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In this episode of The Fog of Truth podcast, host Bart Weiss discusses the documentary 'Water Wars' with its director, Mario Mattei.
The documentary, which recently screened at the Dallas International Film Festival, delves into the complex issue of water rights in West Texas, depicting a struggle over the control and distribution of one of the most vital resources. Mattei shares insights into his dual role in the project, his creative process, and the importance of visual storytelling across various mediums.
The conversation highlights the documentary's exploration of American freedom, property ownership, and the ethical dimensions of resource sharing. The film illustrates the legal battles faced by farmers and ranchers in Hudspeth County and the broader implications for water rights across Texas. Key characters, such as the Guitar family and Laura Lynch, are discussed, offering a glimpse into the deeply personal and community-wide impacts of the water wars.
Mattei reflects on the challenges of presenting a balanced view of the conflict and the significance of water in human life. The episode sheds light on the engaging narrative and the collaborative effort behind the documentary, from pre-production to securing distribution.
00:26 Welcome to The Fog of Truth Podcast
00:37 Diving Deep with Director Mario Mattei
01:29 The Art of Visual Storytelling
03:10 Behind the Scenes of Water Wars
05:35 The Essence of Water Wars: A Story of Conflict and Resource
09:56 The Battle for Water Rights: Farmers vs. Ranchers
15:22 Navigating Legal Waters: The Fight for Fairness
18:17 The Heart of the Story: Laura Lynch's Emotional Journey
23:04 The Future of Water Wars and What's Next for Mario Mattei
26:09 Signing Off from The Fog of Truth
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Justina, Bart, and John are back! In this episode of 'The Fog of Truth', the hosts engage in a vibrant discussion about the Oscar-nominated short films. As they anticipate the Oscar celebration broadcast, they share their individual experiences and projects, including attending South by Southwest and working on book drafts. The debate opens with remarks on the absence of American-made documentaries in the best feature documentary category, celebrating international contributions instead. They meticulously review each short documentary nominee, providing insights into their themes, distribution, and impacts on audiences. The films discussed include 'The ABCs of Book Banning', 'The Barber of Little Rock', 'Island in Between', 'The Last Repair Shop', and 'Na, Nai and Wipo'. Special attention is given to the importance of storytelling, the role of major distributors in supporting short films, and the impact of these documentaries on real-world issues such as book banning, community banking, and cultural identities. The hosts express their favorites and speculate on potential Oscar winners, emphasizing the power of documentaries to frame pressing societal issues compellingly. 00:00 Introduction and Catching Up 00:51 Oscar Features and Controversies 01:35 Oscar Nominated Short Films: A Discussion 19:50 The ABCs of Book Banning: A Deep Dive 24:30 Conclusion and Final Thoughts
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Bart and John talk about two documentaries that have been playing the festival circuit and are now available at home. Bart Interviews, and Ashwin Chaudhary director of The Blind Eye Artist and Vincent Liota director of Objects.
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Justina, John and Bart review and discuss, Stanley Nelsons film The Sound of the Police.
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John Wildman, Justina Walford, and Bart Weiss talk about documentary films we watch over and over again.
John discusses "Echo in the Caynon", and Justina discusses "Fast, Cheap, and Out of Control," and Bart talked about "Primary."
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Bart Justina and John talk about true crime documraires
edited by Zac Cousineau
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After the joint review in the last Podcast, Bart interview the filmmaker Bradley Berman
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John Bart and Justina Review the Documentary Jack has a Plan.
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Bart, Justina, and John talk about 2 new documentaries centering on Pink Floyd. The first is "Squaring the Circle (the story of hipgnosis)," a film by Anton Corbijn about the legendary company that made some of the most iconic album covers but started by working with Pink Floyd. The second, "Have you Got it Yet? The Story of Syd Barett and Pink Floyd," was made by one of the founders of Hipgnosis, Storm Thorgerson and Rody Bogawa. Storm started the film years ago and passed away in 2013. Bogawa picked it up and finished it.
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Bart Justina and John talk about the Documentary "Women in the Backseat" with Director Indy Saini and one of the Motorcyclists, Tiara Shipton.
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John, Justina, and Bart talk about The Pez Outlaw, a documentary on Netflix
This is a video episode!
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Bart, Justina, and John do a video episode!
They talk about films from Sundance, Slamdance, SXSW, and Oxford Film Festivals.
And there are dogs.
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Interview with MAXEL DANIELSON & MAXIMILIEN VAN AERTRYCK, the director of "And the King said, What a Fantastic Machine, which premiered at Sundance.
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Bart Weiss and John Wildman go back to the early days of Documentary to celebrate the 101st episode of the Fog of Truth. John talks about the dogs!
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For our 100th Episode, we bring you the Best Documentaries of 2020.
We bring back one of the original hosts Christopher Llewellyn Reed, along with John Wildman and Bart Weiss.
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Justina Walford, John Wildman, and Bart Weiss discuss the 4 part series "Queer for Fear" currently running on the shudder network.
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Bart, Justina, and John review and discuss Elvis Mitchell's film "is that Black Enough for You?"
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Bart Interviews Margaret Ratliff, one of the subjects in and one of the producers of the film Subject.
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Bart Interviers Roger Stahl, director of the Documentary Theaters of War
If you've seen Top Gun or Transformers, you might suspect all that military machinery comes with strings attached. This influence is not limited to a handful of movies, though. A vast new trove of internal documents reveals that the Pentagon and CIA have doctored thousands of film and television scripts. Parting the curtains on this world, media professor Roger Stahl engages an array of other stunned scholars, frustrated veterans, PR insiders, and industry producers. He reveals in unsettling detail how the US military-industrial complex pushes a version of history that scrubs the screen of war crimes, corruption, criticism of the nuclear arsenal, racism, sexual assault, assassinations, and torture. From James Bond to Jack Ryan, Captain Marvel to Cake Boss, the creation of this other "cinematic universe" is one of the great PR coups of our time.
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