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Jonathan Sterne is one of the most influential scholars working on sound and listening. His 2003 book, The Audible Past: Cultural Origins of Sound Reproduction, had a formative influence on the then-nascent field of sound studies. His 2012 book, MP3: The Meaning of a Format, was both a fascinating cultural history and a deep meditation on the purpose of compression technology in capitalism. Today, Sterne talks to Phantom Power about his new book, Diminished Faculties: A Political Phenomenology of Impairment (Duke UP 2022). Specifically, he tells the story of the “Dork-o-phone,” a vocal amplifier he wears to give talks or communicate in loud spaces. Jonathan explains why he wears the Dork-o-phone, what it’s taught him about voice, technology, and disability, and how his experience informs Diminished Faculties’ “phenomenology of impairment.”
This is the third and final part of our series, Voices. Although you don’t need to listen to the other episodes first to enjoy this one, here are the links to part one and part two.
All of this episode’s sound art and music are performed by Jonathan Sterne and/or groups he appears in:
Cancerscapes: Recordings made during Sterne’s thyroid cancer treatment
Volte: An instrumental post rock band
The Buddha Curtain: solo electronic music
Jonathan Sterne is Professor and James McGill Chair in Culture and Technology at McGill University. He does research in sound studies; media theory and historiography; science and technology studies; new media; disability studies; music; and cultural studies.
You can read Jonathan Sterne’s cancer diaries at https://www.cancerscapes.ca.
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Last week, the press focused on what the press repeatedly characterized as an “ugly” fight between American college football players that broke out after the University of Michigan beat The Ohio State. But another story received less attention. Medrick Burnett Jr., a 20 year old from Southern California was playing his first season as a linebacker with Alabama A&M University when he sustained a head injury during the annual Magic City Classic against in-state rivals Alabama State University on Oct. 26. A month later, Burnett died. Today’s Postscript features two prominent scholars of sports raising questions about the hypocrisy of blaming players for a fight yet downplaying the death caused by playing by the rules. This remarkable conversation includes an unpacking of the “consent” to physical, psychological, and economic impacts, insight into the Foucauldian elements of discipline, punishment, and surveillance, and concrete reform suggestions for all people who watch football and/or work at universities. This nuanced conversation is for those who love or loathe football as a college sport.
Dr. Nathan Kalman-Lamb (he/him) is Associate Professor of Sociology at the University of New Brunswick and Dr. Derek Silva (he/him) is Associate Professor of Sociology and Criminology at King’s University College at Western University. They are co-authors of The End of College Football: On the Human Cost of an All-American Game published by UNC Press in 2024 – and their public-facing scholarship appears in outlets such as The Guardian and the Los Angeles Times. They are the co-hosts (with Johanna Mellis) of The End of Sport podcast.
Mentioned:
“The hypocrisy of shaming college football player brawls,” Nathan Kalman-Lamb and Derek Silva, LATimes
“A player’s foreseeable death raises existential questions for college football,”Nathan Kalman-Lamb and Derek Silva, The Guardian
“Alabama A&M football player dies a month after suffering a head injury in a game,” Pat Duggins, Alabama Public Radio
Paul Knepper’s New Books Network interview with Nathan Kalman-Lamb and Derek Silva on their 2024 book, “The End of College Football: On the Human Cost of an All-American Game”
Dr. Jill A. Fisher’s Medical Research for Hire: The Political Economy of Pharmaceutical Clinical Trials (Rutgers University Press 2008)
Dr. Erin Hatton’s Coerced: Work Under Threat of Punishment (University of California Press, 2020)
On the University of Missouri football team’s successful threat to strike if the university president didn't resign see
"The Power of a Football Boycott,” Jake New, Inside Higher Education,
The Forgotten History of Head Injuries in Sports:
Stephen Casper, a medical historian, argues that the danger of C.T.E. used to be widely acknowledged. How did we unlearn what we once knew? Ingfei Chen, The New Yorker
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Eksik bölüm mü var?
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Paloma Checa-Gismero talks about the many processes of re-evaluation, re-contextualization, and re-animation that designates an object as art. To illustrate this point, she calls our attention to the work of artists like Mierle Laderman Ukeles in the 1970s, or the 1989 exhibition titled Magiciens de la terre at the Centre Georges Pompidou in Paris. She develops the concept of aesthetic conversions in her new book about the histories and geographies of art biennials, which, in the post cold war world, converted subaltern aesthetic genealogies into forms that were legible to a nascent cosmopolitan global elite.
Paloma Checa-Gismero is a historian of global contemporary art. She is Assistant Professor of Art History at Swarthmore College. Originally trained as an artist, she has been an active art critic since 2009. Her scholarship and criticism have been published in Afterall, FIELD, Third Text, The Journal of Modern Craft, among others. She is the author of Biennial Boom: Making Contemporary Art Global (Duke University Press, 2024).
Image: © 2023 Saronik Bosu. It is a tilted and warped version of the capital letter B that spills out of the frame, its three parts in maroon, violet, and deep green, against a yellow ochre background.
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In one of the first books to ask head-on what it means for Israel to be a Jewish state, Yaacov Yadgar delves into what the designation "Jewish" amounts to in the context of the sovereign nation-state, and what it means for the politics of the state to be identified as Jewish. The volume interrogates the tension between the notion of Israel as a Jewish state--one whose very character is informed by Judaism--and the notion of Israel as a "state of the Jews," with the sole criterion the maintenance of a demographically Jewish majority, whatever the character of that majority's Jewishness might or might not be.
The volume also examines Zionism's relationship to Judaism. It provocatively questions whether the Christian notion of supersessionism, the idea that the Christian Church has superseded the nation of Israel in God's eyes and that Christians are now the true People of God, may now be applied to Zionism, with Zionism understood by some to have taken over the place of traditional Judaism, rendering the actual Jewish religion superfluous.
To Be a Jewish State: Zionism as the New Judaism (NYU Press, 2024) deeply informs the democratic crisis in Israel, discussing whether Jewish laws put into effect by the state or political moves made to ensure a Jewish majority can be seen as undermining democracy. In our current era, with nationalism resurging, To Be a Jewish State urges a critical re-assessment of the very meaning of modern Jewish identity.
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Challenging mainstream narratives in political economy, the new book Feminist Political Economy: A Global Perspective (Agenda Publishing, 2023) serves as an introduction to a new era of critical research. It is written by Prof. Sara Cantillon, Dr. Sara Stevano and Prof. Odile Mackett, who have carried out incredible work to deconstruct gender-blind approaches in contemporary economic research. The book brings together the most important topics in political economy and demonstrates why feminist approaches are crucial to understanding social relations. It begins with an overview of feminist political economy and then offers a nuanced perspective on care, social reproduction, inequalities in households and labour markets, and the feminisation of poverty. As mentioned in the podcast, the book not only takes a feminist approach to theory, but is also an example of the practice of feminist research, focusing for example on female scholars.
The host, Sarah Vogelsanger, is a feminist researcher, who is interested in social justice, critical migration studies and political ecology.
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The publication of Theory and Society in 2024 bought to conclusion a three volume collection of The Selected Writings of Zygmunt Bauman. Preceded by Culture and Art in 2021 and Politics and History in 2023 (all published by Polity Press) these volumes presented essays which either had never been published before, were being made available in English for the first time, or had previously been published but were not well known. The books were hugely influential contributions for scholars of Bauman, who now had access to new texts, in some cases ones which encouraged some rethinking of his project, as well as scholars in social theory, the history of sociology and the themes of each volume. All the volumes were edited by four scholars, three of whom joined me for this podcast: Dariusz Brzeziński, Tom Campbell and Jack Palmer (Mark Davis makes up the team) to discuss the series, including an in-depth discussion of Theory and Society.
As we discuss in the episode, the availability of these texts, especially the translations from Bauman’s pre-exile works in Poland encourage us to look at Bauman’s work as one continuous project founded around a project of humanism and what the editors term the ‘Camus-Gramsci-Mills axis’ which defines his work. But, it also opens new ways of placing Bauman as, for example a scholar of futures and the history of sociology and social thought. We also discuss the significance of the translations of Bauman’s work (performed by Katarzyna Bartoszynska), how the opening of the Janina and Zygmunt Bauman papers at the University of Leeds provided a prompt for this project and the relation between Bauman’s work and life circumstances. I also ask the editors to pick their favourite essay from the series.
Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and is the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan), among other books.
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Leyla Ozgur Alhassen’s book Qur’anic Stories: God, Revelation and the Audience (Edinburgh University Press, 2021) provides excellent analyses of several Qur’anic surahs, or chapters, to explore how Qur’anic stories function as narratives – but not just any kind of narratives: narratives with a theological purpose behind them.
The specific stories she looks at include those of Maryam, Yusuf, and Musa primarily. Alhassen analyzes the literary themes present in these different chapters, such as the themes of control, knowledge, semantic echoes, and consonance, or themes of family, judgment, evidence, and secrets – whether it’s secrets that the text is withholding from the reader or secrets that characters are keeping from each other. One of the most important contributions that the book makes is to offer one possible and convincing explanation for why stories of the same characters are told in different ways in different chapters of the Qur’an. For example, God is woven into some stories as both a character and an omniscient narrator depending on the larger theme of the surah and the placing of the story; in some instances, God as the omniscient narrator shows the words of a beloved, righteous character as true, thus making a theological statement. Alhassen argues that in such renderings of a story, where it becomes unclear whether a certain quote is God’s or a character’s, the point the text is making there is that God merges His (or Her) words with characters as a reward from God. Other theological statements that the stories seem to be making are that they reveal some insight into divine intent.
In this interview, we discuss the origins of the book, how the Qur’an establishes structure and how Qur’anic stories serve as narratives, the main points of each chapter and story, and whether, and how, if at all, it matters that the Qur’an doesn’t give us identical quotes from characters in the various renditions of their stories in order to make an important stylistic choice.
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Margaret Ziolkowski’s Mega-Dams in World Literature: Literary Responses to Twentieth-Century Dam Building (University of Wyoming Press, 2022) reveals the varied effects of large dams on people and their environments as expressed in literary works, focusing on the shifting attitudes toward large dams that emerged over the course of the twentieth century. Ziolkowski covers the enthusiasm for large-dam construction that took place during the mid-twentieth-century heyday of mega-dams, the increasing number of people displaced by dams, the troubling environmental effects they incur, and the types of destruction and protest to which they may be subject.
Using North American, Native American, Russian, Egyptian, Indian, and Chinese novels and poems, Ziolkowski explores the supposed progress that these structures bring. The book asks how the human urge to exploit and control waterways has affected our relationships to nature and the environment and argues that the high modernism of the twentieth century, along with its preoccupation with development, casts the hydroelectric dam as a central symbol of domination over nature and the power of the nation state. Beyond examining the exultation of large dams as symbols of progress, Mega-Dams in World Literature takes a broad international and cultural approach that humanizes and personalizes the major issues associated with large dams through nuanced analyses, paying particular attention to issues engendered by high modernism and settler colonialism.
In this episode, Ibrahim Fawzy interviews Margaret Ziolkowski about the symbolism of mega-dams, the environmental and social consequences of dam building, as well as the role of literature in critiquing those consequences.
Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature
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Antoinette Burton's Gender History: A Very Short Introduction introduces the field of gender history--its origins, development, reception, recalibrations, and frictions. It offers a set of working definitions of gender as a descriptive category and as a category of historical analysis, tracing the emergence, usage, and applicability of these entwined subjects across a range of times and places since the 1970s.
Inevitably political, gender history has taken aim at the broader field of historical narrative by asking who counts as a historical subject, what difference gender makes, and how attention to it subverts reigning assumptions of what power, culture, economics, and identity have been in the past--and what they are today. The book explores how gender analysis has changed interpretations of the histories of slavery, capitalism, migration, and empire.
As a field, gender history has been extraordinarily influential in shaping several generations of scholars and students. The fact that its early emphasis on the relationship between masculinity and femininity was part of a larger set of challenges to universal history by poststructuralism, postmodernism, and postcolonialism positions it at the heart of some of the most fractious intellectual debates of the late twentieth and early twenty-first centuries. And, as part of the movement toward gender equality that is key to modern western progress, gender history has been caught up in the culture wars that continue to shape post-global society. What is intriguing and ultimately defining about gender history is the way that the centrality of gender, so important for revealing how identity is structured in and through regimes of power, has been unable to hold its own over the half century of the field's own history. The practice of gender history has always run up against the forces of race, class, and sexuality that challenge the singularity of gender itself as an explanatory category of historical analysis. That powerful, unruly tension is at the heart of this Very Short Introduction.
Antoinette Burton is a feminist historian of 19th and 20th century Britain and its empire, and Director of the Humanities Research Institute at the University of Illinois. She is also the Principal Investigator for Mellon Foundation grants which support The Odyssey Project and the 16-partner consortium, Humanities Without Walls. In 2023 she was appointed to the Board of Illinois Humanities. She also serves as the chair of the Faculty Board of the University of Illinois Press.
Her most recent book, Biocultural Empire: New Histories of Imperial Lifeworlds is available open-access here.
Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network.
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Domestic Service in the Soviet Union: Women's Emancipation and the Gendered Hierarchy of Labor (Cambridge University Press, 2024) by Dr. Alissa Klots is the first to explore the evolution of domestic service in the Soviet Union, set against the background of changing discourses on women, labour, and socialist living. Even though domestic service conflicted with the Bolsheviks' egalitarian message, the regime embraced paid domestic labor as a temporary solution to the problem of housework.
Analyzing sources ranging from court cases to oral interviews, Dr. Klots demonstrates how the regime both facilitated and thwarted domestic workers' efforts to reinvent themselves as equal members of Soviet society. Here, a desire to make maids and nannies equal participants in the building of socialism clashed with a gendered ideology where housework was women's work. This book serves not only as a window into class and gender inequality under socialism, but as a vantage point to examine the power of state initiatives to improve the lives of household workers in the modern world.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In this fascinating interview, Nathanael J. Homewood discusses his new book,Seductive Spirits: Deliverance, Demons, and Sexual Worldmaking in Ghanaian Pentecostalism (Stanford University Press, 2024).
Pentecostalism, Africa's fastest-growing form of Christianity, has long been preoccupied with the business of banishing demons from human bodies. Among Ghanaian Pentecostals, deliverance is primary among the embodied, experiential gifts—a loud, messy, and noisy experience that ends only when the possessed body falls to the ground silent and docile, the evil spirits rendered powerless in the face of the holy spirit-wielding-prophets. And nowhere is Ghanaian Pentecostal obsession with demons more pronounced than with sexual demons. Homewood examines the frequent and varied experiences of spirit possession and sex with demons that constitute a vital part of Pentecostal deliverance ministries, offering insight into these practices assembled from long-term ethnographic engagement with four churches in Accra, the capital of Ghana.
Relying on the uniqueness of the Pentecostal sensorium, this book unravels how spirits and sexuality intimately combine to expand the definition of the body beyond its fleshy boundaries. Demons are a knowledge regime, one that shapes how Pentecostals think about, engage with, and construct the cosmos. Deliverance Pentecostals reiterate and tarry with the demonic, especially sexually, as a realm of invention whereby alternative ways of being, sensing, and having sex are dreamed, practiced, and performed. Ultimately, Homewood argues for a distinction between colonial demonization and decolonial demons, charting another path to understanding being, the body, and sexualities.
Nathanael Homewood is the Associate Director of Religious Studies at the University of Minnesota. His areas of specialty are global Christianity, religion and sexuality, African religion, and Pentecostalism. He has earned a B.A. in Political Science at the University of Western Ontario, an M.Div in Global Christianity from Yale Divinity School, an M.A. and Ph.D. in Religious Studies from Rice University.
Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network.
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Do you obsess over your partner's flaws? Does thinking about the future of your relationship leave you imagining the worst-case scenario? When it comes to navigating the world of romantic relationships, some feelings of anxiety, doubt, and fear are to be expected. But if your fears so extreme that they threaten to destroy an otherwise healthy relationship, you may have relationship OCD--a form of obsessive-compulsive disorder (OCD) that causes chronic obsessive doubt and anxiety in relationships. So, how can you free yourself to discover deeper intimacy and security?
Relationship OCD (New Harbinger, 2022) offers an evidence-based, cognitive behavioral approach to finding relief from relationship anxiety, obsessive doubt, and fear of commitment. You'll learn to challenge the often-distorted thought patterns that trigger harmful emotions, increase your ability to think rationally, and ultimately accept the presence of intrusive thinking while maintaining the values of a healthy relationship.
Relationships are the ultimate unknown. If you're ready to let go of needing to know for sure, this book will help you find satisfaction and thrive in your romantic relationships--in all their wonderful uncertainty.
For more:
The Center for Anxiety and OCD Website
The ROCD Masterclass
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Maya Shleifer is a multi-disciplinary author, illustrator, and designer who has illustrated over a dozen children's books. Drawing helped Maya survive a difficult childhood in the Soviet Union, but only after becoming a mother did she begin to realize a growing passion for illustrating, and subsequently writing her own, picture books. We discuss her recent, award-winning picture book, The Giant's House, which has been translated into several languages (for example La maison du géant, Des Elephant, 2022), as well as A Lion Named Anna (published in Hebrew), and Too Many Golems, written by Jane Yolen, which she recently illustrated.
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“You’re in our world now.” This bold tagline led Sony’s 1999 ad blitz for EverQuest (Boss Fight Books, 2024), the year’s most anticipated massively multiplayer game. Though just five words long, it challenged players to live in a virtual world beyond anything they’d experienced before—and delivered. The game that proved the MMORPG’s potential, EverQuest outsold all prior entries in the genre and was the most popular subscription game in North America for five years until Blizzard’s World of Warcraft overthrew it. Yet EverQuest lives on, with tens of thousands of players logging in every day.
Based on new interviews with EverQuest developers and veteran MMORPG developers, journalist Matthew S. Smith explores EverQuest's unlikely creation at a studio built to develop sports games, a rocky release which overwhelmed the game’s ill-prepared datacenter, the enticing game loops that placed EverQuest in a media firestorm around gaming addiction, and the real-money black market for EverQuest items that foretold the future of digital goods.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Titel kulturmagazin, radio host of “Replay Value”, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
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Listen to this interview of Bran Selic, President and Founder, Malina Software Corporation, Canada. We talk about publishing at ECMFA — that is, at the European Conference on Modelling Foundations and Applications.
Bran Selic : "My experience in both industry and academia has taught me that most innovation actually comes from industry, because industry practitioners live in a competitive environment: it's, advance the state-of-the-art, or die. This forces practitioners to innovate in very pragmatic ways, meaning, to innovate with their products and in their domains. So, that is why I see the role of conferences like ECMFA as serving as a place where researchers can explore how innovations might be generalized, systematized, and ultimately, more clearly understood."
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The engaging story of Intellivision, an overlooked videogame system from the late 1970s and early 1980s whose fate was shaped by Mattel, Atari, and countless others who invented the gaming industry. Astrosmash, Snafu, Star Strike, Utopia—do these names sound familiar to you? No? Maybe? They were all videogames created for the Intellivision videogame system, sold by Mattel Electronics between 1979 and 1984. This system was Atari’s main rival during a key period when videogames were moving from the arcades into the home. In Intellivision: How a Videogame System Battled Atari and Almost Bankrupted Barbie® (MIT Press, 2024), Tom Boellstorff and Braxton Soderman tell the fascinating inside story of this overlooked gaming system. Along the way, they also analyze Intellivision’s chips and code, games, marketing and business strategies, organizational and social history, and the cultural and economic context of the early US games industry from the mid-1970s to the great videogame industry crash of 1983. While many remember Atari, Intellivision has largely been forgotten. As such, Intellivision fills a crucial gap in videogame scholarship, telling the story of a console that sold millions and competed aggressively against Atari. Drawing on a wealth of data from both institutional and personal archives and over 150 interviews with programmers, engineers, executives, marketers, and designers, Boellstorff and Soderman examine the relationship between videogames and toys—an under-analyzed aspect of videogame history—and discuss the impact of home computing on the rise of videogames, the gendered implications of play and videogame design at Mattel, and the blurring of work and play in the early games industry.
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.
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Over 4.5 billion years, Earth's climate has transformed tremendously. Before our more temperate recent past, the planet swung from one extreme to another--from a greenhouse world of sweltering temperatures and high sea levels to a "snowball earth" in which glaciers reached the equator. During this history, we now know, living things and the climate have always influenced and even shaped each other. But the climate has never changed as rapidly or as drastically as it has since the Industrial Revolution.
In The Story of Earth's Climate in 25 Discoveries: How Scientists Found the Connections Between Climate and Life (Columbia University Press, 2024), Donald R. Prothero explores the astonishing connections between climate and life through the ages, telling the remarkable stories of the scientists who made crucial discoveries. Journeying through the intertwined evolution of climate and life, he tackles questions such as: Why do we have phytoplankton to thank for the air we breathe? What kind of climate was necessary for the rise of the dinosaurs--or the mammals, their successors? When and how have climatic changes caused mass extinctions? Prothero concludes with the Ice Ages and the Holocene, the role of climate in human history, and the perils of anthropogenic climate change. Understanding why the climate has changed in the past, this timely book shows, is essential to grasping the gravity of how radically human activity is altering the climate today.
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Emanuela Trevisan Semi’s Taamrat Emmanuel: An Ethiopian Jewish Intellectual, Between Colonized and Colonizers (Centro Primo Levi, 2018) is an insightful biographical study of a key figure among Ethiopian Jews of the early 20th Century.
Taamrat Emmanuel was profoundly fascinated by European Jewish culture, by Western thought, and by Italy’s language and customs. …His free spirit, his independence and critical thinking, his suspicion of power, his sarcasm, and his irony flowered and were nurtured during his years in Italy as a young man.
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This study of organizing and decluttering professionals helps us understand—and perhaps alleviate—the overwhelming demands society places on our time and energy.
For a widely dreaded, often mundane task, organizing one’s possessions has taken a surprising hold on our cultural imagination. Today, those with the means can hire professionals to help sort and declutter their homes. In More Than Pretty Boxes: How the Rise of Professional Organizing Shows Us the Way We Work Isn't Working (University of Chicago Press, 2024), Carrie M. Lane introduces us to this world of professional organizers and offers new insight into the domains of work and home, which are forever entangled—especially for women.
The female-dominated organizing profession didn’t have a name until the 1980s, but it is now the subject of countless reality shows, podcasts, and magazines. Lane draws on interviews with organizers, including many of the field’s founders, to trace the profession’s history and uncover its enduring appeal to those seeking meaningful, flexible, self-directed work. Taking readers behind the scenes of real-life organizing sessions, More Than Pretty Boxes details the strategies organizers use to help people part with their belongings, and it also explores the intimate, empathetic relationships that can form between clients and organizers.
But perhaps most importantly, More Than Pretty Boxes helps us think through an interconnected set of questions around neoliberal work arrangements, overconsumption, emotional connection, and the deeply gendered nature of paid and unpaid work. Ultimately, Lane situates organizing at the center of contemporary conversations around how work isn’t working anymore and makes a case for organizing’s radical potential to push back against the overwhelming demands of work and the home, too often placed on women’s shoulders. Organizers aren’t the sole answer to this crisis, but their work can help us better understand both the nature of the problem and the sorts of solace, support, and solutions that might help ease it.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of space, behavior, and identity. He is currently conducting research about the negotiation that humans make between their identity and the spaces they inhabit. To learn more about Michael O. Johnston you can go to his personal website, Google Scholar, Bluesky @professorjohnst.bsky.social,Twitter @ProfessorJohnst, or by email at [email protected].
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In Civil Rights in Bakersfield: Segregation and Multiracial Activism in the Central Valley (University of Texas Press, 2024), Oliver Rosales uncovers the role of the multiracial west in shaping the course of US civil rights history. Focusing on Bakersfield, one of the few sizable cities within California’s Central Valley for much of the twentieth century in a region most commonly known as a bastion of political conservatism, oil, and industrial agriculture, Rosales documents how multiracial coalitions emerged to challenge histories of racial segregation and discrimination. He recounts how the region was home to both the historic farm worker movement, led by César Chávez, Dolores Huerta, and Larry Itliong, and also a robust multiracial civil rights movement beyond the fields. This multiracial push for civil rights reform included struggles for fair housing, school integration, public health, media representation, and greater political representation for Black and Brown communities. In expanding on this history of multiracial activism, Rosales further explores the challenges activists faced in community organizing and how the legacies of coalition building contribute to ongoing activist efforts in the Central Valley of today.
*At around 1:07:00, Oliver said Teresa Rodriguez instead of the correct name, Rebecca Flores.
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