Música – Países Bajos – Nuevos podcasts
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Forrest Richard "Dickey" Betts, the legendary guitarist, songwriter, and founding member of the Allman Brothers Band, passed away on Thursday, August 24, 2023, in Osprey, Florida, at the age of 80. Betts' innovative guitar work and country-influenced songwriting played a crucial role in shaping the Southern rock genre during the 1960s and 1970s.
Born on December 12, 1943, in West Palm Beach, Florida, Betts grew up in a musical family. His father, Forrest Betts, was a carpenter and a talented mandolin player, while his mother, Hattie, played the piano. Exposed to music from a young age, Betts quickly developed a passion for the guitar and began honing his skills as a teenager.
In the early 1960s, Betts formed a band called the Second Coming with bassist Berry Oakley. The group gained a strong local following and eventually caught the attention of Duane Allman, a talented slide guitarist. In 1969, Betts, Allman, Oakley, and Duane's brother, Gregg Allman, along with drummers Butch Trucks and Jai Johanny "Jaimoe" Johanson, formed the Allman Brothers Band.
The Allman Brothers Band quickly established themselves as one of the most influential and innovative acts in the burgeoning Southern rock scene. Betts and Duane Allman's dual lead guitar work became the band's signature sound, with their intricate, improvisational interplay setting a new standard for rock guitar. Betts' country-inflected songwriting, which drew from his love of artists like Bob Wills and Merle Haggard, added a distinctive flavor to the band's blues-based rock.
Betts wrote and sang lead on several of the Allman Brothers Band's most iconic songs, including "Revival," "Blue Sky," and the instrumental tour de force "In Memory of Elizabeth Reed." His songwriting contributions helped to define the band's sound and earned them a dedicated following.
Tragedy struck the Allman Brothers Band in 1971 when Duane Allman died in a motorcycle accident. The loss of his guitar partner and friend deeply affected Betts, but he stepped up to fill the void left by Duane's absence. Betts' guitar work became even more prominent in the band's sound, and he continued to write and sing lead on many of their most popular songs.
In 1972, the Allman Brothers Band released their double live album "Eat a Peach," which featured Betts' extended guitar solo on the epic "Les Brers in A Minor." The album was a commercial and critical success, cementing the band's status as one of the most important acts in rock music.
Throughout the 1970s, the Allman Brothers Band continued to record and tour extensively, with Betts serving as a key creative force. He wrote and sang lead on hits like "Ramblin' Man" and "Jessica," the latter of which showcased his virtuosic guitar work and earned the band a Grammy Award in 1996.
Despite the band's success, internal tensions and personal struggles led to the Allman Brothers Band's breakup in 1976. Betts formed his own group, Great Southern, and released several solo albums throughout the late '70s and early '80s.
In 1989, the Allman Brothers Band reunited and embarked on a successful comeback tour. Betts remained a vital part of the group, contributing his signature guitar work and songwriting to albums like "Seven Turns" (1990) and "Where It All Begins" (1994). The band's live performances during this era were celebrated for their improvisational prowess and the chemistry between Betts and fellow guitarist Warren Haynes.
Betts' personal life was marked by struggles with alcohol and substance abuse, which sometimes led to tensions within the band. In 2000, he was fired from the Allman Brothers Band due to his erratic behavior and declining musical contributions. The split was acrimonious, and Betts later sued the band for wrongful termination.
In the years following his departure from the Allman Brothers Band, Betts continued to perform and record with his own group, Dickey Betts & Great Southern. He also made occasional guest appearances with other artists and was inducted into the Rock and Roll Hall of Fame as a member of the Allman Brothers Band in 1995.
Betts' influence on rock guitar cannot be overstated. His fluid, melodic style and seamless integration of country, blues, and jazz elements inspired countless guitarists and helped to define the sound of Southern rock. His songwriting, which often celebrated the beauty and romance of the American South, added a poetic depth to the Allman Brothers Band's music and earned him a place among the great American songwriters.
Dickey Betts' passing marks the end of an era for the Allman Brothers Band and Southern rock music. His contributions to the genre, both as a guitarist and a songwriter, will forever be remembered as some of the most significant and influential in the history of rock music. Betts' legacy will live on through the countless musicians he inspired and the timeless music he created with the Allman Brothers Band. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcastsForrest Richard "Dickey" Betts, the legendary guitarist, songwriter, and founding member of the Allman Brothers Band, passed away on Thursday, August 24, 2023, in Osprey, Florida, at the age of 80. Betts' innovative guitar work and country-influenced songwriting played a crucial role in shaping the Southern rock genre during the 1960s and 1970s.
Born on December 12, 1943, in West Palm Beach, Florida, Betts grew up in a musical family. His father, Forrest Betts, was a carpenter and a talented mandolin player, while his mother, Hattie, played the piano. Exposed to music from a young age, Betts quickly developed a passion for the guitar and began honing his skills as a teenager.
In the early 1960s, Betts formed a band called the Second Coming with bassist Berry Oakley. The group gained a strong local following and eventually caught the attention of Duane Allman, a talented slide guitarist. In 1969, Betts, Allman, Oakley, and Duane's brother, Gregg Allman, along with drummers Butch Trucks and Jai Johanny "Jaimoe" Johanson, formed the Allman Brothers Band.
The Allman Brothers Band quickly established themselves as one of the most influential and innovative acts in the burgeoning Southern rock scene. Betts and Duane Allman's dual lead guitar work became the band's signature sound, with their intricate, improvisational interplay setting a new standard for rock guitar. Betts' country-inflected songwriting, which drew from his love of artists like Bob Wills and Merle Haggard, added a distinctive flavor to the band's blues-based rock.
Betts wrote and sang lead on several of the Allman Brothers Band's most iconic songs, including "Revival," "Blue Sky," and the instrumental tour de force "In Memory of Elizabeth Reed." His songwriting contributions helped to define the band's sound and earned them a dedicated following.
Tragedy struck the Allman Brothers Band in 1971 when Duane Allman died in a motorcycle accident. The loss of his guitar partner and friend deeply affected Betts, but he stepped up to fill the void left by Duane's absence. Betts' guitar work became even more prominent in the band's sound, and he continued to write and sing lead on many of their most popular songs.
In 1972, the Allman Brothers Band released their double live album "Eat a Peach," which featured Betts' extended guitar solo on the epic "Les Brers in A Minor." The album was a commercial and critical success, cementing the band's status as one of the most important acts in rock music.
Throughout the 1970s, the Allman Brothers Band continued to record and tour extensively, with Betts serving as a key creative force. He wrote and sang lead on hits like "Ramblin' Man" and "Jessica," the latter of which showcased his virtuosic guitar work and earned the band a Grammy Award in 1996.
Despite the band's success, internal tensions and personal struggles led to the Allman Brothers Band's breakup in 1976. Betts formed his own group, Great Southern, and released several solo albums throughout the late '70s and early '80s.
In 1989, the Allman Brothers Band reunited and embarked on a successful comeback tour. Betts remained a vital part of the group, contributing his signature guitar work and songwriting to albums like "Seven Turns" (1990) and "Where It All Begins" (1994). The band's live performances during this era were celebrated for their improvisational prowess and the chemistry between Betts and fellow guitarist Warren Haynes.
Betts' personal life was marked by struggles with alcohol and substance abuse, which sometimes led to tensions within the band. In 2000, he was fired from the Allman Brothers Band due to his erratic behavior and declining musical contributions. The split was acrimonious, and Betts later sued the band for wrongful termination.
In the years following his departure from the Allman Brothers Band, Betts continued to perform and record with his own group, Dickey Betts & Great Southern. He also made occasional guest appearances with other artists and was inducted into the Rock and Roll Hall of Fame as a member of the Allman Brothers Band in 1995.
Betts' influence on rock guitar cannot be overstated. His fluid, melodic style and seamless integration of country, blues, and jazz elements inspired countless guitarists and helped to define the sound of Southern rock. His songwriting, which often celebrated the beauty and romance of the American South, added a poetic depth to the Allman Brothers Band's music and earned him a place among the great American songwriters.
Dickey Betts' passing marks the end of an era for the Allman Brothers Band and Southern rock music. His contributions to the genre, both as a guitarist and a songwriter, will forever be remembered as some of the most significant and influential in the history of rock music. Betts' legacy will -
This monthly returning podcast will provide you with the best releases from all the dj's in the harder styles of dance music! A mix of the greatest euphoric melodies combined with the roughest kicks and screeches.
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Taylor Swift-experts Annelot Prins en Sophie Rutenfrans vertellen je wekelijks alles over de grootste popster ter wereld.
Met de komst van een nieuw album en de Europese The Eras Tour is 2024 wederom het jaar van Taylor Swift.
Swiftie Sophie en Swiftoloog Annelot serveren je het laatste The Eras Tour-nieuws, doorgronden de roddels en geruchten en bellen mede-Swifties voor live verslagen van de concerten. Zelf tellen ze af naar het concert in Stockholm waarin ze Taylor voor het eerst in levende lijve zullen zien.
In Taylors Era brengen ze een ode aan hun favoriete popster en proberen het fenomeen Taylor Swift beter te begrijpen.
Are you ready for it?!
We zijn op zoek naar jou! Ga je naar een Taylor Swift-concert buiten Nederland en wil je onze reporter zijn? Stuur ons een DM op Insta.
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In deze podcast praten de mannen van de band Trinity over hun reizen. Ze vertellen de verhalen achter hun nummers en spelen die live. Daarnaast beantwoorden ze ook jouw vragen.
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ONE Boy, TWO Voices! …. and they’re both mine!!
Hello everyone, I’m CORMAC THOMPSON, I’m 15 and I WAS a very successful ‘boy treble’ And since no one else was talking about it, this podcast is about my journey as a young singer experiencing that scary phase when our voice's take on a MIND OF THEIR OWN.
One minute a boy soprano is soaring over the high notes, to the delight of many and the next... BANG! Your voice CRACKS louder than the school bell and you could give the neighbour’s cat a run for its’ money.
But here's the thing because no-one’s talking about it! It's like we're all in this secret club of voice-breaking boys, silently suffering through the chaos while everyone else carries on like nothing's happening. Except of course for the keyboard warriors, sharing their pearls of wisdom on your YouTube videos about how ‘puberty will hit your career like a train’ or ‘you’ll have to kill yourself when your voice breaks cos you won’t be able to sing any more’ just charming, for sure.
So I wanted to help. In this podcast, we DO TALK about it, we NEED to talk about it. So many boys just stop singing and if we can reassure, even just some of them, that it’ll be ok, I’ll be happy.
So, whether you're a boy and you sing, you’re the parent or the grand - parent or a teacher of a young boy singer or maybe you’re just curious to learn more about this, please JOIN me and Professor Martin Ashley (Author of 'How High Should Boys Sing' and 'Dead Composers and Living Boys') and my regular guests, as we embark on this daunting trek, navigating the highs, the lows, and everything in between.
Thank you for listening and sharing : -)
WATCH me singing https://www.youtube.com/@CormacThompson
STREAM my songs
https://music.apple.com/us/artist/cormac/1539007742
https://open.spotify.com/artist/5h3EGN6IPU6J9fMWszrNWy
LEARN more and FOLLOW me on social media https://www.cormacthompson.com/
LEARN MORE about the science
https://www.martin-ashley.com/vocal-stages
https://pressbooks.pub/deadcomposers/ -
Podcast about oldschool music from an oldschool musician's point of view. Dutch spoken, www.babyboomerbeats.nl
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All about music, concerts and pop culture
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How would you present your favorite bands to someone who had never listened to them? Five Essential Tracks hosts Ben, Jacob, Joel and Josh debate which songs best answer that question. Join us and see if you agree with our selections for the most critical quintet of songs from artists ranging from the popular to the obscure.
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In The Female Frequency duikt cultureel ondernemer Adiam Tseggai samen met haar gasten in de verhalen van vrouwelijke iconen uit de muziek. Vrouwen in de hiphop, jazz, soul en funk die hun eigen weg kozen en daarmee een grote stempel hebben gedrukt op de muziek. Hun invloed is essentieel geweest en moet daarom gevierd worden.
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Babette Labeij en Diederick Ensink praten in hun wekelijkse podcast over zingen en heel veel andere dingen!
Deze muzikale ondernemende duizendpoten vinden elkaar wekelijks in muziek, zang en humor.Smaken verschillen, meningen zijn verdeeld en niets maar dan ook niets laten ze onbesproken met altijd hun liefde en passie voor muziek en zang voorop.Laat je groots meeslepen door deze twee muziekfreaks!
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Music, and more particularly singing is always with us. A certain day we may find ourselves moody and with a melody from La forza del destino playing over and over again in our head. Or maybe we feel like a superhero as we've doing great at work and then we feel like Calaf solving the 3 riddles that Turandot has proposed. First, we would like to build a place where we can talk about our passion for singing in a positive way. There is already too much of those toxic places where we criticize endlessly the minimum error of a given singer. We need more places where we can be respectful and still express our differences, as art is perception and no one perceives art equally to one another.Our second proposal is to come and share, both Katia and I are pretty sure there are a million questions you have always asked yourself about singing and as singers are sometimes not the most approachable people, well we hope can answers some of those questions!!
We'd be glad to receive your comments at
[email protected] -
Welkom bij Keys to Music de podcast een meeslepende podcastserie die de magie van het pianoconcert ontrafelt. Luister zes afleveringen die elk een aspect belichten van dit prachtige muzikale genre, gepresenteerd door niemand minder dan Abdelkader Benali en de getalenteerde pianist Daria van den Bercken. In de studio, met een vleugel binnen handbereik, voeren zij gesprekken met bijzondere gasten; van gerenommeerd componist tot opkomend talent, van wetenschapsjournalist tot muziekprogrammeur. De deuren van de podcaststudio zwaaien open voor een intieme reis door de wereld van pianomuziek, waarbij elke toets een verhaal vertelt.
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It’s the year 1930 in a gloomy, jazz-loving metropolis. Prohibition is in full effect and Skunk Parkley, the former booze hound, is being blackmailed into bringing down a speakeasy. His mission is simple — expose the bootleggers, and don’t get dizzy with any dames along the way…
The Lonely Players is a musical concocted during the roaring 2020s, back when loneliness was nothing to write home about. Music and production by Scott Kiley.
Check out the original cast album @ The Lonely Players (Original Cast Recording) (https://open.spotify.com/album/3hEEaQn3g17biT2ap1OwDK?si=WuFqRP1ESeeECnAt7sEjXA)
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BLCKBRD Speaks is een podcast over muziek en marketing.
In deze podcast gaan we in op ontwikkelingen in de muziek, verschillende stromingen en hoe deze effect en een rol hebben in de samenleving en dus ook voor bedrijven.
BLCKBRD Speaks wordt uitgebracht door BLCKBRD Sound Branding Agency (www.blckbrd.eu) en is elke maand te lezen op fonkonline.nl -
A Fourth Season and again, a FUN " HAPA HOELE " ukulele style podcast. Many types of Music and Songs will be perform on a uke, with a bit of humor and some honest insights.
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The Podcast companion to gonstFM, the radio station dedicated to the band Ghost and the gonstposting community. This show features music reviews and interviews with fans, content creators, musicians, and artists inspired by Ghost along with people who have worked alongside the band itself.
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Een spiksplinterneije podcastserie over Brabantse dialectmuzikanten. Wat drijft ze, wat ontroert ze, wat schrijven ze en: warum dan toch in dè Brabants. Documentairemaker én singer-songwriter-in-het-Brabants Frank van Osch interviewt Gerard van Maasakkers, Björn van der Doelen, Lya de Haas, Hein Augustijn, Martijn Kuijten, Jos Kuipers, Patrick Marcelissen (WC Experience) en Zjef Naaijkens (RK Veulpoepers BV).
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Dit jaar is het 125 jaar geleden dat Willem Mengelberg de Matthäus-Passion van Bach voor het eerst uitvoerde in het Concertgebouw in Amsterdam met het Concertgebouworkest en Toonkunstkoor Amsterdam. Het werd een jaarlijkse traditie. De uitvoeringen van de Matthäus-Passion in de passietijd leidden tot de grote Matthäus-liefde die in ons land nog steeds bestaat.
In zes afleveringen wordt het Nederlandse succes van de Matthäus-Passion verklaard vanuit het menselijke perspectief. Elke aflevering heeft een eigen thema dat uit twee delen bestaat.
In de eerste helft van elke aflevering spreekt dirigent Boudewijn Jansen met een aantal hoofdgasten: tenor Twan van der Wolde, hoofddramaturg van De Nationale Opera, Luc Joosten, bassist en componist Egon Kracht, bas-bariton Raoul Steffani en presentator Tijl Beckand.
In de tweede helft van elke aflevering komen koor- en orkestleden, mensen achter de schermen van het Concertgebouw en Matthäusgangers aan het woord.
Natuurlijk is er tussendoor ook veel muziek te beluisteren.
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Behalve een geniaal componist, toont Johan Sebastian Bach zich met de Matthäus-Passion ook een meesterlijk verhalenverteller. Maar wat bedoelde hij nu echt te zeggen? En wat vertelt zijn magnun opus over zijn diepgewortelde geloof? Bach-expert Klaas Vos neemt je mee tot in het hart van de Matthäus-Passion.
Hosted on Acast. See acast.com/privacy for more information.
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A stunning feat of architectural ambition four years in the making,, Las Vegas' record-shatteringly expensive new entertainment The Sphere The Sphere finally opened fall of 2023 aiming to revolutionize sensory possibilities blending digital immersion with live performance. The bulbous structure's unprecedented wrap-around interior video capabilities, cutting-edge spatial audio, and full spectrum physical effects purport to transport audiences into radically enhanced multi-dimensional environments no concert stage achieved before for $2.3 billion price making this spherical colossus the most expensive entertainment venue ever erected in Sin City.
Brought forth through a partnership between regional entertainment titans Madison Square Garden Company (or MSG) and former Las Vegas Sands backing, the aptly titled The Sphere complex measures a whopping 366 feet tall and 516 feet wide covered by 580,000 square feet of programmable LED panels coating its imposing exterior like the scale of mythological dragon. Within its high-tech skin lies seating for over 18,000 optimally positioned experiencing shows never possible previously.
Specifically, The Sphere's interior showcases spectacular 16 thousand-resolution wraparound screens engulfing attendees in what feels akin a live IMAX theater through triple limitations of conventional concert footage. Over 1,600 individual sonic emitters leverage advanced wave synthesis and beam-forming precision to bounce layered sounds everywhere imaginable even vibrating through floorboards. Then myriad 4D elements like perfumed scents, temperature shifts and tactile rumbles complement enormous displays dynamically responding performing artists move through custom choreography.
Altogether The Sphere’s sprawling production toolbox fosters unlimited possibilities storytellers dream up leveraging digital sleight of hand synchronizing CGI elements live performers interact. The creative combinations remain infinite if content creators fully harness The Sphere's capabilities by choreographing entirely new species showmanship. Already MSG announced runway style awards programming, long-form documentary debuts and fittingly U2 themselves christened the state-of-art stage across 40 dates with touring residency leveraging limitless possibility welcoming this uncharted new frontier for event entertainment. One expects many visionary artists to follow conceptualizing groundbreaking world-building hitherto impossible come to vivid life nightly when properly utilizing The Sphere’s futuristic production palette.
Now after years of tangled delays navigating supply chain logjams and runaway materials inflation blowing initial costs skyward, the $2 billion plus pricey spherical spectacle finally opened September 2023 shepherded by MSG subsidiary The Sphere Entertainment towards realizing profitability. Unfortunately, wider macro-economic woes hampering consumer discretionary spending coupled with operational costs tuning The Sphere’s bleeding edge systems produce projected near $100 million losses initially gave shareholders pause whether the ambitious gamble pays dividends long-term. With exorbitantly expensive overhead and consistent six-figure crowd draws essential to reaching even modest future profit break-even thresholds, the financial viability quest already claimed MSG CFO exiting weeks after doors opened.
The entertainment industry gazes upon The Sphere half with optimism about immersive potential but also weighted uncertainty about whether risky business execution amidst the recessionary climate jeopardizes MSG’s spherical Icarus melting wings flying too close creative sun. Beyond budgets, critical voices argue The Sphere’s lavish one percenter amenities contradict populist entertainment better served through dozens of grassroots venues reaching wider audiences. Could vanity alone collapse this awe-inspiring architectural marvel many critics charge resembles a gaudy billionaire’s Epcot bauble more than proving practical public good?
Time will tell whether The Sphere’s promise to usher live entertainment into expansive multi-dimensional realms through cutting-edge production or merely fleeting gimmickry dazzling initial crowds soon after fading forgetting faster than other Vegas spectacle ghosts. But give credit to MSG and partners' courage to dream so ambitiously by spending big believing interactive digital innovation must push boundaries reaching post-pandemic audiences evaluating theatrical experiences on radically shifting terms favoring heightened stimulation. Only broad sustained turnout and profitability measures if their shrewd bet pays forward dividends opening new frontier contemporary arena entertainment through consistently scaling creative possibilities matching billion-dollar plus investment built.
Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts.
And Hey! History buffs, buckle up! Talking Time Machine isn't your dusty textbook lecture. It's where cutting-edge AI throws wild interview parties with history's iconic figures.
In the Talking Time Machine podcast: History Gets a High-Tech Twist, Imagine: Napoleon Bonaparte talking French Politics with Louis the 14th!
This podcast is futuristically insightful. Our AI host grills historical legends with questions based on real historical context, leading to surprising, thought-provoking, and often mind-blowing answers.
Whether you're a history geek, a tech junkie, or just love a good interview, Talking Time Machine has something for you.
Talking Time Machine: search, subscribe and (Listen Now!) - Mostrar más
