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Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/helmet-2024
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“I could not exist without guitar,” admits Helmet founding lead guitarist and singer Page Hamilton. “I know this to be true because I’m a miserable asshole if I don’t play guitar. When I wake up in the morning, the first thing I do is play guitar. It’s an incredible instrument and I just love it.”
But what does one do with that creative codependency? Page Hamilton’s impactful contributions to rock music were cemented when Helmet wrote and recorded a pair of back-to-back blisters with 1992’s Meantime and 1994’s Betty. Those pillars of ’90s alternative metal and guitar granite forever chiseled out his place in hard-rock history.
Since 1989, Hamilton and Helmet have dished out a total of nine studio albums (plus a live set) that balance punishing, fastened-down ferocity with mercurial moments of melody that make their sledgehammer fall harder.
Beyond that legacy, Page was a part of David Bowie’s band for the 1999 Hours tour, playing Saturday Night Live and being included on two live albums from the Starman. Further diversifying his guitar vocabulary, he’s contributed to several film scores for Heat, Titus, In Dreams, Catwoman, and Chicago Cab. He’s explored the instrument’s outer realms with German avant-garde guitarist Caspar Brötzmann on a live improv album (1996’s Zulutime), and expanded his vocabulary by diving into jazz guitar, noting in our Rundown he’ll release an album next year. Hamilton has even put out a guitar instruction DVD, Sonic Shapes: Expanding Rock Guitar Vocabulary for Hal Leonard. All of this (and more) accomplished because guitar is his lifeblood.
And we found out during our Rig Rundown—filmed May 7, 2024 at Nashville’s Exit/In—that most of this material was spawned from three key ingredients, all still in his rig: ESP Horizon guitars, Fryette amps, and DiMarzio humbuckers. These partnerships with each company are not gratuitous or grifting. He’s been aligned with ESP since 1989. He started working with DiMarzio in the early ’90s, and he and Steven Fryette have sharpened his sound since 1996. These three friendships have fostered an integral strand in Page’s tonal DNA, and Hamilton covers each at length with us. Plus, he breaks down the simplifying move from a complicated Bradshaw rack-switching system to something more modern and efficient, with five Boss boxes and a duo of H9s.
Shop Page Hamilton's Gear:
ESP LTD Horizon 87 Solidbody Electric Guitar - https://sweetwater.sjv.io/9gKdg4
DiMarzio Air Norton - https://sweetwater.sjv.io/k0x2O0
D'Addario EXL140 XL Strings - https://sweetwater.sjv.io/anEGON
Eventide H9 - https://sweetwater.sjv.io/baQr0x
Boss MT-2W Metal Zone Waza Craft - https://sweetwater.sjv.io/AW4MPK
Boss DS-2 Turbo Distortion - https://sweetwater.sjv.io/1r4d9D
Boss NS-2 Noise Suppressor - https://sweetwater.sjv.io/JzDdK2
Boss ES-5 Effects Switching System - https://sweetwater.sjv.io/ZQgj6K
Pedaltrain Nano+ - https://sweetwater.sjv.io/XYJ9mG
Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/helmet-2024
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0:00 - D'Addario Strings
0:15 - Chris Kies Intro
1:43 - Page Hamilton Intro
3:09 - ESP LTD PH-600
4:23 - ESP LTD...
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Full Rig Details: https://www.premierguitar.com/videos/rig-rundown/donny-benet
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There’s comical bands (Gwar), there’s parody bands (Steel Panther), and there’s clever combinations of both (Mac Sabbath). The Italian-Australian Donny Benét is none of those and all of those at the same time. His polished compositions, breezy rhythms, and funky fretwork are no laughing matter. Instead, Donny is the joke … or is he?
“I thought, “What would I think if I saw some bald, chubby dude shredding on bass and fretless?’ I’d be like ‘hell yeah,’ so I might as well be the guy that’ll do it,” explains Benét.
Donny (born Ben Waples) is from a musical family in Sydney, Australia. He grew up performing on several instruments, became classically trained on piano, and earned a master’s degree in double bass. The fluent musician started a career as a jazz bassist for various artists in Sydney, and eventually shifted to an experimental jazz/electronica band, Triosk. While both endeavors were challenging and rewarding, Ben wasn’t having fun. After Triosk disbanded, Waples continued writing and recording on his own. It started with Cubase and a Line 6 DL4 that gave him 48-second loops. He started making “Donny Benét” joke songs. His friends and family continued encouraging him to make more, and before he knew it he had enough material to create Don’t Hold Back. (To this day he still records all the parts except saxophone, played by his brother Daniel Waples.) And through his passion for creating music combined with his love for ’70s funk and R&B—he mentions his introduction to electric bass was via a VHS tape featuring Larry Graham, Bernard Edwards, and Nile Rodgers—infused with the aesthetic and aura of Itala-disco performers, Donny Benét was born.
“I’m a seriously trained jazz musician in a prior life, and I try not to take myself too seriously now, but I’m deadly serious about taking the piss out of myself. I like humor, but I definitely don’t make joke music,” states Benét.
Since 2011, he’s released six albums, all showing an evolution and refinement of the Don. Each release has revealed a new part of Benet’s infinite swagger, blending influences of Prince, Alan Vega, Lou Reed, Tom Jones, and, of course, James Jamerson, “Duck” Dunn, and the funk forefathers. Yes, Donny B can sweep you off your feet, but that’s because one thing reigns supreme—the music.
“With Donny I’ve always taken the approach of ‘what would I listen to?’ I started there and I continue to follow it. If no one likes it, that’s fine, so long as I like it. If someone else likes it, even better,” says Benét.
Before his headlining gig at Nashville’s Basement East, Donny B welcomed PG’s Chris Kies onstage to chat about his minimal-but-musical setup. Benét explains the origins of “Donny,” covers his custom Furlanetto 4-string and why he calls it “probably the best live instrument I got,” and discusses scoring tons of gear when the exchange rate presents deals.
Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/donny-benet
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0:00 - D'Addario Pedalboard Essentials
0:15 - Chris Kies Intro
0:49 - Donny Benét Intro
1:42 - Donny Benét Origins
8:55 - Custom Furlanetto "F Bass" VF4
13:39 - D'Addario & Rig Rundown
14:11 -...
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The Food Stamps have been cooking onstage behind the redheaded songwriter pretty much since he left Appalachia and began touring as a full unit. These loyal road dogs have worn the rubber off the tires touring with Mr. Childers. First, they were strictly a live band enlisted to recreate and recharge the material from his first three studio albums Bottles and Bibles (2011), Purgatory (2017), and Country Squire (2019). But with the last two studio records—the triple-album, gospel-country opus Can I Take My Hounds to Heaven? and last year’s classic-meets-contemporary Rustin' in the Rain—the Food Stamps went from being his road-warrior comrades to eating big time alongside their leader onstage and in the studio.
During Childers’ headlining arena run and before his second sold-out night at the Bridgestone Arena in downtown Nashville, the Food Stamps’ CJ Cain (acoustic/electric guitar/mandolin), Jesse Wells (electric guitar/mandola/banjo/baritone/fiddle), James Barker (guitar/pedal-steel), and Craig Burletic (electric bass/double bass) invited PG’s Perry Bean inside their “living room” stage set. When we last chatted with them in 2019, the boys were burning through the small-club circuit with many of the same tone tools still in their rig today, but as venues grow and tours extend, gear needs change and the arsenal capacity increases. In this hour-long Rundown, we cover all their fresh friends, old standbys, and everything else these four buckaroos require to make music that matters.
Thumbnail photo by Emma Delevante: https://www.instagram.com/emmadelevante/
Fender Vintera II '60s Stratocaster: https://sweetwater.sjv.io/k0YVB0
Amplified Nation Overdrive Reverb 50-watt Tube Head: https://sweetwater.sjv.io/eKYaV1
Dunlop EP103 Echoplex Delay Pedal: https://sweetwater.sjv.io/LX7gb0
Keeley Katana Mini Clean Boost Pedal: https://sweetwater.sjv.io/DK7BXb
JHS Pulp 'N' Peel V4 Compressor Pedal: https://sweetwater.sjv.io/bayxMk
Peterson Strobostomp: https://sweetwater.sjv.io/rQLdLj
Strymon El Capistan: https://sweetwater.sjv.io/k0MG20
L.R. Baggs Venue DI: https://sweetwater.sjv.io/Qy70m6
Grace Design ALiX Acoustic Instrument Preamp: https://sweetwater.sjv.io/rQYR6D
Morley ABC Pro 3-button Switcher/Combiner Pedal: https://sweetwater.sjv.io/Py7B3R
Fender Custom Shop Time Machine '68 Thinline Telecaster: https://sweetwater.sjv.io/5goK91
Fender Stories Collection Eric Johnson 1954 "Virginia" Stratocaster: https://sweetwater.sjv.io/jrYVkM
Gretsch G6128T-GH George Harrison Duo Jet: https://sweetwater.sjv.io/eKYaVQ
Danelectro 59X12 12-string Electric Guitar: https://sweetwater.sjv.io/an7PaY
Fender '64 Princeton Reverb 1x10": https://sweetwater.sjv.io/Gm7Ez2
Grace Designs Felix preamp: https://sweetwater.sjv.io/VmPOEE
L.R. Baggs acoustiseries Reverb: https://sweetwater.sjv.io/1rJ2qz
L.R. Baggs Para acoustic DI: https://sweetwater.sjv.io/Vm7gqj
Universal Audio UAFX Golden Reverberator Pedal: https://sweetwater.sjv.io/1rD3xg
TC Electronic PolyTune: https://sweetwater.sjv.io/k0oEQV
MXR Phase 90 script: https://sweetwater.sjv.io/g1YJZX
Strymon Flint: https://sweetwater.sjv.io/QyAKk9
Wampler Tumnus: https://sweetwater.sjv.io/eKggxr
Radial Engineering Headlight: https://sweetwater.sjv.io/oqYVEW
Gibson Custom 1959 Les Paul Standard Reissue Electric Guitar: https://sweetwater.sjv.io/0ZV2LN
Full Rig Info:
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Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/erra
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Before ERRA’s headlining show at Nashville’s Brooklyn Bowl in support of their latest album, Cure, cofounding member Jesse Cash and newcomer Clint Tustin—a pair of proficient guitar-playing pyrotechnicians—invited PG’s Chris Kies onstage for a conversation that was both lighthearted and enlightening. They cover their speedy 7-strings from Jackson and Ibanez, explain why they landed on their preferred DiMarzio and Fishman pickups, and reveal all the ways the Neural DSP Quad Cortex has condensed, streamlined, and optimized the duo’s stage attack.
Shop ERRA's Gear:
Ibanez Prestige RG2027XL - https://sweetwater.sjv.io/k01Nnv
DiMarzio D Activator 7 Humbuckers - https://sweetwater.sjv.io/KjMoON
Ibanez Prestige 752. - https://sweetwater.sjv.io/75vWng
Jackson Pro Plus Series DK Modern EverTune 7 - https://sweetwater.sjv.io/q4aemY
Fishman Fluence 7-String Modern Humbuckers - https://sweetwater.sjv.io/xkg0r1
Neural DSP Quad Cortex - https://sweetwater.sjv.io/5gmox9
Sennheiser EW G4 IEM Wireless - https://sweetwater.sjv.io/QyMRAo
Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/erra
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Don't Miss a Rundown: http://bit.ly/RIgRundownENL
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[Brought to you by D’Addario Strings: https://ddar.io/wykyk-rr & D'Addario XPND: https://ddari.io/xpnd.rr]
© Copyright Gearhead Communications LLC, 2024
0:00 - D'Addario & Yvette Young
0:15 - Chris Kies Intro
1:55 - ERRA Intro with Jesse Cash & Clint Tustin
3:00 - Moving From Tube Amps to Modelers
7:17 - Jesse Cash & Clint Tustin Partnership
9:48 - Setting Up the Quad Cortex for ERRA
12:10 - Writing "Snowblood"
13:20 - Capturing Creativity
16:39 - D'Addario XPND & John Bohlinger
17:28 - Jackson Pro Series Dinky DK Modern Ash HT7
19:41 - ERRA Strings & Tunings
22:09 - Ibanez Prestige RG2027XL
25:40 - DiMarzio D Activator 7 Humbuckers
27:31 - Jackson Pro Plus Series DK Modern EverTune 7
29:13 - Ibanez Prestige 752LWFX
33:43 - D'Addario & Gina Gleason
#guitar #erra #rigrundown #guitarist #guitarplayer #guitargear
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Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/loathe
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Loathe is a challenging listen. In 10 years, they’ve released three dissimilar albums, a pair of pulverizing EPs, and a couple reinventive, collaborative covers (with Sleep Token and Teenage Wrist) of their own material, proving they thrive on juxtaposition and keeping your ears off guard. The Liverpool foursome morph from blissful dream state to Nightmare on Elm Street and everything in between. Their sound can be familiar like an old friend but thrilling like a first date.
From the ashes of Our Imbalance’s pure metalcore madness—featuring guitarist/vocalist Erik Bickerstaffe, vocalist Kadeem France, and drummer Sean Radcliffe before recruiting guitarist Connor Sweeney and bassist Shayne Smith—rose the reformation that became the experimental Loathe in 2014. (Current bassist Feisal El-Khazragi replaced Smith in 2018 and Sweeney left the band in 2021.)
Nu-metal bounce, djent precision, shoegaze shimmer, post-hardcore chaos, synth segues, barbwire breakdowns, moody melodies, and singalong choruses aren’t groundbreaking elements. But how they make them gel and grate against each other is what makes Loathe special. In a matter of minutes, they can make you scream, cry, and then dance before inciting you to do all three at once. The difference is in the disparate.
Their creative applications of the past, present, and future keep them ahead of the audience providing a deep musical menu. If you don’t like the first Loathe song you hear, there’s a chance the next one will be your favorite.
“The four of us have very differing influences, but when we work together, we create something very unique,” contends Bickerstaffe.
Even Bickerstaffe’s guitar choices are at odds. He wants the heaviest sound possible but avoids using 7- or 8-string guitars because of their brash tones and jagged aesthetics. He prefers to swing the sledgehammer in a classic costume of a Gretsch Jet (and formerly a Jazzmaster).
“We wanted a British-rock sound that pushes further into modern extreme-metal influence when we were writing. I don’t like anything too metallic or sharp sounding. For the band we are and what we’re trying to do musically, it’s not the right thing,” states Bickerstaffe.
It’s been over four years since their heralded I Let It In and It Took Everything, and the fans are growing impatient. The band is aware of the wait and are concerned with impressing themselves rather than capitalizing on the attention.
“There’s music in the world the four of us as individuals miss hearing, and we want to be the people that create that in our own style. Hopefully, people who agree with us are along for the ride, and if not, that’s absolutely cool. We’ve been through a lot, and we’re working really hard together to make sure the music that we put out is exactly what we want to put out. We’ll let it speak for itself when we release it,” explains Bickerstaffe.
Before Loathe’s opening slot supporting Knocked Loose on May 1 at Nashville’s Marathon Music Works, Bickerstaffe carved out some time to talk with PG’s Chris Kies. Bickerstaffe details the obtainable instruments that help him deliver both deathly and dreamy moments, why he shies away from the metallic edges of metal, and what fans should expect from the ever-evolving outfit’s new music.
Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/loathe
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Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/dixie-dregs
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Steve Morse and Andy West are legendary players. In addition to co-founding the Dixie Dregs together in Augusta, Georgia, in 1970, both virtuosos have colorful personal resumes.
Guitar giant Morse’s is more high-profile. He remains the leader of the Steve Morse Band, who opened the Dregs’s late April show at Nashville’s CMA Theater, where this Rundown was filmed, with 45 minutes of smart shred. He’s also been a member of Kansas and Deep Purple, as well as another instrumental powerhouse, Flying Colors.
Besides his tenure in the Dregs, West has recorded with Vinnie Moore, the Steve Morse Band, Paul Barrere, and Henry Kaiser, with whom he’s been a member of the Mistakes, Crazy Backwards Alphabet, and Five Time Surprise, which also includes Messthetics guitarist Anthony Pirog. (Full disclosure: I recorded a version of Steppenwolf’s “The Pusher” with Kaiser and West as part of Kaiser’s Moods & Modes of Halloween video quarterly in 2023.)
The Music City show was classic Dixie Dregs, with more than two hours of high-wire playing, all anchored by the bold melodies that mark their compositions. Joined by longtime Dregs drummer Rod Morgenstein, violinist Allen Sloan, and keyboard player Steve Davidowski, the concert was an affirmation of Morse and West’s vitality and musical partnership after sharing stages for more than 50 years.
In the video, Steve and Andy explain their rigs in person and in detail.
Shop Dixie Dregs' Gear:
Roland GK-3 Divided Pickup - https://sweetwater.sjv.io/R5MGOv
Engl Steve Morse Signature 100-Watt Amps - https://sweetwater.sjv.io/vNJP4L
ENGL Amplifiers E412VSB 240-watt 4 x 12-inch Amplifier Cabinet - https://sweetwater.sjv.io/daMO92
Roland GR-55 Synthesizer - https://sweetwater.sjv.io/NkM9Q1
Keeley Compressor - https://sweetwater.sjv.io/B0drY9
TC Electronic Flashback - https://sweetwater.sjv.io/y2XqeG
TC Electronic Hall of Fame Reverb - https://sweetwater.sjv.io/MmMANn
Ernie Ball 2023 Super Slinky Paradigm Electric Guitar Strings - .009-.042 - https://sweetwater.sjv.io/75vaJ5
Line 6 Helix Guitar Multi-effects Floor Processor - https://sweetwater.sjv.io/Qy6Lnz
Electro-Voice ZLX-12P-G2 1000W 12-inch Powered Speaker Pair - https://sweetwater.sjv.io/LXMKZ0
Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/dixie-dregs
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[Brought to you by D’Addario: https://ddar.io/wykyk-rr]
0:00 - D'Addario & Joe Glaser
0:15 - Steve Morse Intro
0:56 - Steve Morse's No.1 Ernie Ball Music Man Guitar
2:29 - Steve Morse's Custom String Mute
4:08 - Steve Morse's Custom Pickup Switching
6:07 - Recreating Dixie Dregs' Back Catalog
7:31 - Steve Morse's Signature Engl Amps & Cabs
8:18 - Steve Morse's Pedalboard
11:19 - Designing the Engl Steve Morse Signature
13:56 - Steve Morse's Roland GR-55
15:45 - Steve Morse's No. 2 Ernie Ball Music Man Guitar
18:19 - Andy West's Gould Basses
22:09 - Andy West's Line 6 Helix Floor & EV Speakers
© Copyright Gearhead Communications LLC, 2024
#guitar #guitarist #rigrundown #guitarplayer #bass #bassist #guitargear #stevemorse
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Knocked Loose Drum Rundown: https://youtu.be/3WOPb983Pss
Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/knocked-loose-2024
If hell had a guitar tone, it’d be what Knocked Loose’s Isaac Hale and Nicko Calderon conjure up from their Ibanez 7-string beasts. The band’s mission since day one has been to pummel listeners with the most-extreme form of hardcore music. The past decade they’ve throttled through all limits making each break down, each riff, each scream, and each performance outdone by the next. A more recent (and seemingly) conflicting goal has been to infect the mainstream with their brutality. Their brand-new third album, You Won't Go Before You're Supposed To paired them with pop producer Drew Fulk (Kevin Gates, NLE Choppa, Disturbed, Lil Wayne), the last two years they’ve played Coachella and Bonnaroo, in 2022 they partnered with hip-hop duo $uicideboy$ for a sold-out tour, and they were just announced as direct support for Slipknot’s 25th anniversary tour. Both goals are being accomplished as their sound has never been more punishing or popular.
Before Knocked Loose’s sold-out show at Nashville’s Marathon Music Works, guitarists Isaac Hale and Nick Calderon invited PG’s Perry Bean onstage for a fresh conversation about their updated mercenary squad. During our time with the Hale and Calderon, we learn about their custom 7-string Ibanez doom brooms, Hale explains moving on from tube amps and pedalboards to Quad Cortex units and MIDI switching, and Calderon details finding his place in the band and adjusting to an extra low-B string.
Shop Knocked Loose's Gear:
Ibanez Iron Label Iceman ICTB721 - https://sweetwater.sjv.io/9gjr1Q
Ibanez Prestige AZ24047 Electric Guitar - https://sweetwater.sjv.io/oqMZme
Seymour Duncan Nazgul High Output Bridge 7-string Humbucker Pickup - https://sweetwater.sjv.io/zNM9Zx
Neural DSP Quad Cortex - https://sweetwater.sjv.io/5gmox9
Electro-Harmonix Freeze - https://sweetwater.sjv.io/OraQ9P
Seymour Duncan PowerStage 200 - https://sweetwater.sjv.io/3eQr6y
Orange PPC412-C - 240-watt 4x12" Straight Cabinet - https://sweetwater.sjv.io/R5Q3g2
Celestion Vintage 30 Speakers - https://sweetwater.sjv.io/Y934ve
Shure GLXD16+ Digital Wireless Guitar Pedal System - https://sweetwater.sjv.io/Y9AL9R
Radial ProDI 1-Channel Passive Instrument Direct Box - https://sweetwater.sjv.io/GmW3x6
D'Addario NYXL1164 NYXL Nickel Wound Electric Guitar Strings -.011-.064 Regular Light, 7-String - https://sweetwater.sjv.io/y2MQJB (edited)
Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/knocked-loose-2024
Subscribe to PG's Channel: http://bit.ly/SubscribePGYouTube
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[Brought to you by D’Addario: https://ddar.io/wykyk-rr
D'Addario XPND: https://ddari.io/xpnd.rr]
0:00 - D'Addario & Yvette Young
0:15 - Perry Bean Intro
1:49 - Isaac Hale Intro
2:35 - Isaac Hale's Ibanez Custom 7-String Iceman
4:00 - Isaac Hale's Strings & Picks
5:17 - Isaac Hale Makes Move to Quad Cortex
8:34 - Isaac Hale's EHX Pedals
10:48 - XPND Pedalboard & John Bohlinger
11:37 - Nicko Calderon Intro & Joining Knocked Loose
13:17 - Nicko Calderon's Ibanez Prestige AZ24047 Guitars
16:30 - Nicko Calderon & Neural DSP Quad Cortex
20:01 - Nicko Calderon's Core Sounds
22:25 - D'Addario Strings
©...
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Follow Grace Bowers: https://lnk.to/tellmewhyudothat
Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/grace-bowers
Guitarist Grace Bowers is a 17-year old California transplant tearing it up in Nashville. Currently working on her first album with producer John Osborne of the Brothers Osborne, Bowers invited John Bohlinger and the PG team to walk through her studio and live rig.
Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/grace-bowers
Subscribe to PG's Channel: http://bit.ly/SubscribePGYouTube
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Don't Miss a Rundown: http://bit.ly/RIgRundownENL
Merch & Magazines: https://shop.premierguitar.com
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[Brought to you by D'Addario.
Molly Tuttle Knows: https://ddar.io/tuttle-rr
XPND Pedalboard: https://ddar.io/xpnd_rr
D’Addario WYKYK: https://ddar.io/wykyk-rr]
© Copyright Gearhead Communications LLC, 2024
0:00 - D'Addario & Molly Tuttle
0:15 - John Bohlinger Intro
0:51 - Grace Bowers Intro
1:44 - 1961 Gibson SG Special
5:01 - John Osborne's 1960 Gibson ES-335
9:25 - Cesar Gueikian's 1959 Gibson Les Paul "Gemini"
11:58 - 1968 Gibson B-25-12
13:03 - Fender '68 Custom Deluxe Reverb
13:35 - Grace Bowers' Pedalboard
#guitar #guitarist #rigrundown #guitarplayer #guitargear #gracebowers
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Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/black-pumas
Subscribe to PG's Channel: http://bit.ly/SubscribePGYouTube
In just seven years since meeting based on a recommendation, Eric Burton and Adrian Quesada formed the Black Pumas, released two albums, and have already been nominated for seven Grammys. However, this fruitful friendship was almost never developed.
Quesada was enrolled at the University of Texas but flunking out due to his dedication to guitar over textbooks. His parents gave him a proposition: Either stay home in Laredo, or return to Austin without a guitar in hand to focus on studying. He went with option B and headed back for school in Austin—or so his parents thought. Quesada took his remaining book money (about $200) and headed to Ray Hennig’s Heart of Texas, where he snagged a Squier Telecaster Thinline. His parents eventually figured out the switcheroo, but Quesada was determined and hasn’t looked back. (Side note: The family obviously sees and supports his musical talents, and attended Black Pumas’ Ryman show the night before the filming of this Rig Rundown.)
That matador move pulled off by Quesada allowed him to become a longtime fixture in the Austin music scene with bands Brownout, Ocote Soul Sound, Spanish Gold, Echocentrics, and Grupo Fantasma (with whom he played for over 15 years, earning a 2011 Grammy for Best Latin Rock or Alternative Album). He started to explore new ideas that didn’t fit the mold for Grupo, and needed someone to narrate his musical vistas. A friend recommended he link up with Austin newcomer Eric Burton, who traded his busking spot on the Santa Monica pier for the bright lights of Sixth Street. The duo met up, and as the results prove, the rest is history.
Before the Black Pumas’ second headlining show at the Ryman Auditorium in downtown Nashville, bandleader Adrian Quesada, bassist Brendan Bond, and band tech Bryan Wilkinson invited PG’s Chris Kies into the hallowed grounds for a chill conversation about their tonal tools. During our time with the Black Pumas, we learned about Quesada’s love for tremolo (he even included it as a secret weapon in a semi-hollow Jazzmaster), Bond’s fateful trip to the Wilco Loft in Chicago, and why a ’59 ES-125 is Wilkinson’s perfect pairing with Burton’s expressive and emotive voice.
Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/black-pumas
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[Brought to you by D’Addario: https://ddar.io/wykyk-rr & https://ddari.io/xpnd.rr]
© Copyright Gearhead Communications LLC, 2024
0:00 - D’Addario XPND Pedalboard
0:15 - Chris Kies Intro
1:57 - Adrian Quesada Intro
3:15 - Touring with Vintage Gear
4:02 - Adrian Quesada’s Fender Custom Shop Telecaster
6:13 - Playing with Fingers or Pick
8:03 - College or Guitar?
9:14 - Adrian Quesada’s Strings
10:00 - Adrian Quesada’s Gibson ES-345
11:53 - Playing ES-345 with DI Fuzz
13:11 - Adrian Quesada’s Fender Custom Shop Jazzmaster Thinline
14:27 - Built-in Tremolo
17:33 - Adrian Quesada’s Fender Limited Edition ’68 Custom Deluxe Reverb
18:36 - Adrian Quesada’s Pedalboard
30:05 - D’Addario XPND & John Bohlinger
30:55 - Brendan Bond Intro
31:49 - Brendan Bond’s 1974 Fender P Bass
36:15 - Brendan Bond Fingerstyle & Bass...
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Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/extreme
Subscribe to PG's Channel: http://bit.ly/SubscribePGYouTube
Nearly 40 years ago, Nuno Bettencourt walked into Mouradian Guitars Co in Boston where Pat Badger was working and they formed a bond that would change their worlds. In March of 2024, Pat Badger and Nuno Bettencourt, of multi-platinum band Extreme, along with their tech, John Thayer, invited PG’s John Bohlinger to talk through their current rigs.
Shop Nuno Bettencourt & Pat Badger's Gear:
Washburn N4-Nuno Vintage USA Electric Guitar - https://sweetwater.sjv.io/GmyLVn
Washburn Nuno Bettencourt N4 Authentic Signature - Natural Matte - https://sweetwater.sjv.io/1rY4PD
Seymour Duncan SH-1n '59 Model Neck 4-conductor Humbucker Pickup - Black - https://sweetwater.sjv.io/Jz6DV2
MXR CSP026 '74 Vintage Phase 90 Pedal - https://sweetwater.sjv.io/g1n36g
Pro Co RAT 2 Distortion / Fuzz / Overdrive Pedal - https://sweetwater.sjv.io/XYaJnG
Boss OC-5 - https://sweetwater.sjv.io/vNOonL
EMG 35DC Active Ceramic Modern Humbucker Bass Pickups - https://sweetwater.sjv.io/zNKJb0
Rotosound UM45 UltraMag Type 52 Alloy Bass Guitar Strings - .045-.105 Standard 4-String - https://sweetwater.sjv.io/WqeVdJ
Ampeg SVT-CL 300 - https://sweetwater.sjv.io/EK64eW
Ampeg SVT-810AV 8x10" - https://sweetwater.sjv.io/nLKmEV
Ampeg SVT-4PRO 1200-watt Tube Preamp Bass Head - https://sweetwater.sjv.io/Jz03zN
EBS Billy Sheehan Ultimate Signature Drive Pedal - https://sweetwater.sjv.io/6e64dQ
Tech 21 SansAmp Bass Driver DI V2 Pedal - https://sweetwater.sjv.io/216450
Electro-Harmonix Micro POG Polyphonic Octave Generator Pedal - https://sweetwater.sjv.io/LX5qZ0
Boss GE-7 7-band EQ Pedal - https://sweetwater.sjv.io/AWnK4J
Boss TU-3 Chromatic Tuner Pedal with Bypass - https://sweetwater.sjv.io/jryA4M
Full Rig Details: https://www.premierguitar.com/videos/rig-rundown/extreme
Subscribe to PG's Channel: http://bit.ly/SubscribePGYouTube
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Don't Miss a Rundown: http://bit.ly/RIgRundownENL
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0:00 - D'Addario Strings
0:08 - John Bohlinger Intro
0:57 - Nuno Bettencourt Tech John Thayer Intro
1:12 - Washburn Nuno Bettencourt N4 Signature
3:21 - Nuno Bettencourt's Strings & Tunings
4:50 - Washburn Nuno Bettencourt 12-string Acoustic
5:13 - Washburn Nuno Bettencourt EA20SNB Acoustic
5:33 - Nuno Bettencourt's Amps & Effects
8:28 - Nuno Bettencourt's Guitar Picks
9:21 - Nuno Bettencourt Crashes the Rundown!
9:49 - Nuno Bettencourt Talks "Bumblebee" N4
12:40 - D'Addario Strings & Nita Strauss
12:56 - Pat Badger Intro
13:11 - Pat Badger's Mouradian Basses
20:25 - Pat Badger's 1980s Hamer Blitz Bass
21:25 - Pat Badger's Ampeg Amps & Cabs
23:54 - Pat Badger's Rotosound Strings
24:32 - Pat Badger's Pedalboard
27:40 - Pat Badger's Picks
29:09 - D'Addario Strings & Joe Glaser
[Brought to you by D’Addario: https://ddar.io/wykyk-rr]
© Copyright Gearhead Communications LLC, 2024
#guitar #rigrundown #guitarist #extreme #nunobettencourt
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Full Rig Details: https://www.premierguitar.com/videos/rig-rundown/adrian-vandenberg
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Adrian Vandenberg is a Dutch rock guitarist, best known for his tenure as one of the guitarists in Whitesnake during their successful late 1980s period, and also with the band Vandenberg, which he started in 1981. Vandenberg invited PG’s John Bohlinger to his soundcheck before his recent Nashville show to take us through his rig. Special thanks to guitar tech Willem van Roekel for giving us the extra details.
Full Rig Details: https://www.premierguitar.com/videos/rig-rundown/adrian-vandenberg
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Don't Miss a Rundown: http://bit.ly/RIgRundownENL
Merch & Magazines: https://shop.premierguitar.com
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0:00 - D'Addario & Nita Strauss
0:15 - John Bohlinger Intro
0:50 - Adrian Vandenberg Intro
2:20 - Using a Bow in Whitesnake
3:37 - 1980 Gibson Les Paul Heritage
8:29 - Swapping in New Gibson Burstbucker
9:55 - Writing Music on Various Instruments
10:44 - Using Ear Protection
12:06 - Strings, Picks & Fingernails
14:38 - Wrist Injury During Whitesnake's Slip of the Tongue Recording
20:50 - D'Addario XPND & John Bohlinger
21:39 - Peavey Adrian Vandenberg Signature Guitar
30:04 - Taylor T5z Custom Koa Hollowbody Electric
31:50 - Any Classical Music Training?
36:08 - Neural DSP Quad Cortex & Seymour Duncan PowerStage
42:10 - D'Addario & Joe Glaser
[Brought to you by D’Addario: https://ddar.io/wykyk-rr & XPND Pedalboard: https://ddari.io/xpnd.rr]
© Copyright Gearhead Communications LLC, 2024
#guitar #rigrundown #guitarist #guitarplayer #guitargear #whitesnake
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Full Crosses' Rig Info: https://www.premierguitar.com/videos/rig-rundown/crosses
Subscribe to PG's Channel: http://bit.ly/SubscribePGYouTube
What if Deftones’ lead singer Chino Moreno fully leaned into his love for the Cure and Depeche Mode—think “Digital Bath,” “Teenager,” “Anniversary of an Uninteresting Event,” and “Cherry Waves?” The short answer is Crosses (often seen as †††). And the sole sonic sniper pillowing and piercing through Moreno’s moodily melodic vocals is multi-instrumentalist Shaun Lopez.
Crosses was formed by cofounding members Lopez and bassist Chuck Doom in the late 2000s before recruiting Chino Moreno to front the dark dance party. The trio released three EPs and a self-titled debut album between 2011 and 2014 before going on hiatus in 2015.
For almost 15 years, the nucleus of Shawn Lopez and Chino Moreno have creatively layered and disguised guitar and synth combining new wave, electronica, goth rock, industrial, and ambient pop producing a soundtrack to neo-noir readaptation of The Good, the Bad and the Ugly that subs the old west and gunplay with after-hours Miami and foreplay.
“When we started Crosses, I was just learning to play piano. I think back then I wanted to make synthy-sounding songs, but I didn’t know how to play synths so I was like, ‘how can I get my guitar to sound like a synth,’ so I just incorporated pedals, lap steel, and anything to make my guitar unrecognizable,” admits Lopez.
Prior to working with Moreno in Crosses, Lopez cofounded Far—an influential post-hardcore 1990s contemporary of the Deftones in Sacramento—and has tallied a variety of producer credits collaborating with Chon, Rob Zombie, Lupe Fiasco, Dead Sara, Whitechapel, and others. That sort of versatility is evident when experiencing Crosses with a pair of headphones or seeing them perform onstage.
Throughout the band’s run, Lopez has interplayed and interwoven guitar and synths countering brooding against beauty and gentle versus tense. When Crosses was revitalized in 2022 with fresh material—and the departure of bassist Chuck Doom—the remaining duo doubled down on their digital-based dynamism featuring even more synths, keys, and electronic experimentation where he would even sample his guitar through his keys.
“Since those first songs, I’ve really learned how to play piano and keyboards and by better understanding that new instrument, at times, I’ve become more inspired by synths over guitar,” recalls Lopez.
But no matter how many synths or keyboards get put to tape, you’ll still see Lopez onstage with a guitar draped over his shoulder.
“I do prefer to play guitar live because it’s more fun and I can run around. I am always chasing sounds no matter the instrument it takes to get there. My sound is growing because I’m always learning. I think if you stop learning you stop progressing. but guitar will always be home,” states Lopez.
Prior to Crosses’ sold-out show at Nashville’s Marathon Music Works, Lopez welcomed PG’s Perry Bean onstage to dissect his setup. The lone instrumentalist showed off six stellar guitars, broke down the heavy lifting his FM9 endures for Crosses’ sets, introduced a peculiar pedal he can’t live without, and demonstrated a Gretsch that sounds like an angry orca.
Full Crosses' Rig Info: https://www.premierguitar.com/videos/rig-rundown/crosses
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PG's TikTok:...
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Sammy Boller on Randy Rhoads: https://youtu.be/Ym-LXU-3nd4
Subscribe to PG's Channel: http://bit.ly/SubscribePGYouTube
“I grew up wanting to be Eddie Van Halen and Randy Rhoads, but over time I’ve found my own dark and aggressive style. These days, my dream as a musician is to make people feel as connected to the cosmos as I feel when I play the guitar,” wishes guitarist Sammy Boller.
Sammy Boller has been playing guitar most of his life. He played in high school orchestra and even attended University of Michigan’s School of Music, Theatre & Dance. In 2012, his life forever changed when he won Guitar Center’s “Master Satriani” competition. (Watch his submission for “Satch Boogie” here.)
Catapulting off that success, the next year Boller joined Detroit rockers Citizen Zero. The band released their 2016 debut LP, State of Mind, and its lead single “Go (Let Me Save You)” climbed to #17 on Billboard’s mainstream rock chart.
But even with Citizen Zero’s success, Boller wasn’t sending listeners into the stratosphere feeling one with the stardust. Then while shopping his instrumental solo work, he quickly earned a fan in CandyRat Records owner Rob Poland who signed Sammy. (CandyRat was started by Poland in 2004 and began working with Don Ross, Andy McKee, Antoine Dufourto. Boller released his debut solo album and an additional standalone single—Kingdom of the Sun and “Path of the Heart”—in 2020 that snake between Sunset shred and post-rock melodies. The next year was celebrated with Boller’s stunning third release “Ritual Lights” showing Sammy’s first (solo) recorded run in with the wah wah. (Something you’ll now see on his pedalboard later.) He’s since dropped a pair of singles “Spellbound” and “Midnight Garden” that grow off his enchanting formula and adds in heightened technical abilities and deeper rhythmic grooves.
Before his headlining show at Nashville’s Bowery Vault, the fretboard maestro shows off a pair of versatile guitars, explains why the chase for his pinnacle amp is over, and details and demos the select stompboxes that send his sound into the asteroid belt.
Full Rig Details: https://www.premierguitar.com/videos/rig-rundown/sammy-boller-2024
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[Brought to you by D’Addario: https://ddar.io/wykyk-rr & XPND Pedalboard: https://www.daddario.com/XPNDRR]
0:00 - D'Addario Strings with Mark Tremonti
0:15 - Perry Bean Intro
1:16 - Sammy Boller Playing Intro
2:10 - Gibson Les Paul Axcess Custom
5:49 - Tunings, Strings & Picks
9:03 - Friedman NoHo 24
11:01 - Friedman BE-100
15:02 - D'Addario XPND Pedalboard
15:51 - Sammy Boller Pedalboard
33:31 - D'Addario with Yvette Young
© Copyright Gearhead Communications LLC, 2024
#guitar #rigrundown #guitarist #guitarplayer #sammyboller
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Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/aj-ghent
Subscribe to PG's Channel: http://bit.ly/SubscribePGYouTube
AJ Ghent’s uniquely inspired Singing Guitar has its roots in the Sacred Steel musical style and African-American gospel traditions that developed out of a group of Pentecostal churches across the South. Ghent comes from a long line of innovative players, including his father, Aubrey Ghent Sr., and grandfather, Henry Nelson. His great uncle Willie Eason is credited as the founder of the Sacred Steel rhythmic guitar style.
Ghent invited John Bohlinger and the PG team to his soundcheck before his show at Nashville’s City Winery to talk through his rig and play some inspiring music on his lap and pedal steels.
Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/aj-ghent
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Don't Miss a Rundown: http://bit.ly/RIgRundownENL
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[Brought to you by D’Addario: https://ddar.io/wykyk-rr & XPND Pedalboard: https://www.daddario.com/XPNDRR]
0:00 - D'Addario: When You Know You Know
0:15 - John Bohlinger Introduction
0:52 - A.J. Ghent Playing Intro
3:27 - Asher Lap Steel
10:52 - Rocky Mountain Slide
13:10 - Pedals
13:19 - Eventide H90
15:40 - Boss Loop Station RC-5
17:05 - D'Addario: When You Know You Know
17:58 - Quilter Amps Overdrive 202
19:22 - Milkman Sound The Amp
20:47 - Jackson Maverick Pedal Steel
27:21 - A.J. Ghent Pedal Steel Play off
27:36 - D'Addario: When You Know You Know
© Copyright Gearhead Communications LLC, 2024
#guitar #rigrundown #guitarist #guitarplayer #slideguitar #lapsteel #pedalsteelguitar #ajghent
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Full Rig Details: https://www.premierguitar.com/videos/rig-rundown/erin-coburn
Subscribe to PG's Channel: http://bit.ly/SubscribePGYouTube
Erin Coburn grew up on blues and classic rock. That background has afforded her a spotlight onstage for over half her life, including opening slots ahead of Marcus King and Blackberry Smoke. She released her first album Chaos Before Conformity in 2015 at just 14 years old. She was starting to cut a groove in the blues-rock genre, but the needle stopped when her ear latched onto the darker moods of Alice in Chains, more dynamic music of Sleep Token, and the technical proficiency from modern guitar whisperers Tim Henson and Scott LePage of Polyphia. Since then, her playing has sped up, her tunings have dropped—including the addition of a 7-string Strandberg—and she’s joined the heavier side of riffing with one goal in mind.
“I’m going more towards hard-rock and metal because I love it and that’s where my soul is—I just want to open up mosh pits someday!”
It’ll be interesting to see how she fuses her backbone of blues-rock with the new injection of musical blood. Regardless of the destination, we’re just glad to be sitting shotgun for the ride.
Before her band’s headlining show at Nashville’s Eastside Bowl, Erin Coburn welcomed PG’s Chris Kies onstage for a conversation about gear, music, and surprises in her lunchbox. She dished on how she gravitated (and possibly levitated) towards Strandberg guitars during a NAMM Show visit and then divulged a brand-new offering from Lace that includes some of her own signature of sweet ’n’ heat.
Full Rig Details: https://www.premierguitar.com/videos/rig-rundown/erin-coburn
Subscribe to PG's Channel: http://bit.ly/SubscribePGYouTube
Win Guitar Gear: https://bit.ly/GiveawaysPG
Don't Miss a Rundown: http://bit.ly/RIgRundownENL
Merch & Magazines: https://shop.premierguitar.com
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0:00 - D'Addario: When You Know You Know
0:15 - Chris Kies Introduction
1:15 - Erin Coburn Playing Intro
2:30 - Strandberg Boden Classic NX 6
7:27 - Strandberg Boden NX 6 Neck-Thru
9:26 - Signature Coburn Lace Pickups
11:25 - D'Addario: XPND Pedalboard
12:14 - New Egypt Folk String Lunch Box Guitars
16:12- Kala Ukulele
18:30 - Neural DSP Quad Cortex
22:56 - “Scary Territory” Coburn Play Through
24:10 - D'Addario: When You Know You Know
[Brought to you by D’Addario: https://ddar.io/wykyk-rr & XPND Pedalboard: https://www.daddario.com/XPNDRR]
© Copyright Gearhead Communications LLC, 2024
#rigrundown #guitar #guitarist #guitarplayer #guitargear #coburn
#erincoburn #strandberg #strandbergguitars
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Watch Charlie's Drum Rundown: https://youtu.be/Gz-suX8VSqM
Full Rig Details: https://www.premierguitar.com/videos/rig-rundown/pantera
Original Cowboy from Hell bassist Rex Brown has gone through so much gear. He’s lost amps and donated basses to charity. He’s fostered many fruitful friendships with companies that’s resulted signature wares for war. His latest partnership has him riding high on a pair of namesake Thunderbirds dressed in black and gold. He still tours with old Spectors who feel like home (if home was a thunderstorm). He’s got a proper pedalboard and rack gear that’s been routed through a RJM switcher (first time ever). And he and tech Bobby Landgraf (also guitar player in Honky and Down for Down IV – Part II) detail the whole chain of tonal command. Then we have a blast chatting with Zakk Wylde who covers his toolbox of Warhammers and Master 100 heads. He ponders what it must’ve been like to have been Eddie Van Halen or Randy Rhoads who toured with their iconic instruments and not having any backups! And then his longtime tech Stephen Murillo goes over his rack gear that includes three pieces from Dimebag Darrell’s original Pantera rig.
Watch Eric Morettin's Video on Rex's Jackson Basses: https://youtu.be/_ViTUvT2HUk
Randy Rhoads Iconic Guitars: https://www.premierguitar.com/artists/guitarists/randy-rhoads-guitars
Full Rig Details: https://www.premierguitar.com/videos/rig-rundown/pantera
Subscribe to PG's Channel: http://bit.ly/SubscribePGYouTube
Win Guitar Gear: https://bit.ly/GiveawaysPG
Don't Miss a Rundown: http://bit.ly/RIgRundownENL
Merch & Magazines: https://shop.premierguitar.com
PG's Facebook: https://facebook.com/premierguitar
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PG's Threads: https://threads.net/@premierguitar
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[Brought to you by D’Addario: https://ddar.io/wykyk-rr]
0:00 - D'Addario When You Know You Know
0:15 - Pantera "I'm Broken" Intro
1:19 - Chris Kies Intro & Shoot Insights
7:32 - Rex Brown Intro
9:16 - Gibson Rex Brown Thunderbird
10:07 - Rex Brown's Spector Bantam 5
10:52 - Rex Brown's Spector Euro 4
12:46 - Epiphone Rex Brown Thunderbird
14:32 - Tech Bobby Landgraf Joins In!
16:15 - Rex Brown's Ampeg SVT-4 Pro
17:32 - Eric Morettin's Video on Jackson Basses
18:57 - Rex Brown's Pedalboard
26:18 - Rex Brown's Strings, Picks, and Rack Gear
29:48 - D'Addario & Nita Strauss
30:04 - "Walk" Outro
30:50 - Zakk Wylde Intro
31:08 - Wylde Audio Guitars
31:36 - Wylde Audio "St. Dime" Lightning Guitar
33:13 - Guitar Heroes Touring Light
34:48 - Wylde Audio Quality Control
36:13 - Zakk on EMG Pickups
38:36 - Wylde Audio Master 100s
39:41 - Electro-Voice EVM12L BL Zakk Wylde Speakers
40:11 - Understanding Tube Differences
41:52 - Zakk Wylde's Pedalboard
43:49 - Zakk on Honoring Dime & Pantera
44:58 - Dimebag Darrell's Pantera Rack Gear
47:09 - Zakk Wylde's Rack Gear
49:31 - Pantera "Floods" Soundcheck Outro
52:04 - D'Addario & Gina Gleason
© Copyright Gearhead Communications LLC, 2024
#guitar #rigrundown #pantera #guitarist #guitarplayer #bass #bassguitar #rexbrown #zakkwylde
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“Will the next Tool album take more than 10,000 days?”
That was an ongoing (and agonizing) joke for Tool fans that awaited the band’s fifth album following the release of 2006’s 10,000 Days. (A cruel clairvoyance of a title.) For those counting, when Fear Inoculum was finally delivered on August 30, 2019, it was just 4,868 days from their previous album. All crummy jokes aside, the anticipation of the album was real for a reason: the music. And the rhythmic cog of their constant contorting of depth and darkness is bassist Justin Chancellor.
Sure, drummer Danny Carey is a living legend bashing everything his large frame can smash and crash. Adam Jones transforms his guitar into a Hans Zimmer production with varied textures, temperaments, and traits his tone expresses. During shows, singer and lyricist Maynard James Keenan prowls in the shadows adding to the band’s musical mysticism. This triumvirate core dished out the punishing EP Opiate in 1992, and their 1993 debut full-length Undertow was more complex and calculated in its rage. But in 1995, when Justin Chancellor replaced Paul D’Amour on bass, Tool immediately expanded their dimensionality. The original three continued to dazzle and dumbfound listeners, but the addition of Chancellor and his pocket-minded role unlocked a collective vocabulary previously unspoken. Simply put, if Tool was an octopus, Chancellor was the head. The others could be momentarily independent tentacles exploring the melodic murkiness of their respective reaches, but when they needed to propel forward, Chancellor was steering. His lines are the base for the band’s groove and attitude that became a focal point on subsequent releases with 1996’s Ænima, 2001’s Lateralus, 2006’s 10,000 Days, and eventually 2019’s Fear Inoculum. The former three went triple-platinum, while the latter three were No. 1 on the Billboard 200. (Ænima landed in the No. 2 spot.)
If you ever catch yourself playing air guitar to Tool, you’re probably mimicking Chancellor’s parts. “Schism,” “The Pot,” “Forty Six & 2,” “H.,” “Fear Inoculum,” “Descending,” “The Grudge,” and plenty of others feature his buoyant bass riffs.
Chancellor’s tone has had a longstanding relationship with Wal basses, Gallien-Krueger amps, and Mesa/Boogie cabs. The evolving part of his rig has been his pedalboard. At this juncture of the band’s run supporting Fear Inoculum, Chancellor’s board is larger than his guitar-playing counterparts. Yet everything has a place and purpose. Some of it is duplicity, some of it is to avoid any required knob-turning during the show, and as we find out in the Rundown, some of it is just for fun. Grab a seat and get comfortable as Chancellor and his tech Pete Lewis walk PG’s elated Chris Kies through his live setup.
Brought to you by D’Addario: https://ddar.io/wykyk-rr
and D’Addario XPND Pedalboard: https://www.daddario.com/XPNDRR
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Buffalo Nichols believes in the power of acoustic country blues. He also believes it’s not a fossil, trapped in amber, but a living, breathing musical genre. Which is why he blends elements of the tradition—slide guitar, resonator, open tunings, themes of loss, redemption, and struggle—with loops, samples, drum machines, myriad effects, and modern-day narratives. His new album, The Fatalist, is the culmination of his art to date. Listening to its echoes of Skip James, John Hurt, Pink Floyd, and Dr. Dre is an even stranger experience when you know Nichols started his career in the thundering, downstroke-chiseled trenches of the Midwest metal scene.
When you watch this Rig Rundown, Nichols will explain, and play, it all—it's a fascinating story. And the gear! Get ready for a feast, full of the trad and the rad.
Brought to you by D'Addario: https://ddar.io/wykyk-rr
and D'Addario XS Strings: https://ddar.io/xs-rr
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Full Rig Details: https://www.premierguitar.com/videos/rig-rundowns/wolfmother
Subscribe to PG's Channel: http://bit.ly/SubscribePGYouTube
When we walked into Nashville’s Eastside Bowl for this Rig Rundown with Wolfmother’s alpha canine, Andrew Stockdale, it sounded like he was playing his SG through a Marshall stack at head-ripping volume. Nope! Stockdale was blasting skulls apart with a Line 6 HX stomp doing the heavy tonal lifting. Surprise!
It's part of his strategy for traveling lite in support of Rock Out, the Australian outfit’s 2021 album, on a make-up tour of the States that was preempted by the Covid shutdown. For Stockdale, the rest of his formula for playing his blood-and-guys rock 'n' roll live includes an SG, a White Falcon, and a vintage Supro, and … no traditional amps.
“I used to have, like, three Voxes–cabs and everything up there. And we had a trailer behind the bus and two guys to carry it, who'd have a beer and high-five each other after they loaded out,” Stockdale recounts. “Now they‘re gone, all the amps, and them gone.”
Here’s a close-up look at what’s onstage with Stockdale right now, as he uses minimalist gear to create maximum sound!
Full Rig Details: https://www.premierguitar.com/videos/rig-rundowns/wolfmother
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Win Guitar Gear: https://bit.ly/GiveawaysPG
Don't Miss a Rundown: http://bit.ly/RIgRundownENL
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[Brought to you by D’Addario: https://ddar.io/wykyk-rr
D'Addario XPND Pedalboard: https://ddari.io/xpnd.rr]
© Copyright Gearhead Communications LLC, 2024
0:00 - D'Addario: When You Know You Know
0:15 - Wolfmother "Pyramid" Live Intro
0:38 - 1961 Reissue Gibson SG
4:06 - Vintage Supro Guitar
5:15 - Gretsch White Falcon
6:52 - Wolfmother's "Apple Tree" Live
8:19 - D'Addario: Bohlinger and XPND
9:08 - Andrews’ Amps and Pedalboard
18:59 - Wolfmother's "Pyramid" Live Outro
19:36 - D’Addario: When You Know You Know
#guitar #rigrundown #guitarist #guitargear #guitarplayer #wolfmother
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The Menzingers’ albums are storied time capsules. Starting in 2007 with teen angst and rebellion, they’ve refined and reshaped their narratives into self-reflective numbers that continue to balance melody and might. Their most-recent installment—2023’s Some of It Was True—was their eighth chapter that stares down aging with acceptance rather than anger. But don’t get it twisted, these rockers will still charge.
“This record just feels different for us,” Barnett explains. “It’s a really important one in our catalog, and a pivotal moment in our history. We have the liberty of our fans growing with us now, and after writing these lyrical songs about where we are in life, we decided to take other peoples’ stories and make something bigger out of it.” “It brought us back to our energetic side as a band,” May concurs. “We got to let loose, which is what drew us to the energy of being in a band in the first place. This is a live band—why shouldn’t we record live songs? As a result, we’re back to why we started this band in the first place.”
In support of Some of It Was True, the Philly crew toured the States and touched down in Nashville mid-November for a romper at the Marathon Music Works. Before their headlining set in Music City, both singing-guitarists Greg Barnett and Tom May welcomed PG’s Perry Bean onstage to converse about their setups. Barnett explained the pros and cons of being a left-handed player, while May divulged the inspiration for his loved Les Pauls. Both detailed why they prefer a two-amp rig, and each demoed the various sounds set off from their respective pedalboards.
Brought to you by D'Addario:
https://ddar.io/wykyk-rr
https://www.daddario.com/XPNDRR
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