Эпизоды
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In this episode of PhotoWork with Sasha Wolf, Sasha sits down with Melissa Catanese—photographer, publisher, and educator. They dive into Melissa's array of book projects, including her 2023 release, "The Lottery" (The Ice Plant), inspired by Shirley Jackson's classic tale, perfectly resonating with today's uncertain world. They also have an honest and in-depth conversation about Melissa's life in photography, her commitment to pursuing her diverse artistic interests, and her innovative approaches to making a living as an artist.
http://www.melissacatanese.com/index.html |||
https://www.instagram.com/melissa_catanese/ |||
https://theiceplant.cc/product/the-lottery/Melissa Catanese combines her images with archival images into a fluid, sensorial experience that pushes the image beyond its nostalgic surface and challenges ideas of authorship, representation, consumption, and the life cycle of images. She plays with images as raw material, intuitively teasing out oblique and guttural interpretations, tapping the inexplicable, and often dormant space within the surface of a photograph where meaning extends and recedes, comforts and disturbs. She is the author of "Dive Dark Dream Slow", "Voyagers", “The Lottery”, and “Fever field”. Her work is currently included in “Widening the Lens: Photography, Ecology, and the Contemporary Landscape” at Carnegie Museum of Art. She is the recipient of a Heinz Endowment Creative Development Award and has been shortlisted for the Paris Photo-Aperture Foundation PhotoBook Awards and the Foam Paul Huf Award. Catanese contributed texts to “Photo No-Nos: Meditations on What Not to Shoot” (Aperture, 2021), “Photographers Looking At Photographs: 75 Pictures from the Pilara Foundation” (Pier 24, 2020), The Photographer’s Playbook (Aperture, 2014) and to the project “Words Without Pictures” (Aperture, 2010), among other publications. She is a Teaching Professor at University of Pittsburgh and holds visiting appointments at Hartford Art School Photography MFA and Image Text Ithaca MFA.
This podcast is sponsored by picturehouse + thesmalldarkroom.https://phtsdr.com
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In this episode of PhotoWork with Sasha Wolf, Sasha has a warm and deeply personal conversation with photographer Gregory Halpern. They discuss his latest book, "King, Queen, Knave," published by MACK, and also revisit "ZZYZX," the 2016 monograph that significantly elevated Greg's career. Together, they emphasize the importance of knowing when to assume the roles of photographer and editor, and when to let the audience engage with the work on their own terms.
http://www.gregoryhalpern.com/ |||
https://www.mackbooks.us/products/king-queen-knave-gregory-halpernGregory Halpern is an American photographer born in Buffalo, New York. He is the author of eight monographs, including King, Queen, Knave (2024), Omaha Sketchbook (2019), and ZZYZX (2016), his fantastical book of photographs of Los Angeles, now in its fourth edition. Halpern is the recipient of a Guggenheim Fellowship and a member of Magnum Photos. His photographs are held in the collections of several major museums, including The Museum of Modern Art, the San Francisco Museum of Modern Art, The Museum of Fine Arts, Houston, Fondation Henri Cartier-Bresson, Fondation d’entreprise Hermès, and the Fotomuseum Antwerpen. His work has been featured in group exhibitions at the International Center of Photography, the Museum of Fine Arts Houston, the George Eastman Museum, the Cincinnati Art Museum, the Fotomuseum Antwerpen, and Pace/MacGill in New York. He holds a BA in History and Literature from Harvard University and an MFA from California College of the Arts. He lives in Rochester, New York with his wife, Ahndraya Parlato, and their two daughters. He is a professor of photography at the Rochester Institute of Technology.
This podcast is sponsored by picturehouse + thesmalldarkroom.https://phtsdr.com
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Пропущенные эпизоды?
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In this episode of PhotoWork with Sasha Wolf, Sasha is joined by Pauline Vermare, Curator of Photography at the Brooklyn Museum, and Lesley A. Martin, Executive Director of Printed Matter. They discuss their collaborative efforts on "I’m So Happy You Are Here: Japanese Women Photographers from the 1950s to Now," published by Aperture. This publication offers a counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. Lesley and Pauline share their connections to Japanese society and their interest in the representation of women in photography. Together, Sasha, Lesley, and Pauline explore how they balanced the academic and historical aspects of their work with the artistic appeal of a photobook that highlights the contributions of Japanese women photographers.
https://aperture.org/books/im-so-happy-you-are-here-japanese-women-photographers-from-the-1950s-to-now/ |||https://www.instagram.com/la.martin_/ |||https://www.instagram.com/paulinevermare/
Pauline Vermare is the Phillip and Edith Leonian Curator of Photography, Brooklyn Museum. She was formerly the cultural director of Magnum Photos NY, and a curator at the International Center of Photography (ICP), The Museum of Modern Art (MoMA), and the Henri Cartier-Bresson Foundation, in Paris. She sits on the boards of the Saul Leiter Foundation and the Catherine Leroy Fund.
Lesley A. Martin is executive director of Printed Matter. Prior to that, she was the creative director of Aperture, founding publisher of The PhotoBook Review, and co-founder of the Paris Photo–Aperture Foundation PhotoBook Awards. She has edited more than one-hundred and fifty books of photography, including An-My Lê’s Small Wars; Illuminance by Rinko Kawauchi; LaToya Ruby Frazier: The Notion of Family; and Zanele Muholi: Somnyama Ngonyama. Martin has curated several exhibitions of photography, including The Ubiquitous Image; the New York Times Magazine Photographs, co-curated with Kathy Ryan; Aperture Remix, a commission-based exhibition celebrating Aperture’s sixtieth anniversary; and most recently, I'm So Happy You Are Here: Japanese Women Photographers Since the 1950s, co-curated with Pauline Vermare and Mariko Takeuchi. She received the Royal Photographic Society award for outstanding achievement in photographic publishing in 2020, and has been a visiting critic at the Yale University Graduate School of Art since 2016.
This podcast is sponsored by picturehouse + thesmalldarkroom.https://phtsdr.com
Image © Mikiko Hara
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In this episode of PhotoWork, host Sasha Wolf talks with the three recipients of the Foundation's inaugural Fellowship: Molly D'Arcy, Brandon Holland, and Will Suiter. They each share how the six-month mentorship impacted their artistic practice and what the experience meant to them personally. It's an honest and transparent peek into the evolving practices and processes of these three young artists.
Molly D’Arcy is an American artist (b.1997) living and working in New England. She began making short films as a child, an interest which blossomed into a passion for darkroom photography. Her work centers around themes of journeying and destination. Spirituality has been part of her life since childhood and continues to play a central role in her photographic practice today.
https://photowork.foundation/molly-darcy/
Brandon Holland is a New Orleans-born art and documentary photographer. His work is concerned with environment, kinship, blackness, and the delicate nature of things. He uses photography as a means of preservation and connecting with the world around him. He splits time working and living in Baltimore and New Orleans.
https://photowork.foundation/brandon-holland/
Will Suiter is an artist working in photography, based in Humboldt County, California. He was born 1999 in the San Francisco Bay Area suburbs, and grew up sharing time between the urban SF Bay Area and rural Ozark Mountains in Arkansas. He moved to rural Humboldt County in 2017 to study forestry at Humboldt State University, and the isolated, remote geography and rural culture of the region has informed much of his work since.
https://photowork.foundation/will-suiter/
This podcast is sponsored by picturehouse + thesmalldarkroom.https://phtsdr.com
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In this episode of PhotoWork with Sasha Wolf, host Sasha sits down with photographer and publisher Matthew Genitempo to discuss his latest book, "Dogbreath," published by Trespasser. Together, they explore how "Dogbreath" marks a departure from his earlier work, "Jasper," particularly in terms of personal narrative and photographic language. Matthew also shares insights about a pivotal critique session when he was in graduate school that significantly influenced his working methods and mindset.
https://www.matthewgenitempo.com | https://trespasser.co/shop/dogbreath
Matthew Genitempo is a photographer and publisher living and working in Texas. He earned his MFA from the University of Hartford. In 2017 he co-founded the publishing imprint Trespasser Books. Matthew has released three monographs, Jasper (Twin Palms 2018), Mother of Dogs (Trespasser 2022), and Dogbreath (Trespasser 2024).
This podcast is sponsored by picturehouse + thesmalldarkroom.https://phtsdr.com
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In this episode of PhotoWork with Sasha Wolf, Sasha interviews photographer Todd Hido about his latest book, "The End Sends Advance Warning," published by Nazraeli Press. They explore how the book defies its title, focusing instead on themes of hope and beauty. Additionally, they discuss the creation of Todd's recent survey show at Casemore Gallery, which is the most extensive presentation of his work to date. Despite being a returning guest, Todd shares fresh insights about his mentors and his deep passion for photography, and he announces a new book towards the end of the episode.
http://www.toddhido.com | https://www.nazraeli.com/complete-catalogue/the-end-sends-advance-warning | https://casemoregallery.com/exhibitions/56-todd-hido-some-polar-expiation-an-enormous-cat-a-complete/overview/
Todd Hido (born in Kent, Ohio, 1968) wanders endlessly, taking lengthy road trips in search of imagery that connects with his own memories. Through his unique landscape process and signature color palette, Hido alludes to the quiet and mysterious side of suburban America—where uniform communities provide for a stable façade—implying the instability that often lies behind the walls.
His photographs are in over 50 private and public collections around the world, including the Getty, Whitney Museum of American Art, and San Francisco Museum of Modern Art. Pier 24 Photography holds the archive of all of his published works. Hido has published more than a dozen books, including the award-winning monographs House Hunting(2001) and Excerpts from Silver Meadows (2013). His Aperture titles include Todd Hido on Landscapes, Interiors, and the Nude (2014) and Intimate Distance: Twenty-Five Years of Photographs (2016).
He returned to the cinematic landscape photography that he first explored with Roaming (2003) with Bright Black World(2018), and followed it up with The End Sends Advance Warning (2024). Hido is also an avid photobook collector, and in the last 30 years has created a notable collection of over 8,500 titles.
His work has influenced multiple Hollywood productions, such as Spike Jones's Her, Sam Levinson's Euphoria, Issa López's True Detective: Night Country, and the upcoming directorial project by Jason Momoa, Chief of War. He is also one of the subjects of Momoa's documentary project on creative makers, On The Roam.
This podcast is sponsored by picturehouse + thesmalldarkroom.https://phtsdr.com
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In this episode of PhotoWork with Sasha Wolf, Sasha and Dr. Sarah Kennel, the Aaron Siskind Curator of Photography at the VMFA, discuss in detail the acquisition process at the Virginia Museum of Fine Arts. They also delve into the collaborative efforts required to produce a large traveling exhibition, specifically A Long Arc: Photography and the American South since 1845, which is coming to the VMFA in October 2024. This episode reveals many of the inner workings of museum operations and helps to demystify the various processes through which artwork is acquired and shown.
https://vmfa.museum | https://www.instagram.com/sarah_kennel/
Dr. Sarah Kennel joined VMFA in 2021 as the inaugural Aaron Siskind Curator of Photography and Director of the Raysor Center for Works on Paper. A specialist in nineteenth and twentieth-century photography, Kennel has curated, published, and presented widely on topics ranging from nineteenth-century French photography and historic photographic processes to European modernism and understudied women photographers. She has written extensively on the relationship between painting and photography in nineteenth-century France and, more recently, Kennel has focused on photography in the American South.
This podcast is sponsored by picturehouse + thesmalldarkroom.https://phtsdr.com
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In this episode of PhotoWork with Sasha Wolf, Sasha has an in-depth conversation with photographer Ahndraya Parlato about her book, "Who is Changed and Who is Dead," published by MACK. Ahndraya shares the life-altering events that inspired her to create this examination of motherhood, which is filled with both humor and grief. Sasha and Ahndraya discuss the book's use of text and image and how Ahndraya had to let go of preconceived notions of what a photo book should be. Ahndraya also gives us a wonderful sneak peek into her next body of work.
https://www.ahndrayaparlato.com/ |https://www.mackbooks.us/products/who-is-changed-and-who-is-dead-br-ahndraya-parlato?_pos=8&_sid=0db4ce9c9&_ss=r
Ahndraya Parlato has a BA from Bard College and an MFA from California College of the Arts. She has published three books, including: Who Is Changed and Who Is Dead, (Mack Books, 2021), A Spectacle and Nothing Strange, (Kehrer Verlag, 2016), East of the Sun, West of the Moon, (a collaboration with Gregory Halpern, Études Books, 2014). Additionally, Ahndraya has contributed texts to Double feature (St. Lucy Books, 2024), Photo No-Nos: Meditations on What Not to Shoot (Aperture, 2021), and The Photographer’s Playbook (Aperture, 2014). She has exhibited work at: Spazio Labo, in Bologna, Italy, Silver Eye Center for Photography, Pittsburgh, PA, The Aperture Foundation, New York, NY, and The Swiss Institute, Milan, Italy. Ahndraya has been awarded residencies at Light Work and The Visual Studies Workshop, grants from Light Work, the New York Foundation for the Arts and is a 2024 Guggenheim Foundation Fellow. Her most recent project, TIME TO KILL is forthcoming from Mack Books. Ahndraya teaches at the Rochester Institute of Technology.
This podcast is sponsored by picturehouse + thesmalldarkroom.https://phtsdr.com
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In the first-ever episode of PhotoWork with Sasha Wolf recorded in front of an audience, Sasha and photographer Rahim Fortune gathered at picturehouse + thesmalldarkroom to discuss his new book, Hardtack, published by Loose Joints. Sasha and Rahim delve into the significance of collaboration, with Rahim emphasizing the various forms of collaboration involved at every stage of the book's creation. This includes the individuals Rahim photographed, the production team at picturehouse, and the editing process with Sarah Chaplin Espenon at Loose Joints.
https://www.rahimfortune.com | https://loosejoints.biz/collections/current-titles/products/hardtack
Rahim Fortune is a visual artist and educator from the Chickasaw Nation of Oklahoma. He uses photography to ask fundamental questions about American identity. Focusing on the narratives of individual families and communities, he explores shifting geographies of migration and resettlement and the way that these histories are written on the landscapes of Texas and the American South. Fortune’s previous book, I Can’t Stand to See You Cry, was published by Loose Joints in 2021 and was the winner of the Rencontres d'Arles Louis Roederer Discovery Award 2022. His work has been featured in exhibitions worldwide and many permanent collections, including the High Museum in Atlanta, GA, LUMA Arles, the Victoria and Albert Museum, and The Boston Museum of Fine Art.
This podcast is sponsored by picturehouse + thesmalldarkroom.https://phtsdr.com
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In this episode of PhotoWork with Sasha Wolf, Sasha talks with Christopher McCall, the Founding Director of Pier 24 Photography. They discuss the history of Pier 24, how he transformed the raw space to create a unique gallery experience, and the final exhibition, Turning the Page, which runs until the end of 2024. Additionally, they touch on his upcoming book, Photo Book Photo List, which will be published by Pier 24. This episode is packed with valuable life lessons, experiences, and wisdom from both Chris and Sasha, offering insights for artists at every stage of their careers.
https://pier24.org | https://www.instagram.com/thechrismccall
Christopher McCall is the Director of Pier 24 Photography in San Francisco, one of the largest exhibition spaces devoted to the medium. In 2002 McCall received an MFA in photography from California College of the Arts, studying under Jim Goldberg and Larry Sultan. After teaching for seven years, he joined Pier 24 Photography in 2009 as the founding director, assisting in the conceptualization of the organization’s mission and oper- ating principles. Since opening the doors of Pier 24 in 2010, McCall has overseen the presentation of thirteen exhibitions and spearheaded the creation of the Larry Sultan Visiting Artist Program, a collaboration with California College of the Arts.
This podcast is sponsored by picturehouse + thesmalldarkroom.https://phtsdr.com
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In this episode of PhotoWork with Sasha Wolf, substitute host, Michael Chovan-Dalton continues his Chico Review recordings, this time with photographer, Ben Brody. Ben joined Michael to talk about his two books, Attention Servicemember and 300m both published by Mass Books which was started by Ben and Peter van Agtmael. Ben and Michael talk about Ben’s experience as an Army photographer during the American war in Iraq and why he chose to be a civilian freelance photographer during the war in Afghanistan. Ben talks about how Attention Servicemember and 300m are part of his self-reckonining with his role in creating propaganda. They also talk about his work with The GroundTruth Project, an organization dedicated to local journalism in under covered communities. Note: Attention Servicemember was first published by Red Hook Editions.
https://www.photobrody.com - https://www.massbooks.co
Ben Brody is an independent photographer, educator, and picture editor working on long-form projects related to the American wars in Iraq and Afghanistan, and their aftermath. He is the Director of Photography for The GroundTruth Project and Report for America, and a co-founder of Mass Books.
His first book, Attention Servicemember, was shortlisted for the 2019 Aperture - Paris Photo First Book Award and is now in its second edition.
Ben holds an MFA from Hartford Art School's International Low-Residency Photography program. He resides in western Massachusetts.
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In this episode of PhotoWork with Sasha Wolf, Sasha and photographer and founder of Charcoal Books and Chico Review, Jesse Lenz, discuss his monographs, The Locusts and The Seraphim, published by Charcoal Press. Jesse talks about borrowing from the language of cinema as way to approach making and editing photography. Sasha and Jesse also talk about the Chico Review, how it came to be and the experience of spending 8 days with colleagues and attendees in a remote location in Montana.
https://www.jesselenz.com - https://charcoalpress.com/shop/the-seraphim - https://www.chicoreview.com
Jesse Lenz (1988, Montana) is a self-taught photographer and multidisciplinary artist. He is the author of The Locusts (Charcoal Press, 2020), and he is the founder and director of Charcoal Book Club and the Chico Review. As an illustrator he has created images for publications including TIME, The New York Times Magazine, Newsweek, Rolling Stone, and many others. From 2011-2018 he also co-founded and published The Collective Quarterly and The Coyote Journal. He lives on a farm in rural Ohio.
This podcast is sponsored by picturehouse + thesmalldarkroom.https://phtsdr.com
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In this episode of PhotoWork with Sasha Wolf, substitute host, Michael Chovan-Dalton and photographer, Raymond Meeks discuss his latest book, The Inhabitants published by MACK with an extended poem by George Weld. Ray and Michael talk about how this work, which traces the passages of refugee crossings inside Spain and France, profoundly affected Ray's approach to making work and how he views his role as a photographer. This episode picks up where Sasha and Ray left off back in episode 51.
http://www.raymondmeeks.comhttps://www.mackbooks.us/products/the-inhabitants-english-edition-br-raymond-meeks-george-weld
Raymond Meeks (Ohio, 1963) has been recognized for his books and pictures centered on memory and place, the way in which a landscape can shape an individual and, in the abstract, how a place possesses you in its absence. His books have been described as a field or vertical plane for examining interior co-existences, as life moves in circles and moments and events—often years apart—unravel and overlap, informing new meanings.
Raymond Meeks lives and works in the Hudson Valley (New York). His work is represented in numerous private and public collections. He is the sixth laureate of Immersion, a French-American photography commission sponsored by Fondation d’entreprise Hermès. Exhibitions from this commission are scheduled for New York (ICP September, 2023) and Paris (Fondation Henri Cartier-Bresson September, 2024). The Inhabitants, a book made in collaboration with writer George Weld, was published in August 2023 by MACK.
Raymond Meeks is a 2020 recipient of a Guggenheim Foundation Fellowship in Photography and was awarded a Pollock-Krasner Foundation Grant in 2022.
This podcast is sponsored by picturehouse + thesmalldarkroom.https://phtsdr.com
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In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Kelli Connell discuss her brand new book, Pictures for Charis, published by Aperture. Kelli talks about her fascination with and subsequent extensive research on Charis Wilson and the eleven year relationship she had with legendary photographer Edward Weston, and how what she learned guided her own exploration of portrait-making and landscape work while collaborating with her wife of fourteen years, Betsy Odom. Sasha and Kelli also discuss Kelli's renowned series, Double Life, which also explores the relationship between photographer and model as well as gender and identity.
https://www.kelliconnell.comhttps://aperture.org/books/kelli-connell-pictures-for-charis/http://www.decodebooks.com/connell.html
Kelli Connell is an artist whose work investigates sexuality, gender, identity and photographer / sitter relationships. Her work is in the collections of the Metropolitan Museum of Art, Los Angeles County Museum of Art, J Paul Getty Museum, Philadelphia Museum of Art, Columbus Museum of Art, Museum of Fine Arts Houston, Dallas Museum of Art, Milwaukee Art Museum, and the Museum of Contemporary Photography, among others. Publications of her work include Kelli Connell: Pictures for Charis (Aperture, March 2024), PhotoWork: Forty Photographers on Process and Practice (Aperture), Photo Art: The New World of Photography (Aperture), and the monograph Kelli Connell: Double Life (DECODE Books). Connell has received fellowships and residencies from The Guggenheim Foundation, MacDowell, PLAYA, Peaked Hill Trust, LATITUDE, Light Work, and The Center for Creative Photography. Connell is an editor at SKYLARK Editions and a professor at Columbia College Chicago.
This podcast is sponsored by picturehouse + thesmalldarkroom.https://phtsdr.com
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In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Baldwin Lee discuss the first-ever publication of his work, eponymously titled, Baldwin Lee, published by Hunters Point Press. Baldwin and Sasha talk about his childhood years in Chinatown in New York City and then later studying with some of the most famous photographers of the times: Minor White and Walker Evans. They also have a provocative conversation about leaving photography behind once you believe you have completed your best work.
https://www.baldwinlee.comhttps://www.hunterspointpress.com/product/baldwin-lee
Baldwin Lee was born in Brooklyn, New York in 1951. In 1972 he received a BS from the Massachusetts Institute of Technology, where he studied photography with Minor White, and in 1975 received an MFA from Yale University, where he studied with Walker Evans..
In 1982, he became an art professor at the University of Tennessee, where he founded the university's photography program. He then decided to take a tour of the deep south, covering 2,000 miles over the course of ten days. During this trip, Lee widely photographed the people, landscapes, and cities of the south. After developing his photos, he realized that he had a particular passion for the African-American communities he had interacted with. He took numerous tours of the southern United States from 1983 to 1989, producing roughly 10,000 photographs. The majority of this work focused on the lives of low-income black Americans. When Lee arrived in a new town, he would visit the police station and let them know that he was planning to take photos with expensive photography equipment, so they could warn him about the poorer, redlined parts of town. Lee would then make a point of visiting these neighborhoods, since they had the highest concentration of black residents. In his work, Lee strived to represent his subjects as individuals with vibrant personalities, rather than reducing them to stereotypes or emphasizing their poverty. Lee retired from teaching in 2014, and is currently professor emeritus at University of Tennessee. He authored the monograph Baldwin Lee (2022), which was edited by Baeney Kulok and published by Hunter Point Press.
Lee has received recognition for his contributions to American photography. Imani Perry wrote that "Lee has a sensitive eye for both poverty and dignity", describing him as "a witness to those at the bottom of U.S. stratification, and their refusal to swallow that status". In a 2015 article in Time Magazine, photographer Mark Steinmetz wrote that Lee "produced a body of work that is among the most remarkable in American photography of the past half century". Lee received a Guggenheim Foundation Fellowship in 1984, and a National Endowment for the Arts Fellowship in 1984 and 1987.
This podcast is sponsored by picturehouse + thesmalldarkroom.https://phtsdr.com
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In this episode of PhotoWork with Sasha Wolf, guest Carla Williams talks about her 2023 publication, Tender, a book of 80 self portraits made between 1984-1991, and additional guest Carolyn Drake talks about her 2023 publication, Men Untitled, a book of 54 portraits, mostly of men, both published by TBW Books. Sasha, Carla, and Carolyn discuss how the books approach portraiture through personal exploration while also referencing, recontextualizing and questioning their many influences from the canon of famous works.
https://www.carlajwilliams.nethttps://tbwbooks.com/collections/single-titles/products/tender
https://carolyndrake.comhttps://tbwbooks.com/collections/single-titles/products/men-untitled
This podcast is sponsored by picturehouse + thesmalldarkroom.https://phtsdr.com
Carla J. Williams
Carla J. Williams
Carla Williams was born in Los Angeles in 1965 in the front seat of a ‘65 Buick station wagon. She became interested in photography in college receiving her BA in photography from Princeton University and her MA and MFA from the University of New Mexico.
During her years in school her self-portraiture was made using mostly Polaroid 4 x 5 and instant 35mm film formats. The immediacy of results allowed her to interact with the images at the time of the sitting rather than wait for the darkroom process, lending both an energy and technical looseness to the photographic finish. These images reflect Williams’ creative urgency, her desire to render the likeness in the moment. It would become a signature style in her work. Her professor Emmet Gowin called her graduating thesis show the best thesis show in his thirty-six years of teaching.
After graduating, Carla declared her retirement feeling disillusioned with the prospect of becoming an artist. She spent the next decades working independently as a photography historian, writer, and editor. She has occasionally participated in publications and exhibitions, but never pursued a creative career.
William's first monograph, Tender (TBW, 2023) is a selection of her self-portraiture made between the years of 1984 and 1999 and kept mostly to herself for more than thirty years.
Carolyn Drake
Carolyn Drake works on long term photo-based projects seeking to interrogate dominant historical narratives and creatively reimagine them. Her practice embraces collaboration and has in recent years melded photography with sewing, collage, and sculpture. She is interested in collapsing the traditional divide between author and subject, the real and the imaginary, challenging entrenched binaries.
Drake was born in California and studied Media/Culture and History in the early 1990s at Brown University. Following her graduation from Brown, in 1994, Drake moved to New York and worked as a interactive designer for many years before departing to engage with the physical world through photography.
Between 2007 and 2013, Drake traveled frequently to Central Asia from her base in Istanbul to work on two long term projects. Two Rivers (self-published ,2013) explores the connections between ecology, culture and political power along the Amu Darya and Syr Darya rivers and earned a 2010 Guggenheim fellowship. Wild Pigeon (self-published, 2014) is an amalgam of photographs, drawings, and embroideries made in collaboration with Uyghurs in western China. This work was presented in a six month solo exhibition at SFMOMA in 2018 and earned the Anamorphosis Book prize. Following this, in Internat (self-published, 2017), Drake worked with young women in an ex Soviet orphanage to create photographs and paintings that point beyond the walls of the institution and its gender expectations. This work was awarded the 2018 HCP fellowship curated by Charlotte Cotton and later exhibited in several festivals in Europe. This project was followed by Knit Club (TBW Books, 2020), which emerged from her collaboration with an enigmatic group of women in Mississippi. Knit Club was shortlisted for the Paris Photo Aperture Book of the Year and Lucie Photo Book Awards and exhibited at McEvoy Foundation in San Francisco and at Yancey Richardson Gallery and ICP in New York.
Drake now lives in California and is currently developing self-reflective projects close to home. Her latest work, Isolation Therapy, was exhibited at SFMOMA’s show Close to Home: Creativity in Crisis in 2021 and at Yancey Richardson Gallery in 2022. Her work has also been supported by Peter S Reed Foundation, Lightwork, the Do Good Fund, the Lange Taylor prize, Magnum Foundation, the Pulitzer Center, and a Fulbright fellowship. She is a member of Magnum Photos and represented by Yancey Richardson Gallery.
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In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Jim Goldberg discuss his new book, Coming and Going, published by MACK, which is a very personal story but also a book about storytelling itself. Jim talks about his lifelong interest in social justice and Sasha and Jim connect Jim's work to both Jazz and Punk music. Sasha also announces the first ever participants in the PhotoWork Foundation Fellowship.
https://jimgoldberg.com/https://www.mackbooks.us/collections/frontpage/products/coming-and-going-br-jim-goldberg
Jim Goldberg’s innovative and multidisciplinary approach to documentary makes him a landmark photographer and social practitioner of our times. His work often examines the lives of neglected, ignored, or otherwise outside-the-mainstream populations through long-term, in depth collaborations which investigate the nature of American myths about class, power, and happiness.
A prolific and influential bookmaker, Goldberg’s recent books include Ruby Every Fall, Nazraeli Press (2014); The Last Son, Super Labo (2016); Raised By Wolves Bootleg (2016), Candy, Yale University Press (2017), Darrell & Patricia, Pier 24 Photography (2018) and Gene (2018).
Goldberg has exhibited widely, including shows at the Museum of Modern Art, New York; SFMOMA; the Museum of Fine Arts, Boston; the Corcoran Gallery of Art; the Los Angeles County Museum of Art; and the Yale University Art Gallery. His work is also regularly featured in group exhibitions around the world. Public collections including MoMA, SFMOMA, the Whitney Museum of American Art, the Getty, the National Gallery, LACMA, MFA Boston, The High Museum, Nelson-Atkins Museum of Art, Library of Congress, MFA Houston, National Museum of American Art, and the Art Institute of Chicago.
Goldberg has received three National Endowment of the Arts Fellowships in Photography, a Guggenheim Fellowship, the Henri Cartier-Bresson Award, and the Deutsche Börse Photography Prize, among many other honors and grants.
Goldberg is Professor Emeritus at the California College of the Arts. He is represented by Casemore Kirkeby Gallery in San Francisco. Goldberg joined Magnum Photos in 2002.
This podcast is sponsored by picturehouse + thesmalldarkroom.https://phtsdr.com
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In this episode of PhotoWork with Sasha Wolf, Sasha and Anna Walker Skillman, Co-Owner & Creative Director of Jackson Fine Art, have a behind the scenes talk about representing artists and connecting their work with collectors. They discuss the nuts and bolts of running a successful gallery amidst changing technology and perceptions about photography. Anna and Sasha also have an in-depth conversation about what makes a collector and whether or not photography collectors are an endangered species.
https://www.jacksonfineart.com
Jackson Fine Art is a world-renowned gallery with a 33-year history of supporting artists and collectors. The gallery cultivates and guides both emerging and established collectors to the best fine art photography of the 20th and 21st century, across both traditional and innovative photo-based mediums. Working closely with collectors, curators, consultants, and designers, JFA provides expertise in a warm, welcoming space in the Buckhead neighborhood of Atlanta, GA. The gallery is led by Co-Owner & Creative Director, Anna Walker Skillman, and Co-Owner Andy Heyman, Founder, ASH IP& ASH Atlanta. The duo is celebrating twenty years of partnership in 2023.
In the spring of 2023, Jackson Fine Art expanded into a custom-built, 4000 square-foot gallery located directly across the street at 3122 East Shadowlawn Avenue. The new gallery retains the comfortable, home-like ambiance of the much-loved former gallery but now with expanded exhibition, office, inventory, library and meeting spaces to keep pace with the growing clientele and opportunity to exhibit large-scale works. The new space responds to the evolution of contemporary art. In addition to 9-12 exhibitions annually, Jackson Fine Art participates in international art fairs including: Paris Photo; The Photography Show (AIPAD) in New York; Art Miami; and Intersect Aspen. The gallery is a member of the Association of International Photography Art Dealers (AIPAD) and Ms. Skillman is a former member of the board of directors.
This podcast is sponsored by picturehouse + thesmalldarkroom.https://phtsdr.com
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In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Irina Rozovsky talk about her gradual realization that photography was going to be her life's work. They discuss how Irina's process has changed since becoming a partner and mother, and relocating to the South. They also discuss The Humid, "An educational space committed to the practice of rigorous and ambitious photography", that Irina started with her husband, Photographer Mark Steinmetz. Irina's work is included in, A Long Arc: Photography and the American South since 1845 at the High Museum of Art in Atlanta, Georgia where this episode was recorded.
https://www.irinar.comhttps://high.org/exhibition/a-long-arc/https://www.thehumid.com
Irina Rozovsky (b. 1981, Moscow), makes photographs of people and places, transforming external landscapes into interior states. She lives in Athens, Georgia, USA and runs the photography space The Humid with her husband Mark Steinmetz
Irina Rozovsky captures her contemplative, cinematic photographs from dramatic vantage points and with a deep sense of empathy. Her work highlights people and the surroundings that influence them, ranging from scenes of contemporary Israel to more personal moments with family in her native Russia. In Rozovsky's series One to Nothing, images of Israel are varied and consist of desert landscapes or sparkling views of cityscapes, often with obscured glimpses of community members engaged in daily rituals. As the sense of place figures prominently in her repertoire, for This Russia, Rozovsky took haunting images of life today in the place of her birth, while My Mother and Other Things from the Sky depicts intimate scenes of domesticity within the photographer’s own family. Meanwhile, her photographs of Brooklyn, New York for In Plain Air portray a cross-section of life in Prospect Park, near the photographer's current home.
Rozovsky’s work has been published and exhibited internationally. Solo and group shows include those staged at Smith College in Northampton, the Carpenter Center for the Visual Arts at Harvard University in Cambridge, the Breda International Photo Festival in the Netherlands, the Philadelphia Museum of Art, the Haggerty Museum of Art in Milwaukee, the Chelsea Art Museum in New York, the Southeast Museum of Photography in Daytona Beach, the Noorderlicht Festival in Groningen, the Netherlands and A Long Arc: Photography and the American South since 1845 at the High Museum of Art in Atlanta, Georgia. Rozovsky participated in Light Work’s artist-in-residence program in August 2012.
This podcast is sponsored by picturehouse + thesmalldarkroom.https://phtsdr.com
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In this episode of PhotoWork with Sasha Wolf, Sasha and Michael travelled to the High Museum of Art in Atlanta, GA to speak with Keough Family Curator of Photography, Gregory Harris and photographer, Rahim Fortune about the amazing show, A Long Arc: Photography and the American South since 1845, up through January 14, 2024. Greg talks about how he and Sarah Kennel --curator of Photography at Virginia Museum of Art-- collaborated on the curation of the exhibition, some of the history behind the work, and the practical and curatorial decisions needed in order to narrow down the breadth of work made in the south from 1845 to today. Rahim shares his process of writing the afterword to the exhibition catalog, with Dr. Shakira Smith, published by Aperture, and shares his response to the work in the show along with its historical significance to the history of Black photographers in the American South.
https://high.org/exhibition/a-long-arc/https://aperture.org/books/a-long-arc-photography-and-the-american-south/https://high.org/person/gregory-harris/https://www.rahimfortune.com
Rahim Fortune uses photography to ask fundamental questions about American identity. Focusing on the narratives of individual families and communities, he explores shifting geographies of migration and resettlement, and the way that these histories are written on the landscapes of Texas and the American South.
Rahim has published two books of his photographs. His work has been featured in exhibitions worldwide and is included in many permanent collections, including those of the High Museum in Atlanta GA, The LUMA Arles, Nelson Atkins Museum and The Boston Museum of Fine Art.
“Fortune’s calm and striking photographs provide a compelling glimpse into the daily rhythms of the community, revealing its deep humanity and dignity, at a time when his own personal pain resonated with the experience of the nation. But his images also capture the pain, tensions and relentless everyday reality that have influenced the lives of these people. His portraits are so grippingly engaging because he finds the necessary balance between thoughtful compassion and hard truth.” - Collector Daily
Gregory J. Harris is the High Museum of Art’s Donald and Marilyn Keough Family Curator of Photography. He is a specialist in contemporary photography with a particular interest in documentary practice. Since joining the Museum in 2016, Harris has curated over a dozen exhibitions including Mark Steinmetz: Terminus (2018), Paul Graham: The Whiteness of the Whale (2017), and Amy Elkins: Black is the Day, Black is the Night (2017). For the Museum’s 2018 collection reinstallation, he surveyed a broad sweep of the history of photography through prints from the High’s holdings in Look Again: 45 Years of Collecting Photography. His collaborative projects have included Way Out There: The Art of Southern Backroads (2019), a joint exhibition with the High’s folk and self-taught art department.
Harris was previously the Assistant Curator at the DePaul Art Museum in Chicago, where he curated exhibitions including Sonja Thomsen: Glowing Wavelengths in Between (2015), The Sochi Project: An Atlas of War and Tourism in the Caucasus (2014), and Studio Malick: Portraits from Mali (2012). He also organized and authored catalogues for the exhibitions We Shall: Photographs by Paul D’Amato (2013), Matt Siber: Idol Structures (2015), and Liminal Infrastructure (2015).
Harris also held curatorial positions at the Art Institute of Chicago, where he organized the exhibitions In the Vernacular (2010) and Of National Interest (2008). His essay “Photographs Still and Unfolding” was published in Telling Tales: Contemporary Narrative Photography (McNay Art Museum, San Antonio, 2016). Harris has contributed essays to monographs by Amy Elkins, Matthew Brandt, Jill Frank, and Mark Steinmetz. He earned a BFA in photography from Columbia College Chicago and an MA in art history from the School of the Art Institute of Chicago.
This podcast is sponsored by picturehouse + thesmalldarkroom.https://phtsdr.com
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