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This episode is brought to you The Classic Learning Test - a fantastic alternative to the ACT and SAT. Learn more at cltexam.com.
Welcome back to The Play's the Thing, where we're working through Shakespeare one act at a time. Today Heidi, Brian, and Matt discuss Act V of Julius Caesar, focusing on the nature of tragedy, Shakespearean chiastic structures, and whether Brutus died a hero.
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Welcome back to The Play's the Thing, where Heidi, Matt, and Brian discussing Julius Caesar. This episode is all about act IV and topics of conversation include the shifting dynamics in the aftermath of Caesar's death + suicide, failed rhetoric, and the tension between conspirators.
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Welcome back to The Play's the Thing where we're talking Shakespeare one act at a time. This week, Heidi, Matt, and Brian discuss Julius Caesar, Act III. There's lots of speech-making in this act so, yeah, they discuss that. And ambiguous characters. And whether stabbing Caesar was justified. And the enigma of Mark Antony. And more. Enjoy!
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Welcome back to The Play's the Thing where contributors from the Close Reads Podcast Network discuss Shakespeare's canon one act at a time. In this episode, Heidi White, Matt Bianco, and Brian Phillips continue discussion of Julius Caesar, with discussion touching on friendship, brooding, what makes rhetoric effective, and why men involved in political conspiracies should listen to their wives.
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Welcome back to The Play's the Thing. In this episode, Heidi White, Matt Bianco, and Brian Phillips kick off conversation on Julius Caesar, focusing on Act I. Conversation touches on why highschoolers should read this play, the historical context of the play, proper and improper rhetoric, whether Cassius is the devil, and much more.
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Join Andrew Kern and Angelina Stanford for the conclusion of their discussion about Shakespeare's Much Ado About Nothing.
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To learn more about the Close Reads Podcast Network please click here.
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In this episode of The Play's the Thing, Andrew Kern and Angelina Stanford discuss Act IV of Much Ado About Nothing.
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Welcome back to The Play's the Thing where Andrew Kern and Angelina Stanford are discussing Act 3 of Much Ado About Nothing. Conversation touches on how the play would have come off in Shakespeare's day, the way Shakespeare plays with verse/prose depending on the status of the character, the theme is self-deception and self-knowledge, the famous scene of deception, and much more.
This episode is brought to you by our friends at St. John's College - the perfect place for lovers of Shakespeare to take their next academic steps.
If you like this podcast, subscribe, rate, review, and click here to sign up for the Close Reads email newsletter.
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Welcome to The Play's the Thing, a podcast dedicated to an ongoing examination and celebration of Shakespeare's entire canon. In this episode, Angelina, and Andrew discuss Act II of Much Ado About Nothing.
This episode is brought to you our friends at St. John's College - the perfect place for lovers of Shakespeare to take their next academic steps.If you like this podcast, subscribe, rate, review, and click here to sign up for the Close Reads email newsletter.
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Welcome to The Play's the Thing, a podcast dedicated to an ongoing examination and celebration of Shakespeare's entire canon. In this episode, David, Angelina, and Andrew Kern discuss Act I of Much Ado About Nothing.
Topics of conversation include the multiple meanings of the titles, Renaissance cosmology, order and chaos, music, harmony, triangles, and Love and War. And a lot more.
This episode is brought to you our friends at St. John's College - the perfect place for lovers of Shakespeare to take their next academic steps.
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In this episode, Tim McIntosh and special guest Madelaine Wheeler discuss one of Shakespeare's weirdest plays. What sort of play is Cymbeline? A comedy, drama, fantasy — a mashup of all three? Also: Shakespeare speaks into the perennial debate on nature vs. nurture.
Find out more about Charlotte Mason and Ambleside Online here:
https://amblesideonline.org/
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Sound the trumpet blast! We have now covered all of Shakespeare's plays! In this episode, Tim McIntosh hands the mic to Matt Bianco of the CiRCE Institute to interview Tim about his favorite moments on the show, the future of the podcast, and the glimmer of a future plan.
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Audio yearbook podcast. Since we have podcasted all of Shakespeare's plans(!!!) I asked my guests to come on and mention their favorite moments from being on the show. Also: An announcement about the future!
Emily MaedaA Winter's Tale, Act V: https://podcasts.apple.com/us/podcast/the-plays-the-thing/id1426679990?i=1000598309165
Sarah-Jane BentleyDid Shakespeare Write Shakespeare's Plays: https://podcasts.apple.com/us/podcast/the-plays-the-thing/id1426679990?i=1000601514978
David Kern
Nora Ankrom and Matthew BiancoThe Taming of the Shrew, Act I: https://podcasts.apple.com/us/podcast/the-plays-the-thing/id1426679990?i=1000536529664Favorite Moment at 47:44
Tom PopeTitus Andronicus: https://podcasts.apple.com/us/podcast/titus-andronicus/id1426679990?i=1000632809960Content Disclaimer at 7:40Favorites Lines at 2:08 or 17:32 (read by Tim)Hosted on Acast. See acast.com/privacy for more information.
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King John was remembered, in history, for two things. Do you know what they were? In Shakespeare's play, he's remembered for being a cad, a villain, a rogue. This show includes a reunion with the crew that started the podcast.
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Imagine the biggest comedic star of Shakespeare's stage, taken from battle, and dropped into a love triangle. Huzzah! Tim and Sarah-Jane Bentley celebrate the return of Falstaff.
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Teaching Shakespeare: Why do so many students hate Shakespeare? Probably because the way his plays are taught. Let's get out of our desks and onto a stage! Tim talks to two guests about why performing is the key to understanding and loving Shakespeare.
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I like to call this act "duke ex machina." The Duke returns, ready to solve everyone's problems. Plus, a special guest asks the question, "Did Shakespeare care about his characters?" Plus, after the podcast, Gaelyn and Tim keep talking at home and Gaelyn forms a theory.
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It's complicated, okay. In Act 4, the Duke (disguised as the Friar) is a puppet master, pulling strings, saving prisoners, ending lives. He also forms a secret plot with Angelo's jilted fiancé. See, it's complicated.
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In Measure for Measure, Act 3, Isabella breaks the news to her brother: He will be executed by Angelo. The only alternative is unthinkable to Isabella. But not to her brother.
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The nun, Isabella, asks Angelo to have mercy on her condemned brother. But Angelo is unrelenting. —Unless Isabella is willing to offer something in return. One of the best acts in Shakespeare.
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