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Hailing from the North Coast of Scotland, bassist/composer Ali Watson journeyed to London to pursue his studies in music, returning to his homeland in 2022 to establish himself in Glasgow’s vibrant jazz scene.Driven by a desire to craft music that served as an escape and antidote to the relentlessness and overstimulation of modern life, his debut album ‘Terrarium’ is set to release on November 26th.
Watson describes his music as ‘complex yet melodic’; drawing on Contemporary Jazz, Scottish Folk, Impressionist Classical music and his heroes in Aaron Parks, Kit Downes and Larry Grenadier to make his own distinctive imprint on modern Scottish Jazz.
Beginning most of his compositions on the upright piano in his mother’s home, Watson finds the safety and seclusion he experiences there enables him to enter an uninhibited and spontaneous state of mind, unaffected by the rest of the world.
Led by lyrical folk melodies, colourful harmony, intimate instrumental textures and gently propellant grooves, each of Watson’s nine deeply personal compositions are interpreted and performed by his quartet with maturity, personality and feeling.
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Tigran Hamasyan is considered one of the most remarkable and distinctive jazz-meets-rock pianists/composers of his generation. A piano virtuoso with groove power, Hamasyan seamlessly fuses potent jazz improvisation and progressive rock with the rich folkloric music of his native Armenia.
In addition to awards and critical acclaim, Hamasyan has built a dedicated following worldwide, as well as praise from Herbie Hancock, Brad Mehldau and the late Chick Corea. “With startling combinations of jazz, minimalist, electronic, folk and songwriterly elements…Hamasyan and his collaborators travel musical expanses marked with heavy grooves, ethereal voices, pristine piano playing and ancient melodies. You’ll hear nothing else like this” (NPR)Support the show
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Tom is based in Manchester, UK. He studied Saxophone and composition at the Royal Northern College of Music and the University of Manchester. His classical training from Rob Buckland (saxophone), Camden Reeves and Gary Carpenter (composition) continues to inform all of his original work, which blends his distinctive voice as an improviser, with a characteristically genre bending compositional flare that absorbs the language of contemporary classical, popular and jazz styles.
He studied Jazz with Steve Berry and Tim Garland under a scholarship kindly granted by The Kinder Family Trust and with sponsorship from The Royal Society of Musicians.
Tom now works internationally as a performer and composer of Jazz, Classical and Commercial Music. Tom has performed at venues which have included The Royal Albert Hall, Royal Exchange Theatre, Colston Hall, Glastonbury Festival, King’s Place London, Band on the Wall, The Royal Philharmonic Hall and the world famous 100 Club as well as for various TV/Radio platforms. His professional life involves work in a variety of disciplines such as session touring and studio work, theatre pit work, multi-instrumental positions and original jazz projects. He accepts commissions from Classical performers for new works, as well as composing for commercial briefs including Film/TV and arranging.
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Joan Hutton is a performer, composer and educator residing in Minneapolis. Joan’s diverse interests have taken her from jazz, free improv and funk to classical, chamber music and pit orchestras. She has released two jazz albums featuring her original music, with co-leader Sue Orfield, on Shifting Paradigm Records: “Take That Back” (2022) and “Splash” (2024.) She is a member of the Ancia Saxophone Quartet, which has recordings out on the Naxos and Albany labels. Joan teaches a large studio of private students around the Twin Cities and is the saxophone and clarinet instructor at Augsburg University.
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Darius and Cathy join the show to share their lifetime of work and achievements. With a new book and film Playing The Changes as well as a rerelease of The Jazzanians iconic album We Have Waited Too Long theres so much to catch up on!
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In a world which celebrates the virtuosity of the individual, HLK’s vision has been to develop their ensemble virtuosity, compelled by a unified vision. The music comprises precise notated sections, moments of conversational interaction and room for individual improvisation. It is a delicate but powerful balance. This unique, interdependent rhythmic language has required unparalleled commitment, but yielded astonishing results. The Trio’s music is celebrated for being emotionally and cerebrally challenging yet accessible, captivating audiences young and old across the UK and mainland Europe.
HLK have completed their second recorded volume: ‘Anthropometricks’. Their unique musical relationship with Dame Evelyn Glennie has evolved and the results captured in five of the eight compositions on the album. Two additional artists have also been invited into the fray. British Cellist Natalie Clein’s rich tone and melodic interpretation add a wealth of texture. Varijashree Venugopal contributes a spell-binding vocal performance, including an incredible improvisation on the title track. Today Rich Kass, Rich Harrold and Ant Law join Rob Cope to chat about the new album.Support the show
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Sam joins Rob Cope to tell us all about his brand-new album. We chat about the music, the influences and the key decisions behind the project.
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Loren’s began her career as something of a prodigy at age 13, when she won a songwriting contest, gaining national attention. Before she was 19, she did a stint in Nashville, soaking up that city’s ancestry of great American songwriting. She recorded her first album at 20, and from there she was off and running, recording successive albums that garnered awards, Billboard recognition and an international following that has sent her touring around the globe, including stops in Korea, Africa, Japan, Canada and the Caribbean, to name a few locations. Her records regularly make “best of” lists, and her sublime talents as a vocalist are attested to by several albums hitting the #1 slot on Canadian and Japanese jazz charts. Today she joins the show to tell us all about her new album.
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Swedish artist, Vidya talks to Tara Minton about her new album, Adi Shakti.
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Professor of the Practice in the Department of Music at Duke University, Anthony Kelley joined the Duke faculty in 2000 after serving as Composer-in-Residence with the Richmond Symphony for three years under a grant from Meet the Composer, Inc. He received his Bachelor’s and Master’s degrees from Duke University, and he earned a Ph.D. in Musical Composition from the University of California at Berkeley.
In 2021, Kelley was appointed as Composer in Residence for the North Carolina Symphony. His major works for symphony orchestra include: Spirituals of Liberation (commissioned and premiered in 2022 by the North Carolina Symphony, with Evan Feldman and Michelle Di Russo, conducting); the piano concerto, Africamerica (premiered in 1999, by the Richmond Symphony with piano soloist, Donal Fox and George Manahan, conducting); and The Breaks (commissioned and premiered in 1998 by The American Composers Orchestra under the direction of Gerard Schwartz). The Baltimore, Detroit, Atlanta, Oakland East Bay, Marin (CA) and San Antonio symphony orchestras have also performed Kelley’s symphonic music.
Among his awards and honors are the Charles Ives Scholarship from the American Institute and Academy of Arts and Letters, and composition fellowships from the North Carolina Arts Council, the Virginia Commission for the Arts and the Mid-Atlantic Arts Foundation. Some of his other work includes his soundtracks to the H. Lee Waters/Tom Whiteside film, Conjuring Bearden, (2006), and Dante James’s film, The Doll (2007), explores music as linked with other media, arts, and sociological phenomena. A recording of Kelley’s work, Grist for the Mill (commissioned by the Mallarme Chamber Players), was released in August, 2009 and is available for purchase on iTunes.Support the show
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Our guest host Martin Hummel interviews Rob Cope about his new album, Gemini which is out now. Rob chats about his influences and inspirations and Martin does a stunning job in the captains chair.
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Music has been an integral part of Martin’s entire life. Since his early days as a musician, Martin staged concerts as a teenager (featuring Elton John), worked in various music clubs and was a DJ/Music Director in professional radio. For 17 years, he was responsible for Pepsi-Cola’s international communications, where he worked with the likes of Michael Jackson, Madonna, Tina Turner, The Spice Girls, Britney Spears, Beyoncé, Robbie Williams and Pink, amongst many others. He's founded Ubuntu Music, one of the great labels for new music and jazz and today he shares his thoughts on running the label with us.
You will often find him at live shows, whatever the time of the day or night, looking for the next Bird, Dizzy, Esperanza, Charlie, Miles, Ron, Ella, Art or Chet.Support the show
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As a band leader and co-leader he is responsible for much of the output of the groups; Lammas, The Underground Orchestra, Storms / Nocturnes (feat. Joe Locke and Geoffrey Keezer), Acoustic Triangle, the last few years of Bill Bruford’s Earthworks, and The Lighthouse Trio, (feat; Gwilym Simcock and Asaf Sirkis). This final group makes a 20th anniversary come-back tour and release during 2024!
Today we chat to Tim about his new album, Moment of Departure.Support the show
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Kirk is a musician and writer based in Portland, as well as being a multi-instrumentalist he makes a music podcast, Strong Songs and produces and co-hosts the Triple Click video game podcast.
Today he joins the show to chat to Rob Cope about all things podcasts, jazz as well as a look into music in video games.Support the show
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Simon’s latest project features his recently formed U.S. Jazz Octet with three front line horns and vocals. There are special guest appearances by leading U.K. jazz artists, including Tim Garland and Paul Booth and, for the first time, Simon’s arrangements appear alongside his original compositions.
Simon explains his thinking behind For the Dreamers: “I think that, deep down, I always knew (hoped!) that I would spend some time in America one day; form a band there; do some concerts; and record an album. My only surprise is that it took me until my mid-forties to do it! I wanted to harness my love for many genres of American music, utilise local American musicians and compose music for that particularly confident way they have of playing. This is the resulting album!
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Mark joins the show to chat about his new album, Smiling. Joining the show is Olivia Cuttill as a guest host.
Saxophonist and composer Mark Lockheart first came to prominence in the mid 1980s with the influential big band Loose Tubes. In 1992 Mark formed the eclectic co-led quartet Perfect Houseplants, a group that released six albums and collaborated with classical artists such as the Orlando Consort, Andrew Manze and Pamela Thorby.The mid-90s saw Mark recording and performing with many jazz, folk and pop artists, including Django Bates, Kenny Wheeler, Norma Winstone, June Tabor, Stereolab, Jah Wobble, Robert Wyatt, Prefab Sprout, Don Um Romao, Thomas Dolby and Radiohead.
In 2003 Mark joined Seb Rochford’s Polar Bear, which over a period of 12 years recorded six ground-breaking albums. The band’s second album, Held On The Tips Of Fingers, was nominated for the 2005 Mercury Award and later appeared in Jazzwise's 100 Albums That Shook the World. The band's fifth album, In Each And Every Way, was also nominated for a Mercury Award in 2013.
In 2007 Mark was a featured soloist (along with John Pattitucci and Gwilym Simcock) in Mark Anthony Turnage's About Water, which premiered on the Southbank in June 2007. Mark collaborated several times more with Turnage, performing his A Man Descending with the Southbank Sinfonia in 2008 and more recently as one of the featured musicians in Turnage's opera Anna Nicole, which premiered at the Royal Opera House in London in 2011.
In 2009 Mark's quintet album In Deep was released to critical acclaim. The following year saw the release of Mark's first big band album Days Like These with the Hamburg-based NDR big band. That same year Mark was awarded APPJC Parliamentary Jazz Musician of the Year 2010.
In 2013 Mark released Ellington In Anticipation, a radical reworking of Ellington melodies with an all-star line up including Seb Rochford and Liam Noble. The album received numerous four and five-star reviews and was MOJO magazine’s Jazz Album of 2013 and nominated as Best Jazz CD of 2013 by the APPJC at the 2014 Parliamentary Awards.
An invitation to perform at the New York Rochester Jazz Festival in 2014 led to the formation of Mark's trio, Malija, with bassist Jasper Hoiby and pianist Liam Noble. Malija's debut album The Day I Had Everything was released in December 2015 to critical acclaim. The group's second album Instinct was released in 2017 followed by a 21-date tour.
In 2016 Mark was awarded Jazz FM Instrumentalist of the Year and also nominated for the British Composer Awards for his composition With One Voice. A few years later saw the birth of two very contrasting projects , the jazz/orchestral work titled Days On Earth for jazz sextet and 30-piece orchestra, released on Edition Records in January 2019 and a set of English Renaissance music ‘Salvator Mundi’ recorded at Temple church in London with organist Roger Sayer.
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Rob Cope chats to Olivia about her brand new album, The Whole Damn Plan, featuring guest host and long time friend of the show, Mark Lockheart. Our 7th birthday celebrated in style with one of the finest musicians of the next generation.
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Swedish jazz vocalist and composer Clara Green talks to Tara Minton about her new record, "Being Green."
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