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Tyler Coates joins Katey to talk about why the Oscars and politics are so eternally entwined, and how no matter what happens in Tuesday's election, the impact will be felt throughout the season. The episode also includes a conversation with June Squibb, the 94-year-old star of the summertime hit Thelma, who has a lot of wisdom about tackling physical challenges small and large and putting her trust in a first-time director.
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Katey talks to Civil War star Kirsten Dunst about her powerful work in the Alex Garland thriller, and how she decides when it’s worth taking on a movie when she’s got two young boys demanding her attention at home. The episode also features a conversation with New Yorker staff writer and author Michael Schulman about the big narratives driving this year’s awards season, from the breakout stars to the movie that’s a metaphor for the Oscars themselves.
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Listen in on our live panel event at the Montclair Film Festival, featuring awards season speculation from Chris Murphy and Chris Rosen and true insider insight from Sony Pictures Classics co-president and co-founder Tom Bernard. Then Katey sits down with Stephen Colbert, who hosts some of the most high profile onstage events of the festival, and his wife Evie McGee Colbert, the president of Montclair Film.
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With the best picture race still anyone's game, This Had Oscar Buzz co-host Chris Feil joins Katey to ask the big questions that will determine the race, from how international voters play into it to what Clint Eastwood might have in store. Then, Katey talks to Morgan Neville, the Oscar-winning documentarian whose new film Piece by Piece he's calling a work of "creative nonfiction" than a documentary — though he finds all the rules about that pretty silly anyway.
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Now going toe to toe with Colin Farrell in the HBO series The Penguin, Cristin Milioti has emerged on the other side of the Hollywood strikes knowing more about what she wants from this business — even if she knows it's "crazy-making and bad for us all."
The episode also includes a conversation with Vanity Fair's Chris Murphy about his recent cover story on Wicked stars Ariana Grande and Cynthia Erivo, and what to expect from an awards season full of musicals, including Emilia Perez, Moana 2, Mufasa and even the ill-fated Joker: Folie á Deux.
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Chris Sanders, the writer and director of The Wild Robot, explains the groundbreaking technology that allows his animated film to look like it's hand-painted — because it is! Plus, Jordan Hoffman joins for a conversation about the New York Film Festival, the buzz around Nickel Boys and what makes this festival unlike any other in the fall schedule.
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The titular stars of the road trip documentary Will & Harper, Will Ferrell and Harper Steele are reuniting to talk about the film with eager audiences around the country— and they’re still busy trying to make each other laugh, too.
The episode also includes a conversation between Katey and The Ankler’s Richard Rushfield about the biggest burning questions of awards season, from whether this is finally Netflix’s year to the relevance of the Golden Globes.
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Elaine Low joins Katey for a dispatch from Emmys weekend parties, and a look at how this year's Emmy results might tell us where Hollywood is headed next. Then Katey catches up with Emilia Perez star Karla Sofia Gascon, who already won a best actress prize at Cannes for her breakthrough role in the film. She's freshly home from Telluride and Toronto and is gearing up for a lot more attention this season — whether or not she's ready for the red carpet fashion that goes with it.
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Hello TIFF! For Prestige Junkie's inaugural year in Toronto we teamed up with TIFF to present this live edition of the podcast. First Katey is joined by Vulture's Joe Reid to look back at the festival thus far, with plenty of buzzy best actress performances and a coveted audience award on the line. Then Hugh Grant joins Katey to discuss his new A24 thriller Heretic but also so much more, from how he's learned to weather social media storms to the imitation Meryl Streep does of him on set when he's worried about a close-up. Heretic opens in theaters on November 15.
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Katey is joined by Indiewire’s David Ehrlich to run down the highlights of the Telluride and Venice Film Festivals, which already have awards season running at full speed— and we haven’t even gotten to Toronto yet. The episode also includes a conversation with Willa Fitzgerald, the star of the summer’s breakout thriller Strange Darling. She gets into spoilers about this very twisty movie at the 52 minute mark, so be warned!
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The prolific producer, whose new project Fight Night debuts on Peacock September 5, has built a career on entertaining audiences Hollywood often overlooks. He shares a few secrets of how he's done it, and how surviving the TikTok era and the post-strike industry requires some optimism — but also willingness to take risks.
The episode also includes a look ahead to the Telluride Film Festival with guest co-host Sean Fennessey, and some speculation about how Challengers might make a slow awards-season comeback.
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The Emmy nominee and star of Fallout and the upcoming White Lotus season three looks back at what drove him to make a living in Hollywood, how he and Jonathan Nolan crossed paths at the Oscar nominee luncheon years before teaming up for Fallout, and what keeps him coming back to film and TV sets.
The episode also includes a conversation between Katey and Gold Derby's Chris Rosen about the state of play in the Emmys race, the most competitive categories, and how the presence of Meryl Streep upends any awards season.
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The Slow Horses Emmy nominee describes the surprising joys of being part of a television show that's already filmed five seasons, with more on the way, and how it brings him back to his roots in the theater. But before that, guest co-host Tyler Coates joins Katey to dig into the true inner workings of awards season, which controversies might still be on the horizon, and why some things about the process may never change no matter what.
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David Canfield joins Katey Rich to look at the films that have already built a strong base of awards season support, from early year standouts like Sing Sing and Anora to upcoming hopefuls like Gladiator 2 and The Wild Robot. Then Katey talks to Nikki Glaser, who earned her first-ever Emmy nomination for her hit standup special Someday You'll Die, and is still trying to figure out what to do with her new level of fame following the Tom Brady roast.
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Chris Feil joins Katey to break down all the premieres announced for festivals in Venice, Toronto and beyond, and go deep on William S. Burroughs's Queer, soon to be a film from Luca Guadagnino. Then, Katey talks to songwriters Benj Pasek and Justin Paul, who are Emmy-nominated for their Only Murders in the Building original song "Which of the Pickwick Triplets Did It". They will be in the extremely rare class of EGOT winners if they take home the Emmy — but they have to get past their friend and collaborator Sara Bareilles first.
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Rob Long, the host of the Martini Shot podcast, joins Katey Rich to talk about what it's really like when you're nominated for an Emmy, and why in an era of endless uncertainty in Hollywood, awards might actually mean more than ever. Then Katey talks to Moses Ingram, the star of the new Apple TV+ series Lady in the Lake, about coming home to Baltimore to make the show, and how her co-star Natalie Portman has shown genuine allyship as they hit the promotional circuit together.
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Jordan Hoffman joins Katey Rich to discuss the highlights of this year’s Emmy nominations, from FX getting even better news than expected to the shutout for a recent Oscar winner. Plus, Shogun creators Rachel Kondo and Justin Marks join Katey to reflect on the unlikely road to 25 nominations — and how they wish they were celebrating.
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The star and executive producer of the new film Sing Sing talks about the fearless collaboration required to make the movie, both with the director Greg Kwedar and his co-stars, many of whom were formerly incarcerated members of the theater program at the heart of the film.
The episode also includes a conversation between Katey Rich and Gold Derby’s Chris Rosen about their final Emmy nomination predictions, and which shows might surprise us when the nominations are announced next week.
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The writer and director Michael Sarnoski says that before he said yes to directing the spinoff A Quiet Place: Day One, he had to be certain he could bring something personal to the franchise world created by John Krasinski. On this week's episode he tells Katey Rich how he did just that, and found remarkable box office success in the process.
But before that, The Ringer's Joanna Robinson joins Katey Rich for our first Oscar flashback, celebrating the 35th anniversary of sex lies and videotape and the indie film boom it inspired. Joanna and Katey look back at Steven Soderbergh's autobiographical inspirations, the performances that hold up the best, and why the Oscars weren't quite ready for this movie, even if they would be now.
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