Episodit
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In the heart of Dublin’s north inner-city, the SFX was one of the defining venues of Dublin’s music scene. U2, The Smiths, New Order, Siouxsie and the Banshees and The Pogues are just some of the acts to have taken to the stage in the Jesuit hall that enjoyed a remarkable second life. I’m joined by David Bell (who experienced the venue as a fan, reporter, merchman and band manager) and Paul Page (Whipping Boy). Thanks to Laura Williams, Jackie Trulock and all at the Annesley Bridge House.
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Bram Stoker’s life and career was shaped by the strong women around him. Charlotte Stoker, his mother, raised him on folklore and stories of her own youth, while Speranza (Lady Jane Wilde, the mother of Oscar) was a key influence in expanding his knowledge of Ireland’s folklore and mythology.
I’m joined by Marion McGarry, author of the acclaimed book Irish Customs and Rituals and an authority on Charlotte Stoker to discuss some of the women central to Stoker’s life and work. Live readings by actor Eva Jane Gaffney bring their words to life.
Marion's book is available from: https://www.orpenpress.com/books/irish-customs-and-rituals/
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Irish Food History: A Companion is an extraordinary thing - a moment in Irish publishing history. Coming in around 800 pages, it covers everything from archaeology and food to the pub grub of today. Full of archival images, poetry, recipes and more besides, the book captures the best of what is happening in Irish food research. On this episode, editors Dorothy Cashman and Máirtín Mac Con Iomaire join me to go through this collection.
The book is available from: https://booksupstairs.ie/product/irish-food-history-a-companion/
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Paula Meehan is a poet for whom history is a constant source of inspiration. In this discussion at the Dublin Festival of History, she reads a number of poems written throughout the Decade of Centenaries, as well as other work shaped by the past. Paula’s collection, The Solace of Artemis, is available from: https://booksupstairs.ie/product/the-solace-of-artemis/
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Lee Miller is best recalled now for her defining images of the Second World War. With Kate Winslet playing the role of Miller in a new film, it seems a good time to explore Miller’s visit to Dublin in the winter of 1946. Sent by Vogue to photograph James Joyce’s Dublin, her images capture scenes like Barney Kiernan’s public house and Belvedere College.
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Catriona Crowe is former Head of Special Projects at the National Archives of Ireland. She is Ireland’s most recognisable archivist, and someone to whom all historians of modern Ireland are indebted. At the recent Seán Corcoran Series (www.seancorcoranseries.com/) we discussed archives, oral history and much more.
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Clodagh Finn and John Morgan have produced an important history of the involvement of Irishmen and women in the anti-fascist movements of the Second World War. One of the most extraordinary stories they have uncovered is Catherine Crean, a woman in her sixties originally from Dublin’s Moore Street. She would give everything in defence of democracy and in opposition to Hitlerism. The Irish in the Resistance is out now (Gill Books.)
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This year marks four decades of the DART. Along with that, the Luas has turned twenty. These two services have radically changed how we live in Dublin, but where did they come from and how did Dublin's transport history shape them? This episode explores these things and questions of tomorrow.
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Seeing the inevitable headlines on the horizon around the Wolfe Tones performing at Electric Picnic, I decided to reach out to Brian Warfield for a chat about his book, The Ramblings of an Irish Ballad Singer. Amongst other things, Brian spoke to me about his family origins, why the Tones recorded songs like 'The Sash', and the importance of the English folk music revival for his band.
(Original image: Richard Walshe, Mindfield Flickr)
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The Liffey Swim is a beloved painting, and one of the most visited works in the National Gallery of Ireland. A century ago, it led to the first Olympic medal of the new Free State. With calls for the creative arts to return as a competitive dimension of the Olympics, this episode explores Jack B. Yeats and the cultural and political context of his win.
Support TCB at www.patreon.com/threecastlesburning
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At the Irish Museum of Modern Art, a new exhibition explores the life and work of artist Hilary Heron. Like many, I came away from it amazed that this important modernist sculptor was not better known here. Born in Dublin in 1923, her work achieved international recognition in her own lifetime. Dr. Billy Shortall is the author of an essay on Heron in the exhibition catalogue, and has done great work to bring her back to deserved prominence.
An article by Billy on Heron can be read at www.rte.ie/brainstorm/2021/0105/1187779-hilary-heron-sculptor-art-ireland/
Support TCB: www.patreon.com/threecastlesburning
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More than just one of Ireland's most beloved musicians, Martin Hayes is also the author of Shared Notes: A Musical Journey. In his memoir he introduces us to a host of brilliant characters, ranging from childhood friends and relations in East Clare to those who would become central to The Gloaming. One figure we meet is Tommie Potts, a Dublin firefighter from the Coombe and a fiddle player. The Liffey Banks remains a beloved record. In this excerpt from a conversation at London's Féile MOTH, Hayes discusses Potts and revisits a tune that means much to him.
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Orson Welles made his stage debut in Dublin. To him, The Gate Theatre would always be a part of the story of his own life development and professional career. Later, he returned to scenes of protest against the same theatre for hosting him. In time, all was forgiven and Welles would deliver an astonishing Q and A before a packed Dublin crowd who quizzed him on everything from American politics to the future of cinema.
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This year marks the 40th anniversary of Red Roses For Me, the first album from The Pogues. Borrowing its title from Sean O'Casey, it also carries literary influences like Ulysses and Brendan Behan proudly. As an exhibition on the London-Irish currently runs in Dublin's EPIC emigration museum, what better time to discuss this defining London-Irish band who still mean so much? Here Comes Everybody by James Fearnley (Faber & Faber) is available now.
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We know it as ‘On Raglan Road’, but the journey of the song that began life as a poem tells us a lot about Bohemian Dublin in an earlier time. In the Bailey tent at the Luke Kelly Festival, playwright Jimmy Murphy takes us through the story of the Kavanagh masterpiece Luke Kelly made his own. We also get a great rendition from Fergus Whelan (with a little help from Patrick Kavanagh in the recording!).
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Like his father Jim Hand before him, promoter Brian Hand would build a real and lasting relationship with The Dubliners over many years. For singer and actor Phelim Drew, the band were like an extension of family. In this discussion, recorded live at the Luke Kelly Festival, we get into great personal memories of The Dubliners and what the band still mean today.
Contains some bad language.
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Fifty years ago today, a series of no-warning car bombs erupted across Dublin and Monaghan. This would prove to be the bloodiest day of the Troubles. Immediately, questions were raised about how this event had come to pass. In a new documentary, director Joe Lee and producer Fergus Dowd explore what happened on 17 May 1974. Warning: This episode is quite graphic in describing the day. This episode of the podcast is dedicated to the memory of Derek Byrne.
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Temporary interventions into the Dublin streetscape have a curious history. This week, the livestream portal with New York made international headlines. For me, it recalled the CowParade, Bowl of Light and other such things.
When you put something out there on the street, there's no way of telling how people will respond.
Support TCB: www.patreon.com/threecastlesburning
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In 1970, the outdoor rock festival was a totally new idea in Ireland. Amidst press coverage of Woodstock and the Isle of Wight, focused on LSD and exagerated crowd trouble, the booking of Mungo Jerry, Thin Lizzy and others for Richmond Park would be the first Dublin experience of such a festival here. Why did this festival fail? And how, just a few short years later, had the festival become such an integral part of Irish youth culture?
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To the Dublin press, the American Civil War veterans in Dublin cut an unusual shape. These ‘Yankee’ characters looked different, but they also behaved differently. Under the direction of Captain Thomas J. Kelly, these men would be centrally important to the Fenian uprising of 1867. While history remembers this as a skirmish on a hill in Tallaght, much more happened in March 1867 than that.
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