Эпизоды
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“I think, therefore I scam.”
The Sundance Struggle of Wendell B. Harris Jr.'s Sensational Con Artist StoryIn 1989, writer-director-actor Wendell B. Harris Jr. crafted a stunning debut feature, Chameleon Street, based on the incredible true story of con artist William Douglas Street Jr. Despite winning the Grand Jury Prize at the 1990 Sundance Film Festival, Harris faced immense difficulties securing distribution for his groundbreaking film. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about Chameleon Street.
Unraveling the Layers of a Chameleon's Tale
Throughout our discussion, we dive into the fascinating layers of Chameleon Street, from its energetic and in-your-face production style to the subversive commentary on race and identity. We explore how Harris Jr. taps into the con artist's perspective, using voiceover narration and camera techniques to create a thrilling cinematic experience that keeps the audience engaged from start to finish.
As part of our One-and-Done series, we also delve into the unfortunate reality of Harris Jr.'s struggle to make more films after this impressive debut. Despite his undeniable talent and the film's critical acclaim, the Hollywood system failed to provide him with the opportunities he deserved.
Unpacking the Complexities of Identity and Representation
The film's thought-provoking exploration of race and the challenges faced by a black man navigating various roles in societyHarris Jr.'s masterful performance as William Douglas Street Jr., showcasing the con artist's chameleon-like abilitiesThe movie's subversive humor and biting social commentary, particularly in scenes where Street Jr. openly insults his unsuspecting targetsThe film's propulsive narrative structure, which keeps the audience engaged as the protagonist moves from one audacious scheme to anotherA One-and-Done Wonder Worth Rediscovering
Chameleon Street is a testament to Wendell B. Harris Jr.'s immense talent as a filmmaker and storyteller. Through his deft handling of the subject matter and innovative storytelling techniques, Harris Jr. crafts a compelling and thought-provoking exploration of identity, race, and the art of the con. While it's disheartening that he never had the chance to make another feature film, Chameleon Street remains a powerful and essential piece of cinema that deserves to be celebrated and rediscovered by audiences today. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchTheatrical trailerLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
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You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“Well I’ll be greased and fried! What’s the circus doing up in these parts?”
The Chiodo Brothers and Their Creature Feature LegacyBefore Killer Klowns from Outer Space, the Chiodo Brothers – Charles, Edward, and Stephen – had already made a name for themselves in the special effects world of the 1980s. With credits on films like Critters and sequences in RoboCop, they were well-versed in creating practical effects and creature designs. Killer Klowns from Outer Space represented an opportunity for them to showcase their skills in a feature-length film, with Stephen Chiodo taking on the role of director. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about their 1988 film Killer Klowns from Outer Space.
Clowning Around with Horror Tropes and Twisted Expectations
In our discussion, we marvel at how Killer Klowns from Outer Space gleefully subverts classic clown tropes, turning seemingly innocent gags into sinister and often grotesque moments. From the balloon animal hunting dog to the shadow puppet T-Rex that devours its victims, the film consistently surprises and delights with its inventive use of clown iconography. However, we question whether the horror-comedy balance always lands, with some scenes leaning more heavily into the absurd than the truly frightening.
A Trio of Heroes and the Trope of Incompetent Authority Figures
Throughout our conversation, we explore the dynamics between the film's central trio – Mike, Debbie, and Dave – and how their relationships evolve as they face the alien clown threat. We also examine the trope of young heroes pitted against incompetent authority figures, a common theme in 1950s-era B-movies that Killer Klowns from Outer Space both embraces and satirizes.
Other topics we cover include:
The memorable performances of the supporting cast, particularly Royal Dano as Farmer Gene Green and John Vernon as the skeptical police officerThe film's vibrant color palette and the effectiveness of the practical effectsThe Chiodo Brothers' continued work in the industry, including their involvement in Team America: World Police and Marcel the Shell with Shoes OnWhy Killer Klowns from Outer Space Endures as a Cult Classic
Despite its status as a one-and-done feature for director Stephen Chiodo, Killer Klowns from Outer Space has endured as a beloved cult classic. Its unique blend of horror and comedy, combined with the Chiodo Brothers' imaginative creature designs, has helped it stand the test of time. While it has some soapy acting and feels of its era, we ultimately find Killer Klowns from Outer Space to be a delightful and entertaining entry in the realm of 1980s horror-comedy. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
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The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
Пропущенные эпизоды?
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“In this world of guns and knives, wherever Tang Lung may go to, he will always travel on his own.”
Bruce Lee's One-and-Done Showcase of Martial Arts MasteryIn 1972, Bruce Lee was already a rising star in the martial arts film world, having starred in a handful of successful films. However, he had yet to have the opportunity to fully showcase his unparalleled fighting skills on his own terms. That all changed with The Way of the Dragon, a film that allowed Lee to demonstrate his incredible martial arts prowess while also taking on the roles of writer, director, and producer. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about The Way of the Dragon.
Exploring the Comedic Side of Kung Fu and the Legendary Bruce Lee
In our discussion, we delve into the humor infused throughout The Way of the Dragon, from the situational comedy to Bruce Lee's character-driven gags. While the film's comedic elements may not land for everyone, they provide an intriguing glimpse into the lighter side of the kung fu genre. We also examine Bruce Lee's importance to the world of martial arts cinema and how his unique style and charisma helped popularize the genre on a global scale.
The Way of the Dragon may not be a perfect film, but it stands as a testament to Bruce Lee's immense talent and enduring legacy. His only directorial effort provides a platform for him to showcase his unrivaled martial arts skills and offers a fascinating glimpse into what could have been had he not tragically passed away at a young age. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“You didn't mean it. You never mean it. You didn't mean it the time when you put up the bouquet with the 'get well' card in the funeral parlor, and sent the black lilies to the old lady in the hospital, you didn't mean it.”
Roger Corman's 38th Film in 5 YearsThe year was 1960. The American movie landscape was dominated by Westerns, sword-and-sandal epics, and Rock and Roll musicals. But in the underbelly of Hollywood, a different kind of movie was brewing. This was the era of exploitation cinema, and Roger Corman was its undisputed king. With a knack for spotting talent and squeezing every penny out of a budget, Corman churned out low-budget genre films at an astonishing rate. The Little Shop of Horrors was one of them. Join us – Pete Wright and Andy Nelson – as we kick off our Member Bonus Roger Corman series with a conversation about his 1960 film The Little Shop of Horrors.
Don't Feed the Jokes
In this episode, we dig into the fascinating backstory of how The Little Shop of Horrors came to be, a film shot in just two days on a set borrowed from another Corman production, A Bucket of Blood. We marvel at Corman's legendary efficiency and his ability to create entertaining films on a shoestring budget. We also discuss the film's unique blend of horror and comedy, noting how the comedic elements ultimately overshadow the horror, making for a surprisingly funny viewing experience. We analyze the film's sharp, witty dialogue, packed with puns, wordplay, and topical references that would have resonated with audiences in 1960.
Other Buds to Snip From This Conversation
Jack Nicholson's small but memorable roleThe film's connection to the later stage musical and film adaptationThe somewhat effective practical effects used to bring Audrey Jr. to lifeThe film's lasting legacy as a cult classicThe differences between the original ending and the ending of the musicalThe Little Shop of Horrors is a fascinating time capsule of early 1960s filmmaking and a testament to Roger Corman's ingenuity and talent. It's a fun, fast-paced, and surprisingly funny film that holds up remarkably well today. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdThis is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.
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“How can you tell what’s a dream or what’s real when you can’t even tell when you’re awake or when you’re asleep?”
Dalton Trumbo's Controversial Anti-War ClassicIn 1971, blacklisted screenwriter Dalton Trumbo adapted his own 1939 anti-war novel Johnny Got His Gun for the big screen. The film marked Trumbo's directorial debut and only feature film as director. Set during World War I, the story follows a young American soldier who becomes a quadruple amputee after being hit by an artillery shell. Trumbo's powerful critique of war and its devastating effects on soldiers resonated strongly in the Vietnam War era. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about Johnny Got His Gun.
Locked-In Horror: A Haunting Tale of War's Casualties
We dive deep into the film's harrowing portrayal of Joe Bonham, played by Timothy Bottoms, as he struggles with his horrific injuries and loss of autonomy. The movie's exploration of disability rights and the dehumanization of wounded veterans sparks a thoughtful discussion. We examine how Trumbo's adaptation differs from his novel, particularly in its use of flashbacks and dream sequences to break up the claustrophobic hospital scenes. While we appreciate the film's powerful anti-war message, we debate the effectiveness of some of its more surreal elements.
Other points of discussion include:
• Timothy Bottoms' compelling performance as Joe Bonham
• The impact of Jason Robards as Joe's father
• Donald Sutherland's portrayal of Christ in dream sequences
• The film's bleak ending and its emotional impact
• Comparisons to other "locked-in" films like The Diving Bell and the Butterfly
• Trumbo's transition from novelist to filmmakerA Thought-Provoking Journey Through War's Aftermath
Johnny Got His Gun remains a powerful and disturbing examination of war's human cost. While we found some aspects of the film more effective than others, we agree that it's an important work that continues to resonate decades after its release. Its unflinching look at the physical and psychological toll of combat makes it a challenging but worthwhile viewing experience. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerOriginal MaterialLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“I don’t have anything. Never did have anything. Never will have anything.”
The Tale of Barbara Loden's Unsung MasterpieceIn the late 1960s, actress Barbara Loden came across a newspaper article about a woman on trial for bank robbery who thanked the judge for her sentence. Perplexed by what could drive a woman to such a point, Loden crafted a story that would become her sole feature film, Wanda. Despite being married to acclaimed director Elia Kazan, Loden struggled to get the film made, eventually scraping together a meager budget and shooting on 16mm. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about Wanda.
A Portrait of Aimlessness and Apathy in Rural America
On the surface, Wanda may seem like a bleak and meandering character study, but it's precisely those qualities that make it such a fascinating film. We dive into Loden's raw, cinema verité-style approach to storytelling, which eschews traditional Hollywood structure in favor of a more naturalistic portrayal of its titular character's directionless existence. From her passive acceptance of a divorce that leaves her children in the care of their father to her listless drift into a life of crime with a small-time thief, Wanda's journey is one of quiet desperation and longing for purpose.
Throughout our discussion, we grapple with the film's deliberate pacing, sparse cinematography, and lack of a traditional character arc. While Pete finds the film's unrelenting bleakness and Wanda's apparent lack of agency challenging, Andy argues that the film's power lies in its unflinching portrayal of a marginalized woman's experience.
Wanda may not be an easy watch, but it remains a powerful and uncompromising portrait of a woman adrift in a world that offers her little in the way of hope or purpose. Barbara Loden's singular vision and commitment to telling an untold story make this a film that demands to be seen and discussed. Despite our differing reactions to the film, we both agree that Wanda is a work of undeniable importance and a testament to Loden's talent as a filmmaker. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchTheatrical trailerLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“Now that you know everything about me, you still love me?”
A Twisted Love Story and a Director's Only FilmThe Honeymoon Killers, released in 1970, is a crime drama based on the real-life story of Raymond Fernandez and Martha Beck, the infamous "Lonely Hearts Killers" who murdered as many as 20 women in the 1940s. The film was originally set to be directed by a young Martin Scorsese, but after a start too slow for the budget, the project was handed over to the producer’s friend and roommate Leonard Kastle, a composer and opera director with no prior filmmaking experience. Kastle had written the screenplay and so was asked to also direct the film, which would be his only foray into the world of cinema. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about The Honeymoon Killers.
Discussion Points
The film's low-budget, black-and-white aesthetic and its impact on the overall atmosphereThe sequences directed by Martin Scorsese and how they fit into the larger narrativeThe real-life story of the "Lonely Hearts Killers" and how the film adapts and fictionalizes certain elementsThe film's controversial and provocative marketing campaign, including its sexually charged posterOliver Wood's striking cinematography in his first solo job, particularly the powerful closeups that heighten the film's emotional intensityA Singular Vision Worth Rediscovering
Despite its grim subject matter and challenging characters, The Honeymoon Killers remains a fascinating and singular work of cinema, one that showcases Leonard Kastle's unique vision, the fearless performances of its lead actors, and Oliver Wood's evocative cinematography. It's a shame that Kastle never directed another film, as his debut suggests a talent for crafting complex, emotionally charged stories that push the boundaries of conventional Hollywood storytelling. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“Why can’t anybody hear me?!”
The Fascinating Origins of a Classic Horror FilmIn the early 1960s, director Herk Harvey stumbled upon an abandoned amusement park in Salt Lake City, sparking the idea for what would become the classic horror film Carnival of Souls. With a shoestring budget and a cast of mostly unknown actors, Harvey set out to capture the haunting atmosphere of that desolate park. Join us – Pete Wright and Andy Nelson – as we kick off the One-and-Done series with a conversation about Harvey's 1962 film Carnival of Souls.
Exploring the Liminal Space Between Life and Death
Our discussion of Carnival of Souls delves into the film's unique storytelling approach and its exploration of the space between life and death. We examine how the protagonist, Mary Henry (played by Candace Hilligoss), navigates this liminal space after surviving a tragic car accident, and how her experiences blur the lines between reality and the supernatural.
Throughout our conversation, we touch on:
The effective use (overuse?) of organ music and striking visual imageryThe ambiguity of certain scenes and their room for interpretationThe film's influence on later horror moviesA Timeless Classic That Continues to Captivate
Despite its low budget and relatively unknown cast, Carnival of Souls has endured as a classic of the horror genre. Its haunting imagery, ambiguous storytelling, and exploration of existential themes continue to captivate audiences decades after its initial release. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchCheck out An Occurence at Owl Creek BridgeScript OptionsTheatrical trailerLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
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The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“I don't believe in magic, Wombat, but a few times in my life, I've seen things. Things I can't explain. And I've come to believe it's not so much what you believe. It's how hard you believe it.”
The Final Chapter(?) in the Indiana Jones SagaAfter a 15-year hiatus, the legendary archaeologist Indiana Jones returns for one last adventure in Indiana Jones and the Dial of Destiny. Directed by James Mangold, this fifth installment aims to capture the spirit of the original trilogy while bringing the series to a satisfying conclusion. Join us – Pete Wright and Andy Nelson – as we wrap up (again) the Indiana Jones series with a conversation about Indiana Jones and the Dial of Destiny.
Dialing Up the Nostalgia or Stuck in the Past?
In our discussion, we explore the various aspects of Indiana Jones and the Dial of Destiny that worked well and those that may have fallen short. We delve into the film's attempts to recapture the magic of the original trilogy and debate whether the callbacks enhance the experience or make the film feel repetitive. Throughout the episode, we grapple with the question of whether this movie manages to justify its existence as a fitting conclusion to the franchise or if it ultimately feels unnecessary.
A Polarizing Send-Off?
As we conclude our discussion, it becomes clear that this final installment has sparked a range of reactions among fans and critics alike. Regardless of one's personal opinion, it's evident that the film has generated a lively debate about the legacy of Indiana Jones and the challenges of crafting a fitting end to a beloved series. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerOriginal MaterialLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“It’s a helluva thing, killin’ a man.”
A Western Classic RevisitedClint Eastwood's 1992 Western masterpiece, Unforgiven, was a critical and commercial success upon its release. The film, which Eastwood directed and starred in, was a revisionist take on the classic Western genre, exploring themes of violence, redemption, and the myth of the American West. With its complex characters and morally ambiguous storyline, Unforgiven challenged traditional Western tropes and helped revitalize the genre for a new generation of filmgoers. Join us – Pete Wright and Andy Nelson – as we conclude our member bonus series looking at the 1993 Academy Award Best Film Editing Nominees with Eastwood’s 1992 film Unforgiven.
Exploring the Depths of Unforgiven
We discuss how the film subverts traditional Western archetypes, presenting a more realistic and gritty portrayal of life on the frontier. We also explore the film's themes of violence and redemption, examining how Eastwood's character, William Munny, grapples with his past as a notorious outlaw and his desire to leave that life behind.
Throughout the discussion, we highlight several key aspects of Unforgiven that make it a standout entry in the Western genre. We praise Eastwood's direction and performance, as well as the supporting cast, which includes Gene Hackman, Morgan Freeman, and Richard Harris. We also touch on the film's cinematography, which captures the stark beauty of the American West while also conveying a sense of danger and unease.
Other Topics Covered
The film's commentary on the mythologizing of the American WestThe moral ambiguity of the characters and their actionsThe role of women in the Western genreThe film's place within Eastwood's larger body of work as a director and actorA Western for the Ages
Ultimately, we conclude that Unforgiven is a masterful example of the Western genre and a film that continues to resonate with audiences over three decades after its release. Through its nuanced exploration of complex themes and its subversion of traditional Western tropes, Unforgiven stands as a testament to Eastwood's skill as a filmmaker and his enduring legacy in American cinema. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdThis is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.
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“Can we talk about something other than Hollywood for a change?”
Robert Altman's The Player is a satirical dark comedy that takes a sharp look at the inner workings of Hollywood and the movie industry. The film was nominated for Best Film Editing at the 1993 Academy Awards, competing against Basic Instinct, The Crying Game, A Few Good Men, and the winner Unforgiven. The Player marked Altman's return to the spotlight after a string of critical and commercial disappointments in the 1980s.Join us – Pete Wright and Andy Nelson – as we continue the member bonus 1993 Academy Awards Best Film Editing Nominees series with a conversation about The Player.
This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get member bonus content in extended episodes, access to members-only Discord channels, access to watch episodes live when we record and comment along with it, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerOriginal MaterialLetterboxd -
“We’re all useless alone. It’s a good thing you’re not alone.”
Everything Everywhere All at Once is a unique and ambitious film that defies genre conventions. Directed by the Daniels (Daniel Kwan and Daniel Scheinert), the film was born out of their desire to create something that would explore the multiverse concept in a fresh and exciting way. With an all-star cast led by Michelle Yeoh, the Daniels set out to craft a story that would not only entertain but also provoke thought and emotion. Join us – Pete Wright and Andy Nelson – as we continue the 2023 DGA Awards Outstanding Directorial Achievement in Theatrical Feature Film Nominees series with a conversation about Everything Everywhere All at Once.A Mind-Bending Journey Through the Multiverse
In our discussion, we delve into the film's exploration of the multiverse concept and how it uses this premise to tell a deeply personal story about a mother-daughter relationship and a husband-wife relationship (and a daughter-father relationship). We examine how the Daniels masterfully weave together multiple genres, from science fiction to martial arts to comedy, creating a unique and engaging viewing experience. Additionally, we analyze how the film's inventive use of aspect ratios and visual effects enhances the narrative and immerses the audience in the various universes.
Other Topics Covered
The stellar performances by the cast, particularly Michelle Yeoh and Ke Huy QuanThe film's exploration of themes such as family, identity, and the choices we makeThe Daniels' distinctive directorial style and how it elevates the materialThe emotional resonance of the story and its ability to connect with audiencesWhy Everything Everywhere All at Once is a Must-See Film
Everything Everywhere All at Once is a film that pushes the boundaries of storytelling and filmmaking. It is a testament to the Daniels' creativity and vision, as well as the incredible talent of the cast and crew. Despite its complex narrative and unconventional structure, the film remains accessible and emotionally engaging, thanks to its relatable characters and universal themes. We thoroughly enjoyed discussing this unique and thought-provoking film, and we highly recommend it to anyone looking for a fresh and exciting cinematic experience. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
Here’s where you can find us around the internet:
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“It’s not the plane, sir. It’s the pilot.”
The Long Road to Top Gun: MaverickThe original Top Gun was a massive success in 1986, but it took over 30 years for a sequel to finally take flight. Development on Top Gun: Maverick began in 2010 when Paramount Pictures approached producer Jerry Bruckheimer and director Tony Scott about a sequel. Unfortunately, the project was put on hold after Scott's death in 2012. The studio eventually moved forward with the sequel in 2017, with Joseph Kosinski taking the helm and Tom Cruise reprising his iconic role as Pete "Maverick" Mitchell. Join us – Pete Wright and Andy Nelson – as we continue the 2023 DGA Awards Outstanding Directorial Achievement in Theatrical Feature Film Nominees series with a conversation about Top Gun: Maverick.
Feeling the Need for Speed in Top Gun: Maverick
In our discussion of Top Gun: Maverick, we dive into the film's thrilling action sequences and how they compare to the original. We also explore the movie's themes of legacy, aging, and the changing nature of warfare. Additionally, we examine how the sequel handles the absence of key characters from the first film and introduces new ones.
Other Discussion Points
The film's impressive practical effects and minimal use of CGITom Cruise's commitment to the team actually flyingThe emotional weight of Maverick's relationship with Rooster, Goose's sonJennifer Connelly's strong performance as Penny BenjaminThe movie's nostalgic callbacks to the original Top GunWhy Top Gun: Maverick Soars
Top Gun: Maverick is a rare sequel that manages to capture the spirit of the original while updating it for a new generation. The film's stunning aerial sequences, coupled with its exploration of complex themes and character relationships, make it a worthy addition to the Top Gun legacy. While the movie may lean heavily on nostalgia at times, it still manages to stand on its own as an entertaining and emotionally resonant blockbuster. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
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“You want to dance the masque, you must service the composer. You gotta sublimate yourself, your ego, and, yes, your identity. You must, in fact, stand in front of the public and God and obliterate yourself.”
A Cinematic Masterpiece from Director Todd FieldDirector Todd Field may not be a prolific filmmaker, but his small body of work showcases his incredible talent and strong voice. After a 16-year hiatus, Field returns to the director's chair with Tár, a film that has been praised as a perfect piece of cinema and a masterful character study.
Join us – Pete Wright and Andy Nelson – as we continue the 2023 DGA Awards Outstanding Directorial Achievement in Theatrical Feature Film Nominees series with a conversation about Tár.
Conducting a Symphony of Power and Manipulation
In our discussion of Tár, we dive into the complex themes and character dynamics that make this film so compelling. We explore how the film positions Lydia Tár (Cate Blanchett) as an antagonist against youth perspectives on art versus the artist, and how her own ideology and manipulative behavior inevitably lead to her downfall.
We also delve into the gender dynamics at play in the film, with Tár using her power and position as a woman in a male-dominated field to manipulate and control those around her. Blanchett's performance is a standout, delivering a believable portrayal of a diabolical character that is rarely seen played by women in film.
Other topics covered in our conversation include:
The film's unorthodox opening credits and how they set the stage for the storyThe signature scene of Tár's guest lecture at Juilliard and how it represents the film's central themesThe inevitability of Tár's behavior and how the film builds a case for her corruption by powerThe importance of representation and understanding changing perspectives in the artsTár is a film that showcases the incredible talent of both its director and lead actress, delivering a powerful character study that explores themes of power, manipulation, and the corrupting influence of artistic genius. It's a film that is sure to spark discussion and leave a lasting impact on viewers.
We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
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You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“Everything happens for a reason.”
Spielberg's Passion Project Comes to LifeFew filmmakers have had as much impact on cinema as Steven Spielberg, but it wasn't until recently that he felt ready to tackle his most personal project yet. With the passing of his parents, Spielberg finally felt he could tell the story of his youth and early days as a filmmaker without hurting their feelings. Join us – Pete Wright and Andy Nelson – as we continue the 2023 DGA Awards Outstanding Directorial Achievement in Theatrical Feature Film Nominees series with a conversation about The Fabelmans.
A Fabelman's Home Movie Reveals Spielberg's Roots
In The Fabelmans, we see young Sammy Fabelman discovering his passion for filmmaking, learning to use the camera to confront his fears and insecurities. As he grows older, his camera becomes both a tool for artistic expression and a shield from life's challenges, including his parents' crumbling marriage. We discuss how Spielberg masterfully weaves together the threads of Sammy's personal journey with his development as a filmmaker, showcasing the power of the medium to shape perceptions and evoke emotions.
Throughout our conversation, we marvel at the film's authenticity and vulnerability, as Spielberg bares his soul on screen. We also touch on:
The exceptional performances by Gabriel LaBelle, Michelle Williams, and Paul DanoSpielberg's signature themes of broken families, fear, and the unknownThe evolution of Sammy's filmmaking techniques and understanding of the craftThe film's poignant exploration of the artist's struggle and the sacrifices they makeA Love Letter to Cinema
The Fabelmans is more than just a coming-of-age story; it's a love letter to the power of cinema and the passion of those who create it. Through Sammy's journey, Spielberg reminds us of the magic that can happen when we surrender ourselves to the movies, and the courage it takes to bring our own stories to life on screen. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
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“You’re an ambulance chaser with a rank. You’re nothing.”
This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get member content in episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.
Courtroom Drama Meets Military Ethics – and Hollywood Ethics – in Sorkin's DebutBefore A Few Good Men hit the big screen, Aaron Sorkin's riveting story about two U.S. Marines accused of murder premiered on Broadway in 1989. The play, inspired by true events but not explicitly marketed as such, caught the attention of Hollywood heavyweights, leading to the 1992 film adaptation directed by Rob Reiner. With an all-star cast including Tom Cruise, Jack Nicholson, and Demi Moore, the movie garnered critical acclaim and four Academy Award nominations, including Best Film Editing. Join us – Pete Wright and Andy Nelson – as we continue the 1993 Academy Awards Best Film Editing Nominees member bonus series with a conversation about A Few Good Men.
Unraveling the Truth Behind the Code Red
In our discussion of A Few Good Men, we dive into the central theme of the film – the tension between following orders and doing what's right. As the story unfolds, we witness the journey of Lt. Daniel Kaffee (Tom Cruise) as he navigates the complex world of military justice. We analyze how the film effectively builds suspense, particularly during the intense courtroom scenes, which showcase Sorkin's signature rapid-fire dialogue.
Throughout the episode, we highlight the performances of the stellar cast, including Jack Nicholson's iconic portrayal of Col. Nathan R. Jessup and Demi Moore's strong presence as Lt. Cdr. JoAnne Galloway. We also touch on the film's exploration of the Guantanamo Bay military base and its significance in the story, as well as the fact that the story is based on real events, despite not being explicitly marketed as a "true story."
Other Talking Points
The film's opening sequence and its impact on setting the toneRob Reiner's direction and his successful run of films in the late 80s and early 90sThe challenges of adapting a stage play for the big screenThe film's commentary on the military hierarchy and its potential for abuse of powerA Few Good Men stands as a testament to the power of storytelling, as it expertly weaves together elements of drama, suspense, and moral ambiguity. The film's thought-provoking themes, combined with its outstanding performances and skilled editing, make it a must-see for any fan of courtroom dramas or military-themed movies. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
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“It was all going fine until he chopped off all his fingers.”
In 2022, writer-director Martin McDonagh reunited with his In Bruges stars, Colin Farrell and Brendan Gleeson, to create a haunting tale of friendship, loss, and the far-reaching consequences of our actions. Set against the backdrop of the Irish Civil War in 1923, The Banshees of Inisherin was filmed on the breathtaking Achill Island and Inishmore, capturing the essence of a remote Irish community. Join us – Pete Wright and Andy Nelson – as we kick off the final series in this season of looking at films nominated in various award categories over the last 100 years – a format we've thoroughly enjoyed exploring. We begin our 2023 DGA Awards Outstanding Directorial Achievement in Theatrical Feature Film Nominees series with a conversation about The Banshees of Inisherin.A Microcosm of War and Friendship
In our discussion, we explore how The Banshees of Inisherin serves as a microcosm for the larger conflict of the Irish Civil War. The sudden dissolution of Pádraic and Colm's friendship mirrors the division and brutality of the war, with both men stubbornly refusing to reconcile. We also delve into the film's examination of the dehumanization of violence and how even the most trivial of disagreements can escalate into devastating battles.
Throughout the episode, we touch upon various aspects of the film that contribute to its brilliance, such as the powerhouse performances of Farrell, Gleeson, Kerry Condon, and Barry Keoghan; the stunning Irish landscapes that create a captivating atmosphere; and the role of animals as extensions of the characters' identities and emotional states. We also ponder the potential for this story to become a legendary tale passed down through generations, becoming an origin story for future pub conversations.
Other topics covered in our conversation include:
The exploration of blind spots in self-perception and the journey of self-discoveryThe cultural conflicts and stereotypes at play within the island communityThe tragic consequences of the characters' inability to move past their differencesThe film's seamless blending of humor and heartbreakThe Banshees of Inisherin is a masterful exploration of the complexities of human relationships and the far-reaching consequences of our actions. Martin McDonagh's deft direction, combined with the brilliant performances of the cast, makes for a film that is both thought-provoking and emotionally resonant. While the film's darker themes may not be for everyone, we found it to be a captivating and worthwhile cinematic experience. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
The Drake-Kendrick Lamar FeudWatch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
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“Don’t go chasing shadows, Arthur.”
Adapting a Classic Ghost Story for the Big ScreenThe Woman in Black, based on Susan Hill's 1983 novel of the same name, has been adapted for the stage, television, and radio. In 2012, James Watkins directed a feature film version starring Daniel Radcliffe in his first major role since the Harry Potter series. With a talented team behind the camera and a compelling lead actor, The Woman in Black aimed to bring a classic ghost story to life for a new generation. Join us – Pete Wright and Andy Nelson – as we continue the 2013 Fangoria Chainsaw Awards Best Actor Nominees series with a conversation about The Woman in Black.
Radcliffe's Post-Potter Performance and the Film's Ghostly Atmosphere
In our discussion, we explore Daniel Radcliffe's performance as Arthur Kipps, a young lawyer grappling with grief and tasked with settling the estate of the mysterious Alice Drablow. Radcliffe's portrayal marks a significant departure from his iconic role as Harry Potter, showcasing his range as an actor. We also delve into the film's effective use of atmosphere, from the eerie Eel Marsh House and causeway leading to it to the unsettling appearances of the titular specter. However, we note that the reliance on jump scares and horror tropes may detract from the overall impact of the story.
Other Topics Covered
The differences between the novel, previous adaptations, and the 2012 filmThe film's exploration of grief and lossThe effectiveness of the period setting and production designThe use of children in peril as a horror elementThe Woman in Black offers a haunting tale of a vengeful spirit and the devastating impact of loss. While the film may lean heavily on familiar ghost story conventions, it succeeds in creating a chilling atmosphere and showcasing Daniel Radcliffe's post-Potter acting chops. Despite some reservations about the ending and the reliance on jump scares, The Woman in Black remains a solid entry in the gothic horror genre and a testament to the enduring power of Susan Hill's original novel. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
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“Happy. That’s exactly my problem – that I can’t be happy. Not even when good things happen to me.”
A Gripping Spanish Psychological ThrillerSleep Tight (Mientras Duermes) is a 2011 thriller directed by Jaume Balagueró that delves into the complex themes of obsession, trust, and the violation of personal space. The film follows César, a concierge at an apartment building, and his interactions with the residents, particularly Clara. Join us – Pete Wright and Andy Nelson – as we continue the 2013 Fangoria Chainsaw Awards Best Actor Nominees series with a conversation about Sleep Tight.
A Slow Burn That Keeps You Guessing
One of the most intriguing aspects of Sleep Tight is how it gradually reveals its central mystery, keeping the audience engaged and guessing throughout the narrative. The film excels at building suspense and creating an atmosphere of unease, as it explores the lives of the apartment building's residents and the role César plays in their daily routines. We discuss how the film's pacing and the careful release of information contribute to the overall sense of tension and anticipation. It's important to note that Sleep Tight is best experienced with as little prior knowledge of the plot as possible, allowing the story to unfold in its own surprising and unsettling way.
Luis Tosar's Mesmerizing Performance
At the heart of Sleep Tight is Luis Tosar's remarkable performance as César, which earned him many accolades. Tosar's portrayal of the complex and multi-layered character is a testament to his acting prowess, as he navigates the emotional depths and motivations of César with finesse. We explore how Tosar's performance is instrumental in driving the narrative forward and keeping the audience invested in the story, even as the film takes unexpected turns.
Other topics covered in our conversation include:
The film's exploration of the blurred lines between public and private lifeThe use of claustrophobic spaces and voyeuristic elements to heighten tensionThe effectiveness of the film's conclusion and its impact on the viewerThe universal themes of loneliness, isolation, and the need for connectionSleep Tight is a masterfully crafted psychological thriller that keeps the audience on the edges of their seats until the very end. With its slow-burn approach to storytelling, atmospheric tension, and a powerhouse lead performance by Luis Tosar, the film offers a gripping and thought-provoking experience that lingers long after the credits roll. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
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The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“I like that you made the movies longer, they are better this way.”
Scott Derrickson's nightmare after watching The Ring sparked the creation of Sinister, a chilling tale that taps into the growing fascination with true crime. Co-written with his frequent collaborator C. Robert Cargill, Derrickson's film follows a true crime writer who moves his family into a house with a brutal past, only to uncover a sinister supernatural force at work. Released in 2012, Sinister arrived just as the true crime craze was gaining momentum, with podcasts and television shows exploring the darker side of human nature. Join us – Pete Wright and Andy Nelson – as we continue the 2013 Fangoria Chainsaw Awards Best Actor Nominees series with a conversation about Sinister.Ethan Hawke's Descent into Darkness
In Sinister, Ethan Hawke delivers a brooding and moody performance as a true crime writer determined to unravel the mystery behind a series of disturbing home movies. As he delves deeper into the investigation, Hawke's character becomes increasingly obsessed, putting his family in danger and blurring the lines between reality and the supernatural. We discuss how the film uses jump scares and horrific imagery to create a sense of dread and unease, keeping the audience on the edge of their seats.
Haunted Houses and Demonic Deeds
One of the key points we explore in our discussion is how Sinister subverts the "haunted house" trope. Instead of the horror being confined to a single location, the film has the demon Bughuul's influence follow the family even after they leave the murder house. This raises questions about the logic of Bughuul's actions and whether the film needed to provide a clearer explanation for his behavior. We debate the effectiveness of this approach and how it contributes to the overall sense of unease that permeates the film.
Sinister Sounds and Creepy Kids
The film's effective use of sound design and lighting to create a creepy atmosphereThe unsettling portrayal of the ghost children and their role in the murdersThe challenges of working with child actors in horror films and how Sinister handles their creepy scenesThe Verdict on Sinister
Sinister is a film that effectively taps into the growing fascination with true crime and delivers a creepy and unsettling horror experience. While the logic of Buhguul’s actions may not hold up under scrutiny, the film's strong atmosphere, effective scares, and thought-provoking themes make it a standout entry in the horror genre. We have a great time discussing the film's strengths and weaknesses, so check it out and then tune in to hear our full conversation. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
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The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. - Показать больше
