Musik – Nederland – Nye podcaster

  • Componist en violist Tim Kliphuis maakt zich zorgen over het klimaat. Hoe kan hij als componist zijn bijdrage leveren om de wereld een stukje beter te maken? Vijf topwetenschappers gaan hem daarbij helpen: Katja Peijnenburg, Appy Sluijs, Ingrid Robeyns, Amina Helmi en Robbert Dijkgraaf. Elke aflevering speelt Tim live op zijn viool voor zijn gast op verschillende locaties, zoals een onderzoeksschip, in een tropische kas of in een sterrenwacht. Deze gesprekken leveren inspiratie op voor een muziektrack, die aan het einde van elke aflevering te horen is.

  • Welkom bij de KANE Reconnect Podcast, waar de bandleden en goede vrienden Dinand Woesthoff en Dennis van Leeuwen elkaar interviewen en diepgaande gesprekken voeren. Na 25 jaar samen muziek maken, de wereld rondreizen en talloze avonturen beleven, nemen ze je nu mee achter de schermen van hun bijzondere vriendschap en samenwerking.

  • In het “Dagboek Van Een Fangirl” luister je naar verhalen, discussies, meningen en gesprekken tussen twee fangirls. Fleur en Melanie nemen je elke zondag mee in hun kijk op dit leven. Want het is geen ‘obsessie’ maar een โœจlifestyleโœจ!

  • Heb je de behoefte om je gedachten te verzetten, uit te rusten en te reflecteren op de dag? Luister dan naar de nieuwste en meest relaxte klassieke muziek in Keihard Klassiek: De Mix. Van dinsdag tot en met vrijdag verschijnt er elke dag om 12:00 uur weer een nieuwe mix voor je dagelijkse portie ontspanning.

  • Music sounds better with you! Met dit motto viert TivoliVredenburg zijn tienjarig bestaan tussen 24 mei en 2 juni. Tien dagen lang vind je er een dwarsdoorsnede van wat het Utrechtse podium te bieden heeft: klassieke concerten, popshows, clubavonden, wetenschap en meer. Tijdens het jubileum lanceert TivoliVredenburg verschillende nieuwe festivals, waarin alles van Arabische muziek tot klassiek tot een queerparadijs extravaganza aan bod komt. In deze podcast bespreken we deze festivals, genres en nieuwe ontwikkelingen met verschillende gasten uit de muziekscene.

  • Positive Vibrations on KX FM is an hour-long exploration of neo-psychedelia from the 1980s until now, shining light on the bands and artists that pioneered psychedelic rock after its peak in the '60s. During this 60-minute journey into the heart of modern psychedelia, DJ Ian Ridsdale mixes elements of all branches of the genre, including the Paisley Underground of the '80s, '90s shoegazing, and all psych-inspired alternative and indie music since then. Broadcast live from Laguna Beach, California every week, Positive Vibrations is the perfect soundtrack to the counterculture of now.

    Listen live every Monday from 7-8 PM on KXFMRadio.org!

  • House & Techno duo with roots from Chicago & Detroit. For Bookings contact: [email protected]

  • Kika Sprangers, saxofonist, componist en liefhebber van jazzmuziek, presenteert de podcast serie 'Jazz Changers’ In deze nieuwe serie duikt Kika samen met met programmeur, jazzkenner en journalist Koen Graat dieper in de grote game changers van de jazz in de afgelopen decennia. Welke opmerkelijke invloeden, platen en artiesten hebben de jazz voorgoed veranderd en hebben geleid tot het huidige jazzlandschap?

  • Over de totstandkoming van een boekalbum dat in geluid en beeld een ode brengt aan de muziek van New Orleans . Bob Wijnen en Ellister van der Molen reisden november 2019 af naar New Orleans, de plek waar jazz ooit ontstaan is en nog steeds in alle gedaantes in de stad door blijft klinken.

    Surf voor meer NOLA nieuws, video's, concertdata en overige bandinformatie naar www.vibrrrant.com

  • As the product of a conservatoire, mental health was something that was barely discussed for fear of being seen as weak, incapable, vulnerable, unemployable - the list is endlessโ€ฆ

    I graduated nearly 13 years ago to the day and although conversations are much more open and honest and mental health is way more of a priority, we are still losing beautiful, talented and valuable people to varying mental health conditions.

    We need to take action: itโ€™s time to continue opening up those conversations.

    I have a number of interviews lined up from incredibly talented people across the industry but Iโ€™d love everyoneโ€™s input and involvement, so please like, share on your stories and follow the page to take part.

    Lets do our upmost to take care of this generation of musicians, whilst properly preparing the next.


    Hosted on Acast. See acast.com/privacy for more information.

  • Yoooo Patjoo hier ,al ruim 20 jaar Allround Dj

    En als dj ontmoet je natuurlijk een hoop toffe Artiesten en collega’s , en daar bel ik er elke maand 1 van op!

    we praten over van alles, muziek, vrije tijd ,maar voor al over ons mooie vak.

    En dat alles, hoor je hier, in Patjoo’s Podgast

  • Terwijl er wekelijks treinwagons vanuit Kamp Westerbork naar de gaskamers in het Oosten rijden, vindt kampcommandant Gemmeker dat de gevangenen afleiding nodig hebben. Joodse artiesten en muzikanten mogen van hem - in ruil voor uitstel van deportatie - avonden vol cabaret organiseren. Maar dan, in juni 1944, schrijven en componeren deze Joodse gevangenen een echte opera, genaamd Ludmilla. Direct na de première verbiedt Gemmeker de opera en gaan de Joodse artiesten op transport.

     

    In de vierdelige podcast ‘Ludmilla’ ontdekt journalist Frank Kromer dat er meer achter Ludmilla schuilgaat dan gedacht. Met gewaagde verwijzingen als ‘rookpluimen in het Oosten,’ een oproep tot onderduik en een einde waarbij alle personages sterven, lijkt Ludmilla een muzikale daad van verzet tegen de nazi’s en tegen kampcommandant Gemmeker, die tijdens de première op de eerste rij zat. Moesten de Joodse artiesten hun daad bekopen met de dood? 

  • Forrest Richard "Dickey" Betts, the legendary guitarist, songwriter, and founding member of the Allman Brothers Band, passed away on Thursday, August 24, 2023, in Osprey, Florida, at the age of 80. Betts' innovative guitar work and country-influenced songwriting played a crucial role in shaping the Southern rock genre during the 1960s and 1970s.
    Born on December 12, 1943, in West Palm Beach, Florida, Betts grew up in a musical family. His father, Forrest Betts, was a carpenter and a talented mandolin player, while his mother, Hattie, played the piano. Exposed to music from a young age, Betts quickly developed a passion for the guitar and began honing his skills as a teenager.
    In the early 1960s, Betts formed a band called the Second Coming with bassist Berry Oakley. The group gained a strong local following and eventually caught the attention of Duane Allman, a talented slide guitarist. In 1969, Betts, Allman, Oakley, and Duane's brother, Gregg Allman, along with drummers Butch Trucks and Jai Johanny "Jaimoe" Johanson, formed the Allman Brothers Band.
    The Allman Brothers Band quickly established themselves as one of the most influential and innovative acts in the burgeoning Southern rock scene. Betts and Duane Allman's dual lead guitar work became the band's signature sound, with their intricate, improvisational interplay setting a new standard for rock guitar. Betts' country-inflected songwriting, which drew from his love of artists like Bob Wills and Merle Haggard, added a distinctive flavor to the band's blues-based rock.
    Betts wrote and sang lead on several of the Allman Brothers Band's most iconic songs, including "Revival," "Blue Sky," and the instrumental tour de force "In Memory of Elizabeth Reed." His songwriting contributions helped to define the band's sound and earned them a dedicated following.
    Tragedy struck the Allman Brothers Band in 1971 when Duane Allman died in a motorcycle accident. The loss of his guitar partner and friend deeply affected Betts, but he stepped up to fill the void left by Duane's absence. Betts' guitar work became even more prominent in the band's sound, and he continued to write and sing lead on many of their most popular songs.
    In 1972, the Allman Brothers Band released their double live album "Eat a Peach," which featured Betts' extended guitar solo on the epic "Les Brers in A Minor." The album was a commercial and critical success, cementing the band's status as one of the most important acts in rock music.
    Throughout the 1970s, the Allman Brothers Band continued to record and tour extensively, with Betts serving as a key creative force. He wrote and sang lead on hits like "Ramblin' Man" and "Jessica," the latter of which showcased his virtuosic guitar work and earned the band a Grammy Award in 1996.
    Despite the band's success, internal tensions and personal struggles led to the Allman Brothers Band's breakup in 1976. Betts formed his own group, Great Southern, and released several solo albums throughout the late '70s and early '80s.
    In 1989, the Allman Brothers Band reunited and embarked on a successful comeback tour. Betts remained a vital part of the group, contributing his signature guitar work and songwriting to albums like "Seven Turns" (1990) and "Where It All Begins" (1994). The band's live performances during this era were celebrated for their improvisational prowess and the chemistry between Betts and fellow guitarist Warren Haynes.
    Betts' personal life was marked by struggles with alcohol and substance abuse, which sometimes led to tensions within the band. In 2000, he was fired from the Allman Brothers Band due to his erratic behavior and declining musical contributions. The split was acrimonious, and Betts later sued the band for wrongful termination.
    In the years following his departure from the Allman Brothers Band, Betts continued to perform and record with his own group, Dickey Betts & Great Southern. He also made occasional guest appearances with other artists and was inducted into the Rock and Roll Hall of Fame as a member of the Allman Brothers Band in 1995.
    Betts' influence on rock guitar cannot be overstated. His fluid, melodic style and seamless integration of country, blues, and jazz elements inspired countless guitarists and helped to define the sound of Southern rock. His songwriting, which often celebrated the beauty and romance of the American South, added a poetic depth to the Allman Brothers Band's music and earned him a place among the great American songwriters.
    Dickey Betts' passing marks the end of an era for the Allman Brothers Band and Southern rock music. His contributions to the genre, both as a guitarist and a songwriter, will forever be remembered as some of the most significant and influential in the history of rock music. Betts' legacy will live on through the countless musicians he inspired and the timeless music he created with the Allman Brothers Band. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcastsForrest Richard "Dickey" Betts, the legendary guitarist, songwriter, and founding member of the Allman Brothers Band, passed away on Thursday, August 24, 2023, in Osprey, Florida, at the age of 80. Betts' innovative guitar work and country-influenced songwriting played a crucial role in shaping the Southern rock genre during the 1960s and 1970s.
    Born on December 12, 1943, in West Palm Beach, Florida, Betts grew up in a musical family. His father, Forrest Betts, was a carpenter and a talented mandolin player, while his mother, Hattie, played the piano. Exposed to music from a young age, Betts quickly developed a passion for the guitar and began honing his skills as a teenager.
    In the early 1960s, Betts formed a band called the Second Coming with bassist Berry Oakley. The group gained a strong local following and eventually caught the attention of Duane Allman, a talented slide guitarist. In 1969, Betts, Allman, Oakley, and Duane's brother, Gregg Allman, along with drummers Butch Trucks and Jai Johanny "Jaimoe" Johanson, formed the Allman Brothers Band.
    The Allman Brothers Band quickly established themselves as one of the most influential and innovative acts in the burgeoning Southern rock scene. Betts and Duane Allman's dual lead guitar work became the band's signature sound, with their intricate, improvisational interplay setting a new standard for rock guitar. Betts' country-inflected songwriting, which drew from his love of artists like Bob Wills and Merle Haggard, added a distinctive flavor to the band's blues-based rock.
    Betts wrote and sang lead on several of the Allman Brothers Band's most iconic songs, including "Revival," "Blue Sky," and the instrumental tour de force "In Memory of Elizabeth Reed." His songwriting contributions helped to define the band's sound and earned them a dedicated following.
    Tragedy struck the Allman Brothers Band in 1971 when Duane Allman died in a motorcycle accident. The loss of his guitar partner and friend deeply affected Betts, but he stepped up to fill the void left by Duane's absence. Betts' guitar work became even more prominent in the band's sound, and he continued to write and sing lead on many of their most popular songs.
    In 1972, the Allman Brothers Band released their double live album "Eat a Peach," which featured Betts' extended guitar solo on the epic "Les Brers in A Minor." The album was a commercial and critical success, cementing the band's status as one of the most important acts in rock music.
    Throughout the 1970s, the Allman Brothers Band continued to record and tour extensively, with Betts serving as a key creative force. He wrote and sang lead on hits like "Ramblin' Man" and "Jessica," the latter of which showcased his virtuosic guitar work and earned the band a Grammy Award in 1996.
    Despite the band's success, internal tensions and personal struggles led to the Allman Brothers Band's breakup in 1976. Betts formed his own group, Great Southern, and released several solo albums throughout the late '70s and early '80s.
    In 1989, the Allman Brothers Band reunited and embarked on a successful comeback tour. Betts remained a vital part of the group, contributing his signature guitar work and songwriting to albums like "Seven Turns" (1990) and "Where It All Begins" (1994). The band's live performances during this era were celebrated for their improvisational prowess and the chemistry between Betts and fellow guitarist Warren Haynes.
    Betts' personal life was marked by struggles with alcohol and substance abuse, which sometimes led to tensions within the band. In 2000, he was fired from the Allman Brothers Band due to his erratic behavior and declining musical contributions. The split was acrimonious, and Betts later sued the band for wrongful termination.
    In the years following his departure from the Allman Brothers Band, Betts continued to perform and record with his own group, Dickey Betts & Great Southern. He also made occasional guest appearances with other artists and was inducted into the Rock and Roll Hall of Fame as a member of the Allman Brothers Band in 1995.
    Betts' influence on rock guitar cannot be overstated. His fluid, melodic style and seamless integration of country, blues, and jazz elements inspired countless guitarists and helped to define the sound of Southern rock. His songwriting, which often celebrated the beauty and romance of the American South, added a poetic depth to the Allman Brothers Band's music and earned him a place among the great American songwriters.
    Dickey Betts' passing marks the end of an era for the Allman Brothers Band and Southern rock music. His contributions to the genre, both as a guitarist and a songwriter, will forever be remembered as some of the most significant and influential in the history of rock music. Betts' legacy will


  • This monthly returning podcast will provide you with the best releases from all the dj's in the harder styles of dance music! A mix of the greatest euphoric melodies combined with the roughest kicks and screeches.

  • Taylor Swift-experts Annelot Prins en Sophie Rutenfrans vertellen je wekelijks alles over de grootste popster ter wereld.

    Met de komst van een nieuw album en de Europese The Eras Tour is 2024 wederom het jaar van Taylor Swift. 

    Swiftie Sophie en Swiftoloog Annelot serveren je het laatste The Eras Tour-nieuws, doorgronden de roddels en geruchten en bellen mede-Swifties voor live verslagen van de concerten. Zelf tellen ze af naar het concert in Stockholm waarin ze Taylor voor het eerst in levende lijve zullen zien.

    In Taylors Era brengen ze een ode aan hun favoriete popster en proberen het fenomeen Taylor Swift beter te begrijpen. 

    Are you ready for it?! 

    We zijn op zoek naar jou! Ga je naar een Taylor Swift-concert buiten Nederland en wil je onze reporter zijn? Stuur ons een DM op Insta.   


  • In deze podcast praten de mannen van de band Trinity over hun reizen. Ze vertellen de verhalen achter hun nummers en spelen die live. Daarnaast beantwoorden ze ook jouw vragen.

  • ONE Boy, TWO Voices! …. and they’re both mine!!

    Hello everyone, I’m CORMAC THOMPSON, I’m 15 and I WAS a very successful ‘boy treble’ And since no one else was talking about it, this podcast is about my journey as a young singer experiencing that scary phase when our voice's take on a MIND OF THEIR OWN.

    One minute a boy soprano is soaring over the high notes, to the delight of many and the next... BANG! Your voice CRACKS louder than the school bell and you could give the neighbour’s cat a run for its’ money.

    But here's the thing because no-one’s talking about it! It's like we're all in this secret club of voice-breaking boys, silently suffering through the chaos while everyone else carries on like nothing's happening. Except of course for the keyboard warriors, sharing their pearls of wisdom on your YouTube videos about how ‘puberty will hit your career like a train’ or ‘you’ll have to kill yourself when your voice breaks cos you won’t be able to sing any more’ just charming, for sure.

    So I wanted to help. In this podcast, we DO TALK about it, we NEED to talk about it. So many boys just stop singing and if we can reassure, even just some of them, that it’ll be ok, I’ll be happy.

    So, whether you're a boy and you sing, you’re the parent or the grand - parent or a teacher of a young boy singer or maybe you’re just curious to learn more about this, please JOIN me and Professor Martin Ashley (Author of 'How High Should Boys Sing' and 'Dead Composers and Living Boys') and my regular guests, as we embark on this daunting trek, navigating the highs, the lows, and everything in between.

    Thank you for listening and sharing : -)

    WATCH me singing https://www.youtube.com/@CormacThompson

    STREAM my songs
    https://music.apple.com/us/artist/cormac/1539007742

    https://open.spotify.com/artist/5h3EGN6IPU6J9fMWszrNWy

    LEARN more and FOLLOW me on social media https://www.cormacthompson.com/

    LEARN MORE about the science
    https://www.martin-ashley.com/vocal-stages
    https://pressbooks.pub/deadcomposers/

  • Podcast about oldschool music from an oldschool musician's point of view. Dutch spoken, www.babyboomerbeats.nl