Эпизоды
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Merry Clambake!
The entire TCBCast gang is joined by Rabia and Felix from Suddenly: A Frank Sinatra Podcast, Jamie and John from EAP Society, Kristen, Benita and Margarita from Those Elvis Girls, David "Ghosty" Wills from We Say Yeah: A Cliff Richard Podcast, Garrett Cash from "The Beat! With Garrett Cash", and Darin Evans, all in a manner never quite heard before - a non-linear episode intercut across four different discussions!
The TCBCast Gang tackles the movie head on, giving Gurdip, Ryan and Bec (who missed most of the last two Christmases) the chance to voice all their questions about what makes this low-rated Elvis movie so eminently watchable... and also confusing. Meanwhile, Olivia brings her own deep dives. Oh, and most of them are drinking.
The Suddenly Crew took an experimental approach this year, watching the film "Bake to Front," starting their viewing at the halfway point of the film and working their way back around to the infamous "Clambake" musical sequence as an unintended finale.
Those Elvis Girls discuss what makes Elvis' films fun to watch, what it's like to view his film career while being relatively new to the fandom, and call for #JusticeForClambake!
And a gathering of film buffs get together to explore the year 1967 in film: what the big hits and notable releases were, and how Elvis' film career slots into the overall picture between the fading old Hollywood studio system and the more experimental and independent New Hollywood. Most fun of all, there's an exploration of some of the movies that Elvis Presley himself is known to have watched in 1967.
There's a few surprises in store throughout as well!
As of this episode's release date, "Clambake" can be watched freely (with ads) on TubiTV and Pluto TV in the United States and may be available on a streaming platform in your region as well. The "Clambake" soundtrack is on all major music platforms.
Chapters:
0:00: Start (Part 1 Begins)
9:40: TCBCast Host Intro
32:05: Those Elvis Girls Intro
40:38: "Bake to Front"
50:00: 1967 In Film
1:16:25: An Alternate Opening, Gold Bullion & Sunken Treasure
1:33:53: "Sure Must Have An Awful Long Cord": Mobile Car Phones in 1967
1:42:14: Golddiggers of a Different Sort
1:51:29: GOOP, Baby!
2:06:27: Elvis, the Cinephile
2:29:48: (Part 2 Begins Here) The End of the Hays Code & Elvis' Late-Career Films
2:46:48: Airboats and Costuming Woes
2:54:33: Shelley Fabares
3:08:04: The Women of Clambake
3:21:27: Character Business You Never Noticed + "Slang of Ages"
3:36:41: The Girl I Never Loved, and Other Soundtrack Songs
3:44:23: "With a C..." and Alternate "Confidence" Demos
3:57:06: The Films That Released Alongside Clambake
4:07:00: Magical Mystery Tour, Kiddy Songs and In The Ghetto
4:22:18: "The Magic Word" and Shortnin' Bread
4:35:20: Closing Thoughts - TCBCast Hosts, Film Buffs & Those Elvis Girls
4:43:08: What is a "Clambake Musical"?
4:46:30: Closing Thoughts - EAP Society & Suddenly
4:52:30: Why Clambake? & Finale
Thank you to all our friends who joined in this year. Please make sure to follow their shows:
Suddenly and We Say Yeah can be found on all the same major podcasting platforms as TCBCast. EAP Society can be found at youtube.com/EAPSociety and EAPSociety.com. Those Elvis Girls can be followed at youtube.com/ThoseElvisGirls and instagram.com/Those.Elvis.Girls, and Garrett Cash's radio show "The Beat with Garrett Cash" can be found on Soundcloud at https://soundcloud.com/garrett-cash-635212819.
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Justin is joined by John Michael Heath from EAP Society for a thorough examination of the 2008 album "Christmas Duets" which paired Elvis' original vocal tracks from 1957 and 1971 with 1:1 re-creations of the backing tracks and some of the biggest female entertainers in the field of country music at the time: Carrie Underwood, Martina McBride, Wynonna Judd, Gretchen Wilson and others, as well as bringing in a couple entertainers Elvis himself had been a fan of in the 70s: Olivia Newton-John and Anne Murray.
Often written off as a mere cash-grab, the duo discuss the careers of the album's producers, the talented studio band brought in to replicate the original arrangements, and several other guests that reveal a more nuanced picture of a likely genuine tribute to Elvis that ended up trying to play things too safe and went awry in the process - and the guys ponder what makes artificial duets work or flop.
They also discuss the exciting news about Peter Guralnick's upcoming book, now officially confirmed as "The Colonel and the King," releasing August 5, 2025.
For Song of the Week, John's selection of "I Was Born About Ten Thousand Years Ago," the traditional folk song which Elvis used to link the 1970 concept album "Elvis Country," and the version by Brownie McGhee that Elvis is known to have taken inspiration from, suddenly opens doors that lead to the histories behind numerous other Elvis recordings that will blow you mind, including (but not limited to) our other Song of the Week, "Adam and Evil" from "Spinout."
If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.
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Пропущенные эпизоды?
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Bec joins Justin for a look back at one of the few Elvis albums she had early in her fandom, the iconic 1959 release "A Date With Elvis." Released while Elvis was overseas in Germany during his military service, "A Date" in some respects serves as a companion piece to the earlier "For LP Fans Only," compiling a handful of tracks previously unavailable on the LP format, while also having a more intriguing and novel design: a gatefold that allowed you to hang the album over and count the days until Elvis' return, or even more photos and thoughts from "Elvis" inside!
And how does this oddball collection of tracks from Sun Records, Jailhouse Rock, Love Me Tender and a random EP hold up as a listening experience? All that and more on this episode!
Then, for Song of the Week, Bec gets in the holiday spirit with "Who Needs Money?" from "Clambake" and Justin doubles down, going deep on Elvis' 1971 version of the traditional 18th century Christmas hymn, "O Come All Ye Faithful."
If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.
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To celebrate the American Thanksgiving holiday, Gurdip and Justin got together to reflect on the things they're most thankful for about or within the Elvis world, from songs and movies to releases and the fandom, it's a contemplative discussion on this week's show!
For Song of the Week, Gurdip selects the rarely-heard "Britches," which was cut from the 1960 film "Flaming Star," and Justin digs deep on Elvis's 1969 cover of Hank Snow's signature song, "I'm Movin' On."
To those of our listeners in the United States - Happy Thanksgiving!
If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.
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Gurdip, Ryan, Olivia, Bec and Justin discuss at length the new Netflix documentary directed by acclaimed sports doc filmmaker Jason Hehir, "Return of the King: The Fall and Rise of Elvis Presley," purportedly about the making of the 1968 Comeback Special.
Following in the wake of the special's prominence in Baz Luhrmann's 2022 biopic and the Paramount Plus documentary "Reinventing Elvis," the gang is surprised to learn this is an unchallenging, conventional retelling of Elvis' life story leading up to 1968 intended for the most casual of potential viewers. There's a few new bits of footage, thoughtful contributions from the small group of talking heads and a fairly well-constructed first half, but the TCBCast crew's smaller grievances about certain inaccuracies, exclusions or lack of nuance begin to pile up around the midpoint until the whole thing topples over in its coverage of the special itself, culminating in an outburst over the way the film handles the special's iconic finale.
So, the crew all went back to rewatch the original 1968 broadcast version of "Singer Presents Elvis" - complete with original sponsor advertisements - which we have not revisited on TCBCast properly since 2018, and reflect on both the special itself, the incredible work of its extremely under-recognized crew who made it possible for Elvis to shine, and whether the documentary captures what was so great about the NBC special in a way that is useful or insightful.
"Return of the King" is streaming via Netflix, the 50th anniversary version of the "Comeback" Special is available on Apple TV or purchasable on digital distribution platforms, and an original broadcast version of the special, intact with Singer Sewing Company commercials, has also been made available on the Internet Archive. The video clip we mention near the end of the show is viewable on EAP Society's YouTube channel.
If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.
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Justin and Bec wrap their discussion on the recorded and filmed rehearsals undertaken for the Las Vegas engagement documented in the feature film "That's The Way It Is". The duo continues through July and August 1970's rehearsal dates, right up to August 10, the day Elvis would take the stage in front of paying customers, and reflect on the insights into Elvis and his band's creative processes along the way.
Then Gurdip taps in for Song of the Week, selecting the rowdy gospel number "If the Lord Wasn't Walking By My Side", which Elvis cut for his "How Great Thou Art" album. Justin's Song of the Week is Elvis's 1970 version of Joe South's plea for empathy and understanding, "Walk A Mile in My Shoes."
Our primary resource for this episode was the content contained within the Follow That Dream release "That's The Way It Is: 50th Anniversary Collectors Edition" including the book by David English and Pal Granlund.
Don't forget that the Netflix documentary "Return of the King: The Fall and Rise of Elvis Presley" releases today, November 13, 2024 on Netflix. We intend to have a full-group discussion soon!
If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.
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Justin and Bec begin to explore the recordings that remain from the rehearsals leading up to the August 1970 concerts that would become the centerpiece of the 1970 documentary film "That's The Way It Is." The film's director, Denis Sanders, was fascinated by Elvis as a creative force and wanted audiences to get a glimpse of his working process - some of which briefly appeared in the final film, some surfaced in the MGM collection "The Lost Performances" and further material in the Special Edition re-edit of the film from 2001 - but despite several official releases of select material and numerous bootlegs over the years, it wasn't until 2020 that Sony's FTD sub-label officially released the vast majority of the audio of the TTWII rehearsals for the most ardent fans to hear and learn from.
In this first part, the duo only cover the first two days of rehearsals filmed & recorded, July 14-15, 1970, but also lay the groundwork for the more dense back portion of the rehearsals. Our next episode will cover the rest from July and August 1970 as well as Songs of the Week from Gurdip and Justin.
If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.
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Justin and Bec have a relaxed discussion about all the exciting Elvis news from within the last week or so, including the trailer for "Return of the King," a behind the scenes preview from Layered Reality's upcoming Elvis Evolution show, Ernst Jorgensen's experimentation with Peter Jackson's MAL de-mixing technology and more. Plus, Elvis trivia returns for a week!
For Song of the Week, Bec tackles the romantic "Speedway" ballad "Who Are You? (Who Am I?)" then Justin - just for the laugh of doing them both in a single episode - digs into the understated but similarly named 1969 gospel number "Who Am I?"
If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.
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Olivia joins Justin for their thoughts on the TV special Riley Keough did with Oprah, filmed at Graceland, Riley's Graceland Q&A, and the rest of Lisa Marie's book now that things have started to finally settle.
The duo also answers a bunch of listener feedback, discuss dialogue edits on "The Last Tours, Volume 1" FTD, and a recent video Olivia watched about one of Elvis' Ed Sullivan performances of Hound Dog.
For Song of the Week, Justin selects Elvis's cover of the Waylon Jennings hit "You Asked Me To," and ponders the implications of a minor lyrical change Elvis made in his final version. Olivia highlights Elvis's 1976 recording of Larry Gatlin's "Bitter They Are, Harder They Fall."
If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.
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Netflix has dropped the trailer for the new documentary about the making of the 68 Comeback Special releasing November 13. Gurdip and Justin were in the middle of recording another episode when the trailer landed, so the guys dropped everything to react immediately.
Watch the trailer for "Return of the King: The Fall and Rise of Elvis Presley" here: https://www.youtube.com/watch?v=JHStpufGGzA
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This week, you're getting to hear a special bonus episode from our special Patreon miniseries "TCBCast After Dark." Justin is joined by Rabia and Felix of "Suddenly: A Frank Sinatra Podcast" for this discussion. There is a new introduction providing additional context.
Aired in 1991, produced by Mel Bergman, "The Elvis Files" was a LIVE TV broadcast hosted by "Clambake" and "Speedway" co-star Bill Bixby presenting Elvis conspiracy theorist Gail Brewer-Giorgio's array of so-called "evidence," but here's the genuinely shocking twist out of all of this: one of the things they dug up from the FBI's declassified files on Elvis Presley was actually partly true.
However, its association with the Elvis conspiracy world and it being used to claim that Elvis faked his death as an undercover agent has prevented the real, genuinely historical facts of how Vernon Presley was scammed out of nearly $400,000 in 1976 from being an integral part of the tellings of the last years of Elvis' life, making TCBCast first within the Elvis world to reintroduce it properly and give it serious attention.
Critical resources for this episode include:
Chasing Phil: The Adventures of Two Undercover Agents with the World's Most Charming Con Man by David Howard: https://www.amazon.com/Chasing-Phil-Adventures-Undercover-Charming/dp/1101907428
Retired FBI Agent J.J. Wedick's website FBIRetired's article about Operation Fountain Pen: https://fbiretired.com/retired-fbi-agents-talk-about-opfopen-case/
A discussion with David Howard at the Mob Museum in Las Vegas, Nevada: https://livestream.com/accounts/6847704/events/7955041/player?width=640&height=360&enableInfoAndActivity=true&defaultDrawer=&autoPlay=true&mute=false
Additional clippings from contemporaneous articles referenced herein will be posted alongside this episode on the TCBCast Facebook page. If you appreciated this, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. The entire "After Dark" miniseries in available in full is available to patrons at all tiers.
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Gurdip, Ryan, Bec, Olivia and Justin all are at different stages of reading Lisa Marie Presley & Riley Keough's new book, but the team was able to get together to record a brief initial impressions bonus episode.
We strongly recommend the book. There are spoilers in this episode but not for the whole book. Please be aware that there is discussion of sexual abuse from ~7:00-13:40. If that may be upsetting to you, please skip over that portion.
We did not feel it appropriate to pepper the episode with clips, music, etc. It's just us and our largely raw reactions this time. We have had as much time as everyone else to process what we've in the book, and only one of us has completed it in full, so please be generous with us, and be kind to everyone else out there as this book's contents are sure to create some contention in the Elvis world. It's a very raw, emotional read/listen but we cannot recommend it more highly, both as a book and in audiobook form.
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As you'll hear in our intro discussion, Justin and Bec have pushed out their TTWII Rehearsals episodes just a bit due to some extenuating circumstances, but still got together for a discussion about the lightweight, wholesome 1970 budget release on the Camden label, "Let's Be Friends," which compiled a mix of late-60s tracks (and one inexplicable 1962 recording).
For Song of the Week, Justin soaks in the "Fountain of Love" from 1962's Pot Luck, and Bec gets funky with the Leiber & Stoller-penned Stax track "If You Don't Come Back."
Next week, we'll be uploading a bonus episode for Tuesday while the TCBCast gang will be busy reading and getting together as soon as we can for an in-depth discussion about Lisa Marie Presley and Riley Keough's "From Here to the Great Unknown" as well as the Oprah special airing October 8.
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Gurdip and Justin wrap up their coverage of the March & April 1960 recording sessions that resulted in "Elvis is Back!" and three number one singles and the guys ponder whether these may have been the best sessions Elvis ever undertook.
Then after the main topic, Gurdip taps out and Ryan Droste hops into the ring for a bit of Elvis news regarding the upcoming Oprah special with Riley Keough on October 8 and then Song of the Week, with Ryan returning to his favorite Elvis movie, "It Happened At the World's Fair" and its smoldering song of seduction, "Relax." Then, Justin closes things out by trying to put Elvis's 1957 recording of "I'll Be Home for Christmas" in context by showcasing how different it is from the only prior recorded versions between Bing Crosby's original and Elvis's version, and attempting to forget all about the other several thousand versions that followed.
If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.
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Gurdip and Justin delve into the landmark 1960 recording sessions in which Elvis declared that he was indeed back, both literally from the Army as well as on top of the charts, with the sessions giving him three massive US number one hits in "Stuck On You," "It's Now or Never" and "Are You Lonesome Tonight?"
As many of our listeners know, Elvis is Back is perhaps Gurdip's favorite Elvis album ever, and these are his favorite sessions, so he's thrilled to bits. Armed with the "Elvis is Back Sessions" FTD, we explore how Elvis had evolved as an entertainer in the two years since his last sessions in Nashville and appraise the choice of material, from covers/reworkings of existing songs that he'd been practicing at home, such as "Soldier Boy," "Like A Baby" and "There's No Tomorrow" as well as wholly new songs written expressly for him, like Doc Pomus & Mort Shuman's first song for him "A Mess of Blues," and, of course, the stunning doo-wop ballad "Fame and Fortune."
Part 1 covers the March session and the first half of the April session, ending with "It's Now or Never." Part 2 will cover the rest of the April session, plus Song of the Week with Ryan!
If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.
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It's a fairly light episode this week, with Justin and Bec discussing the latest in Elvis news, including Graceland's big "Presley for a Day" tour announcement, briefly reacting to the Guitar Man Sessions FTD, Bec's latest Elvis book pick-ups and more.
For Song of the Week, Bec spotlights Elvis' cover of the obscure Ivory Joe Hunter song "It's Still Here." Meanwhile, Justin cracks into the Guitar Man sessions FTD to explore the outtakes and early alternate arrangement of "Singing Tree," which languished for decades as a "Clambake" soundtrack bonus song.
We have some beefy topics coming up in the coming weeks that we're busy preparing for, including discussions on the 1960 "Elvis is Back!" recording sessions, "That's The Way It Is" rehearsals and much more!
If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.
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Olivia & Justin continue their exploration of how "Viva Las Vegas" was made, on the 60th anniversary year of its release! The duo spends a good chunk of time on the filming schedule, deleted scenes, pondering why certain creative choices were made, and also digging a bit into post-production aspects like editing, scoring and marketing. The most critical resource by far for this episode was the excellent FTD book and CD set "The Making of Viva Las Vegas" which is sadly no longer in print after its 2019 release.
For Song of the Week, Olivia picks "Love Letters," the song Elvis recorded in 1966 and then revisited again in the studio in 1970. Justin selects a holiday highlight with "If I Get Home on Christmas Day" off the "The Wonderful World of Christmas" album.
If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.
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We've talked so much about Elvis' recording sessions that it's fairly easy to understand how an Elvis record came together. Less clear to many, however, is how an Elvis movie was made. Olivia got super curious to learn the ins and outs of filmmaking, so Justin & Olivia decided to center the discussion around the making of one of the most celebrated and successful movies to star Elvis, 1964's Viva Las Vegas, in the year of the 60th anniversary of its release - since no one else is seeming to commemorate it!
From concept and script to pre-production efforts like location scouting, casting, crew (and especially the music, as always!), from getting song demos all the way up to the initial recording sessions, we break down how it happened in part one. Part 2 will focus largely on filming, post-production and marketing, along with our Songs of the Week! One of our most vital resources this week is FTD's immaculately researched The Making of Viva Las Vegas by David English and Pal Granlund, which is unfortunately no longer in print.
If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. Patrons get early access to new episodes (including Part 2 of this episode) and plenty of bonus content!
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John Heath of EAP Society joins Justin for an extensive (but still HIGHLY abbreviated!) discussion about the history of the music industry in Memphis before and during Elvis' career, from early blues recordings made by Ralph Peer to Sam Phillips' Sun Records, from indie labels inspired by Sun's success to the monumental Stax Records, how Chips Moman's American Sound came together, and up through Elvis's Jungle Room recordings as the city's music industry wound down in the late 70s. It's all explored through a playlist of about two dozen tracks compiled by John, linked below.
If you've been exploring the 2024 Sony box set release "Memphis," you will find this a great supplemental discussion. There are no specific songs of the week this week, just a ton of amazing music history to delve into.
https://open.spotify.com/playlist/0a1G2qR6gFfQT13UzrBTLg?si=09505e6244c44da8&fbclid=IwY2xjawEdLxBleHRuA2FlbQIxMAABHTrNyBF-6SkoS9goKzglqEqOstRBysdp99mM1miKBy5StaEBDUZ1HVJJjw_aem_hAjH3ZILor4p4CAcxsoarw&nd=1&dlsi=f85c2bdb288d4a43
You can also find the final track intended for this playlist, which is not on Spotify, on YouTube at this link (current as of release): https://www.youtube.com/watch?v=Ipqz1oIt4TA
If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.
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Justin is joined by John Michael Heath of EAP Society (youtube.com/EAPSociety) to give their first impressions of the new Sony Legacy box set, "Memphis" which released today, August 9, 2024.
Marketed as "a comprehensive collection" of 111 recordings of Elvis made in his adoptive hometown from his time at Sam Phillips's Sun Records through to Chips Moman's American Sound, the iconic Stax, live at the Mid-South Coliseum and at his home, Graceland, "Memphis" is said to contain "newly mixed versions of the select recordings, pure and without overdubs" overseen by award-winning engineer Matt Ross-Spang and producer Ernst Jorgensen.
Spoilers: there's good news for those who want to re-experience the 1973, 1974 and 1976 material in a different light than you may be familiar with, and a faithful collection of the Sun material... but this set's presentation of the 1969 American Sound music is a different story altogether. And that "pure and without overdubs" claim? Well, you'll hear.
The guys also answer listener feedback on this episode, including several about a recent Song of the Week, but since this discussion ran long, Justin and John will be back later with a separate, full length episode for the main topic intended to supplement and compliment the "Memphis" set, focused on the history of the music industry in Memphis, how Elvis was influenced by it, and how he in turn helped reshape it.
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