Bölümler
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Bond is back! …to this podcast. We swing back into the world of Ian Fleming with the second film adaptation of his books, and perhaps the most faithful to the original source material. So does that mean the movie will be MORE or LESS racist/misogynist? Pour yourself a martini and join us to find out.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Terence Young’s From Russia With Love (1963).
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For this week’s episode your hosts intentionally try to make the WORST episode they’ve ever recorded. No wait, that’s what this Mel Brooks movie is about. Oh, now I remember: this is actually the BEST episode we’ve ever recorded.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Terence Young’s From Russia With Love (1963).
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Eksik bölüm mü var?
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One of us is prepared to insist that this Academy Award winning film is more than just “that fish-sex movie.”
A little behind the scenes: in our recording schedule notes Mike keeps writing the title of this movie as “Shapes of Water”. For those of you who know him to be a fully-committed listman and self-professed admirer of Guillermo del Toro, this is shocking. This may is your first hint of his true feelings about this film.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Mel Brooks’ The Producers (1968).
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Director Jacques Demy returns to the podcast with a notably non-musical romance this time. Gone are the songs and vibrant colors, instead we are given… crushing, co-dependent gambling addictions? Can a platinum blonde Jean Moreau give us hope? Maybe just one last spin…
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Guillermo del Toro’s The Shape of Water (2017).
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Spoiler alert. In this movie Christopher Lee stabs Boris Karloff and Boris Karloff throws acid in Christopher Lee’s face. And there’s some stuff about 19th century medical experiments, but mostly that first part.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Jacques Demy’s Bay of Angels (1963).
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Neither a documentary on the films of David Lynch nor a film about the man we knew as David Lynch. But an account of a young man who through circumstance and single-minded drive, would find himself in and construct just the sort of environment that could form a David Lynch. Directors Olivia Neergaard-Holm, Jon Nguyen, and Rick Barnes put the camera on a man making art and a microphone on a man looking back at his early life. And they leave it up to us to make connections between the two.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Robert Day’s Corridors of Blood (1959).
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For one of us, this is where it all began. You leave me breathless… ahhhhh…. That’s from a different movie though.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Olivia Neergaard-Holm, Jon Nguyen, and Rick Barnes’David Lynch: The Art Life (2016)
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This week we return to the Shohei Imamura’s “Pigs, Pimps, and Prostitutes” collection with his “entomological study” of one woman’s lifelong struggle for survival and purpose in a cruel modern world. Style, ambiguity, and shock mark this as a classic Imamura story.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Jean-Luc Godard’s Breathless (1960).
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Legendary 1980s/90s Hong Kong/Hollywood action auteur John Woo sets an early pace for his legendary career with a period-kung fu movie about two swordsman-buddies caught in the midst of a bloody revenge plot between warring clans. Spoiler alert: there's a martial arts master whose style is "asleep."
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Shohei Imamura's The Insect Woman (1963).
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From the clanky jangle of that first Tom Waits song to that jangly clank of the last Tom Waits song, you know you are in for a treat. Jim Jarmusch pops back up on the show with his humanist anthology of five stories set in cabs, each taking place in a different city on the same night. Winona, Gena, Giancarlo, Armin, Rosie, Isaach, uh.. Beatrice, Roberto, and … Matti? Look he went truly international with his cast, so I can’t name them all off the top of my head.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing John Woo’s Last Hurrah for Chivalry (1991).
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Cat, piano, well, watermelon, mirror, bananas. You know, you're basic horror movie formula. Director Nobuhiko Obayashi spins a eerily formulaic but wildly unanticipate-able story of teens. And death.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Jim Jarmusch's Night On Earth (1991).
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What says “Merry Christmas” more than a sexy tale of infidelity and alienation set against the backdrop of soviet invasion and oppression? In the Criterion Collection? Not much. Join us as we discuss Phillip Kaufman’s adaptation of Milan Kundera’s novel of Prague Spring and its aftermath, starring some distractingly beautiful people.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Nobuhiko Obayashi’s House (1977).
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It’s Orson Welles! It’s Shakespeare! Everyone involved is at the top of their game! Filmed across continents on location! It was a labor of love 3 years in the making! Yep. No problems here. None at all. No need to investigate further…
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Phillip Kaufman’s The Unbearable Lightness of Being (1988).
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Albert & Allen Hughes take a stab at the classic tale of the American twentieth century with a star-studded cast and a sweeping narrative starting in the Bronx of 1968, the bloody jungles of Vietnam, back to a changed America, and then… an iconic 90s heist scene?
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Orson Welles’ Othello (1952).
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David Lynch’s follow-up to one of the most disturbing and lovingly crafted pieces of auteur cinema ever made is… an Oscar-bait biopic? Sure: he brazenly assaults Victorian (and maybe even a few modern) sensibilities by frankly visualizing the appearance and living conditions of a young man cast from polite society. And, yeah-yeah, who are the REAL monsters, amiright? But more that this, Lynch taps into is own dark dreamscape, to poke at the less obvious, but deeply felt, horrors of the industrial age.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Albert & Allen Hughes Dead Presidents (1995).
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This week, it’s Moonstruck. Thank God: it’s Moonstruck.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing David Lynch’s The Elephant Man(1980).
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If you throw everything at the wall (romance, screwball comedy, noir thriller, globe-trotting action) you will ALMOST predict one of the great disasters of the twentieth century. This coincidence is inevitably repeated a ton on the IMDb trivia page. But spare yourself from being spoiled and just watch Frank Borzage’s charming tale of star-crossed lovers set against a backdrop of 1930s Hollywood glamour.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Norman Jewison’s Moonstruck (1987).
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Get ready for another action-packed…Yasuhiro Ozu movie? Well, at least compared to his other masterpieces. Buckle up for this bracingly gentle study of a middle-aged married couple as they lightly bicker and tell harmless lies to one another all in service of slowly coming to understand and maybe even love each other. Hope you survive the experience!
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Frank Borzage’s History is Made at Night (1937).
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Two unlikely kindred souls find purpose and companionship as they wander through the cross-continental 1970s in search of a sense of… just a little stability. Wim Wenders sets the tone for his career as a quiet student of humanity with a big ol heart.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Yasuhiro Ozu's The Flavor of Green Tea Over Rice (1952).
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Is this the one where Keanu takes a bunch of future drugs? I mean that DOES sound kind of like a Cronenberg movie…. No wait! It’s the head exploding one. Except that maybe, just maybe, this early 80s psychic thriller offers a whole lot more than just exploding heads. But don’t worry: if you really like exploding heads, this film still has you covered.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Wim Wenders Alice in the Cities (1974).
- Daha fazla göster
