Regering – Israel – Nye podcasts

  • The official podcast of the Business and Enterprise Systems Directorate. We run the systems that run the Air Force…moving money, manpower, and materiel.

  • ืžื•ืœื™ ืืจื™ ืขื ืžื™ื˜ื‘ ืขื•ืจื›ื™ ื”ื“ื™ืŸ

  • ืชื•ื›ื ื™ื•ืช ื•ืจืื™ื•ื ื•ืช ืžื™ื•ื—ื“ื™ื ืœืฆื™ื•ืŸ ืฉื ื” ืœืืกื•ืŸ ื”ืฉื‘ืขื” ื‘ืื•ืงื˜ื•ื‘ืจ.

  • ืžืชื—ื™ืœืช ื”ืžืœื—ืžื” ืฉืจื™ ื”ืžืžืฉืœื” ื’ื•ื ื‘ื™ื ืกื•ืกื™ื.
    ื”ื ืกื™ืคืจื• ืœื ื• ืฉืกื“ืจ ื”ืขื“ื™ืคื•ื™ื•ืช ื”ืฉืชื ื”, ืฉื”ื”ืคื™ื›ื” ื”ืžืฉื˜ืจื™ืช ื”ื™ื ื“ื™ื‘ื•ืจื™ื ืฉืœ ื”ืฉื™ืฉื” ื‘ืื•ืงื˜ื•ื‘ืจ, ืื‘ืœ ื”ื ืคืฉื•ื˜ ืขื‘ืจื• ืœืžืขืฉื™ื. ืžื ืฆืœื™ื ืืช ื–ื” ืฉืชืฉื•ืžืช ื”ืœื‘ ืฉืœื ื• ื‘ืžืงื•ืžื•ืช ืื—ืจื™ื, ื›ื“ื™ ืœืงื“ื ืืช ื”ืžื”ืคื›ื” ืฉืชื›ื ื ื• ื‘ื“ืจื›ื™ื ืžืชื•ื—ื›ืžื•ืช ื•ืžืกื•ื›ื ื•ืช ื”ืจื‘ื” ื™ื•ืชืจ.
    ื‘ืคื•ื“ืงืืกื˜ ืขืžื™ืช ืชื•ืžืจ ืชื—ืฉื•ืฃ ื‘ืคื ื™ื›ื ืืช ื”ืกื•ืกื™ื ื”ื‘ืœืชื™-ื ืจืื™ื ืื—ื“-ืื—ื“ – ื‘ืžืขืจื›ืช ื”ืžืฉืคื˜ ื‘ืžื™ื ื•ื™ื™ื, ื‘ื›ืกืคื™ ื”ืžื™ืกื™ื ืฉืœ ื›ื•ืœื ื•, ื‘ืžืฉื˜ืจื”, ื‘ืฉื™ืจื•ืชื™ ื”ื“ืช, ื‘ืชืจื‘ื•ืช, ื‘ืชืงืฉื•ืจืช, ื‘ืืงื“ืžื™ื”, ื‘ืคืจื˜ื™ื•ืช ืฉืœื ื•, ื‘ืขื™ืจ ืฉืืชื ื’ืจื™ื ื‘ื” ื•ื’ื ืžื—ื•ืฅ ืœื’ื‘ื•ืœื•ืช ืžื“ื™ื ืช ื™ืฉืจืืœ – ื•ืชืจืื” ื›ืžื” ืจื—ื•ืง ื”ื”ืฉืคืขื” ืฉืœื”ื ืขืœ ื”ืžืฆื™ืื•ืช ืฉืœื ื• ื™ื›ื•ืœื” ืœื”ื’ื™ืข, ืื ืœื ื ืขืฆื•ืจ ืื•ืชื ื‘ื–ืžืŸ.

  • Welcome to ‘Peace & Power,’ Where we discuss how America uses its diplomatic, military, and other instruments of national power to seek and preserve peace.

  • ืฉื™ื—ื•ืช ืžืื•ืœืคืŸ ื”ืžื›ื•ืŸ ื”ื™ืฉืจืืœื™ ืœื“ืžื•ืงืจื˜ื™ื”

  • ืžื™ื ื”ืœ ื”ืกื“ืจื” ื•ืื›ื™ืคืช ื—ื•ืงื™ ืขื‘ื•ื“ื” ืžื‘ื™ื ืœื›ื ืžื™ื“ืข ืฉืฉื•ื•ื” ื”ืจื‘ื” ื›ืกืฃ!

    ื‘ื›ืœ ืคืจืง ื ื‘ื™ื ืœื›ื ื˜ื™ืคื™ื ืžืขืฉื™ื™ื ื•ืžื™ื“ืข ื‘ืขืœ ืขืจืš, ื”ื ื•ื’ืขื™ื ืœืชื—ื•ืžื™ื ื‘ื”ื ืขื•ืกืง ื”ืžื™ื ื”ืœ.

    ื‘ืคื•ื“ืงืืกื˜ ืฉืœื ื• ืชืงื‘ืœื• ืžืื ืฉื™ ื”ืžืงืฆื•ืข ืชืฉื•ื‘ื•ืช ืœืฉืืœื•ืช ืฉืžืขืกื™ืงื•ืช ืืช ื›ื•ืœื ื•: ืืœื• ื–ื›ื•ื™ื•ืช ืžื’ื™ืขื•ืช ืœืขื•ื‘ื“ื™ื ืข"ืค ื—ื•ืงื™ ื”ืขื‘ื•ื“ื”? ืžื” ืืคืฉืจ ืœืขืฉื•ืช ืื ืœื ืงื™ื‘ืœืชื ืืช ืžื” ืฉืžื’ื™ืข ืœื›ื? ื›ื™ืฆื“ ืžืชื‘ืฆืขืช ื”ืื›ื™ืคื” ื‘ืคื•ืขืœ ื•ืžืชื™ ื ื‘ื•ื ืœืงืจืืช ื”ืžืขืกื™ืงื™ื ื‘ืžื˜ืจื” ืฉื”ืขื•ื‘ื“ื™ื ื™ืงื‘ืœื• ืืช ื”ื›ืกืฃ ืฉืœื”ื? ื•ืจื’ืข, ืืœื• ื–ื›ื•ื™ื•ืช ื™ืฉ ืœืžื™ืœื•ืื™ืžื ื™ืงื™ื, ืœื‘ื ื™ ื”ื ื•ืขืจ ื•ืœืขื•ื‘ื“ื™ื ื”ื–ืจื™ื?

    ื›ืœ ืืœื• ื•ืขื•ื“ ื‘ืคื•ื“ืงืืกื˜ ืฉืขื•ื‘ื“ื™ื ื•ืžืขืกื™ืงื™ื ื—ื™ื™ื‘ื™ื ืœื”ืื–ื™ืŸ ืœื•!

  • ืคื•ื“ืงืืกื˜ ืขืœ ืžืื—ื•ืจื™ ื”ืงืœืขื™ื ืฉืœ ื”ืžืฉืคื˜, ื”ืชื›ื ื•ืŸ ื•ืžื“ื™ื ื™ื•ืช ื”ื“ื™ื•ืจ ื‘ื™ืฉืจืืœ (ื•ื’ื ืžืขื‘ืจ).
    ืžื•ื–ืžื ื™ื ืœืฆืœื•ืœ ืื™ืชื ื• ืœืขื•ืžืง ื”ืฉืืœื•ืช, ื”ืืชื’ืจื™ื, ื”ื—ื™ื“ื•ืฉื™ื ื•ื”ื”ืžืฆืื•ืช ื”ืžืฉืคื™ืขื™ื ืขืœ ื”ื—ื™ื™ื ืฉืœ ื›ื•ืœื ื• ื•ืœื—ืฉื™ื‘ื” ืžืฉื•ืชืคืช ืขืœ ืื™ืš ื ื™ืชืŸ ืœื”ืฉืคื™ืข ืขืœื™ื”ื. ื”ืคื•ื“ืงืืกื˜ ื”ื•ืคืง ืชื—ื™ืœื” ื›ื—ื•ืžืจ ื ืœื•ื•ื” ืœืงื•ืจืก ืืงื“ืžื™ ืขืœ ืžื“ื™ื ื™ื•ืช ื“ื™ื•ืจ, ื‘ืกื™ื•ืข ืชื—ื ืช ืจื“ื™ื• ืื•ื ื™ื‘ืจืกื™ื˜ืช ื‘ืŸ-ื’ื•ืจื™ื•ืŸ ื‘ื ื’ื‘, ื•ื‘ืชืžื™ื›ืช ื”ื™ื—ื™ื“ื” ืœืงื™ื“ื•ื ืื™ื›ื•ืช ื”ื”ื•ืจืื” ื•ื”ืœืžื™ื“ื” ื‘ืื•ื ื™ื‘ืจืกื™ื˜ื”. ื›ื™ื•ื ื”ื•ื ืžื•ืคืง ื‘ืื•ืคืŸ ืขืฆืžืื™. ื”ืžื ื’ื™ื ื” ืžืืชืจ ARTLIST, ื”ื™ืฆื™ืจื” IamDayLight ื”ื™ื•ืฆืจ GROOVY PANDA.

  • Many of us will be familiar with the image of the House of Commonsโ€™ infamous green benches. But what does it really feel like to be in the Chamber, working in the โ€˜mother of Parliamentsโ€™? This is what the History of Parliament Trustโ€™s Oral History project seeks to find out, interviewing former MPs about their time in Westminster- and beyond. Now, for the first time, we have gathered some of the reflections within our vast archive of interviews into one place, allowing you a true insiderโ€™s view into life as a Member of Parliament.

    What drove these individuals to enter political life? How did they secure their seat or win an election? And what impact did this job have on their personal life?


    Hosted by Dr Emma Peplow, Head of Contemporary History at the History of Parliament Trust, and Dr Alex Lock, historian and curator at the British Library, this podcast spotlights some of the brilliant interviews from MPs who sat between the 1950s and early 2000s within our 200+ strong archive, using never before heard clips and highlighting the unique insights that oral history interviews provide. 


    Listen to โ€˜Tales from the Green Benches: an Oral History of Parliamentโ€™ to hear stories from the heart of the Commons, from those who sat on those very benches.

    A podcast from the History of Parliament Trust.


    Presented by Dr Emma Peplow and Dr Alex Lock, produced by Melissa FitzGerald at Zinc Audio. With additional writing from Dr Priscila Pivatto and script editing from Connie Jeffery. All interviews are deposited at the British Library. Find a catalogue of interviews on our website.

    Artwork by [email protected]


    Hosted on Acast. See acast.com/privacy for more information.

  • ะŸะพะดะบะฐัั‚ ะ ัƒััะบะพะน ัะปัƒะถะฑั‹ ะœะตะถะดัƒะฝะฐั€ะพะดะฝะพะณะพ ั€ะฐะดะธะพ ะขะฐะนะฒะฐะฝั «ะกะพะฝ ะฒ ะบั€ะฐัะฝะพะผ ั‚ะตั€ะตะผะต» ะฟั€ะตะดะปะฐะณะฐะตั‚ ะฝะฐัˆะธะผ ัะปัƒัˆะฐั‚ะตะปัะผ ะฒะผะตัั‚ะต ะฟั€ะพั‡ะตัั‚ัŒ ัะฐะผั‹ะน ะทะฝะฐะผะตะฝะธั‚ั‹ะน ัˆะตะดะตะฒั€ ะบะธั‚ะฐะนัะบะพะน ะปะธั‚ะตั€ะฐั‚ัƒั€ั‹ ะธ «ะฟั€ะพะถะธั‚ัŒ» ั€ะพะผะฐะฝ ะฒะผะตัั‚ะต ั ะตะณะพ ะณะตั€ะพัะผะธ. ะ ะพะผะฐะฝ ะฆะฐะพ ะกัŽั-ั†ะธะฝั - ัั‚ะพ ั†ะตะปะฐั ะฒัะตะปะตะฝะฝะฐั, ะธััะปะตะดะพะฒะฐะฝะธะตะผ ะบะพั‚ะพั€ะพะน ะทะฐะฝะธะผะฐะตั‚ัั ะพั‚ะดะตะปัŒะฝั‹ะน ั€ะฐะทะดะตะป ะบะธั‚ะฐะตะฒะตะดะตะฝะธั - «ั…ัƒะฝััŽั», ะธะปะธ «ะบั€ะฐัะฝะพะฒะตะดะตะฝะธะต»; ะฒะพะบั€ัƒะณ ััŽะถะตั‚ะฝั‹ั… ะปะธะฝะธะน ะธ ะณะตั€ะพะตะฒ (ะฝะต ะณะพะฒะพั€ั ัƒะถะต ะพะฑ ะฐะฒั‚ะพั€ัั‚ะฒะต) ั€ะพะผะฐะฝะฐ ะฒะตะดัƒั‚ัั ั†ะตะปั‹ะต «ะฒะพะนะฝั‹», ัƒ ั€ะพะผะฐะฝะฐ ะผะฝะพะถะตัั‚ะฒะพ ะฟะพะบะปะพะฝะฝะธะบะพะฒ ะธ ั„ะฐะฝ-ะบะปัƒะฑะพะฒ, ะฝะพ ะดะปั ัˆะธั€ะพะบะพะณะพ ะทะฐะฟะฐะดะฝะพะณะพ ั‡ะธั‚ะฐั‚ะตะปั ะพะฝ ะดะพ ัะธั… ะฟะพั€ ะพัั‚ะฐั‘ั‚ัั ะปะฐั€ั†ะพะผ ั ะดั€ะฐะณะพั†ะตะฝะฝะพัั‚ัะผะธ, ะทะฐะฟะตั€ั‚ั‹ะผ ะฝะฐ ะบะปัŽั‡. 

    ะœั‹ ั ะฒะฐะผะธ ัƒะฑะตะดะธะผัั, ั‡ั‚ะพ ั‡ะธั‚ะฐั‚ัŒ «ะกะพะฝ ะฒ ะบั€ะฐัะฝะพะผ ั‚ะตั€ะตะผะต» - ัะพะฒัะตะผ ะฝะต ัะปะพะถะฝะพ ะธ ะพั‡ะตะฝัŒ ัƒะฒะปะตะบะฐั‚ะตะปัŒะฝะพ, ะพัะพะฑะตะฝะฝะพ ะตัะปะธ ะดะพะฑั‹ั‚ัŒ ะบะปัŽั‡ ะบ ัั‚ะพะผัƒ ะปะฐั€ั†ัƒ. ะญั‚ะพั‚ ะบะปัŽั‡ ัƒ ะฝะฐั ะตัั‚ัŒ: ะฒ ะฟั€ะตะบั€ะฐัะฝะพะผ «ะขะพะปะบะพะฒะฐะฝะธะธ "ะกะฝะฐ ะฒ ะบั€ะฐัะฝะพะผ ั‚ะตั€ะตะผะต"» ะธะทะฒะตัั‚ะฝะพะณะพ ั‚ะฐะนะฒะฐะฝัŒัะบะพะณะพ ะฟะธัะฐั‚ะตะปั ะ‘ะฐะน ะกัะฝัŒ-ัŽะฝะฐ, ะฑะพะปัŒัˆะพะณะพ ั†ะตะฝะธั‚ะตะปั ะธ ะณะปัƒะฑะพะบะพะณะพ ะทะฝะฐั‚ะพะบะฐ ัั‚ะพะณะพ ั€ะพะผะฐะฝะฐ, ะผั‹ ะฝะฐะนะดั‘ะผ ะพั‚ะฒะตั‚ั‹ ะฝะฐ ะฑะพะปัŒัˆะธะฝัั‚ะฒะพ ะฒะพะฟั€ะพัะพะฒ, ะฒะพะทะฝะธะบะฐัŽั‰ะธั… ะฟะพ ั…ะพะดัƒ ั‡ั‚ะตะฝะธั, ะธ ัƒะทะฝะฐะตะผ ะผะฝะพะณะพ ะฝะพะฒะพะณะพ ะธ ะธะฝั‚ะตั€ะตัะฝะพะณะพ ะพ ะบะธั‚ะฐะนัะบะพะน ะบัƒะปัŒั‚ัƒั€ะต ะธ ั†ะธะฒะธะปะธะทะฐั†ะธะธ ะฒั‚ะพั€ะพะน ะฟะพะปะพะฒะธะฝั‹ 18 ะฒะตะบะฐ (ะดะฐ ะธ ะฝะต ั‚ะพะปัŒะบะพ).

    ะ’ ั‚ะตั‡ะตะฝะธะต ะฑะปะธะถะฐะนัˆะตะณะพ ัƒั‡ะตะฑะฝะพะณะพ ะณะพะดะฐ ะบะฐะถะดัƒัŽ ะฟัั‚ะฝะธั†ัƒ ะผั‹ ั ะฒะฐะผะธ ะฑัƒะดะตะผ ะฟะพะณั€ัƒะถะฐั‚ัŒัั ะฒ ะฒะพะปัˆะตะฑะฝั‹ะน «ะกะพะฝ ะฒ ะบั€ะฐัะฝะพะผ ั‚ะตั€ะตะผะต».

    ะŸะพะดะบะฐัั‚ ัะพะฟั€ะพะฒะพะถะดะฐะตั‚ัั ั‚ะตะปะตะณั€ะฐะผ-ะบะฐะฝะฐะปะพะผ: https://t.me/vKrasnomTereme, ะณะดะต ั€ะฐะทะผะตั‰ะฐัŽั‚ัั ะดะพะฟะพะปะฝะธั‚ะตะปัŒะฝั‹ะต ะผะฐั‚ะตั€ะธะฐะปั‹.

  • ื‘ืจื•ื›ื™ื ื”ื‘ืื™ื ืœืคื•ื“ืงืืกื˜ ืฉืœ ืžืคืœื’ืช ื™ืฉืจืืœ ื‘ื™ืชื ื•, ื‘ื• ื ื“ื‘ืจ ืขืœ ื›ืœ ืžื” ืฉื‘ื•ืขืจ ื‘ืคื•ืœื™ื˜ื™ืงื” ื”ื™ืฉืจืืœื™ืช, ืžื›ืœ ื”ื–ื•ื•ื™ื•ืช ื•ื‘ืœื™ ืคื™ืœื˜ืจื™ื.
    ื ืืจื— ืื ืฉื™ื ืžืชื—ื•ืžื™ื ืฉื•ื ื™ื, ืžื’ื–ืจื™ื ืžื’ื•ื•ื ื™ื ื•ื“ืขื•ืช ืื—ืจื•ืช, ืžื” ืฉืžืฉื•ืชืฃ ืœื›ื•ืœื ื–ื” ื”ืจืฆื•ืŸ ืœืฉื ื•ืช.

  • ืขื™ื“ืŸ ืžืืจืืฉ ื•ืงืจืŸ ืงื•ื“ืจื™ื” ื‘ืœื™ ื—ืฉื‘ื•ืŸ ืžืฉื•ื—ื—ื™ื ืขืœ ืฉื•ืจืช ื ื•ืฉืื™ื ื‘ื•ืขืจื™ื ื‘ืคื•ืœื™ื˜ื™ืงื” ื”ื™ืฉืจืืœื™ืช

  • ืžื“ื™ื ืช ื™ืฉืจืืœ ื‘ืžืฉื‘ืจ ืงื™ื•ืžื™, ื”ืฉืืœื•ืช ืขืœ ื”ืžื ื”ื™ื’ื•ืช ืฆืคื•ืช, ื ื•ืงื‘ื•ืช ื•ืžืืชื’ืจื•ืช ืžืชืžื™ื“. ืื ื™ ืžื™ื›ื” ืื‘ื ื™, ืื™ืฉ ืžืฉืคื—ื”, ื™ื–ื, ืคืขื™ืœ ืฆื™ื‘ื•ืจ ื•ื‘ืขื™ืงืจ, ืžืืžื™ืŸ ื•ืื•ื”ื‘ ื’ื“ื•ืœ ืฉืœ ืžื“ื™ื ืช ื™ืฉืจืืœ. ื‘ืคื•ื“ืงืืกื˜ "ื”ืžื ื”ื™ื’ื•ืช ืฉืœ ื”ืžื—ืจ" ืื ื™ ืจื•ืฆื” ืฉื ื›ื™ืจ ื™ื—ื“ ืืช ืžื ื”ื™ื’ื•ืช ื”ืขืชื™ื“. ืื ืฉื™ื ืฉืฉื™ื™ื›ื™ื ืœื™ืฉืจืืœ ืฉืœ ื”ืžื—ืจ ื•ื‘ื›ื•ื—ื ื•ืจื•ื—ื, ืœืชืงืŸ ื•ืœื‘ื ื•ืช ื›ืืŸ ืžื—ื“ืฉ. ื‘ื›ืœ ืคืจืง, ืืืจื— ืžื ื”ื™ื’ื™ื ื•ืžื ื”ื™ื’ื•ืช ืžืžื’ื•ื•ืŸ ืชื—ื•ืžื™ื ื‘ื—ื‘ืจื” ื”ื™ืฉืจืืœื™ืช ื›ื“ื™ ืœืฉืžื•ืข ืืช ืกื™ืคื•ืจื, ืœื“ื•ืŸ ื‘ื ื•ืฉืื™ื ื‘ื•ืขืจื™ื ื•ืœืฆื™ื™ืจ ื™ื—ื“ ื—ื–ื•ืŸ ืœืžื ื”ื™ื’ื•ืช ื—ื“ืฉื” ื‘ื™ืฉืจืืœ.


    ื”ืคื•ื“ืงืืกื˜ ื”ื–ื”, ืžื•ืงื“ืฉ ืœื–ื›ืจื• ืฉืœ ื—ื‘ืจื™ ื”ื˜ื•ื‘, ื“ื ื™ ืœื•ื™ืŸ ื–ืดืœ, ืฉื ืจืฆื— ืขืœ ื™ื“ื™ ืžื—ื‘ืœื™ ื“ืืขืฉ ื‘- 11/09/2001.
    ื“ื ื™ ื”ื™ื” ืฆื™ื•ื ื™ ื ืœื”ื‘ ื•ืื”ื‘ืชื• ืœืืจืฅ ื”ื–ื• ื”ื™ื™ืชื” ืขืฆื•ืžื”. ื“ื ื™ ื”ื™ื” ืžื ื”ื™ื’, ืžื”ืกื•ื’ ื”ื–ื” ืฉืื ื—ื ื• ื›ืœ ื›ืš ืฆืจื™ื›ื™ื ื›ืืŸ ื”ื™ื•ื.
    ื“ื ื™ ืื—ื™, ืื ื—ื ื• ื ืชืงืŸ ื›ืืŸ.

  • Welcome to Guardify Real Evidence, your go-to podcast for insights and discussions on the evolving world of digital evidence and social impact. Join us as we explore how technology, people, and processes unite to reshape the landscape of justice and community collaboration. Delve into thought-provoking conversations on restorative justice, uncovering how innovation and collaboration can help communities work together for a better, more equitable future. Tune in for expert perspectives, compelling stories, and the latest in digital evidence management.

  • ื—ื‘ืจืชื™ ื‘ืฉื™ืฉื™ ืขื ื ืื•ื” ื‘ื•ืงืจ

  • Music & The Cities vi porta a fare un giro nelle piรน importanti cittร  italiane, attraverso le trame del loro tessuto musicale.

    Il silenzio delle strade ormai puรฒ sembrarci assordante, ma la musica continua ad attraversare la vita delle cittร . Music & The Cities รจ il nuovo podcast in cui vi racconterรฒ il tessuto culturale e sociale del nostro paese da nord a sud, insieme ad alcuni dei protagonisti della scena creativa italiana.

    Piรน di trenta tra artisti, scrittori e giornalisti, per un ritratto corale: dai salotti ai club, dal centro alle periferie, dal giorno alla notte. Ogni cittร  con la sua scena musicale, la sua storia e le sue evoluzioni. Music & The Cities racconta le differenze, mostra il rapporto con i fermenti creativi contemporanei, individua i segnali per il futuro.

    La serie รจ prodotta da Happy Few e Studio 33, una supernova musicale, meta di appassionati del suono da tutto il mondo. Tutti gli episodi sono disponibili in italiano, nella versione estesa curata da Raffaele Costantino e Matteo Strada, e in inglese, con la curatela e la voce dalla gior-nalista Megan Iacobini de Fazio.
    Progetto commissionato dal Ministero degli Affari Esteri e delle Cooperazione Internazionale.

    Music & The Cities is the new podcast that takes you on a tour of the most important Italian cities, through the prism of their musical textures. It tells you about the cultural and social texture of our country from North to South, by engaging some of the leading players of the Italian creative scene.

    More than thirty artists, writers, and journalists, for a choral portrait: from salons to clubs, from the center to the suburbs, from day to night. Each city with its music scene, its history, and its evolutions. Music & The Cities talks about the differences, shows the relationship with the contemporary creative energies, identifies the signals for the future.

    This series is produced by Happy Few and Studio 33. All episodes are available in Italian - in the extended version edited by Raffaele Costantino and Matteo Strada - and in English, curated by the journalist Megan Iacobini de Fazio.

    Music & The Cities is a project commissioned by the Italian Ministry of Foreign Affairs and International Cooperation.

  • ืคื•ื“ืงืืกื˜ "ืœื•ื—ืžื™ ื›ืœื™ืื”" ืฉืœ ืฉื™ืจื•ืช ื‘ืชื™ ื”ืกื•ื”ืจ ื—ื•ืฉืฃ ืืช ืขื•ืœืžื ื”ืžื•ืจื›ื‘ ืฉืœ ืœื•ื—ืžื™ ื•ืœื•ื—ืžื•ืช ื”ื›ืœื™ืื” ื•ื”ื™ื—ื™ื“ื•ืช ื”ืžื™ื•ื—ื“ื•ืช. ืื ื• ืžื–ืžื™ื ื™ื ืืชื›ื ืœื”ื™ื›ื ืก ืœืขื•ืœื ื”ื›ืœื™ืื” ื•ืœืงื‘ืœ ืชืžื•ื ื” ืžืงื™ืคื” ืฉืœ ื”ืืชื’ืจื™ื ื•ื”ืžืฉื™ืžื•ืช ื‘ืฉื’ืจื” ื•ื‘ื—ื™ืจื•ื ืฉืœ ืืจื’ื•ืŸ ื”ื›ืœื™ืื” ื”ืœืื•ืžื™ ืฉืœ ื™ืฉืจืืœ.

    ื›ืœื™ืื” | ื‘ื™ื˜ื—ื•ืŸ | ืื›ื™ืคื”

  • ื‘ืŸ ื™ื ื™ื‘ ืขื ืขื“ื›ื•ืŸ ืงืฆืจ ืขืœ ื›ืœ ืžื” ืฉืฆืจื™ืš ืœื“ืขืช ื‘ื—ื“ืฉื•ืช ื”ื—ื•ืฅ.

  • ืื‘ื™ืฉื™ ื’ืจื™ื ืฆื™ื™ื’ ืขื ื”ืื ืฉื™ื ืฉืขื•ืฉื™ื ืืช ืžืขืจื›ืช ืื›ื™ืคืช ื”ื—ื•ืง.

  • ื›ืœ ืžื” ืฉืฆืจื™ืš ื›ื“ื™ ืœื”ืชื—ื™ืœ ืคืจื•ื™ืงื˜ ื›ืœื›ืœื™ ื‘ืจืฉื•ื™ื•ืช ื”ืžืงื•ืžื™ื•ืช - ืื ืฉื™ื ื˜ื•ื‘ื™ื ืœื”ืชื™ื™ืขืฅ ืื™ืชื, ื•ืืช ื”ื˜ื™ืคื™ื ื”ื›ื™ ืžื“ื•ื™ืงื™ื ืžื”ืฉื˜ื—. ื”ืคื•ื“ืงืืกื˜ ื”ื•ืคืง ื•ื”ื•ืงืœื˜ ื›ื—ืœืง ืžืงื”ื™ืœื” ืžืงืฆื•ืขื™ืช ืœื•ืžื“ืช ืฉืœ ืคื™ืชื•ื— ื›ืœื›ืœื™ ื‘ืจืฉื•ื™ื•ืช ื”ืžืงื•ืžื™ื•ืช, ื‘ืžืกื’ืจืช ”ืžื™ื–ื ืงื”ื™ืœื•ืช ืœื•ืžื“ื•ืช ื‘ืฉืœื˜ื•ืŸ ื”ืžืงื•ืžื™”, ื”ืžืฉื•ืชืฃ ืœืžืฉืจื“ ื”ืคื ื™ื ื•ืงืจืŸ ืจืฉ”ื™.
    ื›ืœ ื”ื ืืžืจ ืžื”ื•ื•ื” ื™ื“ืข ืื™ืฉื™ ืฉืœ ื”ืžืฉืชืชืคื™ื ืžืชื•ืš ื ื™ืกื™ื•ื ื ื”ืžืงืฆื•ืขื™. ืื™ืŸ ืœืจืื•ืช ื‘ื ืืžืจ ื”ืกื›ืžื”, ื”ื ื—ื™ื”, ืื• ืื™ืฉื•ืจ ืžื›ืœ ืกื•ื’ ืฉื”ื•ื ืžืฆื“ ืžืฉืจื“ ื”ืคื ื™ื ืื• ืงืจืŸ ืจืฉ”ื™ ืœื“ื‘ืจื™ื, ืœืžื”ื•ืชื ืื• ืœืื•ืคืŸ ื‘ื™ืฆื•ืขื.