what makes up his most recent and amazing EP “Left To My Own Devices”.
You can get info on all of Duke’s activities as well as his tour dates with Bonnie Raitt over at dukelevine.com - Enjoy my conversation with Duke Levine!
This season is brought to you by our sponsors Larivée Guitars and Fishman Amplification
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Dobro master Rob Ickes joins me on the show this week. Rob was kind enough to drop in to the Henhouse to hang for a while, talk and even play a little bit. Rob is one of those players that is so good on one particular instrument that he’s managed to carve out a really impressive career being dedicated to just one thing. And that one thing is the dobro, which is kind of a specific instrument - It’s somewhat married to bluegrass music, but a very few players, and that list includes Rob and Jerry Douglas (and maybe one or two others), have managed to bring it to wider audiences through sessions and performances outside of that genre, while maintaining their standing at the highest level within it. Rob grew up in California, but moved to Nashville in the early 90’s and really established himself as a pre-eminent player with a long stint in the acclaimed bluegrass band Blue Highway. He left the band in 2015 to focus on his duo with the incredible singer and guitarist Trey Hensley, who was on this show a couple of years ago. Rob’s impressive session history includes working with artists like Merle Haggard, Taj Mahal, Willie Nelson, Peter Rowan, Tony Rice, Charlie Haden, Dolly Parton, Allison Krauss, Little Feat, Patty Loveless and many more. And while the session world keeps calling, Rob has never wanted to solely become a studio player, so he keeps busy on the road as much as he can, and the duo with Trey is incredibly busy now. Their latest release as Rob and Trey is called “Living In A Song”. On top of all that, Rob continues to teach and run his successful “Resosummit” each year here in Nashville.
You can get info on all of Rob’s activities as well as his tour dates with Trey Hensley over at robickes.com - Enjoy my conversation with Rob Ickes!
This season is brought to you by our sponsors Larivée Guitars and Fishman Amplification
You can join our Patreon here to get all episodes ad-free, as well as access to all early episodes
The show’s website can be found at www.makersandshakerspodcast.com
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Margaret Glaspy joins me on the show this week. Her album from last year “Echo The DIamond” was one of my favorite records of the year. Margaret started out as a fiddle player, and played pretty seriously around California as a youngster before dedicating herself to the guitar and eventually going to Berklee for a short time to study. She played around Boston and then moved to New York where she found her way into the creative music scene in Brooklyn in the mid 2000’s. She started making EP’s and then full-legth albums in around 2016. I first heard her “Emotions and Math” LP and was really intrigued by her approach to writing, and especially how she seemed to build intricate, angular guitar parts that would weave through her songs. “Devotion” came next in 2020, and then “Echo The Diamond” in 2023. On “Echo”, her songwriting is incredible, her guitar playing is intense and jagged, the band is stellar (she’s working with Chris Morrissey who has played with Andrew Bird and Ben Kweller, and David King, the drummer for The Bad Plus). It's a co-production with her husband, Julian Lage, and Margaret has also produced several of Julian’s recent releases. She just released a solo acoustic record called “The Sun Doesn’t Think” and we talk about all of these projects here today.
Check out all of Margaret’s amazing music and find out where she’s playing over at margaretglaspy.com - Enjoy my conversation with Margaret Glaspy!
This season is brought to you by our sponsors Larivée Guitars and Fishman Amplification
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The show’s website can be found at www.makersandshakerspodcast.com
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My guest this week is the incredible Mississippi songwriter, guitarist and drummer Cedric Burnside.
Cedric comes from a long family line of Hill Country blues musicians. His dad is the drummer Calvin Jackson and he is the grandson of the legendary R.L. Burnside, one of the great traditional Mississippi blues artists of all time. Cedric is an exceptional guitarist and songwriter who seems to have found a unique place in the landscape of modern music. He’s able to make records that sound fresh and current, but is very much honoring the traditions of the Hill Country region. It’s a totally unique style of music that you catch glimpses of with artists like John Lee Hooker and Jesse Mae Hemphill, but the really traditional music is even more specific than that. Born in the juke joints of Northern Mississippi, the music is usually driven by guitars and drums. It’s hypnotic, relentless and so unpredicatble and exciting to see live. It’s almost the kind of music that you’d think wouldn’t translate that well to record, but in Cedirc’s hands it does. He is also a fantastic drummer who has played with all kinds of artists including Jimmy Buffett, Widespread Panic, T-Model Ford, and The Jon Spencer Blues Explosion, not to mention his grandfather R.L.. He has a bunch of albums out under his own name including the Grammy Award-winning “I Be Trying” from 2021 and the brand new “Hill Country Love”, both of which we get into in this episode.
You can get all the info on the new album and his extensive worldwide tour dates at cedricburnside.net - Enjoy our conversation!
This season is brought to you by our sponsors Larivée Guitars and Fishman Amplification
You can join our Patreon here to get all episodes ad-free, as well as access to all early episodes
The show’s website can be found at www.makersandshakerspodcast.com
Your fearless host, Steve Dawson can be found at www.stevedawson.ca
Get ad-free episodes and access to all early episodes by subscribing to Patreon.Hosted on Acast. See acast.com/privacy for more information.
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JJ Grey joins me this week to get Season 8 rolling in style!
JJ is an incredible singer, songwriter, guitar player and frontman for his band JJ Grey and Mofro, based in the Jacksonville, Florida area. He’s been making soulful, brash, and deeply authentic soul and rock n roll records since the release of “Blackwater” in 2001. JJ has a brand new album out now called “Olustee”, which is a remarkable record due to the stellar material and inspired performances perfromances, but also in how it was made. We had a chance to sit down and talk about how it all came together, as well as his songwriting and recording process, how he records his vocals with a $15 microphone, getting janky guitar sounds (janky is his own term, as you’ll hear), along with self-producing for the first time and working on mixing the new record with Vance Powell. Enjoy my conversation with JJ Grey!
You can get all the info on the new album and his extensive worldwide tour dates at jjgrey.com
You can join our Patreon here to get all episodes ad-free, as well as access to all early episodes
The show’s website can be found at www.makersandshakerspodcast.com
Your fearless host, Steve Dawson can be found at www.stevedawson.ca
This season is brought to you by our sponsors Larivée Guitars and Fishman Amplification
Get ad-free episodes and access to all early episodes by subscribing to Patreon.Hosted on Acast. See acast.com/privacy for more information.
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This episode is just to check in and let listeners know the schedule for the upcoming season, which will begin droping new episodes one week from today. Be sure to subscribe now on Apple Podcasts, Spotify, or wherever you listen, and thanks for tuning in!
Visit us and check out all the past episodes at:
https://www.makersandshakerspodcast.com
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I’m preparing to release Season 8 starting very soon, but in the meantime, the great Duane Eddy passed away earlier this week and I have decided to re-release our conversation from 2016. That was a 2-part episiode, but I’ve combined them here into one so you can spend a couple hours with Duane and I chewin’ the fat. RIP Duane Eddy!!
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Tommy Emmanuel, the stellar Australian fingerstyle guitarist joins me on the show this week for the last episode of Season 7! I first saw Tommy play back in the early 90’s when he was relatively unknown and was blown away by his adventurous technique, style, and obvious dedication to his craft. Since then, Tommy has gone on to be one of the most well-known acoustic guitarists of our time and to create an incredible body of work, but he is still mostly known for his spellbinding solo shows. Tommy was a child prodigy, playing professionally since he was 6 years old. He and his brother, along with their dad, toured all over Australia and that lead to session work, and eventually pulled him to the US, where he landed in the 80’s and met his hero, Chet Atkins, in Nashville. Tommy received the coveted seal of approval from Chet, and is one of the few guitarists alive to have the official “CGP” title, given out only by Chet himself. Tommy has made tons of records, some solo, some duets and some with bands. The latest of these is the second in a series and it’s called “Accomplice Two”, a recording of collaborations with artists like Jerry Douglas, Sierra Hull, Little Feat, Molly Tuttle, David Grisman and many more. Since we do talk about his meeting with Chet quite a bit, be sure to also check out “The Day Fingerpickers Took Over The World”, Tommy’s collaboration with Chet Atkins, and must be the last thing Chet ever recorded, from 1997. It was great to have Tommy on the show - we did get a chance to talk quite a bit about Chet, their meeting, and his influence, as well as Lenny Breau, some of Tommy’s stage gear, how he goes back and forth from thumbpicks to flatpicks, and how he approaches arranging tunes for solo fingerstyle guitar. He was also kind enough to grab his trusty Maton guitar and show me some of the things he was talking about as well.
You can get all the current info on Tommy and his very busy tour schedule at tommyemmanuel.com
Enjoy my conversation with Tommy Emmanuel!
You can join our Patreon here to get all episodes ad-free, as well as access to all early episodes
The show’s website can be found at www.makersandshakerspodcast.com
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Mandolinist John Reischman joins me on the show this week. I’ve actually known John for many years, as he moved to Vancouver in the 90’s and when I was starting to do more acoustic music, our paths would cross at festivals and I’d also bring him in for various projects and sessions. John is an absolute master of his instrument with a unique touch and tone that is truly remarkable. He grew up in California and came up in the Bay Area music scene, where he joined The Good Ol’ Persons, which was up until then an all-female bluegrass band that featured Kathy Kallick and Sally Van Meter. After touring and recording with them for a couple of years, John scored a gig in the groundbreaking Tony Rice Unit, one of the ultimate ensembles in modern bluegrass and acoustic music. John toured and recorded with Tony for a few years and developed an incredible style that owes almost as much to jazz horn and piano players as well as different kinds of world music as it does to traditional bluegrass, although John certainly can stand up with the best in the world in any traditional setting. The Tony Rice albums Backwaters and Devlin feature this lineup with John’s amazing playing. After leaving Tony Rice, John moved to Vancouver, where he formed the Jaybirds, a group he has been performing with now for over 20 years. John also made a solo record during the pandemic called “New Time and Old Acoustic” which features guest appearances by Molly Tuttle, Chris Eldridge, Todd Phillips and many more. It was great to re-connect with John, and get a chance to talk about meeting and playing with Bill Monroe, his coveted mandolin, and his history recording and touring in the world of bluegrass and acoustic music.
You can get all the latest info and tour dates for John and the Jaybirds at johnreischman.com
You can join our Patreon here to get all episodes ad-free, as well as access to all early episodes
The show’s website can be found at www.makersandshakerspodcast.com
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Larry Klein has had his mitts on so many amazing records over the past 40 years, but is still a relatively quiet, behind-the-scenes kind of musician. He is a four time grammy winner as a producer, and has made records for artists like Joni Mitchell, Herbie Hancock, Holly Cole, Madeleine Peyroux and Tracy Chapman. I think the first time I ever saw his name was on a cassette I had of Shawn Colvin called “Fat City”, and then I kept seeing his name pop up on cool records over and over again. Larry started out as a bass player in California, and landed a gig pretty early on with jazz legend Freddie Hubbard. He toured with Freddie for years, and then slipped successfully into the session world. As a bass player he played on so many classic albums like “So” by Peter Gabriel, “Building the Perfect Beast” by Don Henley, Robbie Robertson, Tracy Chapman’s debut album and many more. He eventually landed a session with Joni Mitchell, which led to him playing on and producing a string of her records, starting with “Wild Things Run Fast” in 1982, right up through “Travelogue” in 2002. They were married and divorced in that window of time as well.
His production work is always deep and sonically interesting. He has a real jazz mentality towards making pop records, which I love. There’s alot of live performance based takes, mixed with rich sounds and experimentation. Gaining the trust of Herbie Hancock and Wayne Shorter is no small feat, but Larry did that and produced records for those jazz legends! In recent years, Larry made a great record with Herbie Hancock of Joni Mitchell tunes called “River: The Joni Letters”, and during Covid, he made a record in a similar vein called “Here It Is”, a Tribute to Leonard Cohen. It’s basically an insane house band backing up artists like Iggy Pop, Norah Jones, Peter Gabriel, Mavis Staples and lots more doing Leonard Cohen tunes. I should also mention that we just ran out of time on this one, hence the abrupt ending. Larry had a limited window and I lost track of time, so we just kind of had to cap it mid-stream, but we got into tons of cool stuff anyway! I don’t think Larry is on the road at all any more, so you can’t catch him live with anyone currently, but you can get info on him and news on his latest projects over at larrykleinmusic.net — Please enjoy my conversation with Larry Klein!
If you enjoyed this episode, please consider supporting the show with a donation or Patreon subscription
The show’s website can be found at www.makersandshakerspodcast.com
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John Paul White is an amzing performer, singer, songwriter and studio nerd who lives in Florence, Alabama and is known by many for all his amazing work with his Grammy-winning band The Civil Wars. John Paul has also worked as a professional songwriter, and runs a studio and a label called Single Lock Records. This all goes down in Florence, which is part of the 3 cities known as The Shoals, or as us music nerds know it as, Muscle Shoals. This small, almost rural area unbelievably housed 2 amazing studios where some of the greatest soul music of all time was recorded - Fame, and Muscle Shoals Sound. Those 2 studios are still standing today and really are amazing places to visit! John Paul continues that tradition by carving out his own scene in the very same area today. He grew up in a small town in Tennessee, very close to Florence, and during his college days, started playing gigs in bands and on his own. He eventually discovered that he loved songwriting, especially as a vehicle to sing and perform. That led to him recording an album with his band, and eventually a solo album called "The Long Goodbye". But it was at a songwriting workshop that he was paired up with the already successful Joy Williams - they hit it off and immediately started working on music that became The Civil Wars. Their debut album, "Barton Hollow", came out in 2011 and was a huge success, winning a Grammy the following year.
They worked mostly with producer Charlie Peacock, but also with others like T-Bone Burnett and Rick Rubin, which we get into today as well. The Civil Wars came to a crashing halt in 2013, and John Paul has since re-started his solo career, the label and now the studio. His albums "Beulah", and the most recent "The Hurting Kind" are both stellar records to check out. They’re very different and sonically really deep and interesting. It was great to speak with John Paul about all of these projects, his creative process and what he’s up to these days. You can follow him for any shows, and news on albums he’s making or producing for others at johnpaulwhite.com - Enjoy my conversation with John Paul White!
You can join our Patreon here to get all episodes ad-free, as well as access to all early episodes
The show’s website can be found at www.makersandshakerspodcast.com
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Alison Brown is a Grammy Winning banjo player, composer and producer who has made a bunch of great albums under her own name but also as a sideperson and collaborator with artists like Alison Krauss, Michelle Shocked, and Stuart Duncan. She started playing as a youngster, first on dobro and then switched over to banjo. She spent her early years cutting her teeth at bluegrass events and venues around California, before veering away from music in the 80’s to get her MBA from UCLA! Alison was working full-time in finance when she realized that she just didn’t want to be doing that and dove back head-first into music. She joined Union Station with Alison Krauss in the late 80’s and has never looked back. That band won a grammy in 1990, and then she joined Michelle Shocked’s band and became her bandleader for a few years. Alison started her own quartet and has been recording albums with them since the early 90’s. Her label, Compass Records, has grown to be one of the leading labels for roots music in the world, and her and and her husband Gary West run the whole thing out of the office and studio on music row. The studio itself is an incredible piece of history, known at one time as “Hillbilly Central” it’s where some of the iconic records were made for Waylon Jennings and Willie Nelson. Alison’s latest record “On Banjo” is a great example of her killer playing but also her composing and arranging skills. It features guests like Steve Martin, Sierra Hull, Sharon Isbin and the Kronos quartet and explores styles like Brazillian choro and bossa nova as well as bluegrass and old time.
You can keep up with what she’s up to, and get all her tour dates at alisonbrown.com
Be sure to listen to the Accompanying Songs Playlist which contains some of the artist’s work, plus many of the songs we discuss on the show:
Playlist on Spotify / Playlist on Apple Music
If you enjoyed this episode, please consider supporting the show with a donation or Patreon subscription
The show’s website can be found at www.makersandshakerspodcast.com
Your fearless host, Steve Dawson can be found at www.stevedawson.ca
Get ad-free episodes and access to all early episodes by subscribing to Patreon.Hosted on Acast. See acast.com/privacy for more information.
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Julian Lage is truly a guitarist like no other. He’s insanely creative, prolific, has unbelievable technical facility, but also plays with incredible taste, tone and restraint. He grew up around the bay area of California and was a child prodigy who started getting noticed when he was just a little tyke. There’s even a movie about him from that time called “Jules At Eight” (when he was eight!), and he played at the Grammys when he was 12, which is where Gary Burton, the incredible vibraphone player heard him, and asked him to join his band. Julian played with Burton for the better part of a decade, but also spent time playing and collaborating with John Zorn, Nels Cline, Dave Douglas, Charles Lloyd, as well as David Grisman and Chris Eldridge from over in the bluegrass world. He’s been releasing solo albums since 2009, and over the last year released a full-length album that is absolutley spectacular called “View With A Room”, and then some songs that were essentially out-takes from that album but took on a life of their own came out more recently, and that’s a beautiful new EP called “The Layers”. He has this incredible trio now that I think is one of the great American ensembles - Jorge Roeder is an incredible bassist and Dave King is the drummer, who some will know from the Bad Plus. Julian is an incredible talent, and very thoughtful human and musician and we had a great conversation about all these aspects of his career, nerded out on guitars, and got deep into music!
Keep up with what Julian is up to over at: julianlage.com
Be sure to listen to the Accompanying Songs Playlist which contains some of the artist’s work, plus many of the songs we discuss on the show:
Playlist on Spotify / Playlist on Apple Music
You can join our Patreon here to get all episodes ad-free, as well as access to all early episodes
The show’s website can be found at www.makersandshakerspodcast.com
Your fearless host, Steve Dawson can be found at www.stevedawson.ca
Get ad-free episodes and access to all early episodes by subscribing to Patreon.Hosted on Acast. See acast.com/privacy for more information.
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Afie Jurvanen, better known as Bahamas, joins me on the show today. Afie has made 6 records as Bahamas, and the newest one, “Bootcut”, just came out a few weeks ago. It’s a great record with inventive melodies, killer guitar playing and singing, and I guess will be sort of pinned as his “country” record, although I don’t think it’s that. But he did make it in Nashville, and used a bunch of seasoned session players for the recordings, including Vince Gill, Dave Roe and Russ Pahl on steel (who’s been on this show), so it has some country flavor. But Afie’s vision is to incorporate elements of country music into what he does without changing his own approach or sound that much, and it works really well. Afie has always made interesting choices when making records - almost as if he’s challenging himself and working out of his comfort zone. We talk a bit about his “Earthtones” album, which features Pino Paladino on bass and James Gadson on drums, and how touring as a duo for years influenced his guitar selection. We get into Nacho Guitars, fuzz tones and how Feist helped him developed a quieter, more intimate way of singing. Afie also spent some time as a side-guy and did a bunch of sessions around his old hometown of Toronto through the early 2000’s before landing a touring gig with Feist. But after that he set out on his own and that’s where the Bahamas adventure begins with “Pink Strat” in 2009 and continues through to the new album. You can keep up to date with his touring at bahamasmusic.net
Please enjoy my conversation with Bahamas!
Be sure to listen to the Accompanying Songs Playlist which contains some of the artist’s work, plus many of the songs we discuss on the show:
Playlist on Spotify / Playlist on Apple Music
If you enjoyed this episode, please consider supporting the show with a donation or Patreon subscription
The show’s website can be found at www.makersandshakerspodcast.com
Your fearless host, Steve Dawson can be found at www.stevedawson.ca
Get ad-free episodes and access to all early episodes by subscribing to Patreon.Hosted on Acast. See acast.com/privacy for more information.
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