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We have Robert Eggers' spooky New England childhood to thank for this brand of folk horror.
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Sources
Courtney Barnes on KCAL News: https://www.instagram.com/p/DEtPHH7SI7y/Actor Steve Guttenberg helping fire crews by moving cars near Pacific Palisades brush fire: https://www.youtube.com/watch?v=Qr5Um45iKrIEaton Fire: Nurse frustrated her parents' fire insurance was canceled by company before fire: https://www.youtube.com/watch?v=MFkYqUJ8KYc12 Major Corporations Benefiting from the Prison Industrial Complex: https://maltajusticeinitiative.org/12-major-corporations-benefiting-from-the-prison-industrial-complex-2/The Dollop
EP 572 | PG&E Part One: https://omny.fm/shows/the-dollop-with-dave-anthony-and-gareth-reynolds/572-pg-e-part-oneEP 573 | PG&E Part Two: https://omny.fm/shows/the-dollop-with-dave-anthony-and-gareth-reynolds/573-pg-e-part-twoSupport the Podcast
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Victoria and Chelsea sit down with their old master to discuss Martin Scorsese's spiritual drama SILENCE (2016). Plus we talk about MEGALOPOLIS (2024), Ivan Reitman, barrel shaped coffins, and getting torture right in movies.
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Don't dig up graves, unless you're ready for the karmic consequences.
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Princess Mononoke but for Irish folklore - Trinity College should screen this before viewing the actual the Book of Kells.
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A compelling cinematic adaptation of an academic study of social justice movements.
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A compelling cinematic adaptation of an academic study of social justice movements.
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We might be foaming at the mouth over this one, but David Cronenberg, you all right. We enjoyed this, and it's contrast to the more high-minded material of the time. (and no, that's not a READ)
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Noir. Woman-centered. Cast members names listed on headstones.
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This story serves a larger truth than the mere trivia of the Rodney Alcala murders.
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10 years after MILDRED PIERCE and Crawford hasn't aged a day. Raise a glass for Turkey, and don't forget the importance of beating Ernest.
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Warner Brothers had a hit with DOUBLE INDEMNITY (1944) then doubled down with MILDRED PIERCE (1945).
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Just about every woman at MGM found a role in this slapstick comedy about toxic friendships and what (we'd like to hope) are archaic gender dynamics.
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A film made at the height of Joan Crawford's bank-ability at MGM, SADIE McKEE (1934) is a quintessential Crawford tale of social climbing, dancing, and a working girl who makes good.
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ONLY WOMEN SHOULD MAKE HORROR MOVIES!
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Devotchka was created in an indie filmmaker's lab for movies like this.
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Are the questions the movie left us with deliberate ambiguity? Or a lapse in storytelling?
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That's not a snake in a jug of alcohol -- THIS is a snake in a jug of alcohol.
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