Episodi

  • America's Punk movement was started on both coasts. Early proto-punks like the MC5 and the New York Dolls were followed by a number of other early iconic acts who played at several New York clubs, including CBGB's (Country Blue Grass and Blues), such as the The Ramones, the Talking Heads, Blondie, and Patti Smith. Meanwhile, LA and San Francisco had a decidedly more political movement propelled by bands like X, The Dead Kennedy's, and Black Flag. These bands had more in common musically with UK groups like the Sex Pistols and the Clash.

    In this episode, you'll see how the Punk Movement on both coasts continued to develop in the early 1980s, and you'll see what made these bands so utterly unique.

    You won't want to miss a minute!

    In This Episode

    The Ramones – Beat on the BratThe Ramones – Rock and Roll High SchoolU2 – The Miracle of Joey RamoneThe Ramones Family – Grammy AwardsThe Talking Heads – Psycho KillerThe Talking Heads – Once in a LifetimeThe Talking Heads – Burning Down the HouseDavid Byrne Interview – David LettermanBlondie – Hanging on the TelephoneBlondie – One Way or AnotherPatti Smith – GloriaPatti Smith – InterviewPatti Smith – Piss FactoryThe Dead Kennedy’s – Holiday in CambodiaThe Dead Kennedy’s – Kill the PoorJello Biafra – PMRC Interview (Parent’s Music Resources Council)Black Flag – Rise AboveBlag Flag – DepressionX – Los AngelesX – Johnny Hit and Run PaulineThe Violent Femmes – Gone Daddy GoneThe Pogues – If I Should Fall From Grace with GodGogol Bordello – ImmigradiadaGreen Day – American IdiotFlush the Orange Turd


    Links to related show content from prior episodes
    This episode refers back to a few topics covered in prior episodes.
    We invite you to learn more about these ideas!
    Use the links, below.

    Minimalism
    https://americansong.buzzsprout.com/1622638/9672982-the-celestial-pulse-of-minimalism

    The Blues
    https://americansong.buzzsprout.com/1622638/8276409-the-duality-of-the-blues-episode-7-of-american-song

    Call and Response
    https://americansong.buzzsprout.com/1622638/8532047-the-rising-of-gospel-music-and-how-it-inspired-the-world

  • When the dreams and promises you’ve placed your hopes in end up being a mirage, its only human to feel angry. In the mid 1970’s, a lot of teens and young adults found themselves in this camp. The nation’s shift toward a decidedly more cynical era could be heard in anti-war statements such as "War is not healthy for children and other living things" On the equal rights agenda, the demand for black civil rights encouraged a louder beating of the drum as seen in the rise of feminism. At the same time, both movements continued receiving backlash from the country’s conservatives, especially The "Silent Majority" campaign, responding to the ‘liberal excesses’ of the counterculture.

    Running through everything, there was a feeling that the social changes that the ‘60s had promised were as far away as ever. America’s kids were caught in the cross-hairs. America was experiencing an epidemic of frustration, anxiety and anger.

    With nothing to do, and a sense that the walls were closing in, teens living in places like New York, Detroit and Los Angeles, swam in an ocean of boredom and alienation that needed venting. Punk’s rawness and DIY attitude made it easy for anyone who had the need to hit back, or at least spit into the audience, to become an anti-hero.

    In this first of two episodes on the origins of American Punk, we draw a through line from early New York proto-punk bands like the Velvet Underground, the MC5 and the New York Dolls through to California bands like X, Black Flag and the Dead Kennedy's. You'll come away understanding how the idealism of the 1960's gave way to the cynicism and anger of the 1970's punk movement. And yet, through it all, America's kids were still demanding change and even in the cynicism, holding out for something better.

    In This Episode

    John Lennon - Give Me Some TruthScene from Fear and Loathing in Las Vegasthe Rolling Stones - Gimme ShelterTV News – End of Vietnam WarScene from “Network”Scene from the GodfatherThe Clash – Police on My BackPink Floyd – Have a CigarThe MC5 – Kick Out the JamsThe Stooges – I Wanna Be Your DogIggy Pop – InterviewThe Velvet Underground – Venus in FursThe New York Dolls – Jet BoyDavid Bowie – SuffragetteDavid Bowie – InterviewDavie Bowie – Ziggy Stardust and the Spiders from MarsDavid Bowie – Rock and Roll SuicideThe Ramones – Blitzkrieg BopThe Ramones - Interview


    Links to related show content from prior episodes
    This episode refers back to a few topics covered in prior episodes.
    We invite you to learn more about these ideas!
    Use the links, below.

    Minimalism
    https://americansong.buzzsprout.com/1622638/9672982-the-celestial-pulse-of-minimalism

    The Blues
    https://americansong.buzzsprout.com/1622638/8276409-the-duality-of-the-blues-episode-7-of-american-song

    Call and Response
    https://americansong.buzzsprout.com/1622638/8532047-the-rising-of-gospel-music-and-how-it-inspired-the-world

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  • This is the second half of a two-part episode

    In the late 1960's and early 1970's, Southern rock, a rebellious fusion of blues, rock and roll, and country music, emerged as the defiant cry from the heart of the South. Lynyrd Skynyrd's guitars wailed like banshees, their lyrics echoing the region's resistance to outside finger-pointing and strengthened a determination to preserve their own cultural identity. Never mind the warts and blemishes. The Allman Brothers Band played with improvisations like soaring eagles. Their music captured the untamed spirit, passion and raw energy of the South.

    The intensity of Lynyrd Skynyrd and the Outlaws was a force of nature, their music was a raw and unfiltered expression of southern pride. Their guitars roared like thunder, their drums pounded like a heartbeat, and their lyrics spoke of rebellion, and the indomitable spirit of the South.

    John Fogerty and Creedence Clearwater Revival's showed that Southern music extended past Southern borders. Their music, infused with idealism and earthiness, captured the hopes and dreams of ordinary people. Their melodies were catchy and memorable, their lyrics were simple yet profound, and their art spoke directly to the hearts of their listeners. CCR offered a sense of hope and possibility in a world often filled with uncertainty.

    Robbie Robertson and the Band's music was a tapestry of Americana, woven from the threads of blues, country, rock and roll, and folk. With songs written by a member of America’s first people, who crafted melodies that were both familiar and fresh, The Band captured the essence of the American experience. All its triumphs and tragedies, from the pinnacle of joy to the depths of sorrow, Robertson helped reveal a nation in search of an identity.

    All of this and more await you in this latest episode! Hope you enjoy it!

    Featured Artists
    Alabama
    The Allman Bros.
    The Band
    Black Oak Arkansas
    Carl Perkins
    The Charlie Daniels Band
    Creedence Clearwater Revival
    Graham Parker
    Hank Williams
    John Lee Hooker
    Lonnie Mack
    Lynyrd Skynyrd
    Molly Hatchett
    Muddy Waters
    Neil Young
    The Outlaws
    Rossington Collins Band
    Tom Petty and the Heartbreakers

    Links to Supporting Episodes

    Season One Episode Four
    Season One Episode Seven
    Season One Episode Eight
    Season Two Episode Eight

  • In the late 1960's and early 1970's, Southern rock, a rebellious fusion of blues, rock and roll, and country music, emerged as the defiant cry from the heart of the South. Lynyrd Skynyrd's guitars wailed like banshees, their lyrics echoing the region's resistance to outside fingerpointing and strengthened a determination to preserve their own cultural identity. Never mind the warts and blemishes. The Allman Brothers Band played with improvisations like soaring eagles. Their music captured the untamed spirit, passion and raw energy of the South.

    The intensity of Lynyrd Skynyrd and the Outlaws was a force of nature, their music was a raw and unfiltered expression of southern pride. Their guitars roared like thunder, their drums pounded like a heartbeat, and their lyrics spoke of rebellion, and the indomitable spirit of the South.

    John Fogerty and Creedence Clearwater Revival's showed that Southern music extended past Southern borders. Their music, infused with idealism and earthiness, captured the hopes and dreams of ordinary people. Their melodies were catchy and memorable, their lyrics were simple yet profound, and their art spoke directly to the hearts of their listeners. CCR offered a sense of hope and possibility in a world often filled with uncertainty.

    Robbie Robertson and the Band's music was a tapestry of Americana, woven from the threads of blues, country, rock and roll, and folk. With songs written by a member of America’s first people, who crafted melodies that were both familiar and fresh, The Band captured the essence of the American experience. All its triumphs and tragedies, from the pinnacle of joy to the depths of sorrow, Robertson helped reveal a nation in search of an identity.

    All of this and more await you in this latest episode! Hope you enjoy it!

    Featured Artists
    Alabama
    The Allman Bros.
    The Band
    Black Oak Arkansas
    Carl Perkins
    The Charlie Daniels Band
    Creedence Clearwater Revival
    Graham Parker
    Hank Williams
    John Lee Hooker
    Lonnie Mack
    Lynyrd Skynyrd
    Molly Hatchett
    Muddy Waters
    Neil Young
    The Outlaws
    Rossington Collins Band
    Tom Petty and the Heartbreakers

    Links to Supporting Episodes

    Season One Episode Four
    Season One Episode Seven
    Season One Episode Eight
    Season Two Episode Eight


















  • This is part two of a two-part focus on Reggae music.

    The heart of Reggae music has always been politics and spirituality.

    In this two part episode, you'll learn about some of the musical and political forces in Jamaica's colorful past that all contributed to the music that we celebrate as reggae today. From Marcus Garvey, the modern-day prophet who had a vision for the black people living in the new world, and Ethiopia's Emperor Hailie Salassie, whose formal title included "Lord of Lord, King of Kings, and Conquering Lion of Judah", and claimed to be a direct descendant of King Solomon and the Queen of Shebah, to great early reggae musicians like Derrick Morgan, and Desmond Dekker, to the firey Peter Tosh, and the brilliant reggae, who brought reggae to the rest of the world, Bob Marley - they're all here and you'll learn their stories, hear their music, and understand the major forces that fused to create a brand new genre.

    In this latest episode, learn the inside story of how Bob Marley came from crippling poverty in one of Jamaica's poorest neighborhoods to became reggae's greatest musical luminary, and how he then faced off against the brutality of systemic Jamaican racism to permanently change his country and the rest of the world.

    In This Episode

    Bob Marley and the Wailers
    1. Trench Town Rock
    2. Simmer Down
    3. 400 Years
    4. I Shot the Sheriff
    5. Rebel Music (3 0'Clock Road Block)
    6. War
    7. Exodus
    8. Is This Love
    9. Survival
    10. Could You Be Loved

    Also in this episode:

    Interview with Bunny Wailer, formerly with the Wailers
    Interview with Marlon James, Jamaican author of A Brief History of Seven Killings

    Continue the experience on line.
    Visit American Song Podcast Facebook page.

  • This is part one of a two-part focus on Reggae music.

    The heart of Reggae music has always been politics and spirituality.

    In this two part episode, you'll learn about some of the musical and political forces in Jamaica's colorful past that all contributed to the music that we celebrate as reggae today. From Marcus Garvey, the modern-day prophet who had a vision for the black people living in the new world, and Ethiopia's Emperor Hailie Salassie, whose formal title included "Lord of Lord, King of Kings, and Conquering Lion of Judah", and claimed to be a direct descendant of King Solomon and the Queen of Shebah, to great early reggae musicians like Derrick Morgan, and Desmond Dekker, to the firey Peter Tosh, and the brilliant reggae, who brought reggae to the rest of the world, Bob Marley - they're all here and you'll learn their stories, hear their music, and understand the major forces that fused to create a brand new genre.

    In this latest episode of American Song, you'll see how a tiny Spanish colony developed to become Jamaica as we know it today, and how Reggae was instrumental in helping Jamaican culture 'conquer the world'!

    In This Episode

    Paul Simon - Mother and Child Reunion
    The Flying Lizards - Money (That's What I Want)
    Bob Marley - Redemption Song
    Bob Marley and the Walers - 400 Years
    Burning Spear - Slavery Days
    Sly Mongoose - Count Lasher
    The Folkes Brothers - Oh Carolina
    Toots and the Maytals - 54-46 Was My Number
    Marcus Garvey (Political Speech)
    Derek Morgan - Forward March
    Ernest Ranglin - Below the Bassline
    Derrick Morgan - Tougher than Though (Rudie's in Court)
    Desmond Dekker - 007 Shantytown
    Desmond Dekker - Israelites
    Stephen Marley (with Ziggy Marley) - Selassie is the Chapel
    Peter Tosh - Let Jah be Praised
    Culture - Behold
    Sonjah Stanley - (Academic discussion)
    Third World - 96 Degrees in the Shade
    Peter Tosh - African
    The Skatalites - The Guns of Navarrone
    Mutabaruka - (Jamaican Poet; Dis Poem)
    Bob Marley and the Wailers - No Woman, No Cry
    Peter Tosh - Steppin' Razor
    Burning Spear - Lion

    Continue the experience online:
    Visit the American Song Podcast facebook page.

  • In today's episode, we’re going further up the musical family tree – into the funk. Funk grew in the shade of jazz, soul, R&B, gospel and rock. In time it’s going to give rise to other branches – for instance, disco, and hip-hop. It will influence branches that have been growing for a while already, like rock, jazz, even classical music believe it or not. Funk is growing in some difficult environments, like urban ghettoes. It’s impacted by some heavy weather, like the Civil Rights movement, and the war in Vietnam. There’s been a ton of cross-fertilization along the way. Funk’s going to become another important branch in our tree.

    Funk has a direct lineage out the blues and plantation communities, jazz, Pentecostal gospel music, soul and R& B. In a lot of ways, funk is a proud, positive re-telling of the African American social story. Heavy with improvisation, and syncopation – just like its musical grandparents are. Like the blues, jazz, R&B and soul, funks driving rhythms were the hardpan roadways that carried its soulful vocals. Likewise, funk sprang out of rock and roll which also grew out of the blues and soul. Funk and rock are first cousins in music’s family tree. And like soul, funk is steeped in emotion and feeling.

    In This Episode:
    James Brown
    The Meters
    Sly and the Family Stone
    Stevie Wonder
    George Clinton/ Parliament-Funkadelic

  • In this second episode of our third season, we pick up the trail and continue our exploration of jazz rock - a journey we started in episode one. In this episode, we'll take a close look at the amazing work done by three great bands in that genre; Steely Dan, Traffic, and Supertramp.

    Great songs, and interesting artist interviews abound! Here's what you can look forward to:

    INTERVIEWS WITH

    Donald Fagen
    Dave Matthews
    Jim Capaldi
    Dave Mason
    Steve Winwood
    Roger Hodgson
    John Helliwell

    FEATURED SONGS

    Steely Dan
    My Old School
    Deacon Blues
    Bodhisatva
    Reelin' in the Years
    Aja
    Cousn Dupree

    Traffic
    Mr. Fantasy
    John Barleycorn (Must Die)
    Medicated Goo
    The Low Spark of High Heeled Boys

    Supertramp
    All Along the Watchtower
    Surely
    Your Poppa Don't Mind
    Dreamer
    School
    Hide in Your Shell
    Easy Does It
    The Meaning
    Fool's Overture
    Breakfast in America
    Goodbye Stranger
    Don't Leave Me Now

    CURIOUSITIES
    Tom Lehrer - World War Three Blues
    Jay and the Americans - Capture the Moment
    The Joint - Freak
    Argosy - Mr. Boyd
    Argosy - Imagine



  • The first generation of jazz rock musicians had been heavily influenced by some of the pioneering jazz musicians who forged jazz fusion, beginning with Miles Davis. Miles was the first of the great jazz artists to venture into the new, amplified and electronic sounds of 1960’s rock music, and in doing it he recruited a number of very young, incredibly talented, and mostly unknown musicians who became giants in their own right,

    As a number of jazz musicians embraced elements of rock music, rock’s audience re-discovered jazz. Music is a living, breathing part of our culture, it is changeable in the hands of both listeners and players. We take it up and use it as it gives us pleasure. Just as jazz musicians were blending rock music into their art, rock musicians were equally influenced by jazz players, and they also added jazz elements into their own music.

    This is the first of a two-part deep dive into the world of jazz rock. In this episode, you'll see how some of rock's greatest musicians have been influenced by jazz. We'll also spend some time on a deeper dive into a few of the great jazz rock bands of the past, including Blood Sweat and Tears, and Chicago. In part two, we'll come back and explore the music of Steely Dan, Traffic and Supertramp. I think you'll enjoy it!

    Music In this episode:

    Weather Report: Boogie Woogie Waltz
    The Grateful Dead: Help On the Way
    John Coltrane: A Love Supreme
    Duke Ellington: Take the A Train
    The Modern Jazz Quartet: Bluesology
    David Bowie: Life On Mars
    Keith Richards: Blues Jam
    Nat King Cole Trio: Straighten Up and Fly Right
    Ornette Coleman:
    Jimi Hendrix: South Saturn Delta
    John McLaughlin: Devotion
    Charlie Watts: All or Nothing at All
    Tim Ries: Miss You
    Ginger Baker's Air Force: Da Da Man
    Miles Davis: Guinnevere
    David Crosby: Amelia
    Bob Dylan: Like a Rolling Stone
    Blood Sweat and Tears: I Love You More than You'll Ever Know
    Blood Sweat and Tears: God Bless the Child
    The Buckinghams: Kind of a Drag
    Chicago: Questions 67 and 68
    Chicago: Make Me Smile
    Chicago: If You Leave Me Now
    Chicago: It Better End Soon
    Chicago: Alive Again

    Interviews in This Episode
    Al Kooper
    David Crosby
    James Pankow
    Danny Serafine

    This episode is dedicated to the memories of:
    Charlie Watts
    Wayne Shorter
    David Crosby
    Thank you for all the beautiful music!




  • As jazz musicians started realizing that rock and electric bands were stealing their audiences, Miles Davis, who’s alternately been called most important musician in the history of jazz, the man who transformed jazz, and even the man who changed music itself, took the music in a new direction when he invented jazz fusion. In fact, during his lifetime, Miles didn’t change music just once, he did it five times.

    Fusion started happening in the late 1960s and early 1970s. Like trad jazz, it uses acoustic instruments like trumpet, trombone, saxophone, piano, guitar, bass, and drums, but to all that, fusion also adds heavy use of synthesizers, electric piano, drum machines, and effects-saturated electric guitars.

    IN THIS EPISODE:

    Santana: Welcome
    Interview: Teo Macero; Miles Davis' legendary record producer.
    The Free Spirits (featuring Larry Coryell) - Girl of the Mountain
    Gary Burton
    Norwegian Wood
    I Want You
    Steve Marcus
    Tomorrow Never Knows
    Interview: Larry Coryell talks about his early days in '60s New York City
    Miles Davis
    So What
    Stuff
    Tout de Suite
    Mademoiselle Mabry
    In a Silent Way
    Interview: John McLaughlin talks about playing with Miles Davis
    Interview: Teo Macero
    Jimi Hendrix
    Little Miss Lover
    Miles Davis
    John McLaughlin
    Miles Runs the Voodoo Down
    Time After Time
    Interview: Miles Davis talks about Prince



  • In today's podcast episode, we pick up our exploration of jazz fusion by looking at the amazing careers and music produced by a number of genius musicians who came out of Miles Davis' bands. We'll visit with Herbie Hancock, John McLaughlin and his band, the Mahavishnu Orchestra, Joe Zawinul, Jaco Pastorious and the band Weather Report, Chick Corea and his bands Return to Forever and the Elektrik Band.

    The forces that Miles pioneered and set in motion continued to evolve in multiple directions. You'll discover in today's episode, and you'll be able to hear from the musicians themselves about what it was like to play in these bands and create this adventurous, beautiful new music!

    IN TODAY'S EPISODE:

    Interview; Herbie Hancock from a lecture given at Harvard University
    Herbie Hancock
    Chameleon
    Watermelon Man
    Interview: John McLaughlin talks about what it was like to play with Miles Davis.
    Graham Bond Organisation: Train Time
    The Mahavishnu Orchestra
    Inner Mounting Flame
    One Word
    Eternity's Breath Pt. 1
    Weather Report
    Birdland
    Nubian Sundance
    Tears
    Herandnu
    Interview: Jaco Pastorious talks about his collaboration with Joe Zawinul
    Jaco Pastorious/ Weather Report
    Teen Town
    Interview: Pat Matheny
    Interview: Chick Corea talks about joining Miles Davis' band.
    Return to Forever
    Return to Forever
    Interview: Chick Corea talks about forming his band, Return to Forever
    Spain
    The Elektrik Band: Rumble
    Steely Dan: Aja

  • First of all, Happy Independence Day everybody! I'm so pleased to publish another episode of American Song on America's birthday!

    Back in America, ever since the plane crash in the winter of 1959 that ended the lives of Buddy Holly, Richie Valens, the Big Bopper, American rock and roll had been sort of losing steam. By 1964, it very easily could have just petered out. Certainly, the likes of Frankie Avalon, and post-army Elvis were not going anywhere exciting. It was a new day, what was needed was music for a new generation. The British Invasion shot a whole new attitude, excitement and energy right into the veins of American culture.

    Just like American culture changed England, the Brits changed American music. You can see that play out in the competition between the Beach Boys’ Brian Wilson and the Beatles. The English band's changed American culture, too. Sex was prolific. Drugs were everywhere. On the Merv Griffin show, Timothy Leary told his audience he'd used LSD 311 times and predicted a coming age when kids would be educated through the use of psychedelic drugs, unlocking their internal Smithsonian Institutes or Libraries of Congress.

    The British Invasion also caused a chain reaction all across America when local musicians formed new bands, for instance Roger McGuinn and David Crosby who formed the Byrds. It was a powerful response to the excitement, new sounds, perspectives, and inspiration that bands like the Beatles, the Stones, and the Who injected back into our rock scene.

    All this, and lots more, in this month's episode of American Song!

    IN THIS MONTH'S EPISODE:

    The Who - My Generation
    Bob Dylan - 4th Time Around
    The Beatles - Norwegian Wood
    The Beatles - You've Got to Hide Your Love Away
    Bob Dylan - Got to Serve Someone
    John Lennon - Serve Yourself
    The Rolling Stones - Crackin' Up
    The Beatles - Rain
    The Beach Boys - Wouldn't It Be Nice
    The Beatles - Sargeant Pepper's Lonely Heart's Club Band
    The Beach Boys - Good Vibrations
    Brian Wilson - Our Prayer/ Gee
    John Lennon - Promo for Tower Records
    Elton John - Texan Love Song
    Led Zepellin - Whole Lotta Love
    John Lennon - Cold Turkey
    Paul McCartney - Interview 1967
    The Beatles - Lucy in the Sky With Diamonds
    The Rolling Stones - 2000 Light Years from Home
    Dr. Timothy Leary - Interview 1967
    Blind Faith - In the Presence of the Lord
    John Lennon - God
    John Lennon - Interview 1966
    The Byrds - Eight Miles High
    The Standells - Dirty Water
    The Monkees - The Last Train to Clarksville
    Jimi Hendrix - Purple Haze
    Bob Dylan - Mr. Tambourine Man
    Paul Revere and the Raiders - Indian Reservation
    The Turtles - Happy Together
    The Lovin' Spoonful - Do You Believe in Magic
    Simon & Garfunkel - Mrs. Robinson
    The Young Rascals - Good Lovin'
    The Mama's and the Papa's - California Dreaming
    Tommy James and the Shondells - Hanky Panky
    The Beatles - Revolution 9
    The Doors - The End
    Vedder/ Tierney/ Krieger/ Manzarek - Doors Induction to Rock and Roll Hall of Fame
    The Velvet Underground - Heroin
    The Strokes - Walk on the Wild Side
    Sonic Youth - European Son
    U2 - Satellite of Love
    REM - Femme Fatale
    David Byrne - Candy Says
    Bowie/ Reed - Waiting for the Man
    Queen - God Save the Queen

  • With the big English interest in blues music, suddenly, America’s original bluesmen started hearing about the chance to reignite their careers with English, French and German audiences. Unbelievably, they found themselves welcomed, even celebrated. American Bluesmen like Big Bill Broonzy, after living years in poverty, discovered they could actually have careers in Europe. The Cunard Yanks, and the American Folk Blues Festival were the catalysts behind cultural and musical changes that revolutionized Britain in the years after World War 2.

    The impact on young English musicians was epic. The bands and musical brilliance of the period has been an inspiration for several generations that followed. You know the names: The Beatles, the Rolling Stones, the Who, The Kinks and many more. Now, hear the music, and learn the history!

    In this episode, you'll hear the stories, the music, and the artists who lived and created this formidable library of music that millions around the world are still listening to!

    Inspired by American music, sculpted, painted, and built by the English, the music is in many ways, still with us today. Enjoy this second installment in the story of the British Invasion!

  • England was caught between two cultures: the old order and whatever came after it. The rigid class distinctions between upper and middle classes were disappearing, and government reforms had a lot to do with it. The Conservative Party with their slogan, “Set the People Free,” won the 1951 election, and popular culture began to replace stuffy, upper crust stuff like classical music, opera, theatre, and fine art with mass-market media like radio, movies, and television.

    The BBC believed they had a responsibility to the nation to uphold the pre-war idea of ‘respectability’, or, at least, not broadcast music that could threaten the morality of England’s youth. It was a lot like the U.S. stations refused to broadcast black music in the U.S. in the ‘20s and ‘30s. More than that, they believed they claimed a responsibility to inform and educate the public in what it perceived as ‘good music’.

    English kids were being seduced by the rhythm and forward thrust of American entertainment with movies like Blackboard Jungle (where Rock Around the Clock was heard for the first time), Elvis, and Bill Haley & the Comets. Both these bands were MAJOR influences on those four guys from Liverpool, England. The other musical influencers from America were the living legends of American Blues.

    The timing was perfect for a musical revolution that would impact two continents!

    Welcome to Episode Eight, Season Two in the American Song series: American Song Ushers in a Changing of the British Guard.


    Thanks to Mark Davis, for the new bumper music included in this episode.
    You can learn more about Mark and his music at www.towakeyou.com!




  • In a country based on freedom, equal opportunity, and democracy, you’d think that lessons related to social justice would not need to be re-hashed so often. But that does seem to be our fate. And so, in every generation, we’ve witnessed one group after another struggle to claim their own share of the American dream.

    Music has had a huge role in raising awareness, unifying people, inspiring empathy, and challenging the status quo in every major social wave of change. Today, we’re looking at how American music was used, like the trumpets at Jericho, to knock down the walls that separated Hispanic Americans from the promises made to all Americans, beginning in 1776. In many ways, this is a fight that continues today, and its as true about the Hispanic struggle for justice as it's been for every group in our history. Hispanics have had a wide range of musical inspirations, including familiar faces such as Bob Dylan, Pete Seeger, and Woody Guthrie, and musical heroes from their own communities.

    Music from the black civil rights struggle was also borrowed, early on. But the most important parts of the cultural foundations that the Chicano community drew from came from their own Mexican heritage – especially the corrido, which we talked about last month in the Roots of Latin American music episode. As the revolutionary tide of the 1960s began to swell in American culture, Chicanos started by resurrecting the corrido, and added to it a new, political consciousness, giving air to their grievances and struggles. Soon, out of the streets, and in the rising youth movement, Chicano rock and roll bands from both sides of the border were filling the radio waves, and encouraging their own people to advance towards a better future.

    Welcome to Episode 22, American Song and the Fight for Hispanic Equality.

    In This Episode:
    Agustin Lira
    Azteca
    Cannibal and the Head Hunters
    Chan Romero
    El Chicano
    Carlos Santana
    Chuy Negrete
    Clarence Sonny Henry
    The Village Callers
    El Jarocho
    Thee Midnighters
    Freddy Fender
    Trini Lopez
    Jose Suarez
    Los Shakers
    Los Lobos
    Los Teen Tops
    Ozomatli
    Richie Valens
    Robert DeNiro
    Son Jarocho Master Musicians








  • Before the arrival of Colombus and the Spanish, Puerto Rico was peopled by the Taino tribe. They’d called it home – and paradise – for over 1,000 years, having come either from the Amazon river basin, or maybe from the Colombian Andes before they arrived on the island. In our March episode, we talked about the Jones Act – a law made during the Wilson presidency. The chief goal of that act was to help the U.S. shipping industry recover after World War I. It also annexed Puerto Rico, and gave citizenship to everyone living there.

    U.S. citizenship started major migration to the U.S. mainland. At first, Puerto Ricans settled into East Coast cities like New York and later Miami where mostly they were stuck in the bottom end of the labor market, working as domestic workers, in manufacturing jobs (back in the old days when we still had those in America, and maintenance industries.

    Puerto Rican Americans, on both sides of the US coast, have contributed beautiful music to the American Song jukebox. These songs echo the rich cultures that became Puerto Rico, their love for their island home, their struggles in the United States and their determination to succeed, despite the hardships.

    Today's episode builds on what I began in March, adding more current sounds to the mix. I think you'll find it equal parts fascinating, and entertaining!

    In This Episode:

    Bomba street musicians in Old San Juan Puerto Rico
    Fiel a La Vega
    Field Recording of La Tierruca (old Puerto Rican woman)
    Haciendo Punto en Otro Son
    Hector Carrasquillo Sr.
    Original Cast from West Side Story
    Pablo Milanés
    Piri Thomas
    Ricky Martin
    Roy Brown
    Steven Colbert
    Taina Asli

  • Latin music and 'American' music were once considered to be separate and unique. They had distinctly different properties and music labels managed them differently. But not anymore.

    Danny Ocean is a singer-songwriter and native of Caracas, Venezuela, and has said “Music is something that transcends beyond any language or nationality…it’s all about being a global artist.” Latin music has become mainstream - it's no longer a 'crossover' genre. Today, Latin culture is American culture. Latins are now the largest minority in the United States, and the second largest ethnic group after whites.

    All across Latin America, the cultures that we talked about in episode 4 have combined to create distinct, regional music and dances that have each entertained and inspired the people in their home nations, while also making their way to our homes in the United States and entertaining people across the entire world! Salsa, mambo, rumba, calpyso, bomba, latin jazz, samba, batucada, samba de enredo, bossa nova, tango, festejo and lando. These are the names of the inspired music that came out of the New World once the Spanish, Portuguese, Native Americans, and Africans blended their music and rhythm. In this episode, we'll hear examples and learn about the artists, and cultures that devoted their lives to this fabulous art!

    You're in for a treat! Enjoy!

    In Today's Episode

    Tango - La Cumparsita
    Ignacio Pineiro - Echale Salsita
    El Orquesta Belisario Lopez - El Cimarron
    Orquesta Arcano y sus Maravillas - Mambo
    Perez Prado - Cherry Pink and Apple Blossom White
    Julian Whiterose - Iron Duke in the Land
    Hubert "Roaring Lion" Charles - Mary Anne
    Hary Belafonte - Jump in the Line
    BP Renegades Steel Orchestra - Like Ah Boss
    Winston "Mighty Shadow" Bailey - Bass Man
    Bomba Example
    Ismael Rivera - Volare
    Plena De Puerto Rico
    Tito Puente
    Machito _ Ni Chi, Ni Cha
    Willy Colon y Ruben Blades - Buscando Guayaba
    Rumba Examples:
    1. Yambu
    2. Guaguanco
    3. Columbia
    Stan Getz / Luiz Bonfa - So Danco Samba
    Candomble Example - Orixa Ossaim
    Ernesto "Donga" Dos Santos - Pelo Telefone
    Os Oito Batutas - Meu Passarinho
    Noel Rossa- Com Que Roupa?
    Batucada Bradileira
    Ratos e Urubus - Larguem Minha Fantasia
    Frank Sinatra / Antonio Carlos Jobim - The Girl from Impanema
    Jorge Ben - Mais Que Nada
    Bola Sete - Baccara
    Luis Correa - Siete Mujeres
    Libertad Lamarque - Yo Soy La Morocha
    Carlos Gardel - Mi Noche Triste
    Anibal Troilo - Te Aconsejo Que Me Olvides
    Pepe Vasquez - Ritmo de Negros
    Oscar Aviles/ Arturo Cavero - El Alcatraz
    Charango example - Sebastián Pérez
    Cajon Example - Maestros del Cajon Peruano
    Charagua Example - Son de los Diablos


  • In this episode, we shift focus to consider another important cultural vein, brought here by the Spanish, and rising out of the American west and Southwest as well as New York City – and obviously all of Central and South America, Cuba and Puerto Rico.

    A few things have struck me as I’ve been putting my thoughts together for these next few episodes. Of course, the first thing is that – just like in earlier genres that we’ve talked about – the music we hear today has gone through a long journey of changes. Second, like jazz and the blues, the music often gives voice to the frustrations and struggles Latin Americans have experienced while hacking and carving out their own rightful place in America.

    In this episodes, we’ll explore the origins of Latin music, – not just in the United States, but on a wider level, across most of the New World. When the Spanish and Portuguese came to the New World, they brought European music traditions with them, including the influences from several hundred years of Moorish occupation of Southern Spain. They were coming to a land that had already been hope to millions of Native Americans - stretching from the Bering Strait to the southern tip of Argentina - and the people that lived here had their own musical traditions that made their way into Latin music. African slaves also brought their rhythms. Like we've seen in American music, African traditions would have an enormous impact on music that would develop over centuries.

    This is a fascinating musical journey - I’m so excited to share it with you!

    In Today's Episode:

    Gypsy Kings - Una Amor
    Ancient Consort Singers - Serenisima Una Noche
    Spanish-Arabic Music of Andalucia
    Flor De Un Dia
    Djembe tribal drumming
    Native American Flute with Tribal Drum
    Jorge Reyes - Native American (Mexico) Music
    Traditional Inca Music Being Played in Cuzco
    Los Monjes del Monasterio de Silos - Gregorian Chant
    Gloria Missa de Los Angeles - JUan Bautista Sancho - 18th Century California Mission Music
    Zephyr -El Cantico del Alba - A Choir of Angels II: Mission Music
    Charles Lummis Wax Cylinder - Corrido de Leandro Rivera
    Lydia Mendoza - Mal Hombre
    El Vez - Rock and Roll Suicide/ If I Can Dream

  • In our July, 2021 episode on the first generation of folk music, “Folk Music Stood for America”, we talked about how the music was swept up in the major social movements of the day, especially the socialist/ American Communist party movements which gathered speed because of events like the Great Depression and the Dustbowl.

    The second revival of the 1960’s also had its own causes; the war in Vietnam, Civil Rights, and the Women’s movement primarily. The ‘60s was the era when all the WWII war babies grew up. Highly idealistic, they wanted to seize the moment in history and change the world for the better. Raised in the suburbs of the concensus-driven fifties, and living under the palatable fear of the Cold War, with Eishenhower’s warning about the military industrial complex ringing in their ears, seeing their classmates ship off to Vietnam, and shipped back home in body bags, they’d grown cynical about their parent’s generation and demanded change NOW.

    Folk music was the soundtrack to their rebellion; you could hear it played on college campuses all over America. Many of the musicians matched that idealism note for note. That’s the theme of today’s episode, Folk Music Played the Changes in American Society.

    Artists Featured in This Episode
    Tom Paxton
    Richie Havens
    Peter, Paul & Mary
    Rev. Martin Luther King, Jr.
    Bob Dylan
    Phil Ochs
    Crosby, Stills & Nash

  • The 1960’s were a period of massive social change and tension all over the country – all over North America in fact - because we have to include Canada, too. The conditions were just right for a whole group of passionate, inspired, and gifted young singers and songwriters to lift their voices. They came from many different American communities; Jewish immigrants, First Nations people, Americans, Canadians, African Americans, Hispanics, Caucasians, from the cities and from the heartland. All of them had a message to share with their generation, and a desire to build a better world.

    This episode is about a number of these artists, and the legacies they’ve left behind. Many of them are still with us today, and a few of them still create new music. Welcome to today’s episode, 1960’s Folk Music: How the Fire Spread.

    Artists Featured in this Episode
    Fred Neil
    Dave Van Ronk
    Karem Dalton
    Buffy Sainte-Marie
    Leonard Cohen
    Ramblin' Jack Elliott
    Brothers & Curry
    Bob Dylan
    Simon & Garfunkel
    Paul Simon
    Joni Mitchell