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On this episode of Queer Cinema Catchup, Joe and Allison discuss the 1996 British film 'Beautiful Thing,' directed by Hettie Macdonald and written by Jonathan Harvey. Listen as they discuss the raw, surprising scenes that make this film about first queer love in a working-class setting so powerful; delve into Jonathan Harvey's unexpected inspiration for creating this play-turned-film; and compare and contrast 'Beautiful Thing' with other queer narratives, particularly the dark and impactful novel 'Young Mungo' by Douglas Stuart.
01:32 Personal Reflections and Reddit Reactions
04:19 Plot Summary and Character Analysis
16:07 Critical Reception and Audience Opinions
28:14 The Most Powerful Moment of the Film
36:10 Jonathan Harvey's Inspiration and Class Themes
40:08 Comparing 'Beautiful Thing' and 'Young Mungo'
51:03 Out First Queer Movie Experiences
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Fall is almost here, and so is Queer Cinema Catchup's review of Tim Burton's Beetlejuice Beetlejuice (with some thoughts on the original thrown in for good measure, too)!
Hosts Joe and Allison delve into the impact of Tim Burton's work, focusing on Winona Ryder's iconic roles and heartfelt interviews. They discuss the sequel to Beetlejuice, as well as the cultural impact of the original film and Burton's unique style. Their conversation contrasts the Hollywood journeys of Winona Ryder in the 80s and 90s with Jenna Ortega in the late 2010s and early 2020s, examining the agency (or lack thereof) of the
ingénue. Later, they consider Beetlejuice Beetlejuice as a Burton's commentary on the pressure to create bigger and better sequels.
01:28 Beetlejuice Beetlejuice: First Impressions
02:14 Revisiting the Original Beetlejuice
04:23 The Sequel's Plot and Reactions
19:17 Tim Burton's Legacy and Collaborations
48:39 Guessing Game: Counting Tim Burton Films
48:46 Johnny Depp's Burton Roles
50:19 Winona Ryder: A Deep, Affectionate Dive
01:00:35 Winona Ryder and Jenna Ortega: A Bond
01:11:28 Beetlejuice Sequel Development
01:16:23 Catherine O'Hara's Timeless Appeal
01:22:35 Beetlejuice Beetlejuice Beetlejuice: A Threequel?!
01:33:55 Final Thoughts and a Green Cake Melting in the Rain
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Joe and Allison are joined by Tomatometer-approved Rotten Tomatoes critics Nick and Joseph of Fish Jelly Film Reviews in this week's episode of Queer Cinema Catchup. Together, they unpack the 1959 film Suddenly, Last Summer based on the Tennessee Williams play; directed by Joseph L. Mankiewicz; written by Gore Vidal, Mankiewicz, and Williams; and starring Elizabeth Taylor, Katharine Hepburn, and Montgomery Clift.
Listen as they discuss the behind-the-scenes queerness of this already queer movie (3:09); the central metaphor of the film and what it says about the implied queer identity of one of its major (albeit dead) characters (7:20); the deeper, darker implications of Elizabeth Taylor's famous white bathing suit (19:41); how the film got around the Hays Code (21:48); whether or not the coded and negative representation of the film is damaging (29:11); the connection between Tennessee Williams' personal history and the plot of the film (34:07); and how Katharine Hepburn's performance inspired Anthony Hopkins (39:50).
Thanks very much to Joseph and Nick for joining us; you can hear more of their reviews on their youtube channel and podcast.
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It's a Queer Cinema Catchup double feature centering around two music biopics with a surprising connection: 8 Mile and Rocketman. Listen to Joe and Allison compare and contrast these films. They'll analyze Eminem's relationship to queerness; Elton John's dark grappling with addiction and identity; and the time they got to see Elton John together. Hear all that and more on this week's episode, and please send your thoughts, questions, and suggestions to [email protected].
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Joe and Allison talk growing up as they unpack Sean Wang's new coming-of-age film Dìdi. In this episode of Queer Cinema Catchup, your hosts reveal their old AIM screennames (00:23); discuss Sean Wang's filmmaking influence and style (8:19, 22:17); praise the exceptionally talented and wise actress, director, writer, and producer Joan Chen (27:23); compare the role that certain heart-wrenching questions play in Dìdi and its coming-of-age antecedent Eighth Grade (34:04); consider how cultural identity and marginalization impacts the teenage years (45:25); and get real about the cringe and the difficulty of their own journeys toward adulthood (52:31). Email your thoughts, suggestions, and questions to [email protected].
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Allison and Joe return to their inherently queer (because they are queer), movie-making origins (because they made movies together in the backyard once upon a time) by discussing their OG filmmaking muse: M. Night Shyamalan. Hear our thoughts on M Night's latest film Trap, as well as our hot takes on nepotism in the film industry, Shyamalan's long and controversial career, and whether or not Josh Hartnett is a "gay millennial root" or even...attractive?!
https://www.vulture.com/2024/08/was-josh-hartnett-a-millennial-gay-root-an-investigation.html
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In their first video podcast (available on their YouTube channel @QueerCinemaCatchup), Joe and Allison break down the commercial-flop-turned-cult-classic Connie and Carla written by Nia Vardalos of My Big Fat Greek Wedding fame (who stars in the film alongside the Oscar-nominated Toni Colette). Hear all about Allison and Joe's relationship (or lack thereof) to drag (5:09); Vardalos's long and surprising career (11:59); how sexism may have played a role in Allison's preconceptions about said career (26:58); the exploration of homophobia in this progressive-for-the-time film (36:30); the disappointing critical response to the film that persists to this day (42:33); and how a TikTok clip of Harvey Fierstein speaking with Barbara Walters made Joe and Allison feel inspired and grateful for artists like Nia who are brave enough to create stories that push the culture forward (1:00).
https://www.tiktok.com/@_dofd/video/7393327709595766059
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The excellent writer and wonderful friend Hayley Sigmon joins Allison and Joe on this week's Queer Cinema Catchup. Listen as they delve into Luke Gilford's National Anthem. Over the course of the episode, they'll unpack the disconnect between their negative reactions and the critical praise the film has received (9:30; 26:10); the ways in which Luke's own history does and does not make its way into the narrative (22:17); the history of the Gay American Cowboy (35:48); and their invention of a trope to rival the Manic Pixie Dream Girl known as the Shy, Soulful, Tortured Twink (43:55).
https://www.brandeis.edu/writing-program/write-now/2021-2022/miller-hana/index.html
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In this episode of Queer Cinema Catchup, Joe and Allison delve into Oz Perkins' Longlegs. They cover scary and silly Nicolas Cage moments; Neon's marketing trickery; and queer subtext (with some help from Them's Samantha Allen and her excellent analysis of gender, the horror genre, and Longleg's connection to the closeted star of Psycho Anthony Perkins). Check it out and send your thoughts to [email protected].
https://www.them.us/story/longlegs-movie-queerphobic-criticism-oz-perkins
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This week, Allison and Joe are on location in Chicago discussing Ti West's latest film MaXXXine with some lovely and insightful guests. Join them on the shore of Lake Michigan as they break down the plot and follow them back to the mean streets of Hollywood (54:45) to hear some in-depth analysis of the film's queer-coded character and symbolic representations of fame as well as some insight into why they can't choose beautiful Chicago over dirty LA at the end of the day. Please note that MaXXXine is rated R and so is this episode of Queer Cinema Catchup.
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Julio Torres' film Problemista teaches Joe and Allison some important lessons about standing up for yourself and trusting Tilda Swinton even (or maybe especially) if she's the bad guy. Hear more by listening to this week's Queer Cinema Catchup and email us your thoughts at queercinemacatchup.com.
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For the first twenty minutes of this episode of Queer Cinema Catchup, Joe and Allison time travel back to their very first attempt at a QCC episode, a review of the film Bros just after its theatrical release in September of 2022. They then (21:37) launch into their updated thoughts on Bros and compare it (50:00) with another queer film Dicks: The Musical. Let us know your thoughts on this gay double feature by sending an email to [email protected].
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Joe and Allison love Hacks but feel so-so on Hannah Einbinder's first stand-up special Everything Must Go. They discuss both, take Allison to task for her TV watching cheating, talk to a surprise guest, and read their very first piece of fan mail. Tune in to hear it all and send your thoughts to [email protected].
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When they were kids, Joe and Allison tried to re-create M Night Shyamalan films. Now, they watch EVERY movie from ANY Shyamalan auteur, including that of M Night's daughter Ishana. Their thoughts on her directorial debut might be a bit harsh, but their nostalgia for the Nights' twisty horror persists and you can bet they'll be seated for Ishana Night Shyamalan's next film. Listen and send your own thoughts to [email protected].
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Allison and Joe recently saw the Tony Award and Pulitzer Prize-winning play A Strange Loop. The experience made them dissect the depths and limits of themselves, which is what the play is all about and thus the strange loop continues. Find out what we mean by downloading this latest episode of Queer Cinema Catchup and by buying tickets to A Strange Loop at the Ahmanson Theatre in Los Angeles through June 30th.
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In their very first "part two" episode, Allison and Joe discuss how their opinions shifted as they continued to watch the Hulu series Under the Bridge. The true story of Rebecca Godfrey, the invented story of Lily Gladstone's character Cam, and the reality of this terrible crime makes them revisit their initial glowing assessment and question why a queer romance was a part of this story. While they are in agreement on the series itself, they disagree on whether or not they should discuss television on their cinema podcast. Listen to find out just how heated it gets and email your thoughts to [email protected].
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Joe and Allison don't like Furiosa as much as they like Fury Road. Hear why on this week's Queer Cinema Catch-Up and send your thoughts to [email protected].
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Joe and Allison go song-by-song through Billie Eilish's new album Hit Me Hard and Soft. Listen in and share your own thoughts with [email protected].
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Joe and Allison discuss not one but two newish queer lady films - Love Lies Bleeding and Driveway Dolls. Is it problematic that they try to decide which was better? Listen and email your thoughts to [email protected]. Please note both movies are rated R...as is this podcast episode!
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Joe and Allison break down I Saw the TV Glow right after they return from the movie theater. Allison feels scared, Joe feels underwhelmed, but perhaps their conversation shifts their opinions on the film. Listen to find out and send your reactions and suggestions to [email protected].
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