Episódios
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Feminist Discourse in Irish Literature: Gender and Power in Louise O'Neill's Young Adult Fiction (Routledge, 2022) addresses the role of YA Irish literature in responding and contributing to some the most controversial and contemporary issues in today's modern society: gender, and conflicting views of power, sexism, and consent.
This volume provides an original, innovative, and necessary examination of how "rape culture" and the intersections between feminism and power have become increasingly relevant to Irish society in the years since Irish author Louise O'Neill's novels for young adults Only Ever Yours and Asking for It were published. In consideration of the socio-political context in Ireland and broader Western culture from which O'Neill's works were written, and taking into account a selection of Irish, American, Australian and British YA texts that address similar issues in different contexts, this text highlights the contradictions in O'Neill's works and illuminates their potential to function as a form of literary/social fundamentalism which often undermines, rather than promotes, equality.
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From Tudor to Stuart: The Regime Change from Elizabeth I to James I (Oxford UP, 2024) tells the story of the troubled accession of England's first Scottish king and the transition from the age of the Tudors to the age of the Stuarts at the dawn of the seventeenth century.
From Tudor to Stuart: The Regime Change from Elizabeth I to James I tells the story of the dramatic accession and first decade of the reign of James I and the transition from the Elizabethan to the Jacobean era, using a huge range of sources, from state papers and letters to drama, masques, poetry, and a host of material objects.
The Virgin Queen was a hard act to follow for a Scottish newcomer who faced a host of problems in his first years as king: not only the ghost of his predecessor and her legacy but also unrest in Ireland, serious questions about his legitimacy on the English throne, and even plots to remove him (most famously the Gunpowder Plot of 1605). Contrary to traditional assumptions, James's accession was by no means a smooth one.
The really important question about James's reign, of course, is the extent of change that occurred in national political life and royal policies. Sue Doran also examines how far the establishment of a new Stuart dynasty resulted in fresh personnel at the centre of power, and the alterations in monarchical institutions and shifts in political culture and governmental policies that occurred. Here the book offers a fresh look at James and his wife Anna, suggesting a new interpretation of their characters and qualities.
But the Jacobean era was not just about James and his wife, and Regime Change includes a host of historical figures, many of whom will be familiar to readers: whether Walter Raleigh, Robert Cecil, or the Scots who filled James's inner court. The inside story of the Jacobean court also brings to life the wider politics and national events of the early seventeenth century, including the Gunpowder Plot, the establishment of Jamestown in Virginia, the Plantations in Ulster, the growing royal struggle with parliament, and the doomed attempt to bring about union with Scotland.
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In the city of New York from the 1930s to the 1990s, Irish attorney Paul O’Dwyer was a fierce and enduring presence in courtrooms, on picket lines, and in contests for elected office. He was forever the advocate of the downtrodden and marginalized, fighting not only for Irish Catholics in Northern Ireland but for workers, radicals, Jews, and African Americans and against the Vietnam War.
With his shock of white hair and bushy eyebrows, O’Dwyer was widely recognized in politics and in the media. His work as a reform Democrat transformed the Democratic Party and his advocacy for peace and justice in Northern Ireland bore fruit in the Good Friday Agreement of 1998 that ended decades of conflict.
Until now, however, there has been no biography of this happy warrior for social justice. Fortunately, that problem has been remedied with a new book by Robert Polner and Michael Tubridy, An Irish Passion for Justice: The Life of Rebel New York Attorney Paul O’Dwyer (Cornell UP, 2024).
Host Robert W. Snyder is Manhattan Borough Historian and professor emeritus of journalism, and American Studies at Rutgers University. His latest book, When the City Stopped: Stories from New York’s Essential Workers, is due out in March 2025 from Cornell University Press. Email: [email protected]
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Dr. Aideen O'Shaughnessy is a Senior Lecturer in Sociology at the University of Lincoln. She has a PhD in Sociology from the University of Cambridge, an MA in Gender Studies Research from Utrecht University and a BA in Sociology and French at Trinity College Dublin. Her research focuses on gender, health, and social movements and she is particularly interested in the study of reproductive health, rights, and justice. She has published widely in journals including Body and Society, the European Journal of Women's Studies, and the BMJ Sexual and Reproductive Health.
Embodying Irish Abortion Reform: Bodies, Emotions, and Feminist Activism (Bristol UP, 2024) explores the lived, embodied and affective experiences of reproductive rights activists living under, and mobilizing against, Ireland’s constitutional abortion ban.
Through qualitative research and in-depth interviews with activists, the author exposes the subtle influence of the 8th Amendment on Irish women and their (reproductive) bodies, whether or not they have ever attempted to access a clandestine abortion.
It explains how the everyday embodied practices, bodily labours and affective experiences of women and gestating people were shaped by the 8th amendment and through the need to ‘prepare’ for crisis pregnancies. In addition, it reveals the integral role of women’s bodies and emotions in changing the political and social landscape in Ireland, through the historical transformation of the country’s abortion laws.
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Addressing questions about what it means to be ‘British’ or ‘Irish’ in the twenty-first century, Migrants, Immigration and Diversity in Twentieth-Century Northern Ireland: British, Irish or “Other”? (Palgrave Macmillan, 2023) focuses its attention on twentieth-century Northern Ireland and demonstrates how the fragmented and disparate nature of national identity shaped and continues to shape responses to social issues such as immigration. Immigrants moved to Northern Ireland in their thousands during the twentieth century, continuing to do so even during three decades of the Troubles, a violent and bloody conflict that cost over 3,600 lives.
Foregrounding the everyday lived experiences of settlers in this region, in this groundbreaking book, Dr Jack Crangle comparatively examines the perspectives of Italian, Indian, Chinese and Vietnamese migrants in Northern Ireland, outlining the specific challenges of migrating to this small, intensely divided part of the UK. The book explores whether it was possible for migrants and minorities to remain ‘neutral’ within an intensely politicised society and how internal divisions affected the identity and belonging of later generations. An analysis of diversity and immigration within this divided society enhances our understanding of the forces that can shape conceptions of national insiders and outsiders - not just in the UK and Ireland - but across the world. It provokes and addresses a range of questions about how conceptions of nationality, race, culture and ethnicity have intersected to shape attitudes towards migrants. In doing so, the book invites scholars to embrace a more diverse, ‘four-nation’ approach to UK immigration studies, making it an essential read for all those interested in the history of migration in the UK.
This interview was conducted by Niall Herron, a PhD student at Queen's University Belfast in Anthropological Studies, researching queer assemblages during the Troubles in NI.
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Anne Enright, writer, critic, Booker winner, kindly made time back in 2023 for Irish literature maven Paige Reynolds and for John Plotz in his role as host for our sister podcast, Novel Dialogue. In this conversation, she reads from The Wren, The Wren and says we don’t yet know if the web has become a space of exposure or of authority. We can be sure that the state of diffusion we all exist in is “pixilated”–though perhaps we can take comfort from the fact that “Jeff Bezos…is not as interested in your period as you might think.”
Anne speaks of “a moment of doom” when a writer simply commits to a character, unlovely as they may or must turn out to be. (Although The Wren The Wren harbors one exception: “Terry is lovely.”) She also corrects one reviewer: her characters aren’t working class, they’re “just Irish.” Asked about teaching, Anne emphasizes giving students permission to write absolutely anything they want–while simultaneously “mortifying them…condemning them to absolute hell” by pointing out the need to engage in contemporary conversation. Students should aim for writing that mixes authority with carelessness. However, “to get to that state of carefree expression is very hard.”
Although tempted by Lewis Carroll and Kenneth Grahame, Anne has a clear winner when it comes to Novel Dialogue's traditional "signature question": A. A. Milne’s Now We Are Six.
Mentioned in this Episode:
By Anne Enright:
The Gathering (2007; Booker Prize)
The Forgotten Waltz (2011)
The Green Road (2015)
The Portable Virgin
Taking Pictures
Yesterday’s Weather
Granta Book of the Irish Short Story
Making Babies: Stumbling into Motherhood
No Authority
Also mentioned:
Patricia Lockwood, No One is Talking about This
Sally Rooney on the social life of the young on the internet, e.g. Conversations with Friends
Christopher Hitchens, “Booze and Fags:”
Transcript.
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Mary McAuliffe is a historian and lecturer in Gender Studies at UCD. Her latest publications include (is The Diaries of Kathleen Lynn co-authored with Harriet Wheelock) and Margaret Skinnider; a biography (UCD Press,2020). Throughout the Decade of Centenaries 2012-2023 she has been conducting extensive research on the experiences of women during the War of Independence and Civil War and is currently completing her book based on that research, OUTRAGE: Gendered and Sexual Violence in the Irish War of Independence and Civil War, 1919-1923 (forthcoming 2025). Jennifer Redmond is Associate Professor in Twentieth Century Irish History in the Department of History at Maynooth University. She is the author of Moving Histories: Irish Women’s Emigration to Britain from Independence to Republic and the co-editor of Irish Women in the First World War Era. She also sits on the Editorial Board for the journal, Women's History Review and for the Documents in Irish Foreign Policy series, a joint initiative of the National Archives of Ireland and the Royal Irish Academy.
In this interview, they discuss their new edited collection The Politics of Gender and Sexuality in Modern Ireland (Four Courts Press, 2024) as well as their own intellectual backgrounds and views on Irish history-writing.
The Politics of Gender and Sexuality in Modern Ireland is an edited collection of focused, cohesive and persuasive essays, based on the newest research on gender, sexuality and sexual politics. It offers historical reflections and contemporary analyses of issues related to the contested and often hidden histories of sexual politics and gender identities in Ireland in the nineteenth and twentieth centuries. Including but going beyond the binary of male and female heterosexual experience, the book explores LGBTQI+ histories, the treatment of intersex persons, and the history of trans people and activism in Ireland. As an interdisciplinary work, this reader draws together scholars working in a range of fields on innovative, new research on this theme. The essays consider these histories as seen over two centuries and reflect on the societal shifts in modern Ireland as evidenced in two recent referenda and the responses to the scandals emerging from the state’s treatment of unmarried mothers.
Aidan Beatty is a lecturer in history at Carnegie Mellon University
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The history of monasticism in early Ireland is dominated by its flourishing during the sixth and seventh centuries, a period dominated by Columba of Iona and Columbanus of Bobbio, and later by the 'reform' spearheaded by Malachy of Armagh during the twelfth century. But what of monasticism in Ireland during the intervening period? Regarded as different from ' mainstream' Anglo-Saxon and continental monasticism, monastic life in Ireland has not been fully understood in scholarly discussions about the existence of distinct ' monasticisms' throughout Christianity.
The Irish sources, many written in the vernacular, are not accessible and are viewed as unconventional. The secularization of monasticism in Ireland has overshadowed evidence for a thriving lived monasticism. Edel Bhreathnach's book Monasticism in Ireland, AD 900-1250 (Four Courts Press, 2024) concentrates on those men and women who followed a monastic life, especially between the tenth and thirteenth centuries, and who maintained a universal monastic ideology while incorporating monasticism into their own cultural environment.
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The practice of Partition understood as the physical division of territory along ethno-religious lines into separate nation-states is often regarded as a successful political "solution" to ethnic conflict. In their edited volume Partitions: A Transnational History of Twentieth-Century Territorial Separatism (Stanford University Press, 2019), Laura Robson and Arie Dubnov uncover the collective history of the concept of partition and locate its genealogy in the politics of twentieth-century empire and decolonization. Moving beyond the nationalist frameworks that served in the first instance to promote partition as a natural phenomenon, the volume discusses creation of new political entities in the world of the British empire, from the Irish Free State, to the Dominions (later Republics) of India and Pakistan, and Palestine.
Yorgos Giannakopoulos is a currently a Junior Research Fellow in Durham University, UK. He is a historian of Modern Britain and Europe. His published research recovers the regional impact of British Intellectuals in Eastern Europe in the age of nationalism and internationalism.
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Hollywood is haunted by the ghost of playwright and novelist Oscar Wilde. Wilde in the Dream Factory: Decadence and the American Movies (Oxford University Press, 2024) by Dr. Kate Hext is the story of his haunting, told for the first time. Set within the rich evolving context of how the American entertainment industry became cinema, and how cinema become the movies, it reveals how Wilde helped to shape Hollywood in the early twentieth century.
It begins with his 1882 American tour, and traces the ongoing popularity of his plays and novel in the early twentieth century, after his ignominious death. Following the early filmmakers, writers and actors as they headed West in the Hollywood boom, it uncovers how and why they took Wilde's spirit with them. There, in Hollywood, in the early days of silent cinema, Wilde's works were adapted. They were also beginning to define a new kind of style -- a 'Wilde-ish spirit', as Ernst Lubitsch called it -- filtering into the imaginations of Lubitsch himself, as well as Alla Nazimova, Ben Hecht, Samuel Hoffenstein and many others. These were the people who translated Wilde's queer playfulness into the creation of screwball comedies, gangster movies, B-movie horrors, and films noir.
Wilde and his style embodied a spirit of rebellion and naughtiness, providing a blue-print for the charismatic cinematic criminal and screwball talk onscreen. Wilde in the Dream Factory revises how we understand both Wilde's afterlife and cinema's beginnings.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In The Puppet Masters: How MI6 Masterminded Ireland's Deepest State Crisis (Mercier Press, 2024), David Burke uncovers the clandestine activities of Patrick Crinnion, a Garda intelligence officer who secretly served MI6 during the early years of the Troubles. As the Garda Síochána launched a manhunt for the Chief-of-Staff of the IRA, Crinnion found himself playing a crucial role in the effort to track him down. Before his disappearance, Crinnion’s actions exposed a web of secrets including those of another British spy in the Irish police, damaging intelligence leaks, gunrunning by Irish politicians, and a cover-up related to the murder of a Garda.
Burke reveals MI6’s shady dealings, from attempts to smear Irish politicians to plans for using criminals as assassins and the secret surveillance of a key IRA member. Crinnion fled into exile. The Puppet Masters not only reveals what became of him but also provides an insightful look into a turbulent period marked by covert operations, betrayal, and the power struggle that shaped modern Irish history.
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Paige Reynolds's book Modernism in Irish Women's Contemporary Writing: The Stubborn Mode (Oxford UP, 2023) examines the tangled relationship between contemporary Irish women writers and literary modernism. In the early decades of the twenty-first century, Irish women's fiction has drawn widespread critical acclaim and commercial success, with a surprising number of these works being commended for their innovative redeployment of literary tactics drawn from early twentieth-century literary modernism. But this strategy is not a new one. Across more than a century, writers from Kate O'Brien to Sally Rooney have manipulated and remade modernism to draw attention to the vexed nature of female privacy, exploring what unfolds when the amorphous nature of private consciousness bumps up against external ordering structures in the public world.
Living amid the tenaciously conservative imperatives of church and state in Ireland, their female characters are seen to embrace, reject, and rework the ritual of prayer, the fixity of material objects, the networks of the digital world, and the ordered narrative of the book. Such structures provide a stability that is valuable and even necessary for such characters to flourish, as well as an instrument of containment or repression that threatens to, and in some cases does, destroy them. The writers studied here, among them Elizabeth Bowen, Edna O'Brien, Anne Enright, Anna Burns, Claire-Louise Bennett, and Eimear McBride, employ the modernist mode in part to urge readers to recognize that female interiority, the prompt for many of the movement's illustrious formal experiments, continues to provide a crucial but often overlooked mechanism to imagine ways around and through seemingly intransigent social problems, such as class inequity, political violence, and sexual abuse.
Disclaimer/apology: Slightly stormy conditions during the recording of the interview led to slightly reduced sound quality.
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Shahmima Akhtar is a historian of race, migration and empire and an assistant professor of Black and Asian British History at the University of Birmingham. She previously worked at the Royal Historical Society to improve BME representation in UK History, whether working with schools and the curriculum, cultural institutions, community groups or other learned societies. Dr. Akhtar has also worked closely with museums and heritage sites as a researcher and consultant on shaping histories of the British Empire for today’s populace.
In this interview, she discusses her new book, Exhibiting Irishness: Empire, Race and Nation, c. 1850-1970 (Manchester UP, 2024), which studies differing visions of Irish racial identities as displayed at various international fairs and expos.
Exhibiting Irishness analyses how exhibitions enabled Irish individuals and groups to work out (privately and publicly) their politicised existences across two centuries. As a cultural history of Irish identity, the book considers exhibitions as a formative platform for imagining a host of Irish pasts, presents and futures. Fair organisers responded to the contexts of famine and poverty, migration and diasporic settlement, independence movements and partition, as well as post-colonial nation building. Exhibiting Irishness demonstrates how Irish businesses and labourers, the elite organisers of the fairs and successive Irish governments curated Irishness. The central malleability of Irish identity on display emerged in tandem with the unfolding of Ireland's political transformation from a colony of the British Empire, a migrant community in the United States, to a divided Ireland in the form of the Republic and Northern Ireland.
Aidan Beatty is a lecturer in the history department at Carnegie Mellon University
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In this interview, he discusses his new book The Land War in Ireland: Famine, Philanthropy and Moonlighting (Cork UP, 2023), a collection of interconnected essays on different aspects of agrarian agitation in 1870s and 1880s Ireland.
The Land War in Ireland addresses perceived lacunae in the historiography of the Land War in late nineteenth-century Ireland, particularly deficiencies or omissions relating to the themes of the title: famine, humanitarianism, and the activities of agrarian secret societies, commonly referred to as Moonlighting. The famine that afflicted the country in 1879–80, one generation removed from the catastrophic Great Famine of the 1840s, prompted different social responses. The wealthier sectors of society, their consciousness and humanitarianism awakened, provided the bulk of the financial and administrative support for the famine-stricken peasantry. Others, drawn from the same broad social stratum as the latter, vented their anger and frustration on the government and the landlords, whom they blamed for the crisis. The concern of marginal men and women for the welfare of their less fortunate brethren was not so much the antithesis of altruism, as a different, more rudimentary way of expressing it.The volume’s opening chapter introduces the famine that tormented Ireland’s Atlantic seaboard counties in the late 1870s and early 1880s. The four chapters that follow develop the famine theme, concentrating on the role of civic and religious relief agencies, and the local and international humanitarian response to appeals for assistance. The 1879–80 famine kindled benevolence among the diasporic Irish and the charitable worldwide, but it also provoked a more primal reaction, and the book’s two closing chapters are devoted to the activities of secret societies. The first features the incongruously named Royal Irish Republic, a neo-Fenian combination in north-west County Cork. The volume’s concluding essay links history and literature, positing a connection between agrarian secret society activity during the Land War years and the Kerry playwright George Fitzmaurice’s neglected 1914 drama The Moonlighter. This original and engaging work makes a significant contribution to our understanding of modern Irish history and literature.
Aidan Beatty is a lecturer in history at Carnegie Mellon University.
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Irish Women in Religious Orders, 1530-1700: Suppression, Migration and Reintegration (Boydell & Brewer, 2022) by Dr. Bronagh Ann McShane investigates the impact of the dissolution of the monasteries on women religious and examines their survival in the following decades, showing how, despite the state's official proscription of vocation living, religious vocation options for women continued in less formal ways.
Dr. McShane explores the experiences of Irish women who travelled to the Continent in pursuit of formal religious vocational formation, covering both those accommodated in English and European continental convents' and those in the Irish convents established in Spanish Flanders and the Iberian Peninsula. Further, this book discusses the revival of religious establishments for women in Ireland from 1629 and outlines the links between these new convents and the Irish foundations abroad.
Overall, this study provides a rich picture of Irish women religious during a period of unprecedented change and upheaval.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Cian T. McMahon is an associate professor of history at University of Nevada-Las Vegas. His research focuses on the history and identity of the Irish Diaspora. In this interview, he discusses his new book The Coffin Ship: Life and Death at Sea during the Great Irish Famine (NYU Press, 2021), a social history of migration during the Great Irish Famine (1845-55).
Drawing primarily on migrants’ diaries and letters, The Coffin Ship reconstructs the experience of leaving Ireland by sea during the cataclysm of the Famine of the late 1840s and early 1850s, when approximately 2.2 million people left Ireland.
With chapters examining “Preparation”, “Embarkation”, “Life”, “Death”, and “Arrival”, McMahon not only provides an intimate account of migrant experiences but also places this migration into its British imperial and Atlantic contexts, tracing maritime routes from Ireland to Liverpool and from there to Quebec, the United States and Australia. McMahon’s book also investigates popular memories of the Famine, not least the assumption that the “coffin ships” that passed back and forth between Ireland and Eastern Canada were sites of mass death.
The Coffin Ship is published by NYU Press as part of their new Glucksman Irish Diaspora Series.
Aidan Beatty is a historian at the Honors College of the University of Pittsburgh
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In this interview, Dr. Nicholas Taylor-Collins discusses his most recent book Shakespeare, Memory, and Modern Irish Literature (Manchester UP, 2022).
Shakespeare, Memory, and Modern Irish Literature explores the intertextual connections between early modern English and modern Irish literature. Characterizing the relationship as 'dismemorial', the book explores how ghosts, bodies, and the land are sites of literary connection through which modern/contemporary Ireland draws on Shakespeare's England.
Dr. Nicholas Taylor-Collins is Senior Lecturer in English at Cardiff Metropolitan University. His reasearch focuses on Shakespeare and modern and contemporary Irish literature.
Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France).
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Marc McMenamin's Ireland's Secret War: Dan Bryan, G2 and the Lost Tapes that Reveal The Hunt for Ireland's Nazi Spies (Gill Books, 2022) is a thrilling account of the true extent of Irish-Allied co-operation during World War II. It reveals strategic Nazi intentions for Ireland and the real role of leading government figures of the time, placing Dan Bryan and G2 - the military intelligence branch of the Irish Defence Forces - firmly at the centre of the country's battle against Nazi Germany.
With the help of over thirty-five hours of previously unpublished audio recordings that were held in storage in northern California for over fifty years, McMenamin reveals the extraordinary unheard history of WWII in Ireland, told from the point of view of the main protagonists.
Fascinating and entertaining, Ireland's Secret War reassesses the legacy of the Irish contribution to the Allied war effort through the voices of those involved at the time.
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Marion Casey is a professor at Glucksman Ireland House at New York University where she also serves as Director of Undergraduate Studies. She has published widely on various aspects of Irish-American history and in 2006 she co-edited Making the Irish American: History and Heritage of the Irish in the United States with Joe Lee.
In this interview, she discusses Her most recent book The Green Space: The Transformation of the Irish Image (NYU Press, 2024), which surveys the changing images of Ireland and Irishness in American popular culture.
The Green Space examines the variety of factors that contributed to remaking the Irish image from downtrodden and despised to universally acclaimed. To understand the forces that molded how people understand “Irish” is to see the matrix—the green space—that facilitated their interaction between the 1890s and 1960s. Marion R. Casey argues that, as “Irish” evolved between the mid-nineteenth and mid-twentieth centuries, a visual and rhetorical expanse for representing ethnicity was opened up in the process. The evolution was also transnational; both Ireland and the United States were inextricably linked to how various iterations of “Irish” were deployed over time—whether as a straightforward noun about a specific people with a national identity or a loose, endlessly malleable adjective only tangentially connected to actual ethnic identity.
Featuring a rich assortment of sources and images, The Green Space takes the history of the Irish image in America as a prime example of the ways in which culture and identity can be manufactured, repackaged, and ultimately revolutionized. Understanding the multifaceted influences that shaped perceptions of “Irishness” holds profound relevance for examining similar dynamics within studies of various immigrant and ethnic communities in the US.
The Green Space: The Transformation of the Irish Image is published with NYU Press, as part of their Irish Diaspora series
Aidan Beatty is a lecturer in the history department at Carnegie Mellon University
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J.N. Darby and the Roots of Dispensationalism (Oxford University Press, 2024) describes the work of one of the most important and under-studied theologians in the history of Christianity. In the late 1820s, John Nelson Darby abandoned his career as a priest in the Church of Ireland to become one of the principal leaders of a small but rapidly growing religious movement that became known as the "Plymouth Brethren." Darby and other brethren modified the Calvinism that was common among their evangelical contemporaries, developing distinctive positions on key doctrines relating to salvation, the church, the work of the Holy Spirit, and the end times.
After his death in 1882, Darby's successors revised and expanded his arguments, and Darby became known as the architect of the most influential system of end-times thinking among the world's half-a-billion evangelicals. This "dispensational premillennialism" exercises extraordinary influence in religious communities, but also in popular culture and geopolitics. But claims that Darby created this theological system may need to be qualified -for all his innovation, this reputation might be undeserved. This book reconstructs Darby's theological development and argues that his innovations were more complex and extensive than their reduction into dispensationalism might suggest. In fact, Darby's thought might be closer to that of his Reformed critics than to that of modern exponents of dispensationalism.
Crawford Gribben is Professor of History at Queen's University Belfast.
Caleb Zakarin is editor at New Books Network.
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