Эпизоды
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Mike is joined by co-hosts Father Malone and Chris Stachiw to sink their teeth into J.C. Chandor'a Kraven the Hunter (2024), the latest cinematic adaptation from Sony's Spider-Man universe. They dissect the film’s portrayal of the infamous anti-hero, the performances, and its place in the broader superhero genre. The trio tackles the creative choices, the film’s fidelity to its source material, and whether it brings anything fresh to the crowded landscape of comic book adaptations.
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Dive into a neon-drenched dystopia as Mike is joined by Chris Stachiw and Heather Drain to dissect Kamikaze 89! This cult oddity, directed by Wolf Grem, is the fifth adaptation of Per Wahlöö's Murder on the 31st Floor, but this version catapults the narrative into the "futuristic" world of 1989. Together, the team explores the film’s avant-garde aesthetic, its sly satire on media and power, and the iconic performance of Rainer Werner Fassbinder in a leopard-print suit. It’s a wild ride through West German sci-fi that defies convention and genre.
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Пропущенные эпизоды?
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When cult cinema maestro Jess Franco turns his lens to noir with Downtown (1975), you know you're in for a sleazy, surreal ride! Join Mike White, Heather Drain, and Jessica Shires as they unravel the tangled web of private eyes, femme fatales, and Franco’s unmistakable flair.
This Patreon-requested episode, brought to you by the fabulous Pat Radke, dives deep into one of Franco’s lesser-seen gems. Is Downtown a gritty noir, an erotic fever dream, or something in between? Tune in to find out as the crew discusses its place in Franco's prolific filmography, its unique style, and why it deserves more love.
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Mike converses with Stephen Brotherstone and Dave Lawrence, the authors of the Scarred for Life book series. They discuss the unsettling aspects of 1970s and 1980s pop culture that left lasting impressions on a generation.
From chilling public information films to haunting children's television and dystopian sci-fi, discover how these dark cultural elements shaped their acclaimed books. Tune in for a captivating discussion that blends nostalgia with insightful analysis of the media that scarred us for life.
Order your copy today at https://linktr.ee/scarredforlife
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Noirvember 2024 ends with a bang as we delve into Stephen Frears' electrifying neo-noir The Grifters. Adapted from Jim Thompson’s novel by screenwriter Donald Westlake, this razor-sharp film stars Anjelica Huston as Lily Dillon, a veteran con artist manipulating the odds at the racetrack. Her uneasy reunion with estranged son Roy (John Cusack) and his cunning girlfriend Myra (Annette Bening) sparks a volatile triangle of deception and betrayal in the high-stakes world of grifting.
Mike is joined by crime fiction experts Andrew Nette and Jedidiah Ayres to untangle this web of cons and double-crosses. Plus, executive producer Barbara De Fina and producer Peggy Rajski reveal what it took to bring this stylish, unsettling tale to life.
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Step into the weird and wonderful world of Crust as Mike sits down with actor, writer, and director Sean Whalen! Best known for his unforgettable roles in cult classics like The People Under the Stairs and Twister, Sean takes us behind the scenes of his latest venture—a bizarre and heartfelt horror-comedy about a laundromat worker, his insecurities, and a monster made from soiled socks.
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Yaniv Eidelstein and Will Youmans join Mike to discuss Avanti Popolo (1986), from writer/director Rafi Bukai. Set at the end of the Six-Day War, this poetic and darkly comedic masterpiece follows a group of Egyptian soldiers navigating the vast Sinai Desert on their journey to the Suez Canal. Along the way, they're thrust into surreal and precarious scenarios, exposing the absurdity and humanity of war.
We explore the film's rich cultural commentary and unforgettable performances. Plus, we welcome the film’s editor, Zohar Sela, who provides behind-the-scenes insights into the creative process and the enduring impact of Bukai's vision.
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Noirvember 2024 shines a spotlight on Otto Preminger’s Angel Face (1952), a twisted tale of obsession and betrayal. Robert Mitchum stars as Frank Jessup, an ambulance driver entangled with the wealthy Tremayne family. Torn between the dangerously alluring Diane Tremayne (Jean Simmons) and his steadfast girlfriend Mary (Mona Freeman), Frank is drawn into a deadly web of manipulation and deceit.
Jedidiah Ayers and Lexi Van Dyke join Mike to discuss this gripping exploration of desire and duplicity.
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On this special episode, Mike talks with actor/musician Dash Mihok a little bit about his career including his latest film, Armor (2024). The film will be in Theaters, On Digital and On Demand November 22, 2024.
Learn more at https://dashmihok.net/
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We continue Noirvember 2024 with a look at Jean Renoir’s The Woman on the Beach. Released in 1947, the film tells the tale of veteran Scott Burnett played by Robert Ryan. He’s plagued with nightmares caused by his PTSD and is assigned to the mounted division of the Coast Guard where he patrols the beach on his horse, meeting the comely Peggy Butler played by Joan Bennett. She’s married to blind painter Tod Butler played by Charles Bickford.
Otto Bruno and Robert Bellissimo join Mike to discuss this compromised film and what could have been.
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Mike welcomes filmmaker Eugenio Mira to discuss his 2004 darkly comic thriller The Birthday. Starring Corey Feldman, the film unfolds at an eerie party in a mysterious hotel, revealing a strange world where horror, surrealism, and cult menace meet. Mira dives into the film’s influences, its unique stylistic choices, and how it developed its cult status. This conversation offers an intriguing look into a forgotten gem of early 2000s genre cinema.
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Mike welcomes Bill Burke, former TCM executive and founder of The Optimism Institute, for a deep dive into cinema’s power to inspire and uplift. Drawing from Burke’s mission to champion optimism and celebrate humanity, the discussion explores his views on the role of movies in encouraging positivity and resilience. Burke shares his thoughts on TCM’s influence on film lovers and how the Institute fosters a brighter outlook in challenging times.
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Mike talks with creature and makeup effects artist Steve Newburn to explore his transformative work on Sasquatch Sunset (2024). Known for turning actors like Jesse Eisenberg and Riley Keough into life-like cryptids, Newburn shares insights into the prosthetic design and the challenges of outdoor filming in rugged settings. Newburn’s craftsmanship, honed over 30 years, takes center stage as he discusses the delicate balance of realism, comfort, and storytelling in creature design.
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Mike sits down with Mark Edlitz to dive into Movies Go Fourth, Edlitz’s latest exploration of film history that focuses on fourth installments in beloved movie franchises. Together, they explore the unique quirks, challenges, and unexpected triumphs of fourth films, from reinventions to revivals. Alongside a conversation about the power of nostalgia and innovation in filmmaking, this episode promises insights for fans of sequels, classics, and the less-charted cinematic territories of beloved series.
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On this special episode, we’re diving into the curious 1953 fantasy The 5,000 Fingers of Dr. T. Produced by Stanley Kramer, directed by Roy Rowland, and uniquely penned by Dr. Seuss, the film stars Hans Conreid as Dr. Terwilliker, a sinister piano teacher who’s devised the “Terwilliker Method” for the obedient fingers of child pianists. Tommy Rettig plays Bartholomew Collins, an imaginative boy determined to derail Dr. T's grand plans. Join Mike, playwright David MacGregor, and critic John Monaghan as they delve into the film's quirky charms, elaborate set pieces, and iconic status.
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Mike welcomes Samm Deighan and Andrew Nette, co-editors of Revolution in 35mm: Political Violence and Resistance in Cinema from the Arthouse to the Grindhouse, 1960–1990, from PM Press. The book explores revolutionary cinema across the globe. They discuss the themes and politics of the films covered in the book, highlighting how cinema has been used to challenge authority, incite change, and reflect social struggles. It’s a deep dive into cinema as a tool for revolution, with insights from two of the leading voices in the field of film criticism.
Order your copy from PM Press at https://bit.ly/3Ai6y8x
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We to kick off Noirvember 2024 with a delve into Pitfall (1948), a classic film noir directed by André De Toth, starring Dick Powell as an insurance man caught in a web of deception and danger. When Powell's character falls for Lizabeth Scott’s femme fatale, his seemingly mundane life spirals into chaos, bringing betrayal, blackmail, and murder.
Ian Brownell and Philip Marinello join Mike to explore the film’s themes of moral ambiguity, post-war disillusionment, and the pitfalls of desire in this rich discussion of this noir gem.
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Set against the sun-drenched landscapes of Baja California, this film explores a cursed tale where the desert heat and shadows of folklore merge into an atmospheric terror. Mike speaks with writer/director Jeff Daniel Phillips about his latest feature film on this special episode.
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In this episode of The Projection Booth, Mike interviews Tim Hautekiet, the director behind Me, Myself & the Void (2024). Hautekiet shares insights into crafting this surreal, introspective journey that follows a stand-up comedian as he confronts himself in a mysterious "void." Exploring themes of self-discovery, friendship, and vulnerability, Mike and Hautekiet discuss the film's influences, the creative process, and its unique balance of comedy and introspection that aims to resonate with audiences on a personal level.
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In this exciting crossover episode, Mike is joined by Chris Stachiw of The Kulturecast, Father Malone of Midnight Viewing, and filmmaker Antonio Llapur for a lively discussion of Venom: The Last Dance (2024). While Chris and Mike found a lot to admire, Father Malone and Antonio weren’t as enthusiastic, leading to a spirited exchange on what works and what misses in this unique entry in the Venom franchise.
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