![Playing With Feeling While You Can’t Feel Anything, Wasted Emotions, and Trumpet as a Higher Calling with Vinnie Ciesielski! [Part 2 of 2]](https://is1-ssl.mzstatic.com/image/thumb/Podcasts116/v4/ef/68/14/ef6814ce-0c66-a824-ebc0-e4846479c93e/mza_5296368578196989184.jpg/250x250bb.jpg)
Bölümler
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As we get the Brass Mastery podcast up and running, I'll be replaying some of my personal favorites, along with some of the most listened to episodes from the Trumpet Dynamics podcast.
This episode features the great Belgian trumpeter Jeroen Berwaerts, which was originally recorded and released in early 2021.
In this episode, you'll hear what keeps Jeroen's musical fire lit, which includes many "non-musical" activities such as yoga, cold showers - and even fine whiskey!
Enjoy this rerelease, and I welcome your comments, questions or requests. Just email [email protected] and we'll reply ASAP.
Episode highlights:
-Jeroen's founding origins on trumpet...01:53
-True music comes when you really go into the risk and find that moment where you can really move...06:46
-Variety in musical and physical regimens...09:30
-Our initial motives sometimes change when we reap the benefits of our work...11:50
-When someone is a true master of their craft, it just shows without them showing it off...14:20
-How Jeroen maintains his love of music and his instrument...16:40
-Soloist vs. playing in an ensemble...27:44
-The beauty of maintaining joy in one's music...36:06
-Plus whatever your discerning ears deem worthy of your time and interest...
About the Guest:
Belgian trumpeter Jeroen Berwaerts is a musical force to be reckoned with, whose all-embracing love of music knows no genre boundaries. Praised for his outstanding technical capabilities and sensitive musicality, his repertoire encompasses every epoch, from baroque to contemporary music and jazz.
Placing the standard repertoire for trumpet in ingenious programmes and unusual contexts has become Jeroen Berwaerts’ calling card. One such programme places Handel’s Feuerwerksmusik and dances from Rameau’s opera Dardarus alongside chansons by Jacques Brel. The singing roles in such programmes is generally taken up by Jeroen Berwaerts himself, who – alongside his active career as a trumpeter – completed jazz vocal studies at the Royal Conservatory of Ghent
Jeroen Berwaerts’ extraordinary commitment to contemporary music is evident in the numerous world premieres he has given, including Toshio Hosokawa’s second trumpet concerto Im Nebel and Francesco Filidei’s Carnevale. After Håkan Hardenberger he was the second trumpeter worldwide to add HK Gruber’s Busking (2007) to his repertoire.
In 2017, Jeroen Berwaerts’ discography was complemented by the album Signals from Heaven, recorded with Salaputia Brass, with whom he is trumpeter, jazz-vocalist and ensemble director. His recording of Paul Hindemith’s trumpet sonata with Alexander Melnikov was released on Harmonia Mundi in 2015. In 2012 he recorded Shostakovich’s Concerto for Piano, Trumpet and Orchestra under Teodor Currentzis with the Mahler Chamber Orchestra, the same year he recorded Toshio Hosokawa’s Voyage VII with the Orchestre Philharmonique du Luxembourg.
Jeroen Berwaerts studied in Karlsruhe with the celebrated trumpet virtuoso Reinhold Friedrich. Since 2008, he has been a Professor of Trumpet at the Hochschule für Musik in Hannover. Jeroen Berwaerts is Professor in Residence at the Royal Academy of Music in London. He is an official Yamaha Artist.
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We go back to the archives of the podcast, this time with Denver Dill of the U.S. Military Academy at West Point.
Denver suffered a major injury to his lips and managed to recover from it. Word got out, so others who suffered injuries sought out his advice. To the point that he decided to write a book about his experiences.
What you'll hear in this episode:
-How Denver initially injured himself from overplaying...03:30
-The difficult decision to go through surgery, and the long road to recovery...08:45
-Differences between muscles on the sides and the middle of the lips...11:10
-Use the lips, not the mouthpiece, to play...12:26
-How long it took to feel "normal" while playing...14:00
-Plus whatever your discerning ears deem worthy of your time and interest...
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Eksik bölüm mü var?
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Our esteemed guest, Jim Olcott, is someone whose work I've long admired. He's the retired professor of trumpet at Miami University of Ohio, the founder of Triplo Press, and the musical director of the Twin Cities Trumpet Ensemble. His extensive background in trumpet music promised an enriching conversation.
In this episode, we touched on several fascinating topics:
The Intersection of Music and Life: Jim provided his balanced and insightful views on how music should weave into our lives.Changing Perspectives with Age: We discussed how our viewpoints and priorities evolve as we grow older.The Essence of Performance: I was curious about Jim's thoughts on the purpose behind performing - whether it's to inspire, to enrich, or something else entirely.For those interested in diving deeper into Jim's world, our show notes at trumpetdynamics.com/olcott, which contain links to some of his recent recordings.
Jim candidly admitted that he might not be at the peak of his playing abilities compared to his younger years. However, I assured you, dear listener, that his performance remains outstanding, reflecting the nuanced reality of aging in the arts.
This episode is a beautiful blend of personal stories, professional insights, and even some music for you listening pleasure at the very end. With my wife Sana adding adding a few of her thoughts in the middle, it's the perfect way to get your mind focused on making some great music!
This is more than just a podcast episode; it's a journey through the realms of trumpet music, teaching, and the art of living a life deeply intertwined with music.
A few highlights from this episode:
Twin Cities' Musical Opportunities: The episode begins with a discussion at 05:00 about the benefits of moving to the Twin Cities, highlighting the abundant playing opportunities and the community's generous spirit in music.Passion for Playing and Teaching: At 09:50, there's a reflection on the joy of playing, teaching, and the aspiration to inspire others, as well as the importance of camaraderie among musicians.Age and Its Effects on Musicians: At 15:00, the conversation turns to how aging inevitably affects musicians differently, impacting their physical abilities.The Orchestra as an Instrument: A unique perspective is shared at 16:45, where the orchestra is described as an instrument in itself, offering a collective musical experience.Visualizing Music: At 19:45, the technique of visualizing dramatic scenes to enhance musical performance is discussed.Inspiring vs. Enriching Audiences: Ronald Romm's teachings on the profound difference between inspiring and enriching audiences are explored at 22:15.Self-Concept in Musicians: A deep dive into the complex nature of self-concept among musicians occurs at 28:40, emphasizing how it's shaped by perceptions rather than reality.Maurice Andre's Lessons on Trumpet Playing: At 34:35, lessons from Maurice Andre highlight the distinction between impressive and elegant trumpet playing.Triplo Press's Founding and Publication Process: The founding of Triplo Press and the criteria for vetting new pieces for publication are discussed at 39:30.The Book of Life: At 47:45, there's a philosophical exploration of the four essential actions to be included in the 'Book of Life.'Learning from William Vacchiano:... -
In this podcast featuring the great Rex Richardson, various facets of his life and career are explored, providing insights into his journey and philosophy as a musician:
Anthropology Degree (03:00): The podcast reveals Rex's unexpected academic background with a degree in anthropology from Northwestern University. This segment discusses how his studies in anthropology have influenced his music career.Founding Rhythm and Brass (06:30): The origins of the musical group Rhythm and Brass, which Rex helped establish, are discussed.Connections with Audiences (08:10): Rex talks about the relationship between audiences and abstract compositions, exploring how listeners interact with and interpret more complex pieces.Commitment to Musical Mastery (10:45): The conversation touches on the ability of audiences to recognize a musician's dedication to mastering their craft, emphasizing the importance of commitment in music.Meaning of Virtuoso (14:00): The true essence of being a virtuoso is discussed, going beyond technical skills to include emotional depth and artistic expression.Expression in Music (16:00): Rex shares his views on the musician's role in expression versus emoting, highlighting the distinction between conveying emotions and deeper artistic intentions.Audience Takeaways (17:45): He expresses his desire for audiences to appreciate more than just the technical aspects of his performances, aiming to leave them with a deeper, more meaningful musical experience.Multiphonics (22:00): The podcast includes an educational segment on multiphonics, demonstrating Rex's expertise in this advanced brass playing technique.Early Challenges (25:50): Rex reflects on his initial struggles with the trumpet and shares insights on how to maximize efficiency in learning and playing the instrument.Balancing Schedules (27:30): He discusses how he manages a demanding schedule that includes both constant travel and a full-time teaching role.Rex's Varied Roles (31:45): It turns out that there are people with Rex's name out there, one of whom is the current mayor of Long Beach, CA and another who is a prominent real estate professional!Resources mentioned:
Trumpet Dynamics episode with Paul Merkelo
Trumpet Dynamics episode with Chris Botti
About the Guest:
"A startling display of virtuosity...This was something very different, played by a performer of rare gifts indeed." -- 4barsRest.com, in a review of Rex Richardson's performance at the 2013 World Music Championship in Kerkrade, Netherlands
Renowned as champion of new, genre-busting music featuring the trumpet as a solo voice, Yamaha Performing Artist Rex Richardson was named the 2008 Brass Herald International Personality of the Year, has been called “One of the finest virtuosos of our time” (Brass Herald, 2018).
A veteran of the acclaimed chamber ensemble Rhythm & Brass, jazz legend Joe Henderson's Quintet and Sextet, William Russo's Chicago Jazz Ensemble, and the world-renowned Brass Band of Battle Creek, his hundreds of soloist appearances include festivals and ensembles on six continents, such as the Phoenix Symphony and Thailand Philharmonic Orchestras, the U.S. Army Field Band and Tokyo Symphonic Winds, England's Fodens Brass Band, and the U.S. Air Force's Airmen of Note Jazz Ensemble.
His latest CD Freedom of Movement: 21st Century Trumpet Concertos was released to critical and public acclaim, and named...
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You may recall that a few weeks ago, I played a couple of interviews with the great Vinny Ciesielski. He's a wonderful person and has been a mainstay for years in the Nashville music scene. Vinnie really acquitted himself well in the podcast, so much so that I thought it would be interesting to see what would happen if I were to give him the reins for an interview on this podcast!
What you'll hear in this episode:
-Mike shares his founding origins on trumpet in the Nashville area...04:30
-Successes and pitfalls breaking into the Nashville scene in the late 1970's...09:45
-Mike and Vinnie discuss equipment for varying situations...19:05
-The worst things often lead to the best things...22:30
-How "overuse syndrome" nearly derailed a boatload of "natural talent"...29:15
-Serve the music, and remember just because you have it doesn't mean you need it...37:00
-The spirituality of the practice of music within and without...41:30
-What Mike would teach his teenage self...52:00
-Plus whatever your discerning ears deem worthy of your time and interest...
Resources mentioned:
Trumpet Dynamics podcast episodes with Vinnie Ciesielski
The Way of the Peaceful Warrior
About the Guest:
Attending Towson University in Maryland, Vinnie Ciesielski majored in music performance on trumpet, which he has played professionally for over 50 years.
Since coming to Nashville in 1992, Vinnie has played on thousands of recordings with artists such as Lyle Lovett, Travis Tritt, Tracy Byrd, Smokey Norful, Tanya Tucker, Glenn Frey, T.D. Jakes, Lynyrd Skynyrd, Bad Company, Gregg Allman, Kirk Franklin, Queen Latifah, Yolanda Adams, Donnie McClurkin, Israel Houghton, Demi Lovato, Grace Potter, Delbert McClinton, Alison Krauss, Taylor Swift, The Clark Sisters, Thomas Rhett, Nuno Betencort, Marcus Scott (Tower of Power) Steven Tyler, Vince Gill, Michael McDonald, Keb Mo, Johnny Taylor, Bobby Blue Bland, Via Con Dios, Martina McBride, Don Was, Zac Brown Band, and many more.
He has performed live with artists such as Bruce Springsteen, Gladys Knight, Kid Rock, Keith Richards, Jimmy Buffett, Paul Simon, Sting, Tony Bennett, Glenn Frey, Don Henley, Kenny Rogers, Shelby Lynne, The Temptations, The Four Tops, The O’Jays, Aretha Franklin, Percy Sledge, Shawn Colvin, Eddie Floyd, Booker T. and the MGs, Vince Gill, Amy Grant, Bob Hope, Frankie Valli, Sheryl Crow, Adrian Belew, Bruce Hornsby, Michael McDonald, Carrie Underwood, Jennifer Nettles and The Beach Boys.
He has also appeared on The Tonight Show with Jay Leno,, Late Night with David Letterman, Conan O’Brien, Jimmy Kimmel, Good Morning America, The Today Show, The Tonight Show with Jimmy Fallon, CBS New Years Eve Bash, The Road, SoundStage, Disney and Universal TV specials, Nashville Now, Music City Tonight, Austin City Limits, Grand Old Opry, Rosie O’Donnell, Ellen’s Really Big Show, Crossroads, The Dove Awards and The Stellar Awards. Vinnie has performed on numerous Radio, Internet, TV and Movie soundtracks and Trailers. He has also performed with the Nashville Symphony, Chattanooga Symphony, Orchestra Kentucky, Nashville and Knoxville Jazz Orchestras.
Well known in the performance and recording community, Vinnie’s resume includes work on over 6,000 recording sessions, 50 Grammy-nominated and 25 Grammy-winning recordingsand dozens of Stellar and Dove Award nominated and winning recordings. Vinnie has also been the horn arranger on multiple Grammy, Dove and Stellar nominated and winning recordings.
Thank you for joining us on "Trumpet Dynamics" – telling the story of the trumpet, in the words of those who play it....
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Have you ever heard the saying, "Love is what drives the world"? It’s a phrase we encounter often, but have you ever connected its essence to something you're deeply passionate about?
In this episode featuring the great Nathaniel Mayfield, we'll dive deep into this concept, and what we uncover might surprise you!
A trumpet is nothing more than a simple piece of plumbing. But when we breathe life into it, it becomes intimately personal, a vessel for our emotions, a conduit through which we pour out the deepest sentiments of our heart.
When you play or engage in your craft, whatever it may be, it’s not just about the technicalities; it's about the love and soul you invest into it. Every note, every brushstroke, every word – they become extensions of your essence, speaking your unique language of love.
So, ask yourself: when you delve into your passion, are you truly connecting with it? Are you letting it be a bridge to something larger, something divine?
Can you feel that energy, that love, coursing through you, making every act of creation a testament to your connection with the universe?
Your journey as a trumpeter, or whatever craft you may pursue, is filled with challenges. But imagine facing every intricate detail, every hurdle you overcome with an overwhelming embrace of love.
Not just as a fleeting emotion, but as a driving force that propels you to evolve, learn, and express in ways you might not have thought possible before.
Isn’t that the beauty of love? In every aspect of your life, when you let love be the guide, your experiences transform. You discover resilience in tough times, glean wisdom from setbacks, and above all, unearth the profound purpose behind your passions.
So I ask you to ponder this: are you allowing love to navigate your journey? Is it truly your guiding star?
When we allow love to influence our choices, shape our experiences, and redefine your reality, it could very well be the secret to unlocking your ultimate potential.
Here are a few highlights you'll hear in this episode with Nathaniel Mayfield:
-Music is a spiritual journey, and it doesn't matter how much we're involved with it...04:10
-Nate's personal journey with trumpet, from young boy to the present...06:00
-"I don't care about winning competitions; I just want to enjoy music"...10:30
-"You feel like a part of you is missing"...14:10
-Everything we do as it pertains to music is done out of love...17:50
-Serendipitous callings back to trumpet...20:45
-The love of trumpet was dissipated by The Grind of competing and touring...24:30
-Maturity leads to how you self-identify as it pertains to music and trumpet...31:50
-Nate describes in detail his recent psychedelic journey in Tijuana...36:00
-Reconciled previous destructive behavior from trumpet playing...01:01:00
-What might a Nate Mayfield "trumpet comeback" look like?...01:02:30
-Trumpet is our first love, which is why so many feel disillusioned by it...01:06:30
-Plus whatever your discerning ears deem worthy of your time and interest...
Thank you for joining us on "Trumpet Dynamics" – telling the story of the trumpet, in the words of those who play it.
For more captivating episodes and exclusive content, visit our official website at trumpetdynamics.com. There you can dive deeper into the interviews, discover additional resources, and connect with your fellow trumpeters.
Also be sure to subscribe to the podcast on your favorite podcast platform, and even leave a rating and review. It really helps with the visibility of the show.
Until we meet again, may your fingers be fluid, your breath unimpeded, and your chops ever fresh.
Play hard!
**Many thanks to the great
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What are borders but mere lines imagined by politicians to separate and divide human beings?
And just as borders between states and countries are rather arbitrary, so are the borders we put on certain instruments, even entire genres of music.
Paul Merkelo stopped in to the Trumpet Dynamics Central Headquarters to discuss his collaboration with the great Wynton Marsalis on a brand new concerto written for trumpet that is making waves in the trumpet world and beyond.
Wynton's new concerto not only pushes the finest players to their utmost limits as performers, but it transcends many of the arbitrary boundaries that have been placed upon the trumpet, and even ethnic and national identities related to music.
Paul was honored by being asked to help bring this piece into the public consciousness, and in this episode, he shares his experience of being included in the esteemed group of trumpeters who are premiering the piece around the world. The interview includes a detailed description of the process of preparing and allowing to see the light of day a piece of music that we expect will be part of the standard trumpet repertoire, regularly called upon by orchestras the world over, in due time.
We even managed to sneak in a hat tip to elephant sounds and horse whinnies, so you're going to want to hang out until the very end of the episode!
What you'll hear in this episode:
-How Paul was chosen to premiere Wynton's concerto in Canada...03:30
-The moment Paul stepped on stage to premiere the piece...06:30
-"Like jumping out of an airplane"...13:20
-We've got to build the repertoire by crossing musical borders...15:45
-You can't simply play with technical precision; you must play musically...18:30
-The "perfect" performance redefined...23:25
-The very long process of preparing for The Day of the performance...28:10
-Balancing the prep and practice with family and obligations to the day job...36:45
-Efforts to get the word out about the concerto...40:30
-How to make an elephant call with a trumpet...46:30
-Plus whatever your discerning ears deem worthy of your time and interest...
Resources mentioned:
Paul Merkelo's website
Gershwin's World on Medici TV featuring Paul Merkelo
A Conversation with Rafael Payare, Wynton Marsalis and Paul Merkelo
Trumpet Dynamics episode with Scott "Horse Whinny Maestro" Moore of the Memphis Symphony
About the Guest:
Paul Merkelo has been hailed as ‘the new Maurice André’ by the Australian Broadcasting Corporation, and is recognized as ‘a spectacular soloist... a most impressive master of his instrument’ (Montreal Gazette) who ‘knows no limits’ (Der Spiegel online - Germany) with ‘unusual lyrical gifts’ (Gramophone). Principal trumpet with the Orchestre symphonique de Montréal since 1995, he has been featured frequently with the OSM, including tours to South America and at the Lincoln Center in New York, and is the first member of the orchestra to be invited to record a debut solo album with the orchestra (French Trumpet Concertos - Kent Nagano).
In 1999, he was appointed Canadian musical ambassador to China for the inauguration of the Montreal Park in Shanghai, and as soloist with the Shanghai Symphony Orchestra in a national telecast. Merkelo made his New York...
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Larry Meregillano has been performing on the trumpet professionally since he was 15 years old.
In that time, he has performed all over the world, performing in the background, in the foreground, and everywhere in between.
As you can imagine, he needed to develop a great deal of endurance in order to meet the demands of his profession, playing lead in the Disneyland Band, leading cruise ship bands, and much more.
His experience and knowledge led to him creating the The Compression Training System (CTS), a tool that is taking the brass world by storm, and changing the way thousands of players approach their craft and improving their range and endurance.
I wanted to get Larry on the show to discuss the CTS, its founding origins, how it works, how it benefits any type of player. And while this might sound like an infomercial, I humbly suggest the info shared in this episode favors the "info" more than the "mercial".
Enjoy the episode!
What you'll hear in this episode:
-Larry shares some of his travel and performing adventures!...01:45
-Why major stars wear a "mask" when among the public vs. their private selves...04:15
-The trumpet has somehow managed to remain relevant in pop culture over time...06:15
-The greats don't need to mimic or compare themselves to other great players...09:45
-Fear of success, and why we're terrified of creating something truly unique...11:55
-The basic science behind the The Compression Training System (CTS)...16:45
-Compression described as it relates to playing trumpet...20:30
-What's going on inside the mouth is the "missing link" when it comes to trumpet pedagogy...26:40
-How the CTS enables trumpeters to utilize "progressive overload training" as incorporated by professional weight lifters...31:00
-How the CTS works in improving ranger, power and endurance...36:20
-Plus whatever your discerning ears deem worthy of your time and interest...
Episode sponsor:
Odd-Meter Technical Exercises by Michael Hengst: Original exercises and adaptations of your favorite exercises, all in 5/8 and 7/8 time.
Resources mentioned:
The Compression Training System (CTS)
About the Guest:
Larry Meregillano is a Eclipse artist/clinician. He started his professional career playing in big bands in San Diego in the early 1970’s. In 1976, he was hired to play in Tom Ranier’s Show band at Disneyland.
A year later, Mr. Meregillano joined the gospel group Truth and soon after went on to perform and tour with The Bill Gaither Trio. While traveling and recording with The Bill Gaither Trio, he also recorded with Sandi Patti, David T, Clydsdale, Ron Huff, Don Marsh and many others.
In 1980, Larry returned to California and became the lead trumpet player for the world-famous Disneyland Band. In the late 1980’s, Larry was hired to play in the PTL Television Orchestra with Jim and Tammy Faye Baker. From there he joined Princess Cruise lines as Musical Director.
After many years, Mr. Meregillano moved to Orlando, Florida, where he performed with many bands at Walt Disney World, MGM Studios, Epcot Center, Universal Studios and Pleasure Island. He has also been the Musical Director and performer for many cruise lines including the world-famous Queen Elizabeth 2.
Larry has toured with the Temptations and The Four Tops, and has been a sideman for Rosemary Clooney, Joe Williams, Jack Jones, Bob...
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John Daniel's ears must have been ringing throughout the month of September as several guests, including Del Lyren, Bobby Medina, Vinnie Ciesielski and others mentioned him on the podcast in this last month.
So I decided it was time to reach out and see if we could schedule a podcast!
John was game, and we ended up having a terrific discussion on Gestalt theory as it pertains to trumpet (a first on the podcast), the unique qualities of the cornet vs. the trumpet, recollections of the early days of the amazing Brass Band of Battle Creek and much more.
Enjoy the interview, and be sure to check out John's book Special Studies for Trumpet!
What you'll hear in this episode:
-John's beginning struggles on trumpet as a kid...03:00
-What is "gestalt" theory as it pertains to trumpet?...05:45
-About John's upcoming album featuring Bb and soprano cornet...08:30
-Unique characteristics of playing Bb vs. soprano cornet vs. trumpet...12:00
-Memories playing alongside the great Peter Roberts!...15:40
-There's no "right way" to play and teach a brass instrument...20:00
-A rare discussion on pedagogy here on the podcast lol...25:00
-Memories of the early days of the Brass Band of Battle Creek...33:20
-Cultural differences in cornet v. trumpet and how the BBBC has helped popularize the genre...38:45
-Moving on from a top-flight academia gig and preparing for the new album release!...41:10
-A profoundly different experience playing trumpet v. cornet...49:00
-Plus whatever your discerning ears deem worthy of your time and interest...
Resources mentioned:
John's website and "Special Studies for Trumpet" book
Trumpet Dynamics Facebook group
About the Guest:
John Daniel is the Professor of Trumpet at Lawrence University. He received the Specialist in Music degree from the University of Michigan, Master of Arts in Music from the University of Iowa, and Bachelor of Music from Ball State University. His primary teachers were David Greenhoe, Richard Giangiulio, and Armando Ghitalla. Mr. Daniel previously held tenured positions at Penn State University and Abilene Christian University. While attending the University of Michigan on full scholarship, he won the graduate concerto award and was principal trumpet of orchestras in Ann Arbor and Saginaw, Michigan.
Mr. Daniel served as principal trumpet with the San Angelo Symphony Orchestra and Abilene Philharmonic Orchestra for nine years and has performed with the San Antonio Symphony, Pennsylvania Ballet Orchestra, Palm Beach Opera, New Jersey Symphony Orchestra, and Music at Penn’s Woods Orchestra, as well as on Broadway for revivals of Annie Get Your Gun and Gypsy. He has played recitals in Carnegie Hall, the Kennedy Center, throughout South Korea, the Eastman School of music, the Julliard School, and throughout the United States.
As a jazz musician he has appeared with Lionel Hampton, Bill Watrous, Wycliff Gordon, Marvin Stamm, Vinnie DiMartino, Phil Woods, Ernie Watts, the Nelson Riddle Orchestra and many others. Mr. Daniel released A Calling in 2004, a jazz CD featuring his compositions and is featured on a 2006 Mark Masters release, Karel Husa Trumpet Concertos. The Husa CD was on the entry list to be nominated for a Grammy Award in the category “Best solo with orchestra” and “Best classical recording”. He has been a member of North America’s finest brass band, the Brass Band of Battle Creek, since 1993. He plays Schilke trumpets, flugelhorn and cornets exclusively.
Thank you for joining us on "Trumpet Dynamics" – telling
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We have the great Chris Botti on the show today. I'm really excited about this one to both record and share it with you. On a whim I checked out Chris' website and happened to see that he was going to be in my neck of the woods, which these days is Virginia Beach, Virginia.
This interview that you're about to hear is not like the definitive explanation of Chris's philosophy, his approach to technique and pedagogy, his full history as a trumpeter.
I simply went on to some Facebook groups and just said, "Hey, I'm interviewing Chris Botti, what should I ask him?" A few people responded with some really good questions, and that's basically the meat and potatoes of the interview.
Enjoy!
What you'll hear in this episode:
-Why Trumpet is Chris' "calling card" in this new music business...04:20
-The paradigm shift of the music business explained from the perspective of one at the top...08:00
-One door closes, another opens for the little guy...14:40
-Chris' inspirations and influences as a trumpeter...19:45
-Why record making and gigging need to be approached radically differently...26:00
-Chris' recording and performing sound equipment...30:20
-Chris' daily routine and maintenance of the chops while touring...36:15
-Why Chris can't bear to part ways with his Martin Committee...37:30
-Why Sergei Nakariakov rarely tours in the U.S....42:00
-Reflections from host James Newcomb on the interview...44:55
-Plus whatever your discerning ears deem worthy of your time and interest...
Resources mentioned:
Chris' website
Other Side of the Bell podcast with Chris Botti
About the Guest:
GRAMMY-winning trumpeter Chris Botti has been one of the most popular instrumentalists in the world for nearly three decades; he’s collaborated with some of the biggest superstars on the planet, including Sting, Paul Simon, Barbra Streisand, Lady Gaga, Tony Bennett, Frank Sinatra, Aretha Franklin, Bette Midler, Joni Mitchell, Steven Tyler, Andrea Bocelli, Herbie Hancock, Yo-Yo Ma, and others; he’s topped the jazz charts with numerous albums, earned multiple Gold and Platinum records, performed with symphony orchestras and on prestigious stages from Carnegie Hall to the Hollywood Bowl to the Sydney Opera House.
In short, Chris Botti really needs no introduction. Yet with his Blue Note Records debut, he’s offering one anyway. Vol.1 is in many ways a fresh start for the trumpeter. Having successfully crossed over from jazz renown to pop stardom, Botti’s first album in more than a decade finds him crossing back, with a small group project focused on acoustic jazz and classic standards.
“I turned 60 in 2022, at a time that seemed like a restart for so many things in the world,” Botti says. “I wanted to strip away all the orchestral arrangements and special guests and focus more on my playing, the playing of my band, and these jazz classics that we always love playing on stage.”
While Botti could boast of the major names with whom he’s shared stages, this project allows him to share his enthusiasm for the jazz greats past and present that excite him – his conversation is peppered with references to everyone from Miles Davis to Keith Jarrett to Pat Metheny to Brad Mehldau. He points to landmark albums like Davis’ Kind of Blue, John Coltrane and Johnny Hartman, or Metheny’s duo outing with Charlie Haden, Beyond the Missouri Sky as models for the kind of “lifestyle” music he set out to make – music that is exquisite on its own but can also set the scene for a coffee shop or hotel lounge, instantly generating a sophisticated...
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Welcome to Part 2 of my interview with Vinnie Ciesielski!
Before I say anything else, let me point out that the link I share to access the show notes during the episode is incorrect. The show notes for this episode are https://trumpetdynamics.com/trumpetvinnie2. I believe I left out the number 2 during the interview because I initially planned to have this be one giant episode, but wisely chose to break it into two parts.
And what a part this is. Vinnie and I dove deep into the "why" of playing trumpet. The "How" tends to be rather superficial, which is why I don't have much interest in podcasts like that.
But the "why" is what gets me excited, and Vinnie surely did not disappoint with his insightful comments in this one.
Enjoy!
What you'll hear in this episode:
-More in-depth dialogue on the "good day and great day" concept...05:05
-The need for healthy lifestyle for success on trumpet and overall quality of life...08:30
-Self-loathing equates to loathing your environment...13:30
-Why and how Vinnie has played with a rare condition that causes loss of feeling on the left side of his body...17:20
-If you can feel your face, you're ahead of the game!...25:00
-Shame is a wasted emotion...32:00
-Keeping things real regarding the importance of trumpet...36:00
-Adapting to radically changed physicality, and thoughtfully losing weight so it stays off...43:30
-Music a salve for tremendous joy and intense loss...53:45
-Are we "called" to trumpet?...58:45
-A father's offhand comment while watching TV proves prophetic...01:03:30
-Plus whatever your discerning ears deem worthy of your time and interest...
Resources mentioned:
Vinnie's website
My Fitness Pal app
Trumpet Dynamics podcast with Beth Peroutka
About the Guest:
Attending Towson University in Maryland, Vinnie Ciesielski majored in music performance on trumpet, which he has played professionally for over 50 years.
Since coming to Nashville in 1992, Vinnie has played on thousands of recordings with artists such as Lyle Lovett, Travis Tritt, Tracy Byrd, Smokey Norful, Tanya Tucker, Glenn Frey, T.D. Jakes, Lynyrd Skynyrd, Bad Company, Gregg Allman, Kirk Franklin, Queen Latifah, Yolanda Adams, Donnie McClurkin, Israel Houghton, Demi Lovato, Grace Potter, Delbert McClinton, Alison Krauss, Taylor Swift, The Clark Sisters, Thomas Rhett, Nuno Betencort, Marcus Scott (Tower of Power) Steven Tyler, Vince Gill, Michael McDonald, Keb Mo, Johnny Taylor, Bobby Blue Bland, Via Con Dios, Martina McBride, Don Was, Zac Brown Band, and many more.
He has performed live with artists such as Bruce Springsteen, Gladys Knight, Kid Rock, Keith Richards, Jimmy Buffett, Paul Simon, Sting, Tony Bennett, Glenn Frey, Don Henley, Kenny Rogers, Shelby Lynne, The Temptations, The Four Tops, The O’Jays, Aretha Franklin, Percy Sledge, Shawn Colvin, Eddie Floyd, Booker T. and the MGs, Vince Gill, Amy Grant, Bob Hope, Frankie Valli, Sheryl Crow, Adrian Belew, Bruce Hornsby, Michael McDonald, Carrie Underwood, Jennifer Nettles and The Beach Boys.
He has also appeared on The Tonight Show with Jay Leno,, Late Night with David Letterman, Conan O’Brien, Jimmy Kimmel, Good Morning America, The Today Show, The Tonight Show with Jimmy Fallon, CBS New Years Eve Bash, The Road, SoundStage, Disney and Universal TV specials, Nashville Now, Music City Tonight, Austin City Limits, Grand Old Opry, Rosie O’Donnell, Ellen’s Really Big Show, Crossroads, The Dove Awards and The Stellar...
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I want to give a special thanks to previous podcast guest Del Lyren for introducing me to our guest today, Vinnie Ciesielski. Vinnie is a longtime stalwart of the Nashville music scene. His playing can be heard on countless recordings, commercials, soundtracks, symphony concerts, and the list goes on and on.
Vinnie is also founder of a group called Vinnie And the Hitmen, of whom you can hear some samples on his website.
In this episode, Vinnie talked a good deal about his founding origins as a trumpeter, and has some poignant insights into the importance of pop music, even for those of us who maybe have a tendency to thumb our noses at it while salivating over the likes of Mahler and Strauss.
You've got be able to put food on the table at the end of the day, and sometimes mastering the art of pop music is what is necessary if you expect to put some of that food on the table with your musical skills.
Our time went by so fast, which meant as usual we were just warming up to each other by the time we had to part ways. So we went ahead and scheduled another recording session! This Part 1 is great in many respects, and Part 2 is great as well, and deeply personal. So I highly recommend you listen to that one as well.
Probably best to listen to them in order as you get to hear host and guest establish rapport before diving deep into the "why" of doing music, and how it relates to the deep needs within all of us.
That's all I'll share about Part 2, for now enjoy Part 1!
What you'll hear in this episode:
-Ciesielski is spelled how it sounds...06:00
-How to find your way into a local scene, and play what you really want to play...11:30
-Vinnie's founding origins as a trumpeter...16:15
-Good days and great days...19:00
-A solid foundation on the mental element of trumpet playing...23:00
-Pop music pays the bills...30:00
-What we call "classical" music was at one time "pop" music...33:00
-Why do we thumb our noses at "pop" music?...38:45
-Movie soundtracks and classical music finding its niche in modern culture...42:00
-The need for a pleasing personality in keeping the gig...48:00
-There are no bad days; there are only good days and great days...53:00
-Plus whatever your discerning ears deem worthy of your time and interest...
Resources mentioned:
Check out James Newcomb's new book: PinPoint Persuasion
Vinnie's website
Trumpet Dynamics podcast with Paul Baron and Bobby Medina
Trumpet Diagnostics
About the Guest:
Attending Towson University in Maryland, Vinnie Ciesielski majored in music performance on trumpet, which he has played professionally for over 50 years.
Since coming to Nashville in 1992, Vinnie has played on thousands of recordings with artists such as Lyle Lovett, Travis Tritt, Tracy Byrd, Smokey Norful, Tanya Tucker, Glenn Frey, T.D. Jakes, Lynyrd Skynyrd, Bad Company, Gregg Allman, Kirk Franklin, Queen Latifah, Yolanda Adams, Donnie McClurkin, Israel Houghton, Demi Lovato, Grace Potter, Delbert McClinton, Alison Krauss, Taylor Swift, The Clark Sisters, Thomas Rhett, Nuno Betencort, Marcus Scott (Tower of Power) Steven Tyler, Vince Gill, Michael McDonald, Keb Mo, Johnny Taylor, Bobby Blue Bland, Via Con Dios, Martina McBride, Don Was, Zac Brown Band, and many more.
He has performed live with artists such...
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It's no secret that our bodies, our minds, our perspectives in life change as we age. Yet we often believe that what we learned about playing trumpet while we were in our teens and early twenties will continue to work as we get older.
Maybe it's because we heard something in a masterclass and decided this is the way to do it. Or we attended a certain school where certain dogmas regarding trumpet playing prevailed, even overshadowing individual needs of the player.
This was more or less the impetus of Paul Baron and Bobby Medina beginning first a Facebook targeted at older players, and then eventually becoming a full-fledged training regimen called Trumpet Diagnostics. I wanted to pick the brains of the founders of the program about their experiences working with older players, and what they aim to achieve with their program.
Thankfully we were able to get all three of us on a Zoom call from various parts of the U.S. and talk about their program.
Enjoy the interview!
What you'll hear in this episode:
-The founding origins of the Trumpet Diagnostics program...02:30
-The Facebook group becomes a webinar, which becomes the program...05:30
-What does "Body Mechanics Mastery" mean?...06:30
-Why certain methods we swear by are sometimes limited in their efficacy in teaching us how to play efficiently...08:40
-Learning "the method of no method"; becoming our own teachers...13:00
-Why have we moved beyond the various "schools" of thought regarding trumpet playing?...14:15
-Martial arts lessons applied to the physicality of trumpet...18:30
-Efficiency (i.e. minimal playing) is key to longevity as a trumpeter...23:00
-Don't worry about aesthetics based on showmanship, worry about what works for you...27:30
-What is the biggest hurdles Paul and Bobby's students need to overcome?...29:00
-Neuroplasticity and repetition over a long period of time is key to improving your playing...34:30
-What you'll experience with the Trumpet Diagnostics program...38:05
-Plus whatever your discerning ears deem worthy of your time and interest...
Resources mentioned:
Trumpet Diagnostics
Tips for Trumpeters 50 and Beyond! Facebook group
About the Guests:
Bobby Medina
Four solo recordings under his name along with world tours and live performances with legendary musical artists including Ray Charles, Frankie Valli, Wayne Newton, Mel Torme, Temptations, National Touring Broadway shows and more. Student of legendary teachers including James Stamp, Bobby Shew, Carmine Caruso, Charley Davis. Medina's 40+ years experience has been presented at masterclasses in the USA, Europe, South America and Asia helping players of all levels overcome their playing deficiencies and frustrations through specialized mental and mechanical techniques.
Paul Baron
Paul's professional career began 40 years ago. His lead trumpet can be heard on over 1,000 jingles, hundreds of albums, dozens of movie scores and he's played, recorded and toured with Aerosmith, Lynrd Skynrd, Barry Manilow, Bob Hope, Wayne Newton, nearly twenty Broadway shows including Disney's Newsies, Aladdin, Frozen and many more. Paul's teaching has led him to give nearly 100 masterclasses and decades of private instruction teaching players how to repair and reprogram their playing to be the most efficient possible.
Thank you for joining us on "Trumpet Dynamics" – telling the story of the trumpet, in the words of those who play it....
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Beginning in September 2023, I will be hosting a monthly masterclass on personal branding. It's 100% free, and I guarantee you'll learn something new about boosting your online or offline presence. If you don't, I'll give you your money back!
To get the time and date, and register for the next masterclass, visit my own website, https://jamesdnewcomb.com.
I also invite you to the brand new Trumpet Dynamics Facebook group. It's of course free to join, and is a great way to connect with your fellow listeners of the show and trumpet enthusiasts. Here's the link for the Facebook group: https://www.facebook.com/groups/trumpetdynamics
I'm really glad to welcome to the show Del Lyren, currently on faculty at the University of Minnesota Twin Cities. I got to know Del while he was teaching at Bemidji State University, which I have a personal connection to as my grandfather went to BSU way back in the 1940's!
It turns out that it seems everyone has some sort of connection to Bemidji, even if it's just a photo at the famous statues of Paul Bunyan and Babe the Blue Ox right there on the lake.
I was able to meet Del in person while visiting family in Minnesota, and we talked about the value of community in music, what it was like hosting an ITG conference, why the small town gigs are sometimes the most profitable, and much more.
Enjoy this episode!
What you'll hear in this episode:
-Everything is better in person, but how do you manage in light of a global pandemic?...07:00
-How Rafael Mendez indirectly inspired Del's trumpet career!...12:30
-When will the machines finally overcome our natural craving for community?...18:18
-The understated small town college prof that made a major impact in Del's development as a person and musician...26:30
-The draws and drawbacks of small town life and teaching...34:00
-What it's like to host an ITG conference...38:00
-What triggered the move to the bigger cities?...46:00
-The challenge of channeling creative energy into a paying career...47:50
-How music university-level curricula should be crafted...52:00
-Plus whatever your discerning ears deem worthy of your time and interest...
Resources mentioned:
Rafael Mendez Institute
Summit Brass
Trumpet Dynamics podcast featuring David Hickman
About the Guest:
Originally from Brookings, South Dakota, Del Lyren has presented lectures and recitals throughout the world, including recitals at the Euro-ITG conferences in Bad Sackingen, Germany, Kiev, Ukraine, and a month-long residency in China. Other guest artist appearances have taken him to England, Scotland, Sweden, Canada, and Mexico.
Lyren co-hosted the 2011 conference of the International Trumpet Guild held in Minneapolis and attended by over 1400 trumpet players from throughout the world. In addition to numerous clinics throughout the region, Lyren has appeared on Prairie Home Companion with Garrison Keillor. Additionally, Lyren serves as the Assistant Festival Director for the JENerations Jazz Festival at the Jazz Education Network Conference each January.
Students of Dr. Lyren have achieved success in nearly every arena of the music world. With acceptance to nearly every major graduate program in the United States, many have completed doctoral degrees and teach at the university level. His former students have performed with major popular artists such as Adele, The Temptations, and Boyz II...
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trumpetdynamics.com/hengst2
I first featured Michael Hengst in 2021, a time in which no one had anything better to do than podcasts ;)
Well, here we are in 2023, we're all thankfully busy once again, and I was grateful to hear from Mike and work out another interview to talk about what's been up in his world in the intervening time!
We talked about his new method book, a recent trip to Bulgaria, his "dream gig" and much more. Enjoy!
What you'll hear in this episode:
-The genus and founding origins of Michael's new method book...02:30
-"The book was borne of laziness"...08:30
-Recounting an amazing teaching experience in Bulgaria...15:00
-Why the Gregson Concerto is special for Mr. Hengst...19:00
-The importance of feeling "connected" to a piece of music in order for a successful performance...22:30
-Mike's priorities in selecting rep for a performance...25:00
-What's up next for Michael in the next 3-5 years...30:05
-Plus whatever your discerning ears deem worthy of your time and interest...
Resources mentioned:
Trumpet Dynamics 2021 episode with Michael Hengst
Odd Meter Exercises for Trumpet by Michael Hengst
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Chuck Copenace is our featured guest on today's episode.
In this episode, Chuck will share some of his experiences - some not all that pleasant by the way - growing up as an indigenous person in Ontario.
Music was the one thing that Chuck was good at, and it's probably what has allowed him to amount to anything of significance.
Today Chuck is just a few days away from releasing a brand new album titled Oshki Manitou, a blend of modern tech with ancient sweat lodge melodies, and featuring all indigenous musicians.
What a great thing!
That's the host's synopsis of this episode anyway.
To get the full story, you should listen to the man himself!
What you'll hear in this episode:
-Chuck’s trumpet origin story…01:30
-Trumpet becomes more than a passing hobby…08:49
-“That’s pretty good for an Indian”…11:25
-Confronting “reverse racism” within the heart…19:30
-How music “validated” Chuck, ie made him a person of value irregardless of the color of the skin…21:45
-Attending university, in spite of magnificent efforts to sabotage the effort…25:30
-The Great Lightbulb of Self-Awareness turns on as music takes a more prominent role…30:30
-How reconnecting with ethnic roots cultivated a unique blend of music…36:30
-Plus whatever your discerning ears deem worthy of your time and interest...
Resources mentioned:
Chuck's website
About the guest:
‘Oshki Manitou’ finds the Winnipeg-based, Ojibway musician expanding dramatically on his previous work as a trumpet player, arranger, and composer, fusing contemporary interpretations of sweat-lodge melodies with jazz and elements of dance and electronica.
Copenace’s distinctive voice and approach allow him to unify a wide range of styles beautifully in a way that’s honest and innovative in equal measure. “I shy away from traditionalists,” he explains. “When someone says, ‘this isn’t how music should be done’ or ‘if you’re playing this genre of music, this shouldn’t be there.’ That’s always bothered me.”
The result is a collection of eminently groovy, haunting, and, at times, ethereal songs that display Chuck Copenace’s signature voice and substantial skills as an interpreter, composer, and performer as never before. But that’s only part of the equation, he says, citing a larger purpose behind his efforts, for which ‘Oshki Manitou’ is just a starting point. “I’m committed to sharing my story to help heal and offer support to people, and I want to introduce young people to jazz, but I also want to bring indigenous musicians together. And I think my music can be a platform to further that mission.”
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Phil Snedecor is the author of Making Rain and Other Adventures on the Trumpet, a highly personable and oftentimes entertaining glimpse into the career of a musician who's "done it right". Of course, there have been some pitfalls and mistakes along the way, and Phil doesn't pull any punches about those. But at the end of the day, the short book delivers a ton of value and sage advice for anyone who is looking to "make rain", be it as a musician or in any field.
I've featured Phil several times on my Trumpet Dynamics podcast, and now I'm thrilled to be able to share this brand new interview with you!
In this interview with Phil Snedecor, you'll discover:
-What is a "rainmaker" pertaining to musicians?...03:35
-How Phil cut his teeth as a rainmaker by founding the Washington Symphonic Brass...06:10
-You won't have a great connection with your audience unless you have a connection among the personnel...11:00
-Phil explains the mantra, "The only gig you own, is the gig you own"...16:20
-"Mental choreography" and tips on succeeding in high-stress performance situations...21:10
-Finish what you start, even when everyone around you thinks you're nuts to do so!...25:30
-And much more!
Resources mentioned:Hart School Trumpet StudioPhil's websiteWashington Symphonic BrassAll-American Moving CompanyMaking RainHard copyApple BooksAbout the guest:
Phil Snedecor attended the Eastman School of Music in Rochester, New York, where he received the prestigious Performers Certificate and was a member of the premiere brass quintet, the Canterbury Brass. While earning his degrees in trumpet performance and literature, he also studied arranging and composition with Professor Rayburn Wright, formerly arranger for Radio City Music Hall. Mr. Snedecor is a former member of the Baltimore Symphony Orchestra and has held one-year positions with the National Symphony, the Kennedy Center Opera House Orchestra and the Baltimore Opera. Mr. Snedecor has performed and toured throughout the United States, Europe and Asia, and has appeared as guest principal trumpet with the St. Petersburg (Russia) “Tschaikowski” Orchestra, joining them on their 2012 US Tour. Recently Mr. Snedecor has been in demand as a guest principal with the Pittsburgh Ballet Orchestra and the Louisville Orchestra, and as guest trumpeter for the Boston Pops and Boston Symphony, both at Symphony Hall in Boston and at Tanglewood in Lenox, MA.
As a show player, he has performed in the touring productions of Guys & Dolls, Phantom of the Opera, Beauty and the Beast, Peter Pan, Evita and West Side Story. He has recorded under the RCA, CBS, Gothic, Koss, and Summit labels. Phil’s solo CDs, The Lyrical Trumpet I and II are also available on the Summit Label.
In 1993 Mr. Snedecor and National Symphony Principal Trombonist Milton Stevens co- founded The Washington Symphonic Brass, a 17-piece professional brass ensemble. They perform regularly for the Washington National Cathedral, St. Matthew’s Cathedral, the Basilica at the Shrine of the Immaculate Conception, and with the Washington Choral Arts Society at the Kennedy Center. They were the official instrumental ensemble for the Papals visit of 2008 and 2015 in Washington DC and are heard regularly in
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Toronto-based trumpeter Alexis Baro joins us in this installment of the podcast. In our discussion, we discuss the move from Havana, Cuba to Toronto, how a teacher saved his career before it even began, what it's like to play a trumpet that bears your name, and much more!
What you'll hear in this episode:
-The music scene in Havana vs. Toronto...01:30
-The biggest difference between the jazz and classical mindset...08:01
-How our realities (for better or worse) inform our musical tastes and creative impulses...11:00
-How a teacher in Cuba saved Alexis' trumpet career before it even began...15:00
-Handling the pressure of the "do or die" situation as a student vs. as a professional...21:50
-The process of getting established as a pro musician in Toronto...25:50
-Alexis describes his customized equipment made by Carol Brass...28:55
-How much of our success as a player is in our mind, vs. the equipment?...35:30
-What Alexis would share with his 19 year old self...40:05
-Plus whatever your discerning ears deem worthy of your time and interest...
Resources mentioned:
Alexis Baro's website
Carol Brass
About the guest:
Alexis Baro was born into a musical family in Havana, Cuba. Classically trained, he took up the trumpet at the age of age 8 and completed his musical education receiving a teaching certification at the prestigious Amadeo Roldán Music Conservatory in Havana.
While in school he became a member of the Buena Vista Social Club super star Omara Portuondo's band, and later at the age of 19 played lead trumpet for the National Radio and Television Orchestra.After moving to Toronto, Canada in 2001, he was discovered by iconic Canadian jazz drummer Archie Alleyne where he florished as a writer and performer for eight years as a member of the Canadian award winning 'hard-bop" band Kollage. As a band member he was nominated for “Best Jazz Trumpeter” by the Canadian National Jazz Awards in the years 2006, 2007, and 2008. Baro has participated in more than 80 albums and can be heard as a feature solist on some of the most transcendent Latin albums made in Canada such as Hilario Duran’s Grammy Award nominated album “From The Heart”.
He has performed with such artists as Nikky Yanofsky, David Foster, Michael Bubble, Paul Anka, Danilo Perez, John Patitucci, Brian Blade, Paquito d' Rivera, Jimmy Bosch, Miguel Zenon, Hilario Duran, Robi Botos, Jesus Alemaney & Cubanismo, David Virelles, Andrea Boccelli, Gino Vanelli, Esthero, David Rudder, Juan de Marco & The Afro-Cuban All Stars, and Horacio "el negro" Hernandez.
Highlights in his solo career include opening for Herbie Hancock, and tours of South America and the West Indies. He’s released six albums as a solo artist “Havana Banana”, “From the Other Side”, “Blue Skin”, the Gold Medal “Global Music Award winner in the jazz category “Guilty Pleasure” , "Sugar Rush" and "Sandstorm". his Juno Awards Nominated 2018 release.
*Opening theme music: "Come Together" recorded by Alexis Baro
Closing theme music: "Sonata in A Major" recorded by Joe Burgstaller
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Tony Prisk is in his eleventh season playing second trumpet with the Philadelphia Orchestra. Prior to taking the job in Philly, Tony played second trumpet with the Houston Symphony.
See a pattern developing? It's not an accident, and it's not because Tony doesn't have what it takes to be "the man".
In this episode, we discuss the value of specializing in a niche, such as playing second trumpet in a major symphony, (and why some people feel like they're "settling" for their position in the Philadelphia Orchestra), an exhortation on Charlier's Etude #2, why our ego often gets in the way of finding our purpose as musicians and as human beings, and much more.
Here's a bit of what you'll hear in this episode:
-Tony describes life in a top 5 orchestra...01:15
-Putting the ego aside, and embracing the role you've been given...06:20
-Tony's personal trumpet journey...08:15
-How you "tell a story" with written music notes on a page...16:30
-Is self-expression or "blending" the ideal in an orchestra?...23:50
-The value of specializing in a role such as second trumpet in an orchestra...33:45
-The advice Tony Prisk would tell his younger self...41:15
-Plus whatever your discerning ears deem worthy of your time and interest...
About the Guest:
Anthony Prisk joined The Philadelphia Orchestra as second trumpet in August 2013. He came from the Houston Symphony, where he was second trumpet for 11 seasons, and the New World Symphony, where he was a trumpet fellow for four seasons. In the past 20 years he has played internationally with several orchestras and music festivals, including the Los Angeles Philharmonic, the Grant Park Festival Orchestra, the Montreal Symphony, the Boston Symphony, the Moscow Philharmonic, and many others. He has participated in several music festivals, including Classical Tahoe, the Cabrillo Music Festival, the Spoleto Festival USA, the Tanglewood Music Center, the Pacific Music Festival, the Music Academy of the West, and the Aspen Music Festival.
Mr. Prisk won two international trumpet competitions through the International Trumpet Guild and Second Prize in the National Trumpet Competition. He was a soloist with the New World Symphony, the Temple Wind Symphony, the Texas Medical Center Orchestra, and several youth orchestras. He can be heard on numerous recordings with The Philadelphia Orchestra, the Houston Symphony, the New World Symphony, the Spoleto Festival Orchestra, and the McGill Symphony.
Teaching is a passion for Mr. Prisk. He is currently on the faculty at Temple University and the Peabody Institute in Baltimore. He can also be found teaching at summer music festivals including the Philadelphia International Music Festival, the Luzerne Music Center, and the Monteux School and Music Festival. He is also involved with the All City program sponsored by The Philadelphia Orchestra.
Mr. Prisk received his bachelor’s degree from the University of Illinois, where he studied with Ray Sasaki and Michael Ewald, and his master’s degree from McGill University, where he studied with Paul Merkelo. His other main influences were John Hagstrom, Michael Sachs, and David Bilger. Mr. Prisk is originally from Lombard, IL, in the suburbs of Chicago and currently resides in South Philadelphia.
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"Half of trumpet playing is 92% mental."
That Berra-esque butchering of a common refrain of trumpeters is brought to you by Ken Larson's Brasswerks, and today we're honored to feature the one and only Ken Larson on the podcast.
This interview was a long time in the planning as it took quite a bit of time for our schedule's to align (see what I did there?), but we finally made it work and my goodness, it didn't disappoint!
Ken is one of a kind, and as you'll hear in this interview, a trove of knowledge regarding the physics and physicality of playing, and a very practical, no-nonsense approach to whether or not one should pursue the profession of music-making.
I enjoyed this one, and know you will too. (As a gentle reminder, true listeners listen to the podcast at 1x speed, just saying ;)
What you'll hear in this episode:
-Using orchestral auditions to test out new horns lol...03:15
-Success as a musician is 92% mental...05:30
-Ken shares his founding origins as a trumpeter....09:05
-Learning to play efficiently after a major car accident...16:30
-We all have the ingredients; it's up to you to make it happen!...20:30
-How Ken cut his teeth in modifying horns, and working for Bob Malone...23:10
-Why your horn will break into you, not the other way around...27:15
-How the energy of one player is "captured" in the metal of a particular instrument....31:00
-How Ken defines himself as a trumpet player and builder...37:15
-How to tell a client what they need vs. what they think they want...39:30
-How your physiology, fitness, state of mind, even the time of the month can affect your music-making...42:30
-How Ken simplifies things for his trumpet students...48:40
-Music a means of preserving community...52:30
-Plus whatever your discerning ears deem worthy of your time and interest...
Resources mentioned:
Ken Larson's Brasswerks
Caruso's "Magic Notes"
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