Episodi
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As screenwriters, we work in a collaborative medium. But we also need to be the arbiters of great storytelling and are hired for our creative and unique visions. We work with other writers, producers, actors and directors, all of whom have opinions and thoughts that may conflict with your own. How do you captain the ship (script) while also respecting their input? Hosts Tasha Huo and Josh Hallman discuss!
TWIW: Josh went to the Emmys! And is writing a difficult sport on the body?
Questions / Comments: [email protected]
Edited by the GREAT Paul Lundquist
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Hosts Tasha Huo and Josh Hallman are at a mental low point in writing and discuss how they got there, the patterns of writing-depression they've noticed, and their helpful tips and tricks on how to get through it and keep writing. The ultimate deterrent to a writing career is giving up. Let's talk about how not to give up!
TWIW: The Bear S3 is taking chances!
Questions / Comments: [email protected]
Edited by the GREAT Paul Lundquist
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Episodi mancanti?
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Hosts Tasha Huo and Josh Hallman discuss what it's like to break and write a script in a TV Writer's Room, including the expectations you have as a writer versus the realities.
Questions / Comments: [email protected]
Edited by the GREAT Paul Lundquist
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Hosts Tasha Huo and Josh Hallman talk with writer-director Joe Russo about his latest horror film, THE INHERITANCE, which nearly became a victim of the latest wave of studio tax write-offs. Joe talks about how the idea for the script originally came together in 2018, about the process of writing an ensemble horror movie, producing the film during COVID, and the consequent difficulties of getting it to the public.
Questions / Comments: [email protected]
Edited by the GREAT Paul Lundquist
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Hosts Tasha Huo and Josh Hallman discuss the oft used (and incorrect) advice to writers of "Write what you know." Instead, they argue you should write anything you f***ing want! But if you do, make sure it is believable and well-researched, and Tasha and Josh give some examples from their own jobs where research has both served and hindered their writing. They address questions like How much research is too much? At what point in the process should you research? And how do you research effectively?
Questions / Comments: [email protected]
Edited by the GREAT Paul Lundquist
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Hosts Tasha Huo and Josh Hallman discuss what a "Central Question" is when it comes to screenwriting, why you need one and how to find it for your specific story. Inspired by a Screencraft Blog Post, they break down how a Central Question works in current movies and in their own work as practical ways to understand the concept and its use in your own stories.
Questions / Comments: [email protected]
Edited by the GREAT Paul Lundquist
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Hosts Tasha Huo and Josh Hallman discuss what it's like to go to San Diego Comic-Con as a writer, and some panels that proved useful in thinking about Screenwriting. Also, Summer movies are in full swing this year -- are movies back?!
Questions / Comments: [email protected]
Edited by the GREAT Paul Lundquist
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We're off this week, so we're re-releasing a conversation that we loved...
Tasha and Josh break down the mother/daughter story in Pixar’s BRAVE with special guest Michele Wolkoff (EP, Pigeon Tunnel and Rook). They discuss what works, what doesn’t (and why), and analyze how a directorial overhaul 18 months prior to release affected the story and underlying themes.
Questions / Comments: [email protected]
Edited by the GREAT Paul Lundquist
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Hosts Tasha Huo and Josh Hallman field email questions from listeners, including ways to better improve your dialogue, how to think about a "high-concept" idea, and what their process is when they approach different and distinct genres, like a Western vs. Sci-Fi, etc.
TWIW: Beverly Hills Cop Axel F, Longlegs, Ryan Reynolds' sacrifices on Deadpool, and how Tasha figured out how to find time for reading.
Questions / Comments: [email protected]
Edited by the GREAT Paul Lundquist
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Hosts Tasha Huo and Josh Hallman discuss their This Week in Writings, including a story from Josh about pitching a father-son story and the personal feedback he got in return, Tasha's meeting with her manager that transformed her working methods, an LA Times article saying Management is dead but is it really?, and what to do if you want to write a biopic but don't have the life rights?
Questions / Comments: [email protected]
Edited by the GREAT Paul Lundquist
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Hosts Tasha Huo and Josh Hallman discuss an interview with Bryan Cranston where he talks about how acting is a lifestyle, not a job. That same philosophy applies to a Screenwriting career, so they discuss how and why you must consider whether you want the lifestyle of a Screenwriter as much as the job of one.
TWIW: Do you flash your fangirl/boy tattoo in a meeting? / INSIDE OUT 2
Questions / Comments: [email protected]
Edited by the GREAT Paul Lundquist
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Hosts Tasha Huo and Josh Hallman break down all the many skills required of a Screenwriter to have a long-lasting career and not just a one-hit wonder. Spoiler alert: it's not just about great writing.
TWIW: Tasha has a breakthrough with AI / Is theater popcorn a meal replacement?
Questions / Comments: [email protected]
Edited by the GREAT Paul Lundquist
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We are halfway through the year, so it's time to look back on our New Year's Goals! Join hosts Tasha Huo and Josh Hallman as they do an honest mid-year check-in on their own goals for this year (which they have definitely not nailed) and discuss how we can all make stronger plans to accomplish those unfinished goals in the latter half of the year.
Questions / Comments: [email protected]
Edited by the GREAT Paul Lundquist
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You just got notes and you want to curl into a ball and cry. Please don't do that. Hosts Tasha Huo and Josh Hallman discuss what happens after you get notes. It can be intimidating. What's the process? Where to begin? Each scenario is different, and it's important to have a clear idea when you jump back into your writing.
Questions / Comments: [email protected]
Edited by the GREAT Paul Lundquist
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Hosts Tasha Huo and Josh Hallman have a great conversation with Matt Misetich from Script Pipeline. We discuss how Script Pipeline is an asset for writers, contests, Brag Bars, and dive into the state of the industry,
Questions / Comments: [email protected]
Edited by the GREAT Paul Lundquist
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Hosts Tasha Huo and Josh Hallman sit down again with Act Two writer and Screenwriter of AIR, Alex Convery, to discuss how his screenwriting career and craft has changed since AIR was released in April 2023, and how the flurry of accolades during award season changed his career. With AIR being an original spec, Alex also talks about where the power of a Screenwriter lays, and how to combat the stalemate that often accompanies a Screenwriting career.
Questions / Comments: [email protected]
Edited by the GREAT Paul Lundquist
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One of the most exciting things about Screenwriting is that everyone finds a different path to becoming a professional. Hosts Tasha Huo and Josh Hallman sit down with Keely Macdonald (AVATAR: THE LAST AIRBENDER, SLEEPY HOLLOW) to discuss her path to discovering a career in Screenwriting through her fan fiction, one big fat coincidence, and the Fox Writers Incubator program.
Questions / Comments: [email protected]
Edited by the GREAT Paul Lundquist
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Thank you all for an awesome mixer! Hosts Tasha Huo and Josh Hallman tell stories from their 2nd Act Two Podcast Mixer in Los Angeles and, since writers groups were created on the night, they discuss what makes a successful writer's group and what has made their group run strong for 15 years.
Questions / Comments: [email protected]
Edited by the GREAT Paul Lundquist
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The Act Two Mixer is fast approaching, and hosts Tasha Huo and Josh Hallman discuss what to expect from the event and gain more from your writing community.
TWIW: Can you send out an old version of a new script to different producers? / An awkward general and how to handle. / Josh watched UNFROSTED and has thoughts. / How editing footage is actually a writing skill.
Questions / Comments: [email protected]
Edited by the GREAT Paul Lundquist
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Screenwriting has its own special language, things that might sound insane if you aren't in the industry. We were inspired by the Screencraft article: 33 Terms Every Screenwriter Needs To Know. So, we dive into the article and discuss terms that screenwriters will hear and use...
Questions / Comments: [email protected]
Edited by the GREAT Paul Lundquist
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